Archive for the Drama CDs & Audiobooks Category


Yuri Drama CD – Grand Stage Daiundokai (グラン・ステージ 大運動会 ドラマCD)

September 25th, 2016

gsutk Welcome back to a joyful, squeeful look at one of Japan’s Yuri-est exports, The Grand Stage series of Drama CDs. Today we’re looking at the final CD of the first “season” Grand Stage Daiundokai (グラン・ステージ 大運動会), in which the otokoyaku of the Grand Stage Sora-gumi compete in a sports festival against the other groups. (Groups that, until just now, we didn’t know existed.)

There any number of goofy contests, including the bun-eating race, which poses a huge problem for Ryoya, who is disgusted by such low-class food. The otokoyaku are required to read romantic lines into a microphone for the service of the female fans and, of course, there is a relay race in which dramatic things happen and despite injuries and because of sacrifices…they win. Phew! It’s even okay that they don’t win the contest, because they gave it their all and two of them won special achievement awards and they bonded as a team, as nakama. Niji-gumi can have the trophy.

As promised, we meet Kohaku Minami’s older sister Kurea (Claire) who is voiced by Kitamura Eri, who also does Kohaku Minami. In fact, every time we heard the female fans cheering I giggled, knowing the the otokoyaku VAs were voicing the fans, as well.

In between the events, the “boys” performed a song. And as we are at the last  CD of this series I really wanted to take a moment and tall about the music and the singers.

Every other CD has begun with a song called “Yume on Stage”  (夢 on Stage) which I have repeatedly described as the most musically predictable song ever. I’ve found a link to it on what admittedly is some really shady site. Scroll down to click the green “play” button to smile at a song so musically predictable, you’ll know every note that is coming, right down the flourish in the final line. ^_^ It’s not hard at all to imagine a Takarazuka-like revue troupe singing it.

In this drama CD, they take a completely different tack. Last spring when I was in Japan, we spent a day walking around Sunshine 60, because we had nothing else to do particularly and randomly ran into a boy idol group performance. It was surprisingly pleasant. Well, the song from this Drama CD, called “Hisshou ~WE CAN FLY~” (飛翔～WE CAN FLY～) was something you can totally imagine a boy band singing. And you know what? They sing it *really* well!  So I found you a link on a shady site, so you can enjoy at least part of the song. And I want to apologize to Toyoguchi Megumi. Because in Maria-sama ga Miteru, as Sei sits at her graduation ceremony, she murders Aogeba Toutoshi, the song always sung at high school graduations in Japan, I assumed she couldn’t sing. She can. I offer my sincere apologies for not remembering actresses act.

Physical extras with the CD this time is a card with all five of the characters in street clothes (as opposed to costume.)

Before I wrap up, I want to mention the gags built around Akabara-no-kimi, Suoh Yui. She is positioned as the senior otokoyaku of the group, to whom everyone defers. And she is also presumed to be the most cultured and elite of them, even more than the aristocratic Ryouya. So when she asks to join her teammates for lunch, you can imagine the scene as the ranks of waiters carrying trays and  trays of French cuisine across the field. ^_^

After the relay, in which Hiou Akito has been hurt, among other calamities, Akabara-no-kimi offers to help Akito get to her personal physician, I had to laugh again, as Ryoya commented that if the fans saw Yui holding Akito like that, it would be mayhem. ^_^

Overall, this was an extremely enjoyable CD and great way to end the series.

However, it played more with the maleness of the otokoyaku more than was “Yuri.” There’s never any sense of irony as the otokoyaku read romantic lines to “girls” or speak of their partners. They are largely playing the part as boys, rather than as women who play boys.

Ratings:

Overall – 9

I’m more bummed than ever at the thought of losing Saiga Mitsuki as Akabara-no-kimi if they continue, since that is the plot of the live action stage event.  Oh well, I’ve got a bunch more of these to go, and I can always go back and enjoy them all over again.





Grand Stage…on Stage!

August 29th, 2016

GSLToday’s post is via YNN Correspondent Brendan B, who wrote in with some amazing news! The Grand Stage series of Drama CDs are going live…on stage.

It’s such extraordinary news, in fact, that I didn’t want to lump it in with the rest of the news report.

First things first, Grand Stage Live will be held October 26, through October 30, at the Akasaka Red Theater in Tokyo. The cast has been announced and although it does not cast any of the voice actresses of the CDs, at least some of the cast has played male roles, included Ryuuto, who is playing Kohaku Minami. Ryuuto, Brendan pointed out, was one of the male villians in a Sailor Moon Musical.

The rest of the cast is as follows. Hiou Akito is being played by Nakayama Satsuki; Komori Misae plays Subaru Ryouya, Tanigawa Airi (a NMB48 member) plays Kazamiya Eru and Yuuto Irya plays Suoh Yui.

The story synopsis tells us that Grand Stage does a special Halloween performance every year and this year, Akabara-no-kimi, Suoh Yui is stepping down. A new surprising person is about to be named Top Star!

I’d guess that indicates a third series of Drama CDs (or at least a new one with a new seiyuu.) I’m okay with that, although I will be sad to lose Saiga Mitsuki. She was so wonderful as Suoh Yui in that 5th drama CD.

A recent article in ModelPress (in Japanese) actually talks about the Live event of the series and about women models playing “Ikemen” (attractive men.) Of course, the actresses are not playing attractive men…they are playing women who play attractive men, which is an interesting layer of mindfuckery.

Grand Stage Live has a Facebook page, and Twitter account, if you want to keep up on news.

I’m going to have to say, this is pretty big news. It’s a level of meta that is both appealing and really strange if you take a moment to think about it. ^_^

Thanks Brendan and if anyone is going to be in Japan in late October, and can see this, do let me know! I will demand a review.





Drama CD: Kindred Spirits, Rain Kick (English)

August 28th, 2016

Drama3_BG1Let’s talk about representation. Let’s talk about canon and subtext and identity.

Years ago, I threw out a definition for recognizing “Yuri,” as opposed to “lesbian” content. Yuri could be seen as lesbian content without lesbian identity. I said this because if a character identifies as lesbian, there’s a higher chance that the story is LGBTQ, rather than Yuri. This is not a hard or fast rule, but an observational guideline. A predatory character identifying herself as a lesbian in a shounen manga hardly shifts the narrative to LGBTQ, but in most of the kind of things we watch and read here, identity is a key factor in the narrative being seen as lesbian or Yuri.

We’ve seen a lot of melding of the two labels over time, as artists like Takemiya Jin and Nakamura Kiyo poke and prod and overlap at the boundaries. And we just talked about how a cartoon can provide a lesbian narrative that is canon…but still subtext.

Today we’re going to talk about a series that has pushed “Yuri” as far as it can go by providing identity and overt text…without ever identifying as lesbian. Kindred Spirits on the Roof Drama CD Vol.3, Rain Kick (屋上の百合霊さんドラマCD第3弾「夕立キック」) manages this.

The story follows two of the popular Yuri Visual Novel’s couples – Maki and Seina and Matsuri and Miyu on a short summer vacation. Maki begins with an expository discussion with Yuna, the game’s protagonist, setting up the fact that Yuna is likely to take over president of the council next year. Maki confides in Yuna that a shop employee recently thought that she and Seina were sisters and that really bothered her. This refrain repeats several times during this CD.

Matsuri and Miyu have already graduated and are now living together. They set up a few days at a resort bungalow for the 4 of them. During the first few tracks I was delighted as the four spoke of the most banal things like who would cook what and their personal schedules (training for the runners, studying for almost third-year Seina.) It was so normal and human and a conversation that might actually happen it took me by surprise. But I should really stop being surprised at Kindred Spirits by now. It does “real” and “human” better than any other series ever.

The story has little drama, but is pretty chock full of identity.  We spend time with Matsuri and Miyu, discussing Maki’s concern about being seen as sisters. Miyu logically suggests that “sisters” is a guess by a stranger to make the close relationship of Maki and Seina make sense. Matsuri wants the two of them to be seen to “fit” together naturally in that way, they they belong together. Matsuri mentions her concerns when she confessed to Miyu, and says that by then, she had pretty much become comfortable with the fact that she was always going to be attracted to girls. (Aki also had a similar admission during the game.) They have  touching moment and a sneaked kiss.

Maki and Seina also discuss Maki’s concern. Ultimately she admits that she wants them to be seen as “lovers.” Seina is moved by this, and they discuss their lives in the future, together.

So, when we look at these relationships, they are canon AND overt text and, although the word “lesbian” is never used, there is awareness of identity in Matsuri and awareness of the way their relationships appear to others. And I find myself marveling at how sneakily this adorable Yuri series gets to talking some real shit to an audience that, in part, probably never thinks about this stuff at all. Damn.

As with Kindred Spirits Drama CD 1, Playing Girlfriend and Drama CD 2, Friendship Plans,  Rain Kick is available by download from Mangagamer’s website in 2 digital downloads, one with the full Drama CD, subtitled as a video file – so no Japanese comprehension needed-  and one with the CD insert images, extra voice tracks, original raw voice CD track, and translated credits and notes.

An excellent way to develop the characters. I’m absolutely looking forward to the 4th Drama CD, Kyuusei Radio!

Ratings:

Overall – 10

Unrelated to the issue of representation and identity, I fell in love with this series all over again when Seina was given a conversation about how she could tell the beams in the ceilings were for decoration only. I grinned my way through the “contractor’s daughter” talking about the way the building was constructed. The conversation is meaningless, unless the writers really gave a rat’s ass about character consistency. Which they did. And I love them for it!

I may bring back the Stargazer Award and award it to Okujou no Yurirei-san writers for exceptional writing in the face of industry tropes.

As we’re rounding the corner into the final quarter of the year, I’m looking at this series for my best of and thinking it’s going to be hard to beat it.





Yuri Drama CD – Grand Stage, Volume 5 Akabara-no-Kimi, Suoh Yui ( グラン・ステージ 第5幕「赤薔薇の君 蘇皇唯」)

August 12th, 2016

GS5SMHave I mentioned how much I love this series? I mean, yes, I have, but I really love this series! Every time the opening theme plays, I grin like a fool, because it’s just the greatest, most musically predictable piece ever written…and I love it. ^_^

Here we are at the fifth Grand Stage Drama CD, Akabara-no-Kimi, Suoh Yui ( グラン・ステージ 第5幕「赤薔薇の君 蘇皇唯」) who will (also rather predictably) be playing Hikaru Genji in the Tale of Genji, the production for which we are auditioning.

Immediately, Yui pushes our boundaries, asking for our real name as well as our stage name. And this behavior continues throughout the CD. She never goes too far, but there are a few moments when it got dicey. Yui is, she tells us, looking for her new Shirayuri-hime, the partner she formerly had, to her Genji. Will we, a mere Murasaki, ever live up to her princess?

Having decided we seem suitable, Yui takes us out for a drive where we impress her and she, slowly, impresses us. She feeds us delicious baked goods and, finally, in front of a fountain, she kisses us. After which we fall into the water. She takes us home and tells us that we’re more than capable of being her Shirayuri-hime to her Akabara-no-kimi.

Saiga Mitsuki (Chie Hallard from Mai HiME and Mai Otome) is incredibly sexy as Yui. It’s Chie’s Yuri power-up x 100. And also quite versatile, as her deepest voice range is used for her recitation as “Genji,” while as Yui she is still fully otokoyaku-like. One, of course, imagines that her kiss is on the forehead, but still, she gets a kiss, even as she obsesses about the difference between being our lover or our partner. She declares that we’ll make a great partner, (but that doesn’t mean there’s no chance of the other.)

Included with the CD are a character card and a “signed” image and another short story. In the short story, we have a fever, and Yui was able to take of us, insisting that we are a princess as she feeds us. We say we’re well enough to go through with the audition. After the audition, we collapse in Yui’s arms, with a renewed fever, but Yui swears she’ll take care of us. She ends with a suggestive line about us slowly blossoming into becoming her Shirayuri-hime and we are happy about that.

Ratings:

Overall – 9

As always, I’m fascinated by the pure Yuri-ness of this series. The voice actresses are the dead give away. If this was meant to be merely a Takarazuka-esque look at fandom, then any voice actress who voiced male roles would do. Instead, Grand Stage lines up five actresses with unimpeachable Yuri cred, then has them embracing, stroking, snuggling and kissing “us.” Yeah. This series is totally for us. ^_^

Enjoy Yui’s moody image song:





Yuri Drama CD: Grand Stage, Volume 4 “Minami Kohaku” (グラン・ステージ 第4幕「美波琥珀」)

July 18th, 2016

GDMK4I can’t think of a better place to wallow in the wonderful gender-bendiness of Takarazaka, than to enjoy the reimagining of it in our own image in the Grand Stage series of Drama CDs. Today, we’re looking at the 4th of the first series, Grand Stage, Volume 4 “Minami Kohaku“ (グラン・ステージ 第4幕「美波琥珀」).

In the previous CDs, we played the part of young musumeyaku (women playing female roles) who met and were paired with otokoyaku (women who play the male roles) who were charming, arrogant and boyish in turn. In Volume 4, we play an older, experienced musumeyaku who has been paired with a new otokoyaku in training and are taking her under our wing.

Minami Kohaku, the young, inexperienced lead, is played by Kitamuri Eri, who we best know as Miki Sayaka from Puella Magi Madoka Magica and Cure Berry from Fresh! Precure. She brings an earnest and passionate personality to Kohaku that we find absolutely irresistible.

The performance we’re working on is an adaptation of Camille by Alexandre Dumas fils; with several references to the famous opera based on the novel, La Traviata. Kohaku has come to us for special training before taking on Armand.

We learn that Kohaku has joined Grand Stage after her older sister…whom she is surprised to learn is rather famous among the leads. The two of us sneak into the theater and, as we are about to confess something about our fears, we are interrupted. We run away. Kohaku admits that she’s fallen in love a little bit with the stage, with us, with our voice. We are put out by this. Her explanation, and her sincerity turns us around. What follows is a slightly sexy scene as Kohaku realizes that it wasn’t her confession that bothered us, but her apology for it. We call her “pure” and imply something that sets her spluttering with embarrassment. She wasn’t thinking of that, she assures us! And adorably, she asks us out for a hamburger. And says she looks forward to our relationship changing as we get to know each other better. Clearly we are besotted by her adorableness.

When she vows to work hard to be worthy of us, you just know we squeed inside. Outside we were just cool and mature. ^_^  (For this CD, I think I would have liked to have our dialogue, too.)  And we promise to wait until she graduates and becomes our partner.

The final track is Kohaku’s image song, predictably titled “La Traviata” which is a crappy tango-esque piece that Kitamura does a very decent job with.

Included with the CD is a “signed” picture which, this time, includes a note of thanks. With her dreamy amber eyes, and her kiss to our hand, Kohaku is clearly going to make a wonderful Armand to our Marguerite.

Ratings:

Overall – 10

I was 100% with the “me” of the storyline. Minami Kohaku was absolutely irresistible. ^_^