Archive for the History of Yuri Category


History is Gay Podcast & Okazu on Yoshiya Nobuko

November 7th, 2023

It was my sincere pleasure to join the fabulous History is Gay Podcast for a never-long-enough conversation about the grandmother of the Yuri genre, the amazing Yoshiya Nobuko. We discuss her life, her literature, her relationships, her lesbian haircut, her politics and her last influence on literally everything we talk about when we discuss the Yuri genre!

A Husband is Unnecessary: Yoshiya Nobuko & Japanese Girls’ Culture

I hope you’ll take a listen and don’t forget to rate History is Gay wherever you get your podcasts…and subscribe to them! Leigh is doing *amazing* work and has had any number of extraordinary guests to talk about queer history.

I’m so excited to have this out into world. Thanks so much Leigh for all your efforts getting this episode out. ^_^





Anime Expo 2023 Event Report by Alfiq

July 7th, 2023

Welcome to Okazu for a very exciting event report! This past July 4th weekend, at Anime Expo, Yuri had a significant presence. Kodansha and Comic Yuri Hime partnered for a really exciting booth that prominently featured Yuri titles. Kinokuniya hosted Aonoshimo-sensei, the artist for the I’m In Love With The Villainess manga, and the I’m In Love With The Villainess anime episodes 1 and 2 made their worldwide premiere!  To tell us all about it, please welcome Alfiq, who was there in the thick of the excitement!

 

AX 2023: A Yuri Odyssey

(or, “How I Learned to Stop Worrying and Love the Con”)

 

They came from far and wide–from every corner of the US, from across the Pacific, and from other far-flung locations.  They came by plane, by train, by car, and on foot.  Their destination was the Los Angeles Convention Center, set to join the teeming mass of otaku humanity otherwise known as Anime Expo 2023. While not the first, the sheer size and impact of the event had me borrowing the tagline of another Southern California institution: this was the granddaddy of them all, a con that multiple people told me I was crazy to attempt to attend, especially as it would be this older otaku’s first-ever anime con.  But the power of yuri compelled me, as this would be an opportunity I could not allow myself to miss.  Aonoshimo-sensei, the mangaka for I’m in Love with the Villainess, would be there for a signing event on the first day, and then on the final day the ILTV anime would have its worldwide premiere–a first for the yuri genre.

But first, a little introduction is in order.  My friends in the ILTV fandom call me “fwwr” (usually said like “fwer”) or, alternatively, Alfiq.  I can be found on Twitter at @alfiqrailbaron or on Discord at fwwr_alfiq.  I first got into anime two decades ago, as a college student with a Japanophile roommate.  I still remember the day that he called me over into the living room of our shared off-campus apartment, put a DVD into the tray and suggested that I give this particular anime a watch with him.  It will be fun, it’s hilarious, et cetera.  The show was Project A-ko, and I was hooked.  For the remainder of our time at college I was helping with my roommate’s Sailor Stars fan-subs and watching along with other shows, from mainstream names like Cowboy Bebop to less-familiar titles like Mamotte Shugogetten.  As is always the case, however, time and fate kept marching onward, and after graduation we largely went our separate ways in life as my enjoyment of anime and related media receded into dormancy.  It wasn’t until almost twenty years later, while stuck at home thanks to Covid isolation and lockdowns, that I would stumble across a “cute and funny manga” that would touch my heart in ways I didn’t know were possible, change the entire trajectory of my life, and introduce me to an absolute wealth of wonderful people and amazing stories.  I’m in Love with the Villainess was that manga, which led me to the novels (two were out in English at the time), which led me to the webnovel, which led me to feeling personally compelled in ways I had never felt before to seek out the greater community of fans with which to talk about it.  ILTV was something I never knew I needed, but now could never imagine my life without.  When news broke of the goings-on for AX, my wife even pushed me to go for it.  “This is a big deal, a once-in-a-lifetime thing, just go and make it happen.”  I cashed-in untold frequent flyer miles and Hilton points, and negotiated to split costs with another dear friend in the fandom.  The stage was set, and before I knew it I was touching-down at LAX and meeting up with my partner in Yuri and dad-jokes, Kit.  The morning of Day One would be an experience, and we got what sleep we could.

Day One dawned and a local friend from the fandom picked us up bright-and-early at the hotel.  I can’t stress enough the importance of having knowledge from an AX veteran, as witnessed when our friend readily identified “fake lines” and other pitfalls that would very likely have ensnared us without her help and expertise as a previous attendee.  Before I knew it, we were inside, a part of the massive agglomeration of people pushing ever forward into the Exhibitor’s Hall to be among the first to partake in special limited bonuses.  Our eyes were on the prize as we scooted towards the Kinokuniya booth and slowly made our way to the registers, the crush of people behind us pushing our bodies against the front of the booth as people handed what merch they could through and over the crowd.  One person in the throng was overheard to say that he had been offered a $500 bounty if he could obtain Aonoshimo-sensei’s autograph!  I could see the pad of tickets for Aonoshimo-sensei’s signing slowly dwindle, but in making it to the cashier table with my companions close behind, our victory was all but assured.  I spent my required $50 minimum on ILTV products and then carefully made my way out of the booth, waiting patiently for my friends to join me, and thankfully once we all rendezvoused we all held autograph tickets in our hands.  Success!  We then proceeded to the Kodansha booth next door, where we could get Yuri-themed buttons for participating in a couple of activities (one led by an attendant dressed as Hime-chan from Yuri is My Job), and then slowly worked our way over to the King Records booth in the Entertainment Hall, where we obtained ILTV postcards.  After that, we managed to find a relatively quiet room with vending machines and tables where we were able to catch our breath and rehydrate, and talk about the experience so far as we waited-out the clock until 1pm.

