Volume 15 of Tsubomi (つぼみ) begins with illustrations by Hayashiya Shizuru that, when I saw them the first time, motivated me to tell her on Twitter that they were “stimulating.” A female bodyguard and her charge are seen surrounded by a crowd (opening, awards event, something like it, there are floodlights and photographers and a crowd) on one color page and on the other, black-and-white page, sharing an intimate moment in bed. Really, truly great. Hayashiya-sensei said that she’d love to draw their story one day and I said that I’d love to read it. ^_^

“Hoshikawa Ginza Yon-choume” continues with Minato coming down with a cold…again. Now that I’ve read the whole second volume, I’m kind of cooling on this series, unless it actually goes somewhere that doesn’t make me dislike everyone more.

“Walk Wit Me” [sic] comes to a crisis, and probably a close, as Mallory and Wendy leave their moribund town and the dead souls that live there. In this chapter, it becomes more plain that this is a dust bowl America we’re in. I’d want out too. They end up heading down Rt. 66 to wherever.

Shou belatedly realizes what Chiharu means to her, in “Kurai mori, Shiroi michi.”

Hakamada Mera’s “Higashitotsuka of Eden” is finally starting to take shape, not so much as a Yuri story, but as an otaku story. “Kiku-chan” finds herself outed as a doujinshi author, when the manga research club participates in a comic event.

Hikaru and Megumi go to the ocean with friends in “Prism”. As they kiss, in a corner of the beach away from the rest of the crowd, they are seen by a passing group of people who are rude about it. Later, as they leave the convenience store, they encounter that same group, who proceed to intimidate them physically and verbally. Not surprisingly, this scene is rough. One feels one’s stomach go tense almost immediately, and when the girls are cornered, then harassed, you start to look around the room for help. Luckily for Megu and Hikaru, help arrives and they are freed from a quickly escalating ugly situation. But the feeling lingers for a while. This scene is uncomfortably realistic, which means that the creator has managed to convey the situation well, and make us care about the characters. Another sign of the evolution and maturity of Yuri, we’re getting yet another look at some of the less savory issues a lesbian couple might face. Tsubomi pushes the envelope once again. Kind of a surprise, really, that Tsubomi is the one willing to take that risk, before the older, more established, Comic Yuri Hime.

The rest of this volume was of less interest to me, but might be high interest of you, so do consider buying this magazine and showing your support for the Yuri creators that are working quite hard to bring you stories of interest.

Ratings:

Overall – 7

Tsubomi, Volume 14 (つぼみ) starts off with a very interesting story. “Walk Wit Me” [Sic] takes place in the Dust Bowl of America during the post-WWI area. This is not entirely apparent in this first chapter, but the abandoned oil rigs and clothing are a big hint in that direction. I’m not sure what Wendy’s mother’s issue is, but nonetheless Mallory and Wendy face issues of class, and of course acceptance.

In “Hana to Hoshi” Hanaii is made aware of Hoshino’s relationship with her sempai and this shock is compounded when a male classmate confesses he likes her.

Kiku-chan is drawn into the Manga Research Club in Hakamada Mera’s “Higashitotsuka of Eden.” This seems like it’s a good thing, but Kiku-chan certainly doesn’t appear all that happy with it. That may be more because she just doesn’t know what to do with her rich, attractive, neighborly next-door neightbor, Hiyoshi-san’s outgoing personality.

Another one of those series that I took a long time to getting around to noticing is “Prism” by showhigashiyama. Once I noticed it, I suddenly realized that I actually liked it. Hikaru and Megumi have a shockingly normal and realistic relationship. I look forward to seeing this in collection now, so I can retrace the story of two very real young ladies in love.

“Kuraimori, Shiroimichi” isn’t heading anywhere fast, but I want to believe that Shou will realize her feelings for the blind woman who has intruded into her life.

“Candy” continues with an entirely unrealistic, but very cute chapter, in which Kanan and Chiaki commit a minor piece of school vandalism in order to have an intimate moment together.

And that was it for stories I liked this month. Less than half but there’s probably something in there for you, so please, remember to support Yuri when you can with actual money. Downloading scans doesn’t pay the artists. Thanks. ^-^

Ratings:

Overall – 7

Tsubomi (つぼみ), Volume 13 opens with a cover sure to please Morinaga Milk fans. From there, it’s right into “Himitsu no Recipe” in which Wakatsuki is still having no luck getting a moment alone with the club president…until she does.

