Archive for the Revolutionary Girl Utena Category

Revolutionary Girl Utena 20th Anniversary Manga: After the Revolution (少女革命ウテナ20年記念日新作)

August 13th, 2017

“I…I have to go.”
“Go where?”
“To look for Lady Utena. When she and I meet once again…that is when this will begin.
The world…awaits the Power of Dios…
And that power begins with us…!”

20 years have passed since the Revolutionary Girl Utena series began.

In “After the Revolution,” a new original chapter of Revolutionary Girl Utena 20th Anniversary Manga, (少女革命ウテナ20年記念日新作) from Saitou Chiho in Flowers magazine, 20 years have, indeed, passed.

If you recall, in both anime and manga, Tenjou Utena disappeared from Ohtori and with her, people’s memory of everything that had happened. Only Himemiya Anthy could remember her. And, in both versions, the end of the series came when Anthy – and the remainder of the magic at Ohtori – left to look for Utena, with complete confidence that she would find her.

20 years have passed.

We begin with Touga and Saionji. They are bidding against each other on a Picasso painting. They are rich, powerful men in this world, just as they were in Ohtori. But you and I remember how easily they were manipulated there. They do not. They haven’t changed. 20 years has not lessened Touga’s confidence or Saionji’s displeasure at coming in second.

Touga receives a letter – “Those concerned with the Revolution of the World should return to Ohtori.” And, of course Saionji has also received that letter. They enter the school with flashlights as thieves in the night. Two rich, sophisticated leaders of men, creeping around a closed school. What did we just say about “easily manipulated?”

20 years have passed. They remember nothing. Until the tower is struck by lightning and they share a dream of a girl in a coffin. They dream of a castle in the sky and dueling. They wake to find that they both had that dream, but have no idea what it means.

When Touga finds a picture of Anthy and Akio, he asks aloud who is this? And a voice says, “Me and my sister.” Akio, in his final battle uniform appears. “But,” Touga says, “you’re dead!” Akio confirms that he is indeed dead. And nonetheless wants to gain the power of Dios.

They break into the chairman’s room and find a picture of a naked Anthy. Akio provokes a fight, Saionji finds it in himself to remember his friendship with his rival and protects Touga. Touga and Akio duel….Remember again the phrase “easily manipulated.” Keep remembering it, because neither Touga nor Saiojni have. Touga slays the ghost and they see another picture, of two young women, laying together clothed, but intimately entwined.

And they start to remember. The power to revolutionize the world, the young woman who wanted to be a Prince and their friendship.

This chapter was perfect. This story cannot possibly begin with Utena and Anthy. It will, I hope, end with them. But it could not possibly have begun with them. (I submit almostallmyownfanfic. as a corroborating witness. )

We’ll be getting a second chapter in the winter, and, if my guess is good, it will follow Juri and Miki as they remember. I hope so, at any rate.  But it still won’t follow Anthy and Utena. Not yet…maybe not ever. Their absence is the story.


Art – 9 I *have* mentioned that Saitou-sensei’s art is amazing.
Story – 9 Exactly what it needed to be
Characters 8 – No one will blame me that I still don’t give a shit about Touga and Saionji, right?
Yuri – 8 Did you not look at that picture and see what I saw?
Service – 3 Naked Anthy still a thing.

Overall – 9

The second thing I hope for from this story is a glimpse of Anthy and Utena 20 years later. I’m willing to wait as long as it takes. Thank you Saitou-sensei for this fantastic chapter and that gorgeous cover.

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Revolutionary Girl Utena 20th Anniversary Manga in Flowers Magazine

July 28th, 2017

Back in May, we reported that Flowers Magazine would be running a Revolutionary Girl Utena chapter. Well, in honor of the 20th anniversary of this series, manga artist Saitou Chiho will be releasing a 60-page new, original chapter in the September issue of Flowers. The 20th Anniversary Facebook group has released a number of images from the magazine.

We know that this chapter is called “After the Revolution” (okay, yes, I squeed at that) and that there will be at least another chapter released this winter.