We returned to the Kinokuniya booth to find that things had fallen into a much more organized pattern, with shoppers being let into the booth in one line and the autograph queue in another.  We took our spots in line and slowly moved forward, and before long found ourselves at the front of the line before the partition that would let people into the corner where Aonoshimo-sensei was.  All was not running entirely according to plan, however, as apparently Kinokuniya had given out a few more tickets than the advertised fifty, and this realization had become clear just as we reached the front of the line.  Aonoshimo-sensei took a break at this time, which we presumed also involved her gathering materials and preparing additional drawings for the remaining people in line, since she had graciously created drawings for everyone as a special gift in anticipation of there being fifty total participants.  (She’s indeed a superwoman, as series author Inori-sensei herself often tweets!)

Finally, the signing session resumed.  Kit was the first into the signing corner, and then it was my turn.  The butterflies in my stomach felt absolutely tangible–I was about to meet the mangaka behind the manga adaptation of the story which has brought so much joy into my life these past few years.  And then, there I was, face-to-face with Aonoshimo-sensei herself!  I know virtually no Japanese, but there were a couple of Kinokuniya employees there to help.  What followed only took a few minutes at most, but will be seared into my memories for all time. (Twitter link to the drawings from Aonishimo-sensei)

In a word, Aonoshimo-sensei is adorable.  She came across as very happy and eager to meet the fans, and she felt honored that I had traveled from relatively far away to be there.  I was wearing a button with an illustration of my favorite character that she had previously drawn for me in a raffle win (said favorite character may appear in the manga in about five or six years, so please keep supporting it!), and upon recognizing the illustration her face absolutely lit up with joy and excitement.  I also retrieved a makeshift wand from my pocket and mimicked a casting motion, revealing that I had been in a sort of “low budget, washed-up Rodd Bauer” cosplay all along, and she was very excited to make the connection!  She pointed to a chibi of Rodd and I nodded–that was me, for the day!  I had brought a copy of the Japanese edition of Volume 5 of the manga to be signed (those who know, will know about “that scene” that we finally got to see in it!) and she signed it, adding a Relaire that included an identifying feature tied to my favorite character.  (I noticed her using my button as an off-the-cuff character reference!).  Along with my book, I received a beautiful mini-illustration of Lily Lilium in her AX outfit and, as a special surprise, a color card of the ILTV AX chibis hand-signed by Inori-sensei herself!  All too soon, my moment was over, and I shook Aonoshimo-sensei’s hand and wished her safe travels before returning to the rest of the Kinokuniya booth.  With that, I had met Aonoshimo-sensei herself, and had in my possession her autograph personally-obtained along with Inori-sensei’s as well.  Exhausted from the early start and packed-like-sardines conditions, Kit and I returned to the hotel and called it a day.

The next two days we largely did our own thing; on Sunday Kit and our local friend attended several sessions and a vtuber concert and had an absolute blast, while I took advantage of the Metrolink $10 weekend pass to indulge in another of my passions, railroad photography.  We met back up for dinner along with another local friend in Little Tokyo and enjoyed a spirited discussion of Madoka: Rebellion over ramen and drinks.  Monday, Kit and I ventured into Artist’s Alley where many purchases were made, despite my wallet crying out to Jupiter and beyond the infinite.  One artist as I browsed her booth even opened her catalog to reveal a Project A-ko print, as if she somehow sensed that it would have importance to me.  (It most certainly did!)  We finished the day with another trip to Little Tokyo, browsing shops and the Kinokuniya store, before capping things off with another wonderful dinner with more friends from the fandom.

Tuesday, we had precisely one objective: attend the ILTV world premiere.  We stationed ourselves in-line as the prior session was letting folks in, and patiently waited for our turn to enter the large premiere room.  We eventually did, and took our spots front-and-center.  Time slowed to a crawl as people slowly filtered in behind us, until eventually one of the Crunchyroll staff announced the proceedings.  ILTV had top-billing in the listings I had seen, but an unannounced additional series, Reign of the Seven Spellblades, would have its first episode shown first.  It looks interesting, and I may investigate further as I understand that Inori-sensei has tweeted about enjoying the series’ novels in the past, but it received relatively tepid applause–it was clear what series people were there for, and as the room absolutely erupted when Rae Taylor appeared on the screen.

We were not shown OPs or EDs for the series, so we jumped right into the action.  The first two episodes tracked relatively closely to the manga, with just a few details differing or being slightly re-ordered.  We also were not shown credits, so while we heard several new-to-us voices, we don’t know for sure who the VAs are.  Those that we did encounter for the first time were almost universally spot-on to my impression of what they would have been.  I remain just a bit unsure of Rodd’s voice, as it came across as slightly too immature-sounding to me, but yet (as Kit reminded me) Rodd himself starts the series as an immature “bro” type of character.  I suspect his voice will grow on me greatly as the series continues onward.

