Watashi no Yuri ha Oshigoto Desu! Volume 9 (私の百合はお仕事です!)

January 14th, 2022

When Miman-sensei created a series about a concept cafe based on a popular novel series about ‘S’ relationships at a mission school, I was hooked right away. I honestly would never have believed we’d be 9 volumes into it and still ongoing…and still amazing. But here we are. Watashi no Yuri ha Oshigoto Desu!, Volume 9 (私の百合はお仕事です!) is an endless series of small delights and mortifications. ^_^

Having finally settled the major drama (but not the minor, daily, drama) between Mitsuki and Hime, we turn our eyes to the senior figure at Cafe Liebe, Sumika. Her character at the cafe is both bookish and suggestive, cornering her cute schwester to make her blush. In daily life, Sumika is said to be a bit of a gal, but I’m not convinced, honestly. Nonetheless “gal-sempai” has been a bit of mystery to us. We know her one desire is that everything stay the same at the cafe, and we know why – her first little sister was stolen by another member of the cast. Nene, the former little sister, thinks Sumika’s version of the story is full of horsepucky, but it is true that she’s moved into the back of house since.

Sumika has been obsessed with trying to get Kanako to stop obsessing over Hime, so far unsuccessfully. And now Sumika has another problem…she’s starting to have raunchy dreams and romantic thoughts about her reluctant little sister.

And all of that is about to come to a head when the woman who stole Nene from under Sumika’s protective wing shows up at the cafe! What does Goedo Youko want?

This volume was amazing, from beginning to end. It had everything, suspense, drama, fakey romance, real….something, if not romance, then what? And a new back of house employee which gives is the brilliant opportunity to ask all the cast what the S-style sister relationship means to them. When Shinooka is debriefing with Mai, she says that her favorite definition comes from Sumika who says that it is “A Romance, with the romance taken out.” I can’t imagine it better said.

Miman-sensei ends the volume with process discussion, which is always enjoyable and now, as soon as I am done with this, I’m cracking open the next Comic Yuri Hime, so I can see where this new arc is headed. And you will get to read Yuri is My Job, Volume 8 in March. Trust me, there’s a lot to look forward to!

Ratings:

Art – 8
Story – 8
Characters – 9
Service – 4
Yuri – 8

Overall – 8

A fantastically unpredictable volume from a series that never stops surprising me.



Yuri to Koe to Kaze Matoi, Volume 4 (百合と声と風纏い)

January 13th, 2022

When we met Matoi, she was an uncertain high school student, with a crush on an older woman who had returned to their town. Yuri was a young woman whose life had a massive trauma in her past, the scars of which still cover her body. She found her days brightened by Matoi, but absolutely would not consider love. The story picks up as Matoi settles in at college, in the final volume of Yuri to Koe to Kaze Matoi, (百合と声と風纏い)

Volume 1, Volume 2, Volume 3 all have been reviewed on Okazu, out from a newish manga imprint, Lillie Comics. Volume 4 is both a continuation and a new creation with a different publisher. So this volume, should you want to read it, is digital only, available from Bookwalker or, in Japan, on Japanese Kindle.

While in college, in Volume 3, Matoi had met folks who openly identified as gender and sexual minorities and that had opened her up in ways she might not have imagined. In Volume 4, her feelings for Yuri have crystalized a little and…but… . She likes Yuri a lot, but also knows that Yuri is not ever going to want a physical relationship.

In the meantime, Matoi enters a song composition contest in which she uses her family’s voices as rhythm and melody. People are blown away and she wins third place – as a first-year this is unheard of. She’s got a bright future in soundscapes. Armed with this, she visits Yuri and they finally have the talk about their lives, both separately and together.

Yuri has also come to a conclusion. It’s not the scars on her body that keep her from wanting a physical relationship. That, she realizes, is just part of who she is. Matoi accepts this, as she has learned to accept herself and they decide that they will move forward together, in their own fashion. We see them in the final pages, after Matoi has graduated, living separately, across the hall from one another and yet, together.

