Archive for the English Manga Category


I Married My Female Friend, Volume 1

December 26th, 2023

A woman with long, dark hair in a green dress and a woman with collar-length light hair wearing pink overalls and a beige shirt, share the handles of a plastic bag as they walk and talk.Kurumi and Ruriko are friends. They have decided to be married even though neither of them feel romantically inclined toward one another. They come up with rules to follow to preserve their relationship and immediately those rules feel strained in I Married My Female Friend, Volume 1.

“Or so they think…” weighs heavily in every scene in which they monologue about their feelings of friendship for one another. Kurumi is a free spirit, but on a solo trip she keeps thinking about Ruriko. Ruriko is glad to let her wife roam, but her mind is always on what would make her happy.

They negotiate boundaries. When Kurumi messes up the garbage Ruriko redistributes the labor more sensibly. When Ruriko doesn’t tell Kurumi about how sick she is feeling, until she has to be rushed to the hospital, they find themselves discussing what will make “them” work. For that…and for the moment, Kurumi comes running into the hospital asking to see her wife, left me feeling happy, with a coda of “been there.” Very happy, because it’s still new and exciting to see women identifying themselves as wives, and I don’t see it becoming less wonderful as time goes on.

The one thing that feels different from Usui-sensei’s other “couple figures it out” series, Doughnuts Under A Crescent Moon, is that from the beginning, there’s a very distinct sense that, while Ruriko says she’s only gto feelings of friendship for Kurumi and Kurumi does not seem to have any romantic feelings for Ruriko, there’s an overwhelming sense that that is where we’re heading.

I have been thinking a lot about platonic intimacy between women…and I have always been an advocate for a legal partnership that is not meant as an indication of a romantic pairing. Why shouldn’t friends just be able to designate one another as “family?” Of course, with same-sex marriage in some countries, we’re a little closer to that, but I cannot designate my dear friends who are married to each other, as members of my family, in case of emergency or need. That has never made sense to me. Why shouldn’t people who live together and share household requirements just be able to be seen as a “family” legally? This first volume skirts this issue, as Kurumi and Ruriko balance what their friendship means to them and what their marriage means. 

This series is less of a personal journey into sexuality and identity than Doughnuts, but is, perhaps, more of a journey into social identity. It’s also quite goofy at times, which is fun.

The folks at Seven Seas brought us a wonderfully clean adaptation, with retouched sound effects (yay! whoo! It looks great! Thank you Aly Villanueva and Seven Seas for allowing Aly to do that.) Avery Hurtley’s translation does a great job of giving Kurumi and Ruriko their own voices. I care deeply about that kind of thing, especially for a manga in which these two voices are most of what carries the story. The cover, which is a straight-up gloss looks great, thanks cover designer M.A. Lewife.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
Yuri – 6

Overall – 8, with loads of potential

This is not the deepest book about queer identity (the issue of same-sex marriage is handwaved away as “it’s legal now”) we’ve seen in 2023, but it doesn’t need to be. Sometimes, all we need is a gag about a roaside radish.

Thanks very much to Seven Seas for the review copy…I had bought myself the print volume first, but I appreciate the thought!





Does It Count If You Lose Your Virginity To An Android, Volume 1 Guest Review by Matt Marcus

December 20th, 2023

A gynoid with purple hair undressed her nonplussed mistress on the cover of Does It Count If You Lose Your Virginity To An Android, Volume 1 Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. He is still on the hook for a Xenosaga KOS-MOS x Shion fanfic for their next Patreon goal.

Sometimes, you come across a piece of media that really strikes at the heart of humanity. What does it even mean to be human? To have emotions? What if there were beings that look like us, feel like us, act like us, but are wholly man-made? Is synthetic love still…love?

If you are looking to explore these heady ideas, then may I suggest Pluto by Naoki Urasawa and Osamu Tezuka, now with a fantastic anime adaptation on Netflix (who did not sponsor this post).

However, if you are looking for something less Philip K. Dick and more, say, Philine K. Shlick, you could pick up volume 1 of Does It Count If You Lose Your Virginity To An Android? by Yakinikuteishoku. Now, I hear you saying, “But Matt, shouldn’t the title say ‘gynoid’?” Well observed, dear reader! In fact, the referenced lovebot uses the term herself, but alas, it seems that it failed in focus testing, much like my alternate title Is It OK To Objectify A Sapient Sex Toy?

Here’s the rundown: in a near future where AI isn’t about art theft and Google Glass manages to succeed, Tsuda Akane is an office worker in her late twenties who is very reliable and professional on the clock, but outside of work she’s a complete slob who drinks heavily every night and has no real romantic experience to boot. During a drunken stupor, she places an order for a cleaning robot but what arrives the next day is a super advanced—and very illegal—sex gynoid named Nadeshiko. Akane spends the volume constantly at her wits’ end trying to keep herself out of jail and her incorrigibly horny new companion in check, however much to her chagrin she is very much putty in Nadeshiko’s skillful hands.

I expected this manga to be hornier than a buck hunter’s trophy wall and, sure enough, page one opens mid-coitus. Hell, the central point of conflict is Akane’s refusal to register herself as Nadeshiko’s owner via a fingerprint scan, and I’m sure you can infer what that entails. The premise is so nakedly (ha) transparent in its aims that even when a gag is eye-rollingly contrived (of course that’s where the power switch is! Of course!) I find myself unable to find it distasteful. Don’t get me wrong, it’s pandering as all get-out, but it doesn’t rise to a significant level of grossness unless you give any thought to how rank that apartment must smell.

What really made this volume stand out as more than just I, Robot After Dark is the snappy writing. Huge credit to the localizer Casper Kazor, who really punched up the dialogue to great effect. There are a lot of really fun little turns of phrase that got me chortling, none of which I will deign to spoil. This is one to pick up for tits and giggles.

So, back to the titular question: does it indeed count?

رارا I Evess

(all apologies to KC Green)

Thank you to Seven Seas, who also did not sponsor this post, but did provide a review copy.

Art – 8 All the character designs are cute but the fluids are a touch excessive
Story – 7 It’s a gag comic were sex is The Joke, but the flourishes in the writing elevate it
Characters – 6 This ain’t Bladerunner 2049, but I’m sure no one needs it to be either
Service – 9 Docking it one point for the few services that Nadeshiko will not provide
Yuri – 7 / LGBTQ – 7 Akane seems to be a clueless ladykiller with a cadre of admirers at the office 

Overall – 8 

You cannot fathom how disappointed I was that Seven Seas beat me to the Electric Sheep reference–and on the back cover, no less. So many jokes lost to time, like tears in the rain.





The Witches Marriage, Volume 1

December 18th, 2023

A tall girl with long dark hair, wearing a witch's hat hold hand with a younger girl with red hair who points to the distance. A magical door floats behind them mid-air.Melissa is a witch driven to excel. Her partner Tanya is a hard worker, but, for some reason, her skills simply won’t increase, which frustrates Melissa beyond her tolerance. Together the two of them are determined to form a bond known as The Witches’ Marriage, which will allow them to attain greater abilities. But first, they must deepen their bonds.

For Tanya, this is easy enough, as Melissa is her idol. But for Melissa who is not open or forthcoming at all, and is hiding a great deal from Tanya, as well as just being irritable and hard to please, the effort will come at a greater cost. Can they attain truer intimacy and unlock their skills? Well…obviously, yes.

This is not generally my kind of story. I found Melissa’s treatment of Tanya intolerable. I also found the ane-loli art style objectionable. Nonetheless, but the end of the volume I, like Melissa, had come around to it. Even though it felt mostly undeserved, the end of the volume was surprisingly satisfying. If my objections are not yours, you will probably like this story even more than I did. ^_^

Yen’s team does a very fine job here managing to create the right tone for each of the characters.

A very interesting note – this manga is not credited to an artist or two, but to a team of around 30 artists who work together under the name Studio Headline. They all work together on multiple projects, which sounds hectic, but fun.

Ratings:

Art – Exuberant and messy
Story – Tsun vs dere
Characters – Competence does not have to come with cruelty
Service – No one wear clothes like that with that big a chest
Yuri – Definitely

Overall – 7

Thanks to Yen Press for the review copy. I look forward to Volume 2 which just hit shelves in English this month!





The Two of Them Are Pretty Much Like This, Volume 4 Guest Review by Patricia Baxter

December 13th, 2023
Two women lean on a fence, looking at each other, entwining fingers. One woman has medium-length brown hair, wearing a red blouse and cargo khaki capris. The other has long blonde hair pulled into a severe ponytail, wearing a lavender long shirt and a white skirt.My name is Patricia Baxter (she/her). I am a bisexual autistic writer who has previously written articles concerning how media represents different marginalized communities. You can find more of my work through my personal website “Autistic Observations”.
 
The fourth, and final, volume of The Two of Them Are Pretty Much Like This is, in a word, delightful.  Not that this manga series hasn’t been an absolute delight for me to read these past two years, because it has been, but this volume in particular emphasizes just how special the series was to read.  In essence, this series’ greatest success is the same reason why I also love She Loves to Cook, and She Loves to Eat and If We Leave on the Dot so much; they are manga series centred on the lives of sapphic women who are living happily and without shame for who they are, who they love, and what they do with their lives.  It sounds like a simple thing to take joy from, but in a media landscape so entrenched in heteronormativity it is still challenging to find narratives that even cover a fraction of what members of the LGBTQ+ community experience, or wish to experience, for themselves.  Therefore, instances where we can read a series where the characters who, even if they are not exactly like you, foster a sense of familiarity and empathy to you, are all the more special.
 

Ellie and “Wanko” continue to be a delight to read, as their day-to-day routines and shenanigans do not fail to amuse and warm the heart and they feel like actual people who exist in our reality.  The emphasis on the couple moving forward to the next stage of their relationship, discussing their future in terms of marriage and their respective career paths, adds a new layer to their established dynamics.  This may sound mundane on paper, but it’s enriching for those of us who need to see these ordinary life events occur to imagine our futures for ourselves.There is one element of the book that, while overall handled very well, deserves some criticism.  This volume introduces a new character to the series, a high school student named Kita, who is revealed to be a transfeminine youth.*  They initially assumed that Ellie was a trans woman, and asked her for advice on how to become a woman.  While Ellie cannot be the guide Kita needs to traverse through a gender transition, she is still more than willing to lend an ear and offer positive reinforcement to think about their future.  The main sticking point in this volume is the pronouns used to address Kita are exclusively masculine ones, which is a choice I felt frustrated by.  I’m uncertain if this is meant to reflect how they were addressed in the original Japanese edition, or if it was an intentional request by Takashi Ikeda for the English translation, but having a transgender character only addressed by the pronouns associated with the gender they’ve been assigned with at birth is something many people will find discomforting, as it did for me.  This slight hiccup is unfortunate, as this volume has several instances of queer positivity, but overall I am happy for Kita’s inclusion in the narrative and that their story was treated with empathy and kindness by the author.

In the end, the final volume of The Two of Them Are Pretty Much Like This emphasized just how much I love these characters and taking the time to experience their lives.  I didn’t want the book to end, but I am glad that we were able to catch a glimpse of these characters’ journeys for a little while.

* I chose to use they/them pronouns for Kita in my review because Kita is a transfeminine character, and it is important to address the possibility that they may be non-binary as they are still considering their gender identity for themselves

Art: 8
Story: 9
Characters: 10
Service: 2 (some nudity, references to Ellie and Wanko still having very enthusiastic sex together, but nothing egregious)
Yuri: 10
LGBTQ+: YMMV, 5 – 7 depending on how you view Kita’s treatment in the book
Overall: 9.5





Cheerful Amnesia, Volume 1

December 11th, 2023

It’s a stock romance trope – one partner loses their memory of the other and ends up falling in love all over again. It’s a great trope, because when done well, a character in a stable, loving relationship gets to feel the thrill of a new love and the other partner gets to woo their lover all over again. Cheerful Amnesia, Volume 1 by Tamamushi Oku (creator of Yuri harem romp I Don’t Know Which Is Love, reviewed on Okazu by Luce), somehow manages to create a story that sacrifices all the wonderful bits of the memory loss trope for not-terribly-funny gags about underwear and having sex.

Our late friend Bruce’s last review here on Okazu was of the Japanese edition of this manga. I’m sorry to say, I agree with his summary, “Arisa and Mari have been living together for some years. But as the story begins Arisa is lying comatose in the hospital, suffering from a severe case of plot device. When she awakens, she has no memory of Mari or their life together. Mouth wide open she wonders who this lovely, unfamiliar, unsmiling woman is sitting by the bed. When Mari informs her she’s her lover, Arisa’s little brain short-circuits. She blushes, shrieks, squirms, squees, wriggles, and generally provides evidence as to why Mari never once smiles through the rest of the Manga.”

In a nutshell, this is the main problem with this manga. At no point do Arisa and Mari have a single important conversation about…anything. Was Arisa’s amnesia from accident or disease? No idea. How does Mari like her coffee? No idea. What did they do for fun? No idea. What was Arisa like before her coma? No idea, except that she initiated sex. Instead of asking Mari any one of a thousand questions about their lives together, Arisa obsesses about the idea that their bras are in the same drawer. Instead of learning how to foster a new intimacy, Arisa freaks out over and over at the idea that she has had sex with her lover.

It feels very much like Arisa has returned to her life as a 14 year old. And maybe, if that had been said, it would have worked. Instead she’s an adult person completely- repeatedly –  befuddled by the idea that she had a life with a woman with whom she lived.  As Bruce said,  “From this point on Arisa has to get reacquainted with the intimacies that go with living as a couple. She doesn’t manage it well. She actually doesn’t manage it at all. She’s just so embarrassed and excited and squirmy to know that her lover is this lovely, unfamiliar, unsmiling woman (wait, wasn’t that page 1? Yes, and many, many pages beyond). It’s heavy going for Mari as they work their way from holding hands to soapy bath-times to the frilly underwear. It’s heavy going for us all.”  Oh Bruce, how I miss you. ^_^;

I can totally see how this series could read like a very fun, goofy 4-koma, if one read a page or two at a time. As a volume, I felt so desperately sad for Mari who has the body of her lover back, with the soul of a gaping child inhabiting it. I also know a LOT of people really love this series and were looking forward to it being out in English. I am very happy for them! I’d recommend reading this series first, then taking a look at I Don’t Know Which Is Love, to see how the creator’s work has and (has not) changed.

Ratings:

Art – 6
Story – It could have been amazing
Characters – My sympathy to Mari in these trying times
Service – Mari injures her hands so Arisa has to gasp! wash her
Yuri – 9

Overall – 6

The team at Yen Press did a great job with this volume.  I honestly wish it were worth it. If you are interested in Tamamushi Oku’s work, I highly recommend the interview on Yuri Times. Part 1 and Part 2 have been translated into English, thank you Ayumi-san!