The visuals were absolutely gorgeous.  Claire’s gazebo, where Pepi and Loretta so often commiserate with her over Rae’s hijinks, looked stunningly beautiful in a painting-like setting with water and forestry adding to the environmental effect.  The instrumentals were perfect, with wonderful piano and string motifs (particularly appropriate, in fact, for those of you who have read the spinoff series SSCC) providing an aural feast to accompany Rae’s taunting and Claire’s screeches.  And, of course, that magnificent ojou-sama laugh of Claire’s could finally be heard in all of its villainously villainess glory!  I won’t spoil specific content here, but suffice it to say that I was smiling from ear-to-ear for the entire time, and cheers and applause from around the room erupted at many key scenes and revelations.  ILTV absolutely had a solid following present, and even fans sitting near us who had said they were there for other series still found plenty to laugh and cheer for in ILTV.  Indeed, upon ILTV’s conclusion, over half of the room emptied-out despite a concluding Spellblades autographed art raffle having been advertised at the beginning.

With that, our time at AX itself was complete.  There were challenges, to be sure, and I don’t think my legs and feet have forgiven me quite yet from all the walking and standing that were required.  Cost and time are finite commodities, and I know that I was lucky to have some external factors (such as frequent flyer miles) come together to help make this happen for me.  But regardless, the memories made and the experiences shared with friends in the fandom are going to stick with me for a long time yet to come.  It was important to me to be there–a sense of obligation and compulsion that I hadn’t felt since when I first finished ILTV, and immediately knew that I just had to reach out and find others to talk about it.  The passion that grew from that experience carried me to AX, and now I feel almost as if I’ve evolved as a fan to a higher level of existence.  As one friend said, “if you can survive AX, all the other cons out there will be a breeze.”  While I’m not in any particular hurry to test that hypothesis, I certainly have more confidence in myself now about it.  It’s ultimately yet another way that ILTV and yuri have helped me to continue to grow as a person.

Now, if only I could find a way to enter cold-sleep until the anime airs in October
.

 

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“Hime-chan” at the Kodansha booth

 

Yuri is My Job banner hanging above the Kodansha booth

Whisper Me a Love Song banner hanging above the Kodansha booth

A giant Comic Yuri Hime mock-up as part of the Kodansha booth.  Sharp eyes may spot where Aonoshimo-sensei surreptitiously signed the ILTV illustration in-person.

 

Posters in the Kinokuniya booth for ILTV, Whisper Me a Love Song, and Yuri is My Job

ILTV merch in the Kinokuniya booth

ILTV banner, prominently hanging among many others promoting upcoming Crunchyroll offerings

ILTV banner, prominently hanging among many others promoting upcoming Crunchyroll offerings

 

VICTORY!

Erica here: Well, what a fabulous time and a fabulous report! I was grinning ear-to-ear myself reading this. I remember the enormous scale of Anime Expo from 20 years ago, I cannot imagine what it is like now. Thank you so much Alfiq for giving us an insider view of the Yuriest Expo ever.

E here: Just as a footnote – there have been three Yuri anime that have had premiers in the US. Yuricon 2007’s Yurisai event held the US premiere of Simoun, Anime NYC had the North American premiere of Kase-san and Morning Glories in 2018, but as far as I know, this was definitely the first Yuri world premiere!

Also, let us talk about the fact that two different Yuri publishers had a presence on the floor, and industry panels and with an anime. I’m only sorry that Seven Seas wasn’t there and that I also was not there. ^_^;

Thanks again Alfiq for the great report.





Yuri Research Club Doujinshi at Comiket 101

March 26th, 2023

Today’s review is sponsored by Rica Takashima who sent me all these treasures from Comiket 101 at Tokyo Bight Sight this past winter. She and I have had our fair number of surreal experiences there, but among those I had not imagined, was the growth of Yuri research clubs at various universities. Of course in retrospect, it makes perfect sense that, as Yuri grows in popularity, some folks would create circles around doing basically the exactly same thing I’m doing here – reviews and research, interviews and news.  Because when I first visited Comiket 20 years ago, Yuri was not a genre, it’s really delightful that there are so many folks doing just that now. (Also, marveling at the fact that when Rica and I were selling our Yuri manga at Comiket, these young people were in diapers. What a different world they have ground up in in regards to Yuri!) Thankfully Rica also enjoys other people’s enjoyment, and so I have some really fun Yuri Research doujinshi today to share with you and some joyful faces from Comiket.

Our goodies today come from: 

University of Tokyo Yurizukikai (@utokyo_yuri on Twitter)

 

The UTokyo Yuri Lover’s Society had two publications:

Liliest was a slick perfect bound collection of essays about Yuri location travel, webtoon recommendations and brief history of Yuri from the 1990s to the present, a terrific essay answering the question “Is Anne of Green Gables Yuri?” and, when one flipped to the other side, original fiction and manga.

