Did You Think My Yuri Is Just For Show?

March 3rd, 2025

On a white background two women stand. One with collar-length medium-brown hair holds the other's elbow, her other hand up to her mouth, as she speaks.. She wears a white blouse with back polka dots and frills at collar and cuffs, and red slack gathered at her waist in a bow. The taller woman has long black hair and is wearing a belted blue dress with sheer sleeves and white pleats falling from the belt over her right hip as she smiles at the other woman.One of the best things about reviewing is when a book (or anime or game or whatever) surprises you in a good way.  I had no particular expectations for Did You Think My Yuri Is Just For Show? written by Neru Asakura, with illustrations by Minori Chigusa, translated by Jenny McKeon, from YenOn.  For most of the book, I found it a pleasant surprise. It did not *quite* stick the landing, but it very much failed on the right side of flawed.

Suzune Sengu is a veteran voice actress with a secret crush on former idol singer Karin Shotsuki. To Suzune’s shock, Karin joins her agency and the two begin to bond, even though Suzune does everything to keep her personal feelings out of their professional relationship, but when they begin working together, her boundaries are pushed to their limits and she has one more secret she’s keeping that might ruin everything.

The premise itself is not bad. Suzune is likeable, relatable and intelligent, so one is quickly caught up in her life and generally her choices make perfect sense for her. Karin is also likeable and, what I expected to be the final reveal ends up being handled at just past halfway through the book, allowing both characters room to grow.

The story contains a lot of insight into the world of being a voice actor  – insight that feels consistent and based in reality – from what companies do and do not reimburse, to rivalries within agencies. With one exception, the people we are following are talented, sincere and their management is committed and supportive, which helps us relax and just enjoy the Yuri.

The Yuri is woven throughout this story on multiple levels. It begins and ends with Suzune’s feeling for Karin, but it is not Yuri bait, except in a section of the book about “business Yuri” in which Yuri baiting the main couple of the anime is a part of the promotion. I found that section amusing for the business calculation of what would engage fans who are already shipping two characters…something we might lose as Yuri becomes more openly queer, but is so much a part of Yuri history that I was glad to see it represented. ^_^ Also nice is that Suzune is not the only gay character, which changes the nature of her actions in a positive way as the story develops.

Illustrations by Minori Chigusa were satisfactory. They did illustrate the scene, which was nice, but as the scenes chosen for illustration are mostly people sitting/standing and talking they still look mostly like portraiture, and, sadly, were far too infantile for me. Characters in their 20s looked like children, with one exception of a very nice illustration of Suzune.

Easily 9/10ths of this book was fun, engaging and way more intelligent than I expected. The final hurdle is the only genuinely weak point of the book. It is over-contrived and even then, the resolution was perfectly fine. The problem was that story wrapped up *so* quickly and *so* neatly immediately afterward it all felt a little forced. That said, the author made a thousand excellent choices throughout the narrative with the characters, the setup and even the language choices, so I was very willing to allow it and take only small deduction for the bobble on the landing. ^_^

Speaking of the language, let us give a round of applause to translator Jenny McKeon and her uncredited editor, who gave the characters identifiable voice and did a fantastic job with very fannish language. It was a fun read – I recommend it without hesitation when it comes out later this month from Yen.

Ratings:

Art – 6
Characters – 9
Story – 10 right up to the last bit where it faltered ever so slightly
Service – 2? 3? Some? Kinda? Mostly of the “gay girl being way too aware that she is gay in front of another woman who presumably does not know that” kind.

Overall – 8

It’s nice to read a book about adults who act basically like adults, so the screaming is mostly internal. ^_^

Thank you once again to Yen Press for the advance review copy, this was a genuine pleasure to read.



Yuri Network News – (百合ネットワークニュース) – March 1, 2025

March 1st, 2025

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for Okazu Yuri Anime

“Coming Soon”…the website for a Jellyfish Can’t Swim In the Night x Girls Band Cry collaboration says, but what, exactly, is coming, is unknown. Fans of these two band anime can look forward to something, coming soon! In the meantime, enjoy the key visual on the site, which shows both groups passing on the street.

Via SugoiLITE on X, ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword is getting an anime adaption.

On ANN’s This Week In Anime, Coop and Steve delve into their perspective on Utena’s Revolution. On the same topic, there will be a Utena pop-up in the Shinjuku Marui Annex at the end of March, if you find yourself in Tokyo.

 

 

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Yuri Manga

Kase-san and Yamada, Volume 4, the ninth in the Kase-san series, hits EN shelves in April.

Yen has licensed two new titles, Common  Sense Monster, and the Lycoris Recoil Official Comic Anthology: Reload.

Azuki has licensed a huge batch of Square Enix titles, including, Flower Princess of Sylph and LILIES.

Via Comic Natalie, we have a couple of Yuri romantic comedies:

7-Kakan Gentei Kanojo,Volume 1 (7日間限定彼女) is a rom-com story of two opposite-personality schoolgirls, who pretend to be dating for a week.

Chou Fuka Uchuu Yori Ai o Komete” (超深宇宙より愛をこめて) has begun in Comic Yuri Hime after the one-shot did well in a contest. Cool, but very loner, student Teradate finds herself proposed to by an alien princess who says that she saw Teradate from deep space and feel in love when their gazes met. I’m reading it right now and the story is kinda cute, honestly.

 

Yuri Light Novels

Via GA Bunko’s official X account, the final volumes of Shokei Shoujo no Ikiru Michi (Virgin Road), Volume 10 ― Isekai Hito-shi Subeshi ― (処刑少女の生きる道(バージンロード)10 ―異世界人死すべし―) and Shokei Shoujo no Ikiru Michi (Virgin Road), Volume 10 ― Curtain Call ― (処刑少女の生きる道(バージンロード)11 ―カーテン・コール―) published in English as The Executioner and Her Way of Life will be published simultaneously in Japan this month.
 
