Archive for the Ribon no Kishi / Princess Knight Category


Princess Knight Anime, Part 1 (English) – First Impressions

September 17th, 2013

rsdvd1378I’m currently reading a book on early 20th century Japanese girl’s literature and culture and the author carefully cautions readers to not interpret relationships through the lens of modern lesbian culture and I simultaneously thought, “Obviously” and “Screw that.” Obviously, because the girls themselves, living lives largely segregated from boys would not necessarily have interpreted their own forays into romantic, platonic love as “desire,” but screw that, because human nature does not change and some of those girls would have. I’ll talk about this more when I review that book, but it brings me to Princess Knight, Part One, from Nozomi/RightStuf.

I will not caution you to not interpret this cartoon in any particular way.

We know this was released in the late 1960s and we can see watching it, that it was heavily informed by Disney , Warner Brothers and Walter Lantz.  “Woop-woop-woop!” is the soundtrack of my youth, in many ways.  My youth, which, btw included Bugs Bunny cross-dressing as Carmen Miranda.

The Princess Knight TV series is new to me. I have seen the 3-episode series, but never the 1967-8 version. So, as I’m watching this release of Princess Knight, I’m honestly surprised at how much of a transgender narrative the beginning is. A Prince who is a girl, reminded at every turn that her life doesn’t match the gender role expectations of her body – and hounded by people who want to expose her. Wow, was I made uncomfortable by Duralamin and Nylon in this cartoon – far more than I was in the manga. Her mother rags on her to remember she is a girl, and not to forget herself, while her father rags on her to be a perfect boy. And *everyone* ignoring the fact that she is really quite fabulous as she is – a brave and strong and independent girl in pants.

As with Riyoko Ikeda’s Claudine, I can’t help but wonder if Sapphire might have been satisfied with her sex if she was given the privilege, position and power she deserved. And this is exactly why I call BS on the “don’t interpret it” cautioners. Why wouldn’t we interpret and discuss this through our own lenses? Isn’t that why we’re here, talking about this stuff in the first place?  There are a lot of ways in which this story would not have conflict – if the Kingdom wasn’t entailed to a male heir; if Duralamin wasn’t evil; if Sapphire was content to be a boy all the time and never deviated from the script. But instead, Sapphire wants the privilege of being a Prince, with the chance to indulge in the role of Princess, and to be left alone to be who she wants to be. It’s pretty obvious that, like Erminia after her, the idea of being Queen to some King  who will protect the country, never enters her mind as a pleasant option.

Let’s fully engage in interpreting Princess Knight through a modern lens. Is Sapphire transgender? Is she a cross-dresser? Is it merely because she is robbed of the ability to live and rule as herself that she indulges/delughts in dressing as a boy? Is she someone who now might consider herself genderqueer? My feelings are that she’s perfectly happy with the body of a girl and the privilege and independent life she gains as a boy. A happy tomboy who would be just that much happier if everyone got off her case. Your thoughts in the comments, please. ^_^

Ratings:

Art – Infamously low quality, but I was alive in ’67…what wasn’t low quality?
Characters – Pastiches of tropes of archetypes
Story – Rather more uncomfortable-making than I expected

Overall – 7

Thank to the generosity of TRSI for this review copy, And thanks to them,  I have 2 copies of this DVD to give away, so if you want to ponder the “do not ponder”ables of watching a 50 year old story with modern eyes, put your name and country next to you comment to win the set!





Princess Knight Manga, Volume 2 (English)

February 21st, 2012

Handsome.

Manly.

Feminine.

Pretty.

Think about those words applied to a man, then a woman. For a woman to be “handsome” is perhaps not an insult, but when a woman is called “Manly” it almost assuredly is.

A man who is called feminine is probably not particularly thankful for that, and while pretty boys often get the girls, you don’t want your son being called “pretty” by the bully in school.

Sapphire is both pretty and handsome, and manly and feminine – but not at the same time and only at the exclusion of one or the other.

Sapphire’s boy heart makes her strong and confident, gives her hope and heart, but her girl heart makes her weak, hopeless and incapable.

Volume 2 of Princess Knight is less about imposed gender roles and assumptions than Volume 1 was, and yet is more problematic for those of us who want to see Sapphire the girl be the Prince we know she can be.

Aside from this nagging problem with this story – which is to say, the story – the rest of Volume 2, seems like a Boy’s Own Reader, with witches and demons and even Satan, Princes and Kings and Queens and pirates and a tournament.

