Archive for the Bande Dessinée Category


Live-Action: Blue is the Warmest Color (La Vie Adèle)

August 5th, 2018

In 2013, the Palme d’Or, the highest award at Cannes, went to a movie adaptation of Julie Maroh’s comic, Le Bleu est une couleur chaude. That year I was able to review the English-language edition of the graphic novel, Blue is the Warmest Color. It was an uncomfortable read, but for all the right reasons.

This summer, as part of my unusually high consumption of LGBTQ non-print media, I’ve watched several gay movies, including Call Me By Your Name and Love, Simon and the live-action television adaptation of Tagame-sensei’s Otouto no Otto (My Brother’s Husband) , I thought it only fair that I finally make some time to watch the movie Blue is the Warmest Color.

I rented this movie on Amazon Prime Video, but it is also available on DVD, if you prefer a hard copy.

The movie is just under three hours long. The best thing about it is the acting. Both Adèle Exarchopoulos (Adèle) and Léa Seydoux (Emma) do a fine job of making stone soup out of a mostly empty plot. 

Where the comic was nuanced look at Clementine’s spiral into drugs and death, the movie is a very conventional “girl realizes she’s gay” story. Adèle is a typical high school student. Her friends are obsessed with boys and sex and she isn’t. She tries to care about the attractive classmate who wants her, but realizes she’s faking it. When she sees Emma, she finds herself interested and when she meets her, even more so. Emma and Adèle become involved, they move in together and, ultimately after some years, they break up.  As the movie ends, Adèle has become a school teacher and she seeks Emma out once more to talk, hoping, somewhat pointlessly, to get back together. 

All of this would be satisfactory to me but for the director’s specific foibles.  Abdellatif Kechiche, the director, has some serious issues about mouths. Clearly this director wants to be *in* the mucus cavities as things go on. There are many extended, close-up eating scenes, including 3 scenes of eating spaghetti in red sauce. The first one was weird, the second one was gross, by the third one, I just felt like I was being forced to deal with the director’s fetish. All kissing and sex scenes were likewise extended and focused on oral activity.  

What was a fraught tale of dysfunction and emotional pain becomes a nice, slightly bourgeois, weepy romance, with some lesbian pulp moments.

IF you are looking for a lesbian romance with explicit sex, with good acting filling in the many spaces between the dialogue, this is a good movie. If you were looking for an adaptation with any reference to the source comic, this is not it. Adèle is not the comic’s Clem, this Emma is not Maroh’s manipulative Emma.

Ratings:

Acting – 10
Characters – 8 They were all too likable
Story – 7
Cinematography – 1 This movie is a brutal waste of the medium of film. It could have been filmed on a cell phone for all these closeups. No need to take up a movie screen.
Lesbian – 10

Overall – 7 I was hoping for more drug despair, not breakup despair.

Where the comic is about two people who were extremely bad together, this movie is about a woman who met the love of her life and lost her for no particular reason, just because that’s how it goes sometimes. 





BD: La Rose Ecarlate – Missions Tome 01: Le Spectre de la Bastille 1/2 (French)

November 28th, 2016

51n9kvh14alWhen I visited Paris this past summer, I found myself staying, almost miraculously, in the middle of Geek Central, surrounded by comic and figurine and bande dessinée stores galore. It was not intentional, but it was fortuitous. ^_^ During one afternoon off, my wife and wandered the area and threw some Euro at the French economy. I chose three BD volumes, each one for a specific reason. Today we’re going to look at the first of the three, Volume 1 of La Rose Ecarlate, written by Patricia Lyfoung, illustrated by Jenny. 

I chose La Rose Ecarlate for several obvious reasons. It clearly stars a woman as a masked thief, and also includes a attractive damsel a monster and a conspiracy!  And, most appealingly, the art style and story-telling is very shoujo manga. The story is reasonably predictable – a young man and woman of noble rank, who happen to be lovers, are going out at night as the gentleman and woman theives, Le Renard and Le Rose Ecarlate, the Fox and the Scarlet Rose. 

The first volume includes a small romantic setback, as a childhood friend of Count Guilhem, Le Renard, arrives during a dance and seems much too comfortable with the young count. But, when Adele and Maud, Le Rose Ecarlate, become friends, they bond over Guilhem’s foibles and  become fast friends. 