I have to tell you, as I read through each of these doujinshi, my heart grew 20 times in size. ^_^

It was just so delightful to be a part of this conversation, even if just vicariously through the doujinshi.

 

Also wonderful was UTY’s second publication, a copy book entitled, Hyaku-Nengo Ni Nokoshitai Yuri Manga Hyaku Sen. Let me me see if I can explain what is going on in this title. If you look at the red characters, they spell ‘Yuri,’ but the first character also is ‘100,’ so this title means something like, 100 Selected Yuri Manga For the Ages, but is a couple of clever uses of the way kanji is read and laid out.  It’s very clever in a college club way. ^_^

Inside this copybook  is a foldout page with 100 Yuri manga that they think are key pieces of Yuri manga history. Largely I agree with them! A few are open for debate, as one might expect. ^_^ This is accompanied by group members’ discussion of decades in Yuri and why they picked certain series. Absolutely had me grinning like a loon through this whole book. Squee!

You can buy this issue of Liliest and the 100 Selections doujinshi on UTokyo Yurizukikai’s Booth.pm store – and you should totally do that. ^_^

 

Next up we have:

Kyoto University Yuribunken (@KU_yuribunken on Twitter)

 

 

Immediately when I picked up their publication, Lilyology, Volume 1, I squeaked out “I know that artist!” Indeed I was correct, The fine folks at Kyoto U. Yuri Culture Research Group  have an interview with and cover by Fujieda Miyabi, creator of Iono-sama Fanatics and Ame-iro Kouchakan Kandan, (and a perennial favorite of mine).  This is preceded by a series of essays in which members discuss how they found Yuri.

“Mizuno Ami” has an interview with a Kyoto U grad student who presented about Yuri doujinshi at Comiket from the 90s-00s at an academic conference. This is exactly the kind of thing I want in my collection. Members then select their favorite one panel from a Yuri manga or anime. And these are followed by essays on Adachi to Shimamura, Shiroi Suna no Aquatope – with an extensive list of all the species of fish seen in the series!

Turning to the other side of the doujinshi is a piece of fiction by Saruwatari Shirayuki about a girl who wants to go out with a Prince in a Yuri world…or so she thinks.

Seriously, tell me you aren’t utterly entranced by all this? I was delighted.

 

Our last University group today is:

Tokyo University of Science Yurizukikai, aka RikaYuri (@tuslilylover on Twitter)

Notice this fantastic sign “Jidai ha Yuri da.” It’s the Age of Yuri. Guys, if you make this into a t-shirt, I will buy it. ^_^

Their publication is lovely little A5 perfect bound volume, RikaYuri, Volume 3. Volumes 1, 2 and 3 are available in print and V2  and V3 as digital editions on RikaYuri’s Booth.pm.

This volume includes essays, including the “RikaYuri Symposium,” held in spring 2022 about the past, present and future of Yuri, art and original fiction – and, in the back a guest post by a member of the Nagoya University (Meidai) Yuri Lover’s Club (@nitech_lily on Twitter)! I approve of this cross university communication. ^_^ All the art in this nice little doujinshi is reproduced in 4 color.

I will never ever not be amazed and envious at the relative ease with which Japanese doujinshi circles can get high quality color printing. It’s true that digital printing has made leaps and bounds here in the west, but the process in Japan is so streamlined and flexible. I always wonder what my life might have been life if printing in the US in the 2000s wasn’t so darn difficult! But how wonderful for this generation of Yuri fans that they can get their work online and in print – and how wonderful for us. ^_^

Last up, we have a bonus manga by someone I follow online.

I was on Mastodon, following and chatting briefly with Yamako-sensei, a Yuri doujinshi artist who’s Nakayoshi Oneesan-tachi is an adorable slice of life about two adult women, Mako and Natsu.
I mentioned having sold once as a vendor at Comiket, and Yamako-sensei noted that they had been my neighbor. Small world, eh? (I remember nothing about that whole day, hardly, because it was an absolute blur of exhaustion and euphoria.) So when my package of doujinshi included Yamako-sensei’s work, I was absolutely beside myself with glee. Happily you can purchase some of Yamako-sensei’s doujinshi on Bookwalker or, as digital or in print (and stickers and coasters) through their online shop (with shipping through a buying service like Tenso.)

This doujinshi is charming in a totally relatable way with 4-koma comics that span all the various emotions and situations one might find in an adult relationship. Lots of hugs and kisses for these two. They are so cute. ^_^

That brings me to the end of my vicarious walk through the state of Yuri at Comiket in 2022 and let me tell you, it was wonderful. ^_^ I really hope to make it back to Japan this year and take in Comitia or GLFes once again and maybe meet up with some of these folks!

For more Yuri clubs, take a look at the folks on my Yuri resource list on Twitter. I’m adding new groups, creators and organizations all the time.

Thanks so much to the Yuri groups at U Tokyo, Kyoto U and Rikadai, and to Yamako-sensei for all their lovely messages and especial thanks to Rica for getting these for me. What a fantastic way to start this year off! ^_^

 





Global Yuri Fandom Survey Results

January 27th, 2023

0. Introduction

Today is my 5000th post on Okazu! Can you believe it?