The story ends (somewhat abruptly) with the reunion of Franz and Sapphire. I’m going to pretend that they will return to Silverland and find that Plastic has indeed declared Sapphire the true ruler, and that Franz is supportive and he and Sapphire co-rule over Goldland and Silverland and usher in a new age of equality…which is the exact opposite of the ending Tezuka implies here, but I don’t care, he’s dead and I’m not. ^_^

Art – 8
Story – 8
Characters – 7
Yuri – 1, if you pretend that Friebe might have come around after time
Service – 1, on principle only

Overall – 7

Oh Friebe. You are both a knight and a woman and there is no nonsense about girl hearts and boy hearts with you. Why do people do not love you more?





Princess Knight Manga, Volume 1 (English)

January 12th, 2012

In 1954, Tezuka Osamu began the first serialization of a series called Ribon no Kishi, Knight of the Ribbon. In the subsequent four serializations, the story was altered slightly and even had a sequel. But, throughout these iterations, the main story held true – in a country in which the position of ruler was entailed, so that only a boy could become King, a daughter is born. To hide her true nature, she is brought up as a boy, Prince Sapphire.

Sapphire is endowed with two hearts, that of a boy and that of a girl. The boy’s heart makes her athletic, honorable and strong. The girl’s heart makes her emotional and weak. Yes, yes, I know, it’s exhausting. Think of Tezuka like your grand (or great-grandfather if you’re young) who never did figure out what the 60s and 70s were about and didn’t understand why feminists didn’t like having the door opened for them.

Sapphire is, in any case, stuck in a bad situation. Although she’d like to be a “normal” girl, instead she’s forced to be a beautiful prince. She and her family are well aware of the consequences of being found out, so she does her best, manning up as much as she can. This is complicated by the schemes of Duke Duralamin, who is just positive that Sapphire is a girl, and wants his own son to rule the Kingdom in her place.

Now, at last, brought to us in English by Vertical Publishing, we have Princess Knight. These volumes are a translation of the 1977 Complete Works Edition of Ribon no Kishi. (Interestingly, the very same version I happen to own in Japanese.)

I won’t beat around the bush – this story is frustrating as hell. When she has her boy heart, Sapphire is commanding and decisive, but without it, she’s a mess. There’s no way we can forgive that, can we? But let’s look, not at the story itself, but what it spawned. Because, for Yuri fans, Sapphire is most important for her heirs….which is a really bizarre irony, when I say that out loud.

Lady Oscar of Rose of Versailles –  born a girl, raised as a boy, but never for one second less aware of her existence as a woman, with conflicting, simultaneous roles as a leader of the military, a noble, a servant of a spoiled queen and a person who believed deeply in the rights of her fellow humans.

Princess Ereminia of Paros no Ken, who struggles as a female warrior with the heart of a man, forced to marry in order to put her kingdom under the protection of a man, who ultimately chooses to abandon her country to be with the woman she loves.

Tenoh Haruka, Sailor Uranus of Pretty Guardian Sailor Moon, who, we are explicitly told, has the hearts of a man and a woman and, when asked what gender she is replies, “Does it matter?”

Also topically once more,

Tenjou Utena of Revolutionary Girl Utena, who wears the boy’s school uniform and wants to be the Prince Sapphire wishes she weren’t.

All of these – and many other favorite Yuri characters – owe their existence to Sapphire. Although she might not have been able to find the strength in her girl’s heart, one look at this list, and we can be comforted that her successors most certainly found their’s.

Vertical’s translation/reproduction is swell, but I do have to take issue with their extremely ugly covers. I have no idea what the thinking behind the cover design was. The pink, i.e. “Girl” cover  (ARGH!!!!) is a pale, washed out pink. Sapphire herself is all-but-colorless. Compared to, say, this:

it looks pretty blecch. Volume 2 isn’t really all that much better, with an equally bland blue “Boy” cover. (Not the super-saturated blue in the Amazon listing, a sort of pearly, light, greyish-blue.)

Princess Knight, Volume 1 is not as satisfying a read as you might expect, but don’t look at it that way. Sapphire *is* Snow White on a horse, with a sword and, as such, she’s actually pretty darn cool. And for those who came after, we all must bow in her general direction and honor her as the great ancestor she is.