Thanks to YNN Correspondent Shannon L for sending along the news link and for reminding me to order the magazine! (I missed getting the first issue of the new Card Captor Sakura. boo….) You can order the magazine in print from Amazon JP (or other reputable JP vendor) or order it with a Japanese bookstore chain like Kinokuniya or Sanseido if you are in or near a city. Undoubtedly, if there are any extras, you may be able to get them on Amazon through a buyer, but it looks like Shogakukan is not a publisher that is embracing digital, yet. I’ll follow up with links and check back with you if it becomes available digitally.

You may remember I’ve commented that Saitou-sensei’s work has really hit extraordinary heights in her series, Torikaebaya. I cannot *wait* to see Utena and Anthy rendered with confident maturity. This cover is already pretty damn good. And they’ve also released this:

As soon as I get a copy, I’ll be sure to tell you how it is! (Oh please, oh please oh please be good….!)

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Yuri Manga: Revolutionary Girl Utena, Volume 2 (English)

June 4th, 2017

The second volume of the Revolutionary Girl Utena Manga Complete Deluxe Box Set remains complex and uncomfortable right until an ending that was much better than I remembered it being.

The primary conflict in the final arc of the Revolutionary Girl Utena anime, appears to be between Utena and Akio. In the manga version, the Student Council has been set to the side, neutralized by Anthy in order to set Utena up for Akio. 

But, like the anime, something happens just as Anthy is set to betray Utena. She begins to believe that Utena can set her free. And here in the manga, that changes everything. Freedom changes Anthy in a way that gives one hope. (And inspires one to write fanfic.)

The art here at the end of the manga arc is strong and hyper-romantic, very suitable for the magazine it ran in, Flowers, I believe it was. I wish there was a color version of Utena-Dios, because you just know she looked amazing in her white and lavender Council uniform. ^_^ 

The complete set includes Juri’s sidestory, which sadly focuses on Ruka, rather than Shiori. And the final section of the collection covers the manga version of the Revolutionary Girl Utena Movie: Adolescence of Utena. This manga volume was the precise moment when I started understanding the literary roots of Yuri Manga and for that, I have a lot of fondness for the thing. The story focuses on two not-really-real relationships, Utena’s adoration of Touga and Anthy’s adoration of (an even more horrible than in the TV manga) Akio. But it ends with the same relationship the TV manga does – Utena and Anthy, finding healing and friendship and love in one another. No wonder we all wrote so much damn fanfic. ^_^ 

 The art of the movie manga has already leveled up significantly from the earliest chapters of the television series manga, and still holds up well enough to satisfy an older audience. The deluxe set wraps up with two short notes by manga artist Chiho Saito and director Ikuhara Kinihiko.


Art- 8 Solid, stylish, with moments of brilliance 
Story – 8 A much better ending than I remembered 
Characters – 8 Touga and Juri end up better than expected, Miki and Saionji suffer and Akio gets extra helpings of awful. Anthy is even more complex and interesting.
Service – 5 Creepy non-con seductions and slapping so…mostly violence against women’s autonomy, with a side of bullshitty consent issues.
Yuri- 7 Anthy and Utena 4ever. <3

I love that between the two Utena manga, anime and movie there are four unique versions of this story and each one ends centered around a relationship built on friendship and hope and love.

One last note – I’m pretty sure I have all the Utena artbooks, but there is a color image in this set that I have never seen before. I refer to it as the “Takarazuka” image, as Utena is wearing a feather back piece and both her and Anthy’s outfits are unusually sparkly. I like it a lot. ^_^ It’s yet another good reason to get this complete manga deluxe set!

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Revolutionary Girl Utena Manga, Volume 1 (English)

May 10th, 2017

A few years ago, we had the 15th anniversary re-release of the Revolutionary Girl Utena anime from Nozomi/RightStuff, and this year we have the Revolutionary Girl Utena Manga Complete Deluxe Box Set from Viz Media! And what a deluxe set it is.