We then look back at the origin of the Rose and Fox, and, as the volume comes to an end, move into the main narrative about a phantom who steals away young women. They end up saving Adele, and being chased by the gendarmes through a house of ill repute. They kiss, and end the book promising to solve the mystery of “Le Spectre De La Bastilles.” 

There’s no Yuri, although while I don’t put it past the series to have, at some point, an overenthusiastic thanks from a fair maiden, this volume was pretty straight.

Totally adorable in every way. Not a single word that wasn’t completely predictable, but a rollicking good yard, some very pretty full-color shoujo manga-style art and a main couple that didn’t make you roll your eyes in despair. Neither Maud nor Guilhem are damseled, although one  might well have to rescue the other, it could easily go either way. The art was very well done, and I appreciated the touches that said “this is manga style,” like shoujo bubbles in the background. ^_^

The BD format, which is a large, thin, hardbound volume, worked to the strengths of the story and art. Large saturated-color pages were still easy to read. I used the Google Translate app on my phone when I was really unsure of the dialogue, but mostly, I could just guess what was being said, if my French wasn’t up to snuff.

For my first foray in to manga-style bande dessinée, La Rose Ecarlate was a charmer.

Ratings: 

Art – 8
Story – 7
Characters – 7
Overall – 8

I probably won’t be getting later volumes, but if you’re interested in reading this and later volumes on your Kindle, you  can! If you’re a French-language reader and want to let us know how the story progresses, please feel free to write in. ^_^

 





LGBTQ Comic: The Infinite Loop, Issues 1-4 (of 6)

August 21st, 2015

TIFL1When I first heard that Pierrick Colinet and Elsa Charretier’s series The Infinite Loop had been licensed by IDW, I was immediately intrigued. For one thing, this series is a Bande Dessinée (BD), a French-language comic. We in the USA are just starting to get a real grip on the breadth and depth of the BD industry. International comics shows that specialize in cross-cultural exchange, such as Toronto Comic Arts Festival, Tokyo International Comics Festival and Angoulême International Comics Festival are making it easier than ever before for fans and creators to reach past borders and get to know the broader range of comics globally.

In addition, The Infinite Loop is a science fiction series. I know I’ve mentioned this from time to time, but when I was in my early years of reading all the lesbian literature I could find, a great deal of it was science fiction. The speculative nature of that genre and fantasy were comforting to LGBTQ writers who were not yet afforded a place on bookstore shelves.  In recent years, LGBTQ sci-fi and fantasy have been vital and thriving…but not so much in comics. Scifi particularly, and comics have mixed less than one might suppose, given the crossover fandom.

So, yay, a BD about a lesbian that is a sci-fi story! Win, win, win.

***

Support Yuri News and Reviews –  Subscribe to Okazu withSubcribe with Patreon

***

Teddy is a time traveler, whose job it is to clean up time anomalies, left by tourists and terrorists and anyone fucking with the time stream. Agents have a relatively short shelf-life, as infinite possibilities and selves play havoc with their sanity and Teddy is the agent who has been active the longest. Teddy’s good at getting rid of anomalies, until she encounters one that looks like a beautiful woman who is in danger. Teddy immediately protects her and takes ‘Ano’ to safety.

Teddy’s partner is Ulysses, a meaty guy with an overt crush on his partner. But he’s put in a very tight spot when Teddy violates the rules.

The art is adorable in a retro futuristic way, almost Jetson-y. The color palette is vibrant. I love the panel design, the crazy paving works especially well when Teddy is having schizophrenic conversations with herself, or multiple things are happening simultaneously in various timelines.

I generally like the story, and will certainly read it to the end, but there are some problematic areas. Of these, the first real problem is something I can only express as a “man writing a lesbian as if she were a female-shaped man.” Now, I am aware that there are crass, vulgar women on the planet, but of the lesbians I myself know, none of us are in the habit of referring to other women as having “nice boobs” except, perhaps, in bed. There is a male-gazeness about Teddy that grates on me ever so slightly. This continues throughout, with dialogue that is supposed to be cutesy, sexy jokes, but just come off as icky-making, eye-rolling double entendre’s. I’ll hope that the humor was merely lost in translation. The writer himself outs himself in the afterword, so it is not an issue of “straight guy writing lesbian wrong,” just a guy writing lesbian oddly. ^_^

