Archive for the Ikuhara Kunihiko Category


Yuri Bear Storm, Volume 3

March 9th, 2020

In Volume 1, we met Kureha, a girl who hates bears and Ginko, a girl who is positive she is a bear. In Volume 2, we met Lulu who is is love with Ginko because of a childhood promise. We learned that Ginko and Kureha are in love, but that there is a secret that lay between them that is killing Ginko. Today we’re looking at Volume 3 of Yuri Bear Storm, the  English language edition of Yuri manga adaptation of Yurikuma Arashi, by Ikuhara Kunihiko, with art by Morishima Akiko,

In other Ikuhara stories, we’ve seen reality fractured into small pieces to be put back together, different realities layered on top of one another and here we have the entire narrative completely disassociated from its own reality.

There are no bears and everyone is a bear. Leia is dead or missing, but she’s alive and can be found. Lulu’s brother is dead, but he’s alive and standing right there, Sumika is a bear witch, but actually she’s just a kind person. And Kureha and Ginko are fated not to destroy each other.

In the end, we learn what that Ginko’s secret is, that it is untrue, that the real secret is that Ginko and Kureha are the inheritors of a love triangle between their mothers and Yuriika, everyone who we thought was dead is alive and we all end up happily ever after.

The end.

Ratings:

Art – 8
Story – 7
Characters – 8 I cannot be the only one who would like a story about Leia, Yuriika and Kale in that Estonia Bear preserve.
Yuri – 8
Service – 3

Overall – 8

I’ve read this twice, watched it three times and it still basically makes no sense at all. ^_^ Which is perfectly okay.

I raise a glass to everyone at Tokyopop who worked on this, because there was no real way to make it make sense, which complicates things like translation and editing considerably! That said, Tokyopop, can you please confirm final covers on your solicits? It looks weird with all your listings saying “cover not final” for eternity.





Yuri Manga: Yuri Bear Storm, Volume 2 (English)

December 9th, 2019

We met Kureha, a human surrounded by bears, and Gingko, the bear princess with whom she falls in love in Volume 1.

In Volume 2 of Yuri Bear Storm, what is already a confusing story, takes on extra layers of obfuscation as Lulu, another bear in love with Gingko, shows up. The three of them end up living together, and we begin to learn that Gingko and Kureha are linked by a long list of connections, not the least of which is that their mothers, and Yurika, the school principal, were apparently lovers in the past.

While every piece of the plot is presented as a “Once upon a time” fairytale, none of those pieces seem to fit together, quite, although they clearly belong to the same puzzle. By the end of volume 2, we can see that Gingko and Kureha are bound by fate, but how, exactly and what that fate is, are seen from two sides of a one-way mirror. Each girl knows the other is there, but they can’t quite see….

And added to the equation is the appearance of Bear Witch Sumika, (Kureha’s lover from the anime.) She appears to know something about Kureha that the girl doesn’t know about herself. What that is, we might learn, but equally, we might not, in this Ikuhara Kunihiko story, stamped all over with the seal of a lily, but frequently without plot threads that connect.

I really love this manga for Morishima Akiko’s art, and the cognitive dissonance between her cherubic characters and the significant psychological (and, occasionally, physical) violence of the story. These are the cutest bears disemboweling humans you’ll ever see.

Translator Katie McLendon does heroic work making this story make as sense as it possibly can, while the entire Tokyopop team does a fine job of giving this book the feel and finish it deserves.

Ratings:

Art – 8
Story – 7
Characters – 8 We get more Yurika!
Yuri – 8
Service – 5

Overall – 8

For an adorable fairytale about multiple three-person relationships, death, destruction loss and love, Yuri Bear Storm is a pretty amazing (if not “good”) story.





Shoujo Kakumei Utena After The Revolution Manga (少女革命ウテナ After The Revolution)

July 25th, 2018

When Tenjou Utena disappeared from Ohtori Academy, life for the students moved on.

Or, did it?

In Shoujo Kakumei Utena After The Revolution  (少女革命ウテナ After The Revolution) twenty years have passed. Touga and Saionji have become competitive art dealers. But a simple card telling them that “those who seek the power to revolutionalize the world, should return to Ohtori” inspires them to come back and discover that what they had forgotten on the dueling ground.

Juri has spent 20 years as a competitive fencer so she will be a worthy prince to the princess she’s chosen to protect, her Shiori. A competition is crashed by Ruka, who promptly attempts to steal Shiori from her. He must be defeated on the dueling ground in order for Juri to find herself.

Miki has become a concert pianist, but he is facing a crushing artistic block since Kozue fell into a coma, after her husband beat her. Miki and Kozue find themselves on the dueling ground facing each other and attempt to rebuild their relationship from scratch.