I knew this milestone was coming so I wanted to do something extra special for it. Last autumn I came up with an idea that took me a few weeks to build and deploy – I was going to do the first-ever global survey of Yuri fandom and find out who we are. ^_^ The last survey I had done was more than a decade ago. I knew of  several surveys of Japanese Yuri fans –  one in 2007 by Yuri Hime magazine and one more recently by Yuri doujinshi circle Yurijin, one of Galette magazine readers and, of course there was Muromaki-sensei’s recent survey of overseas readers of Yuri for Comic Yuri Hime magazine. I wanted to do something that captured the larger picture. Of course there are limitations with this approach, as well. (See 2. Disclaimers & Biases)

When the survey launched in December 2022, I had hopes, but no specific expectations. The Yuri Fandom Survey has been, I think, a raging success. Thank you to everyone who participated!

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1. Methods & Tools

This survey was built on Google Forms for all the reasons one uses Google Forms. (Cost, value, flexibility, access, etc.) Results were solicited on social media from December 2022 through January 2023.

I am a professional researcher, but I mostly deal with publicly-available (what we call in the industry “secondary”) information. Building primary research tools is not my specialty. This survey was built on Google Forms for all the reasons one uses Google Forms. (Cost, value, flexibility, access, etc.) I claim absolutely no expertise in the use of surveys whatsoever and I definitely made some mistakes It will not be a gotcha if you say, “Ahah! Your age ranges overlap!” because correct, yes, they do.  I’m slamming up a pie chart and reading the results. Again, my specialty is not statistical analysis. I will, however, editorialize after some results sets. See below about “objectivity.”^_^

 

2. Disclaimer & Biases

Here’s the truth – there is a ton of bias in this survey. There is a ton of bias – and assumptions – in all surveys, which are phrased in ways that academia has agreed are “objective,” but often really aren’t. I can and do assume things – I’m not an academic. But I will always be very clear when I know I am assuming things, instead of pretending that I am objective. ^_^

For one thing, the survey was written in English. If I can do this again some decade, I’ll have it translated into a few other languages (feel free to give me a grant and I’ll get on that). My very sincere thanks to everyone who filled this out when English is not their first, possibly even second, language. I assume that the language bias and my own time zone for promotion and discussion means that North America is likely to be a disproportionate majority. If we take gross population into account, I could be wrong. There may actually be more self-identified Yuri fans in North America than Japan. Proving that would be a different project altogether.

Results were obtained by promoting this survey on social media only, which of course skewed results to “people on social media.”

My personal biases also colored the choice of words, especially the descriptions of sexuality and gender. For instance in the alpha version…I forgot to add “heterosexual” as a choice. Woops.

Here is what I wrote about word choice in the survey intro:

Because this survey asks about personal identity, we’ve tried to be as inclusive as possible while 1) Not asking so many questions that the survey becomes overwhelming and 2) Keeping the data in a form that can be summarized. Several questions have a response of “Other” or “None of the Above” and you’re welcome and encouraged to provide more detail if you wish. We’re not trying to make you feel excluded by having simple categories, there’s just only so much room in a pie chart.  

When I failed to be inclusive enough, that is my fault and no one else’s. I apologize sincerely.

And then there were the biases against me, personally. Some of these are long-standing, but I’m sure I’ve offended a whole new generation of people by having opinions. I’m not worried about these, but it does mean that there are people who simply won’t be represented here because I’m the one running this survey. I can’t fix that. Sorry, reddditor who might have responded but when they found out it was me, they noped out for reasons of their own. ^_^

All the images have alt text for accessibility purposes. If you encounter an error, please let me know and I’ll fix it as soon as possible.

Verbatim responses have been edited for punctuation and spelling for the purposes of consistency and legibility.

For the purposes of this summary, “queer” is being used as a shorthand for “all sexual and gender minorities and their subsets.”

***

3. The Results

All that said, here are the results of the Yuri Fandom Study, run from December 11, 2022 – January, 11 2023 on Google Forms, created by Erica Friedman for Okazu and Yuricon. There were a total of 1618 responses.

 

Part 1. Yuri Fandom

Q1. Do you self-identify as a “Yuri fan”? 
Pie chart: 54.3% Yes, 25.5% Hell yeah, Yuri FTW! 15.1% Depending on context, (For instance, with friends, but not at a general event, etc.) 3.2% Other, 1.9% No.

 

Part 2 of this question asked for people to self-identify when they chose Other. Some appeared to be reticent to commit to an identity as a “fan.” As one respondent said, “I don’t know if I’d call myself a Yuri fan, exactly.”

Several others were at pains to explain that they consume a lot of women loving women (or sapphic or lesbian) content and Yuri is part of that. “I don’t use the word “yuri”, I say I enjoy GL or sapphic romance” and “I tend to just say I like queer romance.” were among those kinds of responses.

A few commented on the less-common terms Himejoshi and Himedanshi that were proposed by Comic Yuri Hime a few years ago. I haven’t seen them in English-language discourse that much. The respondents that mentioned these were split on whether they liked them.

And, finally, there were a few answers who chose different words completely, “I would call myself a Yuri enthusiast,” “…sometimes I just say I’m a huge yuri freak,” “Enjoyer.”