ANN’s Joana Cayanan has the news that Mikami Teren’s Onna Doushi toka Arienai Desho to Iiharu Onna no Ko o, 100-kakan de Tetteiteki ni Otosu Yuri no Ohanashi  (女同士とかありえないでしょと言い張る女の子を、百日間で徹底的に落とす百合のお話) novels are slated to end with Volume 9 with a link to the manga on Square Enix’s Manga-Up in Japanese.

 

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Games and VNs

Via YNN Correspondent KatGrrrl, Yuri adventure game, Black Lily’s Tale is planning a kickstarter for an EN localization.

This week I met game dev Rosario, who creates Parfum Nostalgique, “A fantastique, dramatique, romantique, traumatique” story in beta. Check out Priro.pro’s work for more gendery gothic fantanstry!

Aikasa Collective is excited to announce that Mizuchi 白蛇心傳 is now available on Nintendo Switch and PlayStation 4 & 5 in the US, Europe, and Australia regions. The game is also scheduled for physical console release in Japan on May 5th in major game stores and Rakuten. Congrats to everyone at Aikasa!

 

Live-Action

Via Senior YNN Correspondent Frank Hecker, the British Film Institute’s LGBTQIA+ film festival, BFI Flare, has a nice variety of films for us to enjoy!

Also via Frank, the trailer for gritty Thai GL prison drama CLAIREBELL The Series is on Youtube.

 

Other News

New, on X is Baiheverse, a publisher dedicated to bring Baihe out in English. If you chat with them, suggest they move to Bluesky where there are fewer fascists in charge.

Hayakawa publishing held an Ogawa Kazumizu and Miyazawa Iori talk and autograph session celebrating the end of  Twinstar Cyclone Runaway and the release of Otherside Picnic, Volume 10 in Japan.

Also in a paired event, directors for the Asagao to Kase-san and Flagtime movies, Sato Takuya and Takahashi Minami will be sharing the stage at a March event in Tokyo. Comic Natalie has details.

Once again, Burkely Hermann offers up an excellent read, this time with “The King is the crime!”: Commoners, royalty, and animated depictions of monarchy on Pop Culture Maniacs.

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2025, is to raise our guest writers’ wages to above industry standard, which are too low!

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Otona ni Nattemo, Volume 10 (おとなになっても)

February 28th, 2025

Two adult women, painted in watercolor style, embrace as they smile brightly. One, with long dark hair wears a blue and white striped sweater and white slacks. The other has short blunt-cut red/orange hair, wears a green blouse, and red skirt. There are a lot of lose strings to tie up here at Shimura Takako’s Otona ni Nattemo, Volume 10 (おとなになっても). And, while the final bow is a bit messy, everything is tied up even if it means tucking in the aglets wherever there is space.

The story began with Ayano and Wataru married. Here they will, maybe for the first and only time in their lives, speak to each other like equal adults unencumbered by expectations. They can move on freely. Wataru’s mother has a long-needed awakening. There’s no way to know if it will be good or bad for her in the long run, but as a narrative choice, it was crucial. Eri’s story goes slightly pear-shaped, but it leaves Eri out of it. She deserves an epilogue of her own.

Ayano and Akari are fine. They move through this volume lightly, almost as second thought, meeting up with other characters, collecting and tying up all those loose ends.

I don’t know how to talk about the most interesting and weirdest piece of this volume without spoilers, so consider this a warning. Our three middle-schoolers have finally, fully resolved their concerns. When it turns out one of them has written a story about all the characters in the story, the other two jump in to help. What happens is a weird bending of the story itself as they narrate the various pieces of the story…even bits they could not know. 

Was all of this always a narrative told by these three girls? I actually hope so.

I have said this very often, but Shimura’s work is always a little problematic for me. Even beyond the specific kinks/fetishes/issues/whatever,  Shimura mines queer lives for drama, but does not identify as a gender or sexual minority. Does that make the work exploitative? It kind of does, but also, there is clearly a sense of telling genuine stories that heal and promote queer joy, so maybe exploitation is not the right word. Maybe Shimura is closeted, maybe something else, but the body of Shimura-sensei’s work is pretty neck deep in queerness, which seems odd for a person who is not queer. I always want to assume the best, and just hope that this is all a desire to find interesting characters and tell uplifting stories that include queer folk.

This story is queer in a real way. Akari continues to be a lesbian role model, Ayano becomes more comfortable talking about being bisexual, or perhaps always lesbian, but sucked into societal norms. And in the end, pretty much everyone gets the ending they deserve. Whatever the motivation, in both art and story, Otona ni Nattemo has been the best work I’ve seen from Shimura-sensei and the ending being a little bendy at the end, did not disappoint.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
LGBTQ+ – 10

Overall – 8

 



I Want To Love You Till Your Dying Day, Volume 1

February 27th, 2025

In front of a ruined wall and a bright blue sky two girl in blue Japanese-style school uniforms hold hands and smile into the camera. The taller girl, with wavy blonde hair has a bandage on one cheek. The smaller girl, with long, lush punk hair flying in the breeze, holds a wildflower in her hand.Did you read The Promised Neverland and think “I wish this had more yuri?” If so, I Want To Love You Till Your Dying Day, Volume 1 might just be the series for you. Newly available in English from Kodansha USA; “Love blossoms amid bloodshed in a new enthralling dystopian yuri manga.” This series began in the printed