Archive for the Western Comic/Comix Category


Xena: Warrior Princess Road Warrior GN (English)

March 5th, 2020

Xena: Warrior Princess Road Warrior written by Vita Ayala with art by Olympia Sweetman, and cover art by David Mack, is exactly the balm we need today for our battered hearts.

From the very first page, in which the opening sequence of the television series is lovingly drawn out, prompting every reader to hear the pipes, then brass of the musical theme, all the way through the final page and the ending we always wanted, this book was a delight.

The story is exactly the right level of cheesy, lighthearted blasphemy against the Olympians that made the show so fun. Xena and Gabrielle find themselves in the unenviable position of assisting Discord (Hail Eris! All Hail Discordia!) to clear her name and regain her godhead and her position on Olympus. To do that, Eris, Xena and Gabrielle travel the world and stomp all over other, non-Greek mythologies, until they can pin the problem on Discord’s sibling Strife.

My favorite chapter lands the three at the door of the crone known as Baba Yaga. For this section, the stories relies on a theory I myself subscribe to – that gods have only as much power as they are given by belief. With Gabrielle’s bardic skills and a little timely help, Baba Yaga is restored to her rightful place.

Xena and Gabrielle are shown throughout the series as the lovers we all knew they were. Phew ! What a relief. And it’s about time, too. It’s 2020, I think we can stop pretending they were roommates, can’t we? I joke, but Ayala’s Xena and Gabrielle have exact the same level of teasing friendship that we saw in the show…with the intimacy we never got. It’s…perfect. We never needed a sex scene, but we did need this.

The art in this book is not at all to my taste, not with so many years of looking at manga art, but when Eris showed up in her angry goth black leather lingerie I had to cheer – Sweetman nailed the look of the series from the gormless villagers to Olympian ridiculousness. In my head I heard Kevin Smith and Alexandra Tydings as clearly as if they were standing there reading Ares and Aphrodite’s lines…and of course read the entire thing hearing Lucy Lawless and Renee O’Connor in the lead roles. So, who was Eris in my head…good question. I think I heard her voiced by AJ Michalka. Eris was petulant and ironic – of course the goddess of chaos and discord hates to be inconvenienced. ^_^ I was glad that the story included Eris, but wasn’t just another iteration of the original snub.

From beginning to end, Road Warrior is the Xena Warrior Princess episode we all deserve.

Ratings:

Art – 6 YMMV, proportions are all over the place
Story – 10
Character – 10 Other Gods for the win
Service – 1? 2? Not all that much, honestly, very TV show esque
Lesbian – 10

Overall – 10

Bonus features: No Joxer, Eris ends up with a pet capybara.
No Joxer.

 





Yuri Comic: ROADQUEEN: Eternal Roadtrip to Love, Guest Review by Meru C

December 11th, 2019

It is my very great pleasure today to welcome back guest reviewer Meru C, with a look at a book that I think a lot of you will really like! Guest reviews like this are made possible by our Okazu Patrons! Thank you for your support of Yuri reviews, news and interviews!

Mira Ong Chua’s Roadqueens first debuted as a one-shot comic in 2016. Two years later in late 2018, it became a full-fledged story and was released in a physical edition thanks to a successful Kickstarter that won the hearts of thousands of eager fans. Unfortunately, at the time, I was unable to back Mira’s campaign, and was left desperately wanting to indulge in what seemed like a really stellar story. Thankfully, Seven Seas Entertainment picked up the rights for graphic novel, re-releasing ROADQUEEN: Eternal Roadtrip to Love on October 8, 2019 in a definitive, quite lovely Complete edition. 

I’m reviewing this re-released edition, which includes a full-color, glossy version of the originally one shot “ROADQUEEN: Girlfriend of the World” and the saucy short story “Passion Marathon” which fills in what happened between the climax of the story and the epilogue.

Roadqueens follows Leo, the hottest heartbreaker at Princess Andromeda Academy with hordes of adoring fangirls focused on one single goal: beating Leo in a road race to their school so they can ask her out on a date. Little do they know, Leo only loves her motorcycle, Bethany, and doesn’t want to ruin her Cool Girl/Lone Wolf persona. She also absolutely doesn’t care about the hearts of her fans at all. In comes mysterious cool girl Vega, who steals Bethany away and challenges Leo to step up her game and prove that she can be a half-way decent lesbian-slash-girlfriend at least once in her life in order to win Bethany back. Fail, and Bethany will be gone forever.

So I’ll admit up front, the plot is pretty straightforward, leaning on tried and true tropes of Yuri: we’ve got a very butch Bifauxnen, fake dating, a Ferris wheel date, and biker babes to name a few. One of my favorite tropes -”childhood friends”-appears as a crucial plot element, though I’ll admit that this kind of caught me off guard because it felt like it was dropped into the story without any prior foreshadowing.