 

Q2. In what decade did you discover Yuri?

Pie chart: 54.5% 2010s, 24.7% 2000s, 13.5% 2020s, 5.9% 1990s, 0.04% Other

I had no expectations on this one. ^_^ It’s pretty self-explanatory.  In the 0.04% slice, at least one response suggested it was the 1970s was when they became a fan.

 

Q3. What was the media  you credit as your first “Yuri media”?

This one was going to be difficult with different titles, nicknames, languages for the same thing. And, of course, the difficulty of picking one title…or simply not remembering which of them was the one.

After I reformatted the names for a common (mostly English) version, and removed the “don’t remember”s, and generalized formats like “anime,” “manga,” “doujinshi,” etc. these were the most mentioned franchises (with at least 10 mentions each.)  This is all consistent with the above question, so no huge surprises here. The surprises were in the small fry – the variety of media was astounding.

 

Bar chart of the Top 20 series that were mentioned as their formative as their formative Yuri series. Bloom In To You 126, Citrus 123, Strawberry Panic! 85, Sailor Moon 70, Revolutionary Girl Utena 66, Girl Friends 60, Sakura Trick 55, Puella Magi Madoka Magica 36, Yuru Yuri 31, Kannazuki no Miko 28, Maria sama ga Miteru 21, Aoi Hana 20, Kase-san 20, Love Live 17, Kashimashi Girl meets Girl 14, Whispered Words 14, Touhou Project 13, Tamen de Gushi 12, Card Captor Sakura 11, Noir 10
 

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At this point, the questions turn towards the share of participation in fandom and fan activities.

 

Q4. Do you create Yuri media? (write, draw, podcast, videocast, create game, etc.)

Pie chart with 64.5 % responding No and 35.5% Yes.

Q5. Which of these sentences describes you most accurately?

Pie chart with the following responses: I consume (watch, read, play) more Yuri than I create 82.6%, I create (write, draw, videocast, create games etc.) and consume (read share, discuss, etc) Yuri media 12.1 %, I don't create or consume much Yuri media now, I'm more of a legacy fan 3.5%, I create more Yuri than I consume 1.8%

When I entered Yuri fandom it had been through writing fanfiction. It occurred to me that other people likewise created Yuri content and I wanted to get a feel of the active to passive fandom of Yuri with these questions. Early responses were weighted heavily towards creation, but as more people answered, the percentages swung towards consumption.

 

Q6. Thinking about your participation in Yuri fandom, please check off all of these that describe you:

I participate in Yuri conversations in general online communities, 625 (38.6%), I participate in online Yuri communities 572 (35.4%), I run a Yuri or Yuri-adjacent online community 64 (4%) I create/facilitate/present Yuri-related programming 60 (3.7%) I travel to attend Yuri-related programming 37 (2.3%) I attend Yuri programming when the events are near me 152 (9.4%) I read/watch/play Yuri media but don't participate in fan communities 988 (61.1%)This question was multiple choice and I am fascinated by the fact that a fair number of people chose that they participate on online communities and went to events, but also chose that they don’t participate in fan communities. On the one hand, my choice of language might not have been clear, but also, I conjecture that this may be a result of gatekeeping in some fandoms where hanging out on a fan Discord isn’t fan enough. People may have understood “fan communities” to represent specific media fandoms (like a Sailor Moon community) and well, yeah, I don’t typically hang out in series-specific communities, either, so fair cop. 

Not sure why Google cut off the ‘I’ from every answer. It’s there on the responses, but wouldn’t cut & paste.

 

Q7. Thinking about the media you enjoy, do you prefer

Pie chart: “Queering” characters/people who are explicitly not queer 2.5&, “Queering” characters/people who are may or may not be queer, or can be seen as implicitly queer 36.2%, Realistic representation of explicitly queer characters/people 61.7%

This is something that has been on my mind a lot recently. While reading and reviewing the amazing book, Queer Transfigurations: Boys Love Media in Asia I kept coming across an assumption that was stated as a known fact – that the queering of non-queer characters by fans is somehow a queer act, and non-queer fans “queering” characters is likewise a kind of queerness. I strongly don’t agree with this. In fact, I see the queering of non-queer characters by non-queer audience as a form of queersploitation. A commercially successful and subjectively acceptable form, to be sure. Does it hurt me if, say, a fan pairs two K-Pop  or Thai idols? Does it hurt the singers? Does it hurt the larger queer community? These are all questions other researchers are looking at. In fact, Thomas Baudinette has a new book coming out in September in regards to Thai media: Boys Love Media in Thailand: Celebrity, Fans, and Transnational Asian Queer Popular Culture.

I wanted to know if Yuri fans felt that queering non-queer characters was, well, interesting. My presumption was that that doing so is an act that is more popular among non-queer fans. So I asked a question as neutrally as I could think of: what kind of queerness were Yuri fans looking for in their queer media?

Again, perhaps I biased the response with my choices, but nothing here surprised me. Yuri fans overwhelmingly are looking for realistic representation of explicitly queer characters. Given the demographics below, this seemed inevitable. Nonetheless, we now have a clear statistic for this, in case someone else presents shipping of non-queer characters as the standard, as it seems to be in BL. While queering non-queer characters does exist within Yuri fandom, what 2/3rds of Yuri fans want most is realistic representations of characters who are explicitly queer.