This is a small, but persistent irritation, but not my biggest complaint. And even this is not “big” it just really stands out. On Twitter I commented “Writers, please do not introduce characters for the sole purpose of treating them badly to prove the bad guys are bad. It’s weaksauce.” And, in a nutshell, that’s the problem. Spender and Prospekt are the bad guys (so far). They are two more meaty guys who arrive on the scene with a load of misogynist, homophobic and transphobic insults, this way we know they are bad people. Then they kill a perfectly innocent person so we know they are really bad. Really, really bad. Yeah, we got it. They could have been multi-faceted, complex characters, instead they are just two-dimensional violent sociopaths who have somehow made it to the top of the organization, while Teddy, who is at least as skilled, is persecuted for her relationship. I think I’ve read this one before.

Once again I find myself wishing this was in manga page count, rather than western comics “squeeze the story in quickly, then spend 4 pages on a sex scene! Hurry Hurry!” mode.

The Infinite Loop is not yet available as a single volume, but the collected volume is being released in December 2015, it is listed on the Yuricon Store. I’m reading individual issues on Kindle. (Issues 1 | 2 | 3 | 4 | 5| 6 TBD). The kindle app breaks the complicated  panels up for slightly easier reading, but also allows a full page mode to see the full effect. Overall, a very decent reading experience.

Ratings:

Art – 8
Character – 8
Story – 7, could be higher, depending on the resolution
Service – 7 there is a sex scene
Yuri – 8

Despite minor distractions, there are some genuinely interesting turns of the story. As I say, I’m still reading and looking forward to the resolution.





Lesbian Comic: Blue is the Warmest Color (English)

October 9th, 2013

BlueIsTheWarmestColorIf you pay attention to lesbian-themed media, you already know that the winner of the 2013 Palme d’Or at the Cannes Film Festival was Blue Is The Warmest Color, based on a French bande dessinée Le Bleu est une couleur chaude by Julie Maroh. Arsenal Pulp Press has put out an English translation, which is the subject of today’s review. The movie has been the object of much talk and considerable controversy – the actresses have stated that they hated doing it and the director has said it should never be released. Most damning, Maroh has repudiated the movie, claiming it was no more than porn. 

Blue Is The Warmest Color is not an easy book, no matter how you view it.

It begins with a setup similar to June Kim’s 12 Days. Clem has passed away and her lover Emma seeks some solace, perhaps closure. Emma visits Clementine’s family to read a diary that was left for her. The diary begins at the beginning of the story with Clementine, 15, as she starts to navigate the thorny path of human sexuality, love and friendship and, as she sees, meets and falls for Emma.

Right from the beginning, theirs is not a good relationship. Emma has a girlfriend, Clem is hiding her relationship from most of her friends. And when they finally seem to put it all together – we skip more than a decade into the future. Emma is distant, Clem is abusing alcohol and drugs and their relationship is a dead and rotting thing. Clem’s illness and death brings the two of them together in a way that her life never had.

Maroh’s art is very good, very moody. Flashback scenes are done in kind of sepia wash, which I appreciated as a nice cinematic touch. Emma’s blue eyes and hair stand out as a stark, vibrant spot of bright color in an otherwise dull world. The glimpses of Parisian student life struck me as very La Bohème or, perhaps, Rent. ^_^

The translation is good in the way that I define good – everything is perfectly understandable, but the rhythms of the words are just ever-so-slightly not American English enough to make me hear accents. Like watching a foreign movie with subtitles. Speaking of subtitles, I absolutely hated the fonts chosen for the English edition. They were both wholly appropriate, but hella hard for me to read – too thin for my taste.

Watching Clem handle her situation and her life so badly, I was reminded very forcefully of my first years with  my wife. It could have gone more like this; either one of our families could have made it impossible for us. I am once again mindful of the blessings which we have been given in our years together.

Ratings:

Art – 8
Story – A hard 8
Characters – I found both Clem and Emma hard to like, but they were both real – 8
Lesbian – 10
Service – Tough to score. There is sex, but it’s not mean to be – or be read as – titillating, which is why Maroh hated the movie, which had long, lingering sex scenes for the sake of sex scenes. Let’s say – 5

Overall – 8

Don’t expect a delightful tale of coming out, or emotional redemption – this is an excellently well-crafted, well-executed story of a reality in which there is no happily, much less an ever after.