Ratings:

Art – 8 Tezuka is an acquired taste, like fine wine
Story – 8 Not without problems, but overall, kind of fun, what with the pirates and witches and giant birds and other pop culture elements from literature of the ages.
Characters – 7 Both bad and good guys are stereotypes, but they aren’t entirely unlikable
Yuri – 0
Service – 1, on principle only

Overall – 8

Thanks Vertical for bringing this here and letting us all see the origin of our Girl Prince!

Note: Let me just put two afternotes here:

In some Native American traditions, mixed gender people are known as Two Hearts or Two-Spirits. I have no idea if Tezuka knew that or not.

Also, it’s well-known that Tezuka gew up in the town of Takarazuka, home of the Takarazuka Review, which strongly influenced Princess Knight.

This way you don’t have to feel obliged to write in and tell me these things. ^_^





Ribon no Kishi The Musical (リボンの騎士 ザ・ミュージカル)

November 9th, 2011

Since Princess Knight, recently released by Vertical Publishing (Volume 1 and Volume 2)  is moving ever closer to the top of my to-read and review pile, I thought it might be nice to finally watch all of Ribon no Kishi The Musical (リボンの騎士 ザ・ミュージカル)

This production is Takarazuka-esque, but in fact was not a Takarazuka production. Instead it starred members of pop idol groups Morning Musume and v-u-den. The three-disk edition I have included multiple versions of the same musical, with different lead actresses and casts. As I am not the audience for which this was intended, and indeed know next to nothing about Morning Musume except that, when I saw them 5 times on TV on New Tear’s Eve, the 14 of them, dressed in kimono and geta, were barely able to jump rope 40 times in unison.

It has been years since I last read Ribon no Kishi (Knight of the Ribbon). I have the three-volume set put out in 1974, based on the redrawn Nakayoshi magazine release of the story. My memory of it is relatively clear and the story in the musical, although rewritten in places and full of random musical numbers, was relatively simple to follow. With the exception of the many month interval between me watching Volume 1 and Volume 2, and so I was quite confused by the jailers little song and dance number at the beginning of Volume 2. I got over that, though.

I chose, with completely randomness, the Takahashi Ai version, but there were at least two other cast versions on these disks. Again, I’m not a MM fan, so seeing specific members was low priority, but even I know Ogawa Makoto, so it was kind of nice to see her on stage. (I believe I know her from her participation on Kunoichi, so nothing to do with her time with MM.) I knew people who cared more than I did would insist I be precise here and they have, yay fandom – the main character that changes cast member is Ferdinand.

Okay, so, Takahashi Ai did a really good job at playing Safire, I thought. Even when the camera or spotlight wasn’t on her, she gave it her all. And I liked her costuming quite a bit. The evil duke wasn’t all that ominous and there were some backup singers and dancers that weren’t helping. In general the singing was…okay. Lots of only partially hit notes, but the group pieces were mostly all very fluid and nice. Not her fault, but the costume on Prince Ferdinand did not work. It was pink and frilly and had the opposite effect of making Ferdinand boyish.

I’m never going to love musical theater, no matter how many Takarazuka tapes (or related all-female musical theater troupes) I watch, but compared with, say, The Scarlet Pimpernel, I thought Ribon no Kishi The Musical was enjoyable. Perfect Sunday afternoon background noise while I worked. I’d look up and there’d be Takahashi Ai, dressed dashingly as Safire and then I’d go back to work smiling.

Ratings – Overall – 7

Not the best all-female musical theater I’ve seen, but definitely not the worst.





Vertical Announces Princess Knight

January 27th, 2011

Princess Knight, by Tezuka Osamu, is being published by Vertical.

To say that this is a “long-awaited” announcement is sort of an understatement. Start saving your money now, seriously, because I expect everyone who calls themselves a Yuri fan to run out and get this. No exceptions, no excuses. If you can afford a pizza, you can afford this book. (If you really can’t afford this book, ask your library, nicely.)

Princess Knight, aka Ribon no Kishi (リボンの騎士)is one of the seminal works of Yuri fandom. Tezuka’s visible influences include Disney’s Snow White and Takarazuka, and this series set the bar for notable later girl-princes such as Lady Oscar in Rose of Versailles and Tenjou Utena in Revolutionary Girl Utena.

If you have been paying the least bit of attention to the manga and Japanese lit worlds, Vertical’s other two announcements will be pretty big news, as well. So this was a great off-season announcement for all of us.