 

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Part 2. Awareness of LGBTQ+ Issues

This section was just taking the temperature of respondents’ awareness of issues pertaining to the larger LGBTQ+ community at home and abroad.

 

Q8. Were you aware of LGBTQ+ people and the issues they face in larger society before you became a Yuri fan?

Pie chart: Yes 82.7, No 17.3%

Q9. Did becoming a Yuri fan change your perspective on LGBTQ+ people and the issues they face?

Pie Chart: Yes 59.6%, No, 40.4%

I’ll add the assumption here that some (many, most?) of that “No” is because the folks were already queer and paying attention. See the Demographics section below. ^_^

 

Q10. Did becoming a Yuri fan make you more interested in the political and social landscape around LGBTQ people?

Pie chart: Stayed the same 54.7%, More interested, 43.7%, Less interested, 1.6%

 

Q11. Did becoming a Yuri fan make you more aware of your own sexuality or gender?

Pie Chart: Yes 74.5%, No. 25.5%

Based on the many people I have met over the last 30 years in fandom, and all the conversations I have had with people, this did not surprise me in the least. Being made aware of queerness doesn’t make people queer – it gives them space in the world to be who they are. There’s a ton of research to that effect on various marginalized populations.

 

Q12. Did becoming a Yuri fan make you more aware of someone else’s sexuality or gender. (I.e., a relative or friend?)

Pie chart: Yes 73.3%, No 26.7%

This surprised me a bit, to be honest. The “why” of this would be a whole separate research project. ^_^

 

Q13. Do you think Yuri changed your empathy or awareness of LGBTQ+ people and the issues they face?

Pie chart: Yes, 50.9%, No, 49.1%

 

Again, in Queer Transfigurations, some of the researchers noted that the non-queer fans they had talked to had been made aware of and more empathetic to queer issues throught their BL fandom. Again, I assumed that might be true with Yuri. I was really leading somewhere with this line of questioning. This next question was where I was leading.

 

Q14. If you self-identify as a sexual or gender minority, has Yuri changed your empathy or awareness of other people’s sexuality or gender within the queer community?

 

Pie chart: 50.3% No, 49.7% Yes

 

Q15. If you answered “Yes,” to Question 13 or 14, will you give an example? 

The example I had provided was this:  “As a cisgender lesbian being active in Yuri fandom has made me much more supportive of trans lesbian issues within the larger lesbian community.” A few folks used that for a “me too.”

A number of people offered something similar to this respondent’s comment, “Yuri really introduced me to the concept of same sex romance as a child and was basically my gateway into self discovery and joining the queer community.” Quite a few folks said something along the lines of “As a trans lesbian, yuri helped me figure out my own gender & sexuality, and yuri fandoms helped show me a way into the lgbtq community.

The cis/het folks had a few comments as well: “I used to be homophobic, but reading Yuri and participating in the Yuri community has led me to realizing how wrong I was.” and “As a heterosexual man, marriage equality always felt like the right thing to do but someone else’s issue. Since becoming a yuri fan I feel that I have to support real life couples in the same way as 2D couples.

Again, further research would be needed, but in my experience, a key quality of Yuri fandom is that folks are coming together through a shared interest and meeting and becoming friendly with folks from other global communities. This leads to a broadening of perspective overall. When coupled with a specific focus on LGBTQ+ issues and topics, there is a good chance for education and empathy-building.

Now the questions turned to awareness of Japanese LGBTQ+ issues.

Q16. If you are not Japanese, how “alien” do you find the tropes and themes when you are reading manga?

 

Pie Chart:Very alien, I am constantly reminding myself that this is something from another country that is not my own 1.3%, A little alien, I sometimes remind myself that this is something from another country that is not my own 20.9%, Not very alien, I’m so used to reading manga that the tropes seem perfectly normal to me 73.8%, I'm the one who feels alien when I encounter something that is clearly from another country 4%

 

Q17. How informed are you about Japanese LGBTQ+ community issues?

Pie chart: I stay very informed 108%, some news crosses my feed, 65.5%, I don't may much attention to that 6.5%, I am not very informed about Japanese LGBTQ+ community issues 65.5%

 

Q18. Have you become more supportive of Japanese LGBTQ+ rights and people from reading Yuri manga?

Pie chart: I already was very supportive 498.8%, Yes, definitely I have become more supportive 24.9%, A little bit more supportive 10.2%, I have become less supportive o.o4%Again no real surprises for me. I assumed an audience with a majority of folks who were supportive of LGBTQ+ people and at least peripherally aware of their issues. I was surprised at the small percentage of active news consumers in Q17. A third of respondents choosing that reading Yuri has made them more supportive of LGBTQ+ rights also screams for some follow up research. ^_^

 

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Part 4. The Boring Demographics

 

What is Your Age Range?

Pie chart: 18-25 49.4%, 25-35 37.6%, 35-45 9.3%, 45-55 2.5%, , 55-65 .7%, 65+ .5%

I borked this one. I forgot under 18, and have overlapping ranges. But even with that said, that’s a lot of  young fans!