In each case Utena appears as both a child harbinger of crisis and as Dios falling from the castle, signalling resolution. But it’s not until Kozue and Miki create a staircase of music, that Utena can ascend to find Anthy – still crucified – and free her at last so they can be together.

The end of the manga sees them all freed, (again,) but in doing so, it gave each of them a completely new history, a backstory that differed from either of the previous manga versions or the two animated versions. To make this manga make sense, we have to ignore the title – this is not really “after the revolution at all.” Sure, they’ve aged, but they haven’t grown. It takes one last duel to push them forward.

Ratings: 

Art – 9 I *have* mentioned that Saitou-sensei’s art is amazing.
Story – 8 One point off for not giving Utena and Anthy the time and page count lavished on the student council
Characters – 8
Yuri – 5 
Service – 3 Naked Anthy still a thing.

Overall – 9

These are not the choices I would have made for a 20th anniversary story, but I respect that these were the choices made by the original team. I just wish we had been able to see both Utena and Anthy 20 years later, as well.





20th anniversary Revolutionary Girl Utena Manga: Beautiful Thorns (少女革命ウテナ20年記念日新作)

March 18th, 2018

Image Restored/Edited by abbysayswords for The Empty Movement, 2018.

In my review of the first chapter of the 20th anniversary Revolutionary Girl Utena manga, we discussed Touga and Saionji and how they regained some memory of Anthy and Utena after 20 years had passed.

Today, before I begin discussing the 2nd chapter of the 20th anniversary Revolutionary Girl Utena manga by Saitou Chiho and Be-Papas,  which ran in the March 2018 issue of Flowers magazine, I ask you to take a moment to think back on high school. For most of my readers, that will be long enough ago for memories to have begun to fade. Think back 20 years ago. Who were you then? What did you want? I remember little of high school and even less of myself in my early 30s. It’s a long time ago.

Arisugawa Jyuri (we have an official transliteration of her name at last) also remembers little of the past. On the eve of a photo shoot, she dreams of drowning.

Jyuri is an accomplished famous fencer. In her mid-30s, there’s no reason to assume her skill is any less now than it had been. In the final match for the World Title, her opponent appears….it’s a man, who wears a rose ring! They fight, but the electrical system shorts out due to a lightning strike and the match will have to be postponed. She wonders who that man was and Miki, who had attended the match to cheer Jyuri on, comments, confused, “What are you talking about? Your opponents were all women.”

As we might have expected, beautiful, long-limbed and graceful, Jyuri is also a professional model. And, as we watch, our eyebrows crawling ever higher, she does a photoshoot…is that fucking Ohtori?! Yes, it is Ohtori, and she stands in the greenhouse, or sprawls across the chairs with signs that literally point to the waiting room, while our skin crawls. 

Jyuri is also with Shiori. I have a lot of conflicted feelings about this. I hate series that act like the only possible pairing is among the characters in the story. But bear with me here, because it’ll get even more conflicted. Shiori is Jyuri’s agent and manager. She rejects a costume that shows too much cleavage. “We have to protect Jyuri’s image as a dashing fencer.” Which leads Jyuri to talk about something on her mind – she’s thinking of leaving fencing. Shiori says, well I have to tell you something, too. And standing there is the man who Jyuri fought in the fencing match! Wearing a Rose Seal ring. And, as the Jyuri watches, he poaches her manager. Shiori leaves Jyuri, on the arms of Ruka. Jyuri breaks down crying that she needs Shiori.

We see Jyuri in those days before she took up the uniform of the Student Council. Just another female Ohtori student, as she sees a little Shiori, looking like a princess. A princess, she reasons, needs a prince. So, when Shiori arrives at Ohtori and comments she finds the fencers admirable, Jyuri took up fencing and managed to obtain Shiori’s admiration. She would be this princess’s prince. One day, Ruka find Jyuri on her hands and knees, desperately searching for her locket in a field where she thought she dropped it.  Ruka and Jyuri fight. She is unable to defeat him in this informal bout, but he gives her the locket she has been missing….he knows. He knows what she is.

Ruka and Jyuri face off again. This time he brings them to the dueling ground where Shiori is the Rose Bride. Pushed to her limits, Jyuri has a vision of a young woman, (we recognize Utena,) who floats down from the castle and gives her the “Power to Revolutionize the World.” 

Jyuri sees Shiori sitting by the river, slipping in, and jumps in to save her. She is drowning….she is being left to drown…she is being drowned. We know this scene. We recognize that bench. We can hear the music. We know it and we know that it never happened to Jyuri. 

Young Jyuri wakes in a hospital, where Shiori tells her Ruka died saving her. Jyuri wanders down a hallway and finds herself in a chapel, where child Utena sleeps in a coffin full of roses. The child calls her a goddess of battle and Jyuri remembers that Ruka had called her his “Goddess of Battle, Lily.” The child begins to walk away, Jyuri asks, “where are you going?” The girls replies, “I want to see that girl again.”

