Archive for the LGBTQ Category


The Girl That Can’t Get A Girlfriend

February 21st, 2023

A blonde short-haired woman holds up a hand to black and white weebish girl with short dark hair holding a hear-tshaped flower. Letters read "The Girl That Can't Get A Girlfriend, Story and Art By Mieri Hiranashi."Disclaimer: I am a huge, weeby fan of Mieri Hieranashi and contributed to her patreon for many months, Do not expect anything like an “objective” review. I am about to gush.

The Girl That Can’t Get A Girlfriend is an autobiographical manga by a young butch lesbian who would like, very much, please, thank you, to find a butch girlfriend. This is, as many of us know – and some might guess – a complicated ask. It’s not that the lesbian butch/femme dynamic is a given, but human sexuality is a really complicated system and there are many moving parts to who we like and why.

….

Well…, maybe why isn’t that complicated.

Mieri, like so many of us, discovered Haruka and Michiru. ^_^

 


We’ve all been there. ^_^ (This is me, looking at the Sailor Moon fanfic I wrote in the late 90s through the 2000s.  I ain’t ashamed, it’s all still on my fanfic site.) But fanart is one thing and real life is another, as Mieri discovers, trying to find a partner and, ultimately herself.

When she finds a girlfriend in Japan, she falls in love and her whole world changes. We’re watching over her, like a virtual Maria-sama and can see that what feels to her to be the right choices may not be the best choices for her. We struggle with her struggle and hurt when her heart is broken. Can I be a literary nerd for a second? This is the manga equivalent of The Sorrows of Young Werther* and I wish to heavens I had had this when I was in college I would have compared and contrasted the shit out of it…I’d like to say “just to piss my teacher off,” but that teacher probably would have been cool with it.  Everything in this book is relatable even if a reader hasn’t experienced that specific thing. We know those feelings.

As a counterpoint to the emotional drama, The Girl That Can’t Get A Girlfriend is laugh-out-loud funny. Mieri’s use of meme is always spot on. Her own reminder to remember a potential date is also human had me laughing for a whole day.

You can feel the timeliness of the memifications and jokes. They will hold up as a snapshot of dating life in the early 21st century. My wife and I still joke about “today’s chin” from when I read that scene on Patreon.The humor is humorous, even when it’s a little sad or more than a little self-deprecating. There is a quite a bit of negative self-image in this story…again, relatable for most readers. Mieri presents the women she dates as dashing, while drawing herself a caricature with one exception. Did you catch the one panel where she doesn’t draw herself goofily? Tell me in the comments.

Mieri wrote both the Japanese and English script for this book and you can feel how personal it is to her in both the images and words. Which is why the final chapter is so important. We are carrying her burden along with her as she tells her tale. It is important for us as readers, that we are left with a hopeful look, not just for ourselves, but for her as well. Much like Kabi Nagata’s 282 liter refrigerator, we can see this book as a physical expression of her finding herself and triumphing.

Extras for this volume also include a gallery of sketches she did for the cover art. 28 sketches!?! Yikes, Viz.

Which brings me to one last thing I want to touch on. I had the pleasure of talking with one of the editors of this book at AnimeNYC. I want you all to know how enthusiastic Viz has been about publishing this book. I can see many of the changes made from the original Patreon pages and I could see how loud Viz was about letting people know about it.  This is a beautiful, heart-breaking and hilarious book about queer life and love.

Ratings:

Overall – Yes, Erica, what rating would you give this heart-rending, emotional autobiography?

9, goddammit, it’s a 9.

Absolute must-read for anyone who has ever existed as a human on this planet.

*Yes, I did just compare this book to a novel by Goethe. I will not apologize.

 





Otona ni Nattemo, Volume 7 (おとなになっても)

December 8th, 2022

In Shimura Takako’s Otona ni Nattemo, Volume 7 (おとなになっても) a lot happens.

We left Akari and Ayano having been carefully not seeing one another for some time, as Ayano’s divorce proceeds. When they meet again, they mutually decide to begin over, but the rumor that Ayano is having an affair begins to spread.  In school, Ichika’s life has become more complicated as she’s refusing to return to class. I’m honestly way more invested in the well-being of the children than I want to be. ^_^;
Eri and Wataru are reeling as their relationships fail. Neither the adults nor the children are particularly alright.

But Akari and Ayano are doing a pilgrimage to Akari’s hometown, visiting her childhood haunts. They are taking time to talk through their lives – something they have never had a chance to do. It’s good for them. There is a particularly charming moment, when they fantasize about having gone to school together…who would they have been and how would they have related to one another? The art is especially cute as they (as adults) imagine each other as children.

When they return, they find that the rumors are picking up steam. But they have made a decision. They tell Akari’s family that she is moving out…and moving in with Ayano.

Shimura-sensei’s art is not refined in these chapters, but there’s a sense of motion, and emotion, that is subtle and intense.  When she’s good, she’s really good. This story is one of the adultest mange I have ever read. I cannot imagine being a teenager and giving a hoot about anyone in this manga for any reason. ^_^

Ratings:

Art – 8
Story – 8
Characters – 8 I don’t think I dislike anyone…. there’s no bad guys here
Service – 0
LGBTQ+ – 6, maybe? Lives are changing while we watch

Overall – 8

Little girls and and friendship and school, adults and marriage and divorce and choices with consequences. This series would make a pretty solid live-action drama.
 





Watashi no Oshi ha Akuyaku Reijou -Revolution-, Volume 2 (私の推しは悪役令嬢。-Revolution-)

November 10th, 2022

As we all wait breathlessly for the formal announcement of an anime for I’m in Love With the Villainess, today I am looking at the Japanese print edition of Watashi no Oshi ha Akuyaku Reijou -Revolution-, Volume 2 (私の推しは悪役令嬢。-Revolution-). As a reminder, this series came out in print in English before it made it to print in Japan. So the edition you have read is the English translation of the webnovel which was put out digitally by GL Bunko. The series was licensed for print by Ichijinsha. Volume 1 of the JP print edition was reviewed here on Okazu last spring.

This will make the third time I have read this volume, having read it in the GL Bunko novel and English language editions. Because this is a new, deluxe version, with extra stories that have been written since the webnovel was initially licensed, there was quite a bit of new material tucked in between things with which we are already familiar.

There are several key elements to this content, even aside from the new content.  Lily becomes a major player on the board and we eventually learn several secrets regarding the Royal Family and their advisors. Rae explains her former life and tragic first love to her friends. Claire’s class consciousness is awakened when they visit Rae’s hometown. Manaria arrives and forces Rae and Claire’s relationship to change during the Scales of Love arc, which coincidentally completed in the December issue of Comic Yuri Hime as grandly as I had hoped. ^_^

So while the Yuri goes up significantly, with the addition of Manaria and her boyish charm, as well as the Love Scales, the LGBTQ rating stays high with open discussion of complicated queer lives, once again.

Ratings:

Art – 7 Still portraits of the people rather than the scenes.
Story – 9
Characters – 10
Yuri – 10
LGBTQ –10
Service – Rae’s obsession about Claire shifts more to her moods than her body, but there’s still some body commentary, Let’s still say 2

Overall – 9

The board is set now for what is to come. In Volume 3, what is to come will be…revolution.





Queer Transfigurations: Boys Love Media in Asia

October 16th, 2022

I treated myself to a copy of Queer Transfigurations: Boys Love Media in Asia, edited by James Welker recently and I honestly found it to be really inspiring.  Obviously, Boys Love media as such is not terribly interesting to me, but the way fandom creates, interacts with and consumes it, is.  While I read the various essays in this book, I found myself having some of my questions answered and new ones forming. As a result, I will (eventually) be making a survey to do some primary research on Yuri fandom  and I hope you’ll help me out when it’s done by filling it out. ^_^

In the meantime, I found the various essays in this book really interesting in part for the history of how BL media made inroads in various Asian countries outside Japan (mostly through scanlations,) and how various local fandoms have absorbed and adapted BL concepts to fit their own ideals and circumstances. Additionally, a few of the essays discuss the response to BL from queer fandom (and in a few, the impact queer fandom has had on BL.)

Which is where my brain kind of stuck. There’s a lot of throwing the word “queering” around in regards to BL and this got me thinking. IMHO, there are a number of gaps between 1) media being queered by a straight audience and media being queered by a queer audience or; 2) between queer media and straight media being queered; or 3) by queer media being consumed by straight folks as opposed to queer folks. Fundamentally, it is hard for me to credit the “queering” of straight media by straight people as being “queer” in any meaningful sense. Nonetheless, this appeared to be a commonly held assumption about BL based on this selection of articles. (Of which some of the writers are, I know, to be queer themselves.) 

My thoughts as I read these essays often turn to the idea of replacing “BL” with “lesbian porn.” If a writer is making a statement about BL’s inherent queerness that might sound absurd if I replaced it with “lesbian porn,” I question if it could be true. Is straight people creating queerness out of mainstream media “queer?” Is a straight folks imagining lesbian sex between two female movie stars “queer?” Why might one be “queer” and the other not? I have no answers, but I do have a lot of questions. Some of which I will ask James when I interview him for Casa Con this December!

Also interesting for me was the several mentions of misogyny in BL and BL fandom and it’s impact on and relation to local feminisms. I have seen how BL empowered women…and also how some empowered by fandom, turn on other marginalized folks in their communities. Is that changing? Is it worse or better than it used to be? I can answer that a little for Yuri, but not for BL.

Lastly, there were some tidbits of research subjects talking about how BL helped them either empathize with gay issues, or find their own queer identities and that interested me a lot, so that’s probably where I’m going to be focusing my research. How has Yuri made an impact on fans’ identities and sympathies? Let’s find out!

Overall, I found this book to be a fun and interesting read. Few of the articles were bogged down in over-dense language. I was especially interested in the section on China as mostly everyone can see that danmei is already the next big cultural export from China…even as it’s not apparently acceptable by their own media laws.

Ratings:

Overall – 9

If you’d like to understand how fandom studies look from the inside, or are interested in BL and/or queer media studies, I highly recommend Queer Transfigurations: Boys Love Media in Asia. It got me thinking – I look forward to seeing what comes out of this thought and I hope you do, too. ^_^





A Half-Built Garden, by Ruthanna Emrys

September 11th, 2022

Today’s review was brought to you by the many people who suggested I read this book, beginning with Ada Palmer who suggested in it during our Yuri Studio chat about Tezuka, Revolutionary Girl Utena and her own amazing Terra Ignota Series, (of which I reviewed the first book, Too Like The Lightning and last book, Perhaps the Stars, here) to our own YNN Correspondent David M, some folks who worked on the book and many others.

Today we’re talking about A Half-Built Garden, by Ruthanna Emrys.

As a long-time science fiction fan, I have read and watched my share of first-contact stories, but rarely have I encountered one so fully thought through. It’s a joke among scifi fans that so many of the cultures we encounter are humanoidish, but from a visual media perspective, until computers caught up with human imagination, it was just..easier to represent. In good media, issues of language and  and culture are addressed. In many media sex and mating are addressed, good, bad and indifferent. In A Half-Built Garden, Emrys takes a look at not only the cultural differences and similarities between human and alien, but between humans and other humans, among individuals who represent different environmental and economic priorities, religions, gender and sexuality constructs, clothing, language, and desires for the future.

Like Rose of Versailles, in which Riyoko Ikeda-sensei attempts to make sense of the vast scope of the French Revolution, by having us experience it through one person’s perspective, Emrys too, takes on a First Contact situation from the perspective of one woman. Set in an immediate future where humanity has turned the tide of climate change by bonding in “watershed” polities, with limited central government and corporate influence significantly curtailed, to the point of physical exile, Judy Wallach-Stevens wakes to find an alien ship polluting her local watershed. With her wife and infant daughter, she heads out to make contact with the aliens.

What follows is an extraordinary story of negotiation, adventure, personal relationships and making new friends across all the possible gaps that can exist between cultures.

What drew to this story was that it was positioned by many people as aspirational science fiction. I know there are plenty of folks who prefer their scifi gritty, but personally, what draws me to science fiction has always been the ability to create new solutions for old problems then new solutions to the new problems that come from them. Because I am also a realist, I am a believer in change – and that unintended consequences are a reality of that change. Therefore reform needs to be updated over time. Emrys’ book is wholly grounded in this idea – that every change, every moment of progress needs to be constantly monitored and adjusted…and problems that develop are an inevitability and, possibly, an opportunity.

As readers of queer media we highlight here on Okazu, folks may also find this story interesting for what it does in terms of addressing gender and sexuality…and in certain cases, gender role. Where the watershed folks, known as the Dandelion Networks, have roughly the same level of nuance about gender and sexuality as you and I, the corporate folks have a far, far more elaborate and political series of genders, indicated by clothing, pronouns, roles and behavior. Because gender is presumed to be fluid, they have a gender for someone you haven’t seen in at least a few hours, and therefore may not know which gender they currently are. I found this fascinating…and felt the entire segment of corporate life was left open-ended for a book of it’s own.

Parenting is a major chunk of the cultural exchange here with the Ringers, the name the aliens give themselves in English. When they meet the head Ringer Glycosine, a  Mother (a kind of ship captain) with two children, Judy and Carol are co-parenting two children with another couple, both of whom are trans as we understand that concept. Judy herself is Jewish and keeps kosher, while other characters are vegan, pagan and ex-fundamentalist Christian. The Ringers’ ideas of religion, food, ritual, storytelling, sex, gender and sexuality are all addressed within the story in ways that feel utterly organic. At one of the first meetings between humans and Ringers, Judy’s family puts out gender ID pins and several of the Ringers choose pins for themselves…one, at odds with the gender the rest of the Ringers associate with them. It was a fantastic, small shake-up, one that portends many much larger questions that both humans and aliens had to ask of themselves.

Of the Ringers, it is almost impossible to dislike Rhamnetin, whose job it is to ask – and answer – awkward questions. Other Ringers are richly written, with fully fleshed-out personalities. One spent the book hoping that everyone could make this work. And whether they do is left to our imaginations, which is exactly where it should be.

Ratings:

Overall – 9

If you are looking for aspirational science fiction or what Ada Palmer terms Hopepunk, I can highly recommend this book to you. A Half-Built Garden leaves plenty of space for our own imagination to grow.