 

How do you identify your own Gender?

Pie chart: Female 50.7%, Male 24.5%, Nonbinary 11%, Agender 3.2%, Gender Queer 3%, Genderfluid 2.7%, Other/None of the Above 4.9%

 Do you consider yourself…?

Pie chart: Cisgender 53.8%, Transgender 31%, Neither/Other 15.2%
I want to openly disclaim that I had an agenda with these two questions. I wanted to surface the fact that very nearly a third of Yuri fandom is trans. I know there are many sapphic fandom communities that are “not-cis”-exclusve (trans, NB, agender, genderqueer, genderfluid, etc.) I wanted folks to see that that’s how many people were being excluded by unfriendly policies that target non-cis folks.

At Yuricon, we have always bluntly stated that Yuri is by anyone and it is for everyone. Yuricon communities have always welcomed fans of all kinds, in an aggressive manner. ^_^

I also wanted to get it on record that the majority of Yuri fans are not men. Folks who identify as women are a slim majority and folks who identify as neither male nor female are another quarter of Yuri fandom. I’m not checking creds, looking at DNA or demanding conformity. I just honestly have seen who comes to what panels and who buys what things. It is my considered opinion that men have always been the minority of Yuri fandom, but men take up more space in conversation, particularly when they are holding the reins of the media we consume. Next time someone insists that “Yuri is for men,” you can point them here and note than slightly less than a quarter of Yuri fandom identifies that way. ^_^

 

How do you identify your Sexuality?

Pie chart: Lesbian 35.7%, Gay. 0.09%, Bisexual 19.5%, Pansexual 6.8%, Asexual 7.7%, Other/None of the Above11.1%, Heterosexual 18.2%

For the last two questions, I offered folks a chance to provide their own terminology, as well. Once again, I think another piece of research could be done on the way some people simply do not feel covered by common labels…even if the thing they say they are is listed. Gender and sexuality researchers have a lot to do before we have scratched the surface of gender and sexuality knowledge. What we can say here is that Yuri fandom is pretty darn queer. ^_^ 

 

On which continent do you live?

Pie chart: Asia 15/9%, Europe 22.2%, Africa 0.06%, Australia /Pacific Rim 3%, South America 5.5%, 52.3 %, Middle East 0.06%In retrospect, I should have said “region” not continent, and added in Central America. Next time. As I mentioned in the Biases section, I can’t tell if North America is really that much more than others because of population or language/time bias. To clarify a bit, I then asked…


In which country do you live? 

Bar Chart: USA 700, Canada 94, Japan 82, UK 59, Mexico 56, France 53 Germany 52, Philippines 46, Brazil 39, Australia 32, Indonesia 30, Italy 30, Spain 21, Chile 17, Netherlands 17, Poland 14 Argentina 10, Sweden 10

This chart took me a long time to render because of my lack of skill in creating surveys, I didn’t really think through a standardized way of indicating countries. I’ve only included the top 18 countries (those with over 10 entries each), but wow, we really did get answers from all over the world. As you can see, the USA has 7x the number of respondents from any other country. I have no way of knowing what part of that is the language, time, or me bias and which part of that reflects any kind of accuracy.  More research (which I will not be doing ^_^) is clearly needed.

 

4. Conclusion

Now we have a relatively recent, global (if not entirely comprehensive) survey of Yuri fandom to point to in terms of who and what we are. Of course the results here are not that far off what the readership of Okazu looks like.

Yuri fandom is young, is queer, and looking to find queer representation in their Yuri.

Above anything else, what the results taught me is that we are everywhere. Yuri fandom exists around the globe, from Canada to the Russian Federation to China, From Chile to New Zealand, from Scandinavia to Ethiopia, and of course, from my own home here on the east coast of the US to Japan. ^_^

I’m glad to have a set of results to point to for conversations in the future. And I very much look forward to your research using this data!

 

5. Thanks

Thank to folks who suggested various means and methods on various media platforms, especially to folks who talked it out with me on Facebook. Thank you to folks on the Okazu Discord, and my Okazu Patrons, who were my alpha and beta testers.

My very sincere thanks to every single person who filled out this survey!

And thank you to my wife for listening to me process this project endlessly. ^_^

If you would like a copy of the anonymized results for your own research, please contact me.





By Your Side Digital Bookplate Giveaway for June!

June 7th, 2022

June always presents a host of conundrums, among them how best to mark Pride month – this year I’m going with the historical precedent of rioting against cops as our spiritual ancestors did –  and, for the first time, how best to celebrate my own achievement of writing a book on the history of the Yuri genre, as well. ^_^

For the remainder of this month, I am giving a signed digital bookplate away to anyone who has purchased a digital copy of By Your Side: The First 100 Years of Yuri Aime and Manga in a digital format! (Click the link for all the online sites I have links for and for Bookshop.org if you want to support a local bookstore. Any legitimate digital format is allowable, Kindle, Nook, Kobo, or directly from the publisher.

All you need to do is send me a copy of your receipt for the e-pub, Kindle, etc, to bys@yuricon.com and I’ll send you back a signed digital bookplate with original art by Rica Takashima, especially for By Your Side!