Back in the present, Juri finishes the fencing match and fingers the locket, still around her neck. Her opponent removes their mask and it is indeed not Ruka whom she fought, but a woman, (who looks rather put out.)

In the locker room after receiving the championship cup, Jyuri tells Shiori that she’s done. Shiori begins to cry – are you really not going to fence anymore? “No,” Jyuri says, I’m not going to fight for you anymore. I’ve been fighting to be your prince, to protect you.” She accepts that she really just loves fighting and will do it now for herself. 

Shiori seems to understand. She tells Jyuri that she had had a dream of Ruka walking away from her, with a smile telling her that Jyuri has found the thing she was looking for.

Jyuri opens up the locket and we see that it still contains that old picture of Shiori. Carved by hand into the metal of the inside cover it says “Fight Jyuri!” in English. 

The last page shows Ruka and Jyuri walking away from one another. The page says 「戦え樹璃」with furigana that reads “Fight Jyuri”.

Phew. 

So many feels. But what actually happened?

Jyuri experienced three things in this chapter that never actually happened to her. We know that. She did not fight Ruka in the championship bout, she did not see Shiori drown, and…Shiori did not leave her for Ruka. Not 20 years ago. Not now.

It calls into question everything we know about her. What if Shiori never did any of the things we thought she did? The Black Rose arc was clearly feeding off of participants’ dark fantasies. What if Shiori wasn’t ever a master manipulator and was – and always has been – Jyuri’s closest friend who wants what was best for her? We may never truly know. 

As I have been saying repeatedly, Saitou-sensei’s art has really grown in 20 years. The aesthetic here is even more gorgeous than we remember it. And I’d be okay with an artbook of Jyuri playing dressup. ^_^

Ratings:

Art – 9 Gorgeous
Story – 9 I’m re-reading every word trying to pull out more meaning. Sometimes doing that is ridiculous, but here, it’s always worth the effort.
Characters – 9
Yuri – 4 I don’t know if Shiori and Jyuri are a couple, but they are certainly a partnership
Service – 5 – Jyuri playing dressup as a swordswoman and a lesbian. ^_^

Overall – 9

I am 100% in favor of Jyuri finding herself at the end of this chapter. I am 100% in favor of Utena looking for Anthy. 

The next chapter will have to be Miki. 

Tune back in two months from now when the next chapter is released in the May issue of Flowers magazine!

 

 





Mawaru Penguindrum Manga, Volume 1 (輪るピングドラム)

November 3rd, 2017

A few weeks ago, I posted a rather long, detailed retrospective of Revolutionary Girl Utena, which is celebrating it’s 20th anniversary this year, helped along by a new deluxe manga release from Viz and and Blu-Ray anime box set from Nozomi/RightStuf. It got me thinking about his other works, and their visual and thematic commonalities. I was considering re-watching Mawaru Penguindrum, released in English by Section 23 Films as Penguindrum (Set 1 and Set 2,) but a trip to Book-Off provided me with an alternate.

The Mawaru Penguindrum manga is drawn by Shibata Isuzu, a manga artist with whose work I was previously unfamiliar. With character designs by Hoshino Lily, the anime character designer, anyone familiar with the anime would find themselves instantly familiar with the manga. Volume 1 covers the introduction of the primary cast, sickly Himari, her brothers Kanba and Shoma and Ringo, the classmate with a little stalking problem. This first volume embraces, rather than rejects, the repeated footage of the Princess of the Crystal demanding the “Penguindrum” and dropping someone through the floor. 

The rest of the story is present almost completely intact from the anime. The penguins show up and are as awful as they are in the anime. We get Ringo’s back story, and Kan-chan’s own stalker, Natsuki is introduced at the end, but there is something missing….something important, Nothing is mentioned of Himari, Shoma and Kanba’s own backstory, except for a brief reference in the phone call from their uncle who plans on turning them out of their home. Their parents are a barely seen presence in no more than a single image and nothing is said of their non-appearance.

Where the manga in Utena and Yurikuma Arashi redistribute the basic elements of the plot and create something new, the manga for Mawaru Penguindrum seems more of a distillation of the story…with the use of repeated footage.

Ratings:

Art – 8
Story – 6 If I didn’t already know where it was going, I might not keep reading. Or I might.
Characters – 7 Ringo’s still unhinged, but there’s no obvious sign of anyone else being broken. Presumably, that will change.
Yuri – 0 in this volume. Fingers crossed it keeps that piece of the story intact.
Service – A little compulsory service with the Princess’ outfit

I look forward to future volumes to see if/when it diverges from the already multi-layered anime narrative.