The final pages of the manga include process shots and thoughts about the cover image and a short aftertalk in which the creator, RenMei, addresses some questions about the book and its characters.

It was really nice to get this epilogue/new chapters and see the decisions both Matoi and Yuri make, and how they create a life for themselves that suits them. As I suspected from back in Volume 1, we get no high drama, just a steady growth of two people creating a future together. As a book I took a chance on, it gave me 4 solid volumes, no complaints here.

Art – 7
Story – 7
Characters – 8
Service – 2
Yuri – 4

Overall – A strong 7

For a book I picked up on a whim during my last visit to Tokyo (I miss it so much, T_T), this was a decent read.



Lovestruck, A Post-Mortem by Paul E.

January 12th, 2022

Welcome to the first Guest Review Wednesday of the year! As a bonus, we have a new reviewer, Paul! Paul contacted me last summer to write this review and time got away from both of us and then stuff happened…primarily, it was announced that Lovestruck will be shuttered. So here we are with a review for something that is now soon to be gone. A post-mortem, if you like. So please welcome Paul… and, take it away!

 
Hello everyone! I’m Paul, and this is my first review for Okazu.

Lovestruck by Voltage is a collection of visual novel style stories, available for Android and iOS. After I began writing this review, Voltage Entertainment USA announced on December 30, 2021, that it was shutting down. January 7, 2022, would be the last day of new content. On January 24, 2022, Lovestruck gets removed from all stores. And on March 31, 2022, all services for Lovestruck will end.

This is a loss, as I feel there were many things Lovestruck did that were supportive of LGBTQIA+ life, as well as having excellent writing.

If I had to sum Lovestruck up with two words, they would be consent and representation. It is truly a wonder to behold how important consent is to the routes. The amount of representation, especially in the newer routes, is also spectacular. While every story has at least one non-white romance option (non-human in Love & Legends [L&L]), eventually there is room for non-white MCs. There is also a lot of trans representation, though none as your romantic partner.

A third word, acceptance, is omnipresent in all but two of the oldest series, To Love and Protect (TLaP) and Speakeasy Tonight (ST). TLaP has antagonism towards same-sex relationships as a plot point in Madison’s route, while ST takes place in the 1920s, so Julius (a Black man) and Sofia (a woman)’s routes deal prominently with the societal aspects of their relationships. Otherwise, there is no angst about the romances. I think that one of the most fantastical elements of the stories is that every non-cis character gets no discussion about being non-cis. Everyone treats it as what it is: perfectly normal. Even Satan, JD’s dad in Havenfall is for Lovers (HifL), has nothing to say about JD being non-binary. It’s refreshing that it is treated as such a non-issue, although unrealistic, perhaps, in that nobody ever makes a misgendering mistake.

The Main Character (MC) is always a bisexual woman whose name you get to choose. Two recent series have added a gay male MC option. All series provide at least one woman as your romantic partner, and later series add more and more women. There are also four non-binary characters as romance options.

These stories are more like kinetic novels than visual novels. The choice of romantic partner is made by beginning the series. No choices made after that will have any affect on the state of the relationship. There are dialogue choices that you can make, but nothing will change the relationship.

And then there is what Voltage uses to make money: Heart Choices. These are special choices that cost in-game currency, Hearts. It is very difficult to get enough Hearts just through gameplay and not actual money. Without Hearts, you won’t do as many cool things, see as many cool things, or have as many sex scenes. There are also images you won’t get, though the need to spend Hearts to see images has tapered off.

The sex scenes you use Hearts to get will occasionally go beyond “vanilla” sex, such as BDSM and wax. If that’s not your thing, it’s easy to avoid. If it is your thing, you have to pay for it.

The writing is excellent overall, having lots of humor to contrast with the sometimes absolutely dire situations the MCs will get themselves into. Editing has gotten better, but I still see the occasional “woah” instead of “whoa”, and it’s absurd how long it took them to use “[Name] and me” instead of “[Name] and I” when used as an object.

Being a visual novel with content restrictions, the sex scenes never mention body parts beyond “breasts.” The writers get pretty creative though, often making it quite clear what is going on.