This two-volume set of all 6 volumes of the manga (5 for the TV series, one for the movie) drawn by Saito Chiho, in collaboration with Be-Papas, comes in a black box that provides a similar kind of gravitas that the anime packaging provided, with beautiful rose-themed design work in both black glossy on black matte and in color. 

Volume 1 has the pink color theme of the first of the anime arcs, a nice nod to an established color scheme.

Each volume comes with color page inserts from the magazine run and covers of the manga. The collection also includes a poster of Anthy and Utena, suitable for any Yuri fan and guaranteed to have you singing Rinbu Revolution as soon as you see it.

Unlike most manga series that come out at the same time as an anime, the Revolutionary Girl Utena manga is not a literal rendering of the anime at all, but a separate tale, using the same characters and elements that existed in the anime. The rose sigil, the dueling ground, Akio’s car, the planetarium projector all exist here, as they did in the anime. But they do not necessarily mean (or not mean) the same things. Where the anime went for visual effect, the manga relies on shoujo manga tropes of emotional relationships, complications and manipulation.

Compared to the anime, the manga is short, tight, and deeply complicated. When we meet her, Tenjou Utena is very apparently a very young, immature girl with a dream of a Prince that has extremely tenuous roots in reality. It becomes quickly apparent that everything around Utena has extremely tenuous roots in reality. And, when Utena arrives at Ohtori Academy, this does not change.

Where, in the anime, we spend a lot of time with the Student Council, here in the manga they swiftly take a second seat to Ohtori Akio. In the anime, Akio is insidious and horrible, here he is overtly manipulative and power hungry. His honesty about his desires for power and his use of Utena to that end doesn’t make him any less loathsome. What is significantly different is the character of Touga who appeared to be manipulated almost until the very end of the anime here defects to Utena’s side and acts in part as a Greek Chorus, explaining the whims of the gods, and part as a Virgil to Utena’s Dante.

Speaking of shoujo tropes, the relationships portrayed in the manga are almost all toxic. Non-consensual kisses and slapping are common. There is a lot of slapping in these 3 volumes. A lot. Even when it doesn’t really serve any function, or move the story forward. By the time Saionji hauls off on Anthy the last time, in the bonus curry explosion chapter, you can be forgiven for thinking Anthy wouldn’t mind seeing them all dead.


Art- 8 Good, solid, sensual, beautiful but compared to her current outstanding work in Torikaebaya it’s almost simplistic.
Story – 7 Uncomfortable making, weird, and still, strangely hopeful.
Characters – 7 Not as fully developed as in the anime. Everyone seems slightly more delusional.
Service – 5 Creepy non-con seductions and slapping so…mostly violence against women’s autonomy
Yuri- 1 Only if you’re reading anything into Anthy and Utena’s relationship which, as of yet, has not developed beyond lies.

Overall – 8 for content , 9 for presentation

It’s equally as uncomfortable as the anime, although in different ways. I like that Akio is more overtly horrible, but am sad that it’s at the loss of fully developed Student Council.

When I read this series the first time back in 1998 or so, when I remember that it was very difficult for me to read the word “hyou” (leopard) for the longest time. Yes, I know there is a leopard on the page. I wanted to find a official translation…and couldn’t. It moved me to buy my first Japanese dictionary. ^_^

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Yuri Anime: Revolutionary Girl Utena Movie/Adolescence Of Utena (English)

May 28th, 2012

Included with the third Revoutionary Girl Utena box set from Nozomi/RightStuf is the Revolutionary Girl Utena Movie: Adolescence Of Utena.

I credit this movie, specifically, with being the beginning of my “career” as a spokesperson for Yuri. Because of my interest in the movie, my discovery of a Yoshiya Nobuko reference in the movie manga, and my interest in the literary and artistic references drawn upon for the series, I ended up being invited to present this movie at the Frameline Film Festival in San Francisco, the British LGBTQ Film Festival and the Tampa LGBTQ Film Festival back in the early 2000s. I was able to meet and interview Ikuhara Kunihiko at Big Apple Anime Festival and because of this movie, CPM was an early sponsor for Yuricon events. I have a lot to thank this movie for. Not least of which is for being a fantastic movie.