Mira’s art also makes the plot shine: their retro style harkens back to 1990s manga, and is clearly a love letter to dozens of series that Yuri fans worldwide hold near and dear to their hearts. Naturally, this extends to our two main characters, Leo and Vega, who had really nice designs that I quite liked, and that definitely made me dozens of sapphic couples with similar dynamics. I particularly liked Mira’s use of light and shadow throughout the volume: both were quite well done, lending a lot of atmosphere when the plot slowed down for a transitions or pivotal moments.

Speaking of our main characters, Leo is very… unlikable. I genuinely don’t think I started to like her until a good way into the first third of the story, and even then, I still found myself preferring Vega over Leo. I left the story ultimately liking Leo, but did feel a bit of whiplash: she starts off incredibly callous and quite rude, and at times, is quite frankly just mean. If I’m honest, Vega isn’t much better at the beginning either: she barges in to Leo’s life, quite cruelly -and without explanation- takes her bike and is quite brusque, though I think that by the end of the story, Vega’s actions are much easier to justify than Leo’s are. 

Truthfully, I think that anyone well versed in Yuri will see the climax as pretty obvious: Leo and Vega will fall for each other, and Bethany the Motorcycle will become their motorcycle. Roadqueen isn’t doing a lot of new things, but honestly, it’s like having cake: enjoyable and satisfying. While not the revolutionary work that I saw a lot of fans praising it as, it’s by no means a bad work: in fact, I’ll probably reread Roadqueen this week.

With snappy writing and hilarious, laugh-out-loud comedy beats and a plot that feels like treading familiar ground, it’s easy enough to overlook the fact that you know how Roadqueen will end and just enjoy the wild ride. I can’t wait to see what Mira Ong Chua creates next!

Ratings: 

Art – 8 especially for the color pages, which look really good and make you wish the entire comic was in color
Story – 7
Characters – 6 
Service – 6
Yuri – 10 This is a series all about girls loving girls and girls love girls who also love motorcycles and is very clearly queer and sapphic
Motorcycles – 10

Overall – 8

I think that Roadqueens offers something for everyone, though veterans of the Yuri genre -notably, fans of Revolutionary Girl Utena, Sailor Moon or even Kill la Kill– might find this fast paced road race leaving them wanting. Still, give it a read and see what you think: this one-volume story might surprise you. 

You can find more of Mira Ong Chua’s content on her website miraongchua.com.

Erica here: Thank you so much Meru! I know that there’s a lot to like in this book for fans of classic Yuri manga and anime series. Hopefully we’ll see new original work from Mira Ong Chua in the future.





The Legend of Korra: Ruins of the Empire, Part Two

November 22nd, 2019

Legend of Korra: Ruins of the Empire, Part Two was fantastic.

As Guan ramps up efforts to take over the Earth Kingdom, it becomes obvious that he’s outright brainwashing people. Korra heads in one direction looking for a solution and the rest of the gang heads in another trying to get a bead on what’s going on. In the process, they get captured. Now Korra has to face down her own friends and her lover as well as an implacable enemy. She needs an ally and the only one available is…Kuvira.

Kuvira was one of the best characters in the Korra anime. Nuanced, human and both sympathetic and unsympathetic simultaneously. Here in Ruins of the Empire, we’re getting another look at Kuvira, as a leader, as an enemy, as a resource and as a human.

I wasn’t sure in Part One if this story was going to grab my attention, but by about halfway through this book, I was well and truly grabbed.

Even aside from the strong (and timely, as persistent election interference is our current reality in the USA) plot, there’s something I want to note. As Korra is taking her leave, she and Asami kiss each other goodbye. Does that sound boring and every day? It is! Isn’t that exciting! Korra and Asami kiss goodbye just like couples do and it’s not a thing. It’s so absolutely delightful that they are just…together. Happy sigh.

Michelle Wong’s art is solid and Killian Ng’s color palette is excellent. The cover of this volume makes my heart pound a little faster. Kuvira, Toph, Su and Korra, wow. 4 generations of strong, interesting, three-dimensional women in a comic for tweens. And it’s #2 on Amazon in LGBTQ Graphic Novels, which makes me so happy.

I’m really looking forward to Part Three which hit shelves in February 2020, and here’s hoping for more time with the depth Kuvira brings to the story.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 0
Yuri – 10 Once again because Asami and Korra just are, together, not because of any grand coming out.

Overall – A very solid 9

Thanks to Okazu Patron and Superhero Eric P for today’s review copy!





Dead Beats, A Musical Horror Comic Anthology

November 4th, 2019

It’s the tail end of the 2019 Samhain season, so, in order for you to understand Dead Beats, I want to tell you a story. ^_^

When I was 8 or so, I had a baby sitter. She was an adult woman who had a kid of her own who was about my age (but who went to a different school. We had 5 elementary schools in the area I grew up, we all went to the same one middle school, then were split back up into two high schools.) Melissa – I have no idea why I remember her name, was a goth-y kid at 11. She seemed very old to me, but she liked comic books so I’d hang with her when she was home and read her comics, which were all horror. I didn’t like horror comics – they weren’t scary, so much as kind of gross and all ironic. You know what I mean, right? The person who always stole lunch from the kids was tortured by being force-fed, that kind of morality play. Terrible people getting their comeuppance. They were so tiresome and full of allegory , l which I didn’t like even back in elementary school. When Tales of the Crypt got on HBO, I was like, “Hard pass – I already read that and thought it blecch.”