Since this is now a post-mortem, I will add my thoughts in why it is being abandoned.

I think early problems suppressed later enthusiasm. The first stories had choices that changed what image you got in the final chapter (Castaway! Love’s Adventure [CLA], Gangsters in Love [GiL], and Astoria: Fate’s Kiss [AFK]). There were a lot of images that only got unlocked by spending Hearts (TLaP and ST). Villainous Nights (VN) had some choices that were timed (though kudos for having the first PoC main character). A lot of the later series failed to gain popularity and had rushed endings to wrap up storylines. Which is probably an improvement over ending a Season with a cliffhanger and a “To Be Continued” final image that was never fulfilled (GiL, Sweet Enchantments [SE], TLaP, ST, and some Starship Promise [SP] stories). And ultimately, they probably over-extended themselves by having an update schedule that promised three new episodes every day. 

In conclusion, this was an overall excellent collection of stories with some fantastic elements, but that wasn’t enough to save it.

Ratings:

Art: 7+ (though some illustrations in L&L suffer from Cheeky Mouth)
Story: 7–9
Music: 6+ Even the most repetitive tracks grew on me.
Characters: I love them all.
Service: 3 going by illustrations alone, but the text can get pretty steamy, even with euphemisms.

LGBTQIA+: 10 Every heroine is explicitly bisexual, and there are very few love interests that are straight. There are also non-binary love interests. All male heroes are gay.

Overall: 9, but the gameplay drops it to a 7 (wait time to get Tickets to play more episodes, spending Hearts to get illustrations and more story).

E here: Thanks so much Paul, I appreciate the look at a different game environment!
 



Watashi o Tabetai, Hito de Nashi, Volume 3 (私を喰べたい、ひとでなし)

January 10th, 2022

At the end of Volume 2 of Watashi o Tabetai, Hito de Nashi, (私を喰べたい、ひとでなし) by Naekawa Sai, Hinako was forced to confront her best friend Miko’s secret – that she is not what she appears to be.

In Watashi o Tabetai, Hito de Nashi, Volume 3, mermaid Shiori snarkily forces Miko to reveal her true form and confess her intentions to Hinako. What Shiori doesn’t reckon with is the power of love and friendship. As fierce as Miko is, she has decided that protecting Hinako and the town around her, is more important than her own power. Miko is then forced to decide if this is still true and, despite Shiori’s doubt, she makes the same decision…again, reaffirming her affection for Hinako. Now it’s up to Hinako to decide if Miko’s human form is someone she can trust, now that she has seen her for real… .

This was an amazing volume of the manga. I’ve tried to not entirely spoil the reveal, because it’s great all by it self and then the confrontation between Shiori, Miko and Hinako is emotionally charged and only a little weepy, with some great truths about humanity tucked in there. The art’s pretty solid too.

As we head into Volume 4, with Hinako having finally gotten a grip on the reality of her situation, her team looks more than competent enough to take on a human-eating ghost in the school pool.

I think the story does a good job of balancing Hinako’s past trauma, with the seriously-it-is-also-trauma of her current life, without making anything overly preachy or mopey or handwaving it away. She’s carrying a lot of burden, but she’s also being helped by people around her and now she’s able to see that and understand what heavy lifting is being done for her.

The story also strikes a perfect note of just creepy enough. And the lack of service is refreshing. I liked Kaijuu-iro no Shima, plenty, but the service really got to me after a while.

Ratings:

Art – 8
Story – 8 Still ominous and compelling
Characters – 8 The more we know, the less we know
Service – Blood. Violence. Monsters. Secrets. More Monsters.
Yuri – Hinako’s BFF is possessive, Shiori is infatuating

Overall – 8

For a school story that is just creepy, emotional, and possibly Yuri enough, this story gets my recommendation.



Yuri Studio Season 3 – Coming Soon!

January 9th, 2022

 

Yuri Studio Season 3 is Coming Soon!
 
Become an Okazu Patron or Fan, and I will answer *your* questions on Yuri Studio!