In May 2017, I wrote a glowing, if mostly-incoherent review, of Hannu Rajienmi’s novel The Quantum Thief. This brilliant, but lightspeed paced science fiction novel centered on gentleman thief Jean le Flambeur, who was simultaneously attempting to free himself from the prison of his own mind after the destruction of the Earth, escape from a detective convinced he had something to do with a murder, and convince an Oortian warrior and her ship to help him steal something – and in return for their help, do a favor for her goddess, the pellegrini, who may well be his former lover in god form. All wrapped up in multi-layered realities of virtual existence, the mechanical Sobornost, the various Zoku, and the Founders all carving up the various kinds of reality for themselves.
Maybe you can understand why I was a little incoherent.
In Volume 2 of the series, The Fractal Prince, nothing is less complicated and into the various Japanese, Russian and Qabalistic references, we now add classic Arabian mythology in the form of the wildcode of the deserts and the Djinn who make deals and possess and the Aun who, as they move through and into people, who wish to consume. In the desert city of Sirr, left on a destroyed Earth, surrounded by wildcode, we follow a young woman, Tawaddud, as she tries to save her family. We meet the King of Mars and a economy based upon the time in a lifespan.
While Jean investigates his own mind palace, Mieli and her sentient ship, the Perhonen, find themselves once again entangled by her goddess, the pelligrini, who has indeed turned out to be Jean’s former lover Josephine. The pelligrini wants Mieli to help Jean, but she has a different agenda than the thief. Mieli spends time in her own past with her late lover Sydan, only to discover the truth about who destroyed the Earth.
Because Rajienmi favors throwing you into the story without any extraneous explanation (what Amy Goldschlager at The LA Review of Books called his strict adherence to “show, don’t tell”) there is a certain presumption of your willingness to be in the game without all the rules as you read. For my part, I am all in on this. I love this no-expository form of writing. It assumes the reader is as fast a thinker as the writer and to that, I say, bring it on, Hannu. ^_^
Where in the first book, Mieli and Perhonen are supporting cast to Jean, the story strips away from itself in this second book. The ship Perhonen becomes even more of a character, Jean becomes less of one and Tawaddud and Mieli each take up an equal share. The Fractal Prince is not a gentleman thief’s story anymore, it has become a ensemble cast adventure. And it’s worth every moment spent with it. For a competent, tragic, sensitive, strong lesbian female lead, you couldn’t do better than Mieli. Now all we need is to get her a new girlfriend. ^_^
Story – 10
Characters – 9 all the way around
Lesbian – 5
Overall – 10
I’m currently reading the third of the series, The Causal Angel. I’ve slowed myself down to a chapter at a time, so I don’t slam through it too quickly because it’s so damn good.