So me and horror have a rocky relationship. I hate “Boo!” type scare tactics, and morality plays and guro. What’s left you may wonder. And in response, I will sigh and reply “All the well-written, funny, intelligent, creepy horror of the universe, duh~~!”

Dead Beats horror comic anthology is funny, intelligent, creepy short horror comics that completely lack the morality that made horror comics so tiresome. It’s still has some irony, but that’s to be expected.*

The premise is a visit to a cursed music shop, where the proprietor points out random items, implies horrible fates and leads us to rooms where unspoken-of unspeakable horrors occur. We then get a short horror comic – something rather funny, occasionally touching and frequently gruesome – centered around something musical-ish; an instrument, the music itself, whatever.

It was terrific. A lot of fun to read. From the ridiculous “The Cursed Saxophone of Skasferatu” to “Apolcalypse Demo, which married a bit of the end of the world to a final jam.  There’s a lot of musical demonic invocation, which I always seem to like for some reason…

Overall, I haven’t had this much fun watching people die in a long time.  ^_^

There’s no way to comment on art or storytelling as a whole, most stories credit three to four people on a contribution, so you’re looking a variety of writing and art and letter and coloring, all so different, you can’t really compare. But if I had to pick one story as a favorite, it’d be the ghost story written by Vita Ayala, art and coloring by Raymond Salvador and lettering by Micah Myers, “Let’s Stay Together.” When you read it, you will understand why instantly. ^_^

Dead Beats is also pleasantly – which is to say,  very – diverse. It looks like the actual world I inhabit, with straight and queers folks and people of differing body types and colors and ability and yes, levels of demonic possession. This collection has a number of queer stories, from the self-affirming to the openly murderous.

No fooling,  this variety made the book a lot easier to read for me. I don’t encounter Japanese schoolgirls nearly as often as, oh, just about anything else, which is not – for obvious reasons – reflected in my comics reading.  It’s nice to see comic pages that look like the life I live, full of all sorts of people. People who are either killing or being killed, true, but I’m not going to lie and tell you that real life doesn’t have plenty of that, too.

Creators are likewise a magnificent palette of colors and identities. There are so many top-notch creators here, you should get this book just for the who’s who in the credits. ^_^ Which, it turns, out, you can’t just now, because the book has sold out. Hopefully they’ll get this back in stock sooner, rather than later, and you can get your fill of people being possessed, mangled, devoured, rendered and cursed!

Ratings:

Overall – 9

This was perfect Sahmain season reading.

*Use ironic endings the way you would a monkey’s paw. Sparingly and expect things to go badly.

 





Western Comic: Chronin, Volume 2: The Sword in Your Hand (English)

October 14th, 2019

If you have not already done so, you should definitely pick up Volume 1 of Alison Wilgus’ time-travel epic, Chronin (link goes to my review.) At last, I can now talk about the finale, Chronin, Volume 2: The Sword in Your Hand.

In my review of Volume 1, I go into great lengths about the uncanny parallel between Chronin and an obscure manga series I loved call Amakusa 1637. Although the stories are in no way similar and, in fact are addressing opposite ends of the same historical era, the fact that they both do this through time travel was remarkable. That they both do this with time travel and a female lead that cross dresses is extraordinary.

Where Amakausa 1637 handles the paradoxes by changing the future, in Chronin the characters decide on fixing the past. Why they must do so – and how – make for a fascinating and tensely written story that anyone can enjoy, even if history is not your best subject. In that sense, Chronin is as much historical thriller as a science fiction novel.

Part of what makes Chronin a satisfying read is the characters. They are all well-developed, fraught with their own emotions, successes and failures. Human frailty is a character unto itself in this story.

The ending is super satisfying on every level, even levels you didn’t know you were worried about. Hatsu has a half dozen amazing moments in this volume – ultimately she is my favorite character, having shown common sense, intelligence, competence, humor and a fair chunk of rage at everyone meddling gratuitously in her timeline. Even the antagonist make some really pointed comments about the hubris of time anthropologists, wandering through the past taking samples the way European explorers did with indigenous cultures. Ultimately, it was that raw honestly of the characters that really kept me turning the pages right to the very end.

Ratings:

Art – 9
Story – 9
Characters – 8 “Fuck Kuji” is a an actual line in the book.
Service – 3 A little light gayness
Yuri – 8 Not spoiling is pointless, there’s only two characters it could be. Mirai and Hatsu ftw.

Overall – 9

Time travel, cross-dressing samurai adventures sound fun, but Chronin reminds us that people’s lives are not just collateral damage.