It is a fantastic movie, with extraordinary visuals, and two of the most spectacular scenes I have ever seen on a screen – the dance on the dueling ground, and the castle car. As much as I consider the TV series a more subtle and sophisticated creation, its the movie I watch more often.

I find I have never once published the intro I gave this movie a decade ago when it first came out in English, so rather than explain to you what I said, here is the actual intro I gave the film, in front of hundreds of people who liked anime and the series…and thousands of people who had no idea what the hell they were getting in to.

In 1994, on Sundays at 7 PM, the Shinjuku Ni-chome, Tokyo’s gay and lesbian district would come to a screeching halt. Why? Because for the first time ever, Japan was watching a lesbian couple on their TVs, as part of the popular animated series, Sailor Moon These characters, Sailor Uranus and Sailor Neptune, were very clearly portrayed as a couple – with personal issues to work out, as well as greater ethical dilemmas – all within a framework of defeating the Monster of the Day as sailor-suited magical heroines.

The director of that pivotal season of Sailor Moon had instructed the voice actresses to play the characters as if they were a married couple. In 1997, that same director Ikuhara Kunihiko, along with veteran comic artist Chiho Saito and the creative team at Be-papas, turned their sights once again to the “magical girl” genre of Japanese animation. The result of their collaboration was the wildly popular series Revolutionary Girl Utena.

This 39-episode television series utilized symbolism from earlier popular shoujoai or, “girls love” series – character designs and settings, were inspired by pioneer of shoujoai, Ryoko Ikeda’s Rose of Versailles and Brother, Dear Brother. Ikeda herself had incorporated imagery into her works that were established at the beginning of the twentieth century, by lesbian author Yoshiya Nobuko. Yoshiya’s Flower Tales set the standard for girls’ literature, and ultimately girls’ comics and animation, as well. Yoshiya was also responsible for the creation of the “shoujoai” genre with her story Two Girls in the Attic, another story whose themes and imagery echo strongly throughout the Utena series.

What you are about to see is the movie based upon the earlier television series. It was not meant to be a resolution of the series, it was meant to be a reflection of it – the same story as seen through a slightly distorted lens. The movie highlights the conventions of Japanese animation, even taking them to extremes. The subtle surrealism of the television series has been left behind and replaced with overtly surreal elements, a non-linear narrative and perhaps most confusing, scenes that are wholly dependent upon knowledge of the television series. What does this mean to you, the viewing audience? Well, it means that the best way to view this movie is to simply let it wash over you, like the roses over the dueling ground.

What significance does this movie, this cartoon, have for gays and lesbians? Many Japanese – as do many Americans – see comics and animation as being just for kids. But as we know, as we breathlessly waited for Willow and Tara to kiss on Buffy, the Vampire Slayer; every image, in any media, is progress. And with gay and lesbian youth, images that appear on television or in the movies have an even greater impact. This movie, like the television show it is based upon, adds one more positive image to the library.

In the United States, Yaoicon was formed to increase awareness of the portrayal of gay men in Japanese comics and animation, while at Yuricon, we’re focusing on our own line of translated and original comics, and next year will be holding a ground-breaking event in Tokyo to celebrate lesbian stories in Japanese animation and comics with their creators. We at Yuricon firmly believe that our support, our creativity and our energy will bridge the enormous gap between fans here in the West and in Japan, and feed back into Japanese lesbians’ and gays’ efforts at being recognized openly.

And with that hopeful thought, I’d like to present to you, Revolutionary Girl Utena: The Movie.


We did hold that event, and we have continued to bridge that gap. I’ve traveled the world, spoken on several continents about Yuri, presented movies and manga and anime to people in hundreds of countries through this blog.

As I watched the movie this weekend – again – I’m reminded that in many ways, it did give us the power to Revolutionize the World. How cool is that? ^_^


Overall – 10

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