Galette, Issue 3 is the third volume of the quarterly Galette Yuri Anthology created by a bunch of folks whose love for Yuri equals or exceeds my own. It is the first Yuri anthology you can get on US Kindle (albeit still in Japanese language) as well as on JP Kindle and in print from Amazon and in print from another system, Booth, that will ship overseas. (People in Japan also have options of buying it at Comic Zin, Animate, Shosen Book Tower, Gamers, Melon Books and more.) And you can support it on Patreon-like crowdfunding platform Enty and get – depending on what level you support the work at – early copies of the magazine digitally and various extras. In every way, other than in content, Galette is ground-breaking. So let’s talk about the content.
Galette still has a lot of school-girl stories, from Amano Shuninta’s emotional look at a one-sided love in “Fuma-kun” to Hiyori Otsu’s interesting take on the girl wearing earphones in “Nutmeg”. When you remember how much of Japanese kids’ life is tied up in school activities (teams and clubs, which in the USA can also be community-based are largely school-based in Japan) it makes sense that this is where one might also find friendship, love and lust.
But lesbians don’t die when they graduate and many of us end up in college or careers, still trying to find ourselves. Gotou’s “Takaramono” (which I dubbed “Dude, what do I have to do to get you to notice I want to kiss you” ) was a decent example of that. Ringo Hamano’s “Cotton Candy” took a bit of a twist to show us just how important having adult role models can be to a young woman. And Yatosaki Haru’s “Futari no Arcadia” took a tired trope and turned it into a tale of human frailty.
Fantasy gets played with a lot in Galette. Hakamada Mera takes the innate love of uniforms and Rose of Versailles so many of us have (^_^;) and turned it into a nice little story about two very likable young ladies in “Fuwafuwa Futashika Yumemitai.” Takemiya Jin gets to play around in the darker desires of some humans in the creepy-sexy “Marionette.” I like that Takemiya-sensei is looking at more manipulative characters. She’s established her lesbian cred with her audience, and gets to talk about how not all love is healthy. It’s one thing to be pathologized by straight artists, and another to have one of us note that some people are just not good people.
Morinaga Milk tells a story that will resonate with a lot of adult lesbians who fall for the straight women in their lives…who then awkwardly begin to question their sexuality in “Watashi no Kawaii Neko-chan” (a story that I feared based on the title, but has turned out to be more about human mortification than cats.)
And Kita Izumi and Momono Moto’s “Liberty” has continued to be excellent, with a silly twist, but one that keeps the story firmly rooted in adult life. I look forward to this story with every issue, as it hits the right notes of setting, character design, and tension for me.
I love the guest art – Etsuko’s color spread is very nice – and I like the photography by Takahashi Minori. The cover design is just lovely. Issue 3 came with a copy of Petit Galette, an omake volume with a few short comics and a prose story.
Issue 3 has a pretty all-star lineup, with a few notable omissions. Luckily for us, one of those obvious names – Morishima Akiko – will be joining the lineup next issue. Now all I need is for Nishi UKO and Hojou KOZ (UKOZ) and Hayashiya Shizuru to join them and I’ll have all my faves in one place. ^_^ Still, Galette is turning out to be the Yuri magazine I’d hoped it could be. I now hope to see a bit more lesbian identity and it’ll be perfect. ^_^
Art – 9
Characters – 8
Service – 6 Nudity
Yuri – 10
Overall – 9
Way back in 2005 or 2007 or so, I joked that odd-numbered years are always really good for Yuri. That’s switched around here and there, but here we are in 2017 and I think this is the best year we have ever had for Yuri in the almost-20 years I’ve been doing this. May our tribe increase.