Of the many stories in this volume, here are some notables:

From there, we jump into my favorite story, “Lonely Sheep, Lonely Wolf” in which Imari-chan finds the strength given to her by big Imari to stand up to big Imari’s ex and get her girl back, dammit! I award a standing ovation to Imari-chan.

“Hoshikawa Ginza Yon-choume” starts to re-ravel after Minato and Otome’s relationship had come completely unraveled.

“Candy’ continues, somewhat surprisingly, with the intrusion of one of Kana’s admirers.

A new story, “Sogo Tovoarisch” begins and I can make neither heads nor tail of it yet, but that’s par for the course these days. Get back to me in three chapters.

“Prism” ends in a unexpectedly sweet way, then launches into a side story of itself.

“Hana to Hoshi” brings Hanai-san up against the obvious relationship between Hoshino and her sempai. What will she do about it, and about her feelings? I think we can assume she’ll work it through, don’t you? ^_^

And something about “Kurai Mori, Shiroi Michi”: appeals to me, but I have no idea what it is. This quiet little love story about a depressed girl and a blind girl is little more than talking heads, but they are sincere and fully fleshed out in a way that surprises me every time. I once again hope that we don’t have to draw the curtain yet on what is the beginning of something good.

As always these are hardly scratching the surface of what is in this volume. It’s quite literally too much to review thoroughly anymore. But these stories were some that I thought stood out from the pack. I will also say that there are a few more non-schoolgirl stories these days, so if you’re getting jaded on the all-schoolgirls thing, Tsubomi is a little less of that than it was previously. No sports manga (well, other than a story about ping pong players who no longer play ping pong) or action/adventure yet, but travel and scifi is starting to claim their spots.

Overall – 8

Once again, I’m pulling for us to see a little bit past the “we like each other!” phase of relationships here, but not betting my lunch on it. Still – it’s getting better.

In my review of Volume 11, I said that Tsubomi (つぼみ) Volume 12 was poised for something. And so it is.

The covers have recently told short stories on their own and this issue actually includes the story of the cover story as the first story in the volume. Interestingly, the insider color art page is by Kazuaki, the same artist illustrating the “Justice for Girls” novel in Comic Yuri Hime. It’s a small, small Yuri network. ^_^

Otome is starting to realize that her actions have caused Minato some considerable pain in “Hoshikawa Ginza 4-choume.” She has yet to see that she’s hurt another girl, as well.

Wakatsuki spends a lot of time inside her fantasies of the cooking club’s summer camp, but the reality is not what she had hoped in “Himitsu no Recipe.”

In “Prism” Hikaru is having a hard time with her feelings, and her relationship with Hirose-san. A not-at-all chance discussion with a classmate who comes out as bi, sets Hikaru back on the right path.

“Shimaism” adds a couple of new characters to allow Yoshotomi Akihito to draw the girls in random cosplay and a much less skeevy couple to the mix.

The big surprise comes in “Lonely Sheep, Lonely Wolf.” Big Imari and little Imari are spending the night together to celebrate their shared birthday, but a visit by a former lover of Big Imari’s, Rika, throws them both into very uncomfortable territory. But little Imari isn’t having any and stands up to this person who wants to drag big Imari back nto the past. Rika’s reaction to this was such a genuine shock that I gasped out loud. I’m freaking out here, not knowing what happens! This series has been my favorite for some time, and it has just stepped into completely different not-Story A territory. I long for the next chapter.

“Ai o Komete” is exactly the opposite – it’s a slightly annoying “Story A,” featuring an American transfer student whose Japanese is quirky, but fluent.

“Kuraimori, Shiromichi” continues as the depressed Shou finds her thoughts filled with impressions of the blind girl she met in the park and desire to spend more time with her.

Nawoko’s “Private Lesson” wraps up as both Tamago and Tori-‘nee learn all the lessons they can from their relationship to music and to one another.

As always these aren’t all the stories in the volume, just the ones I found notable.

Congratulations to Tsubomi and all the folks who make it happen, for making it through 3 years! Here’s to many more. ^_^

Ratings:

Overall – 8

This volume was probably a 7 overall, but the shock of “Lonely Wolf, Lonely Sheep” bumps the volume as a whole to an 8 and that series in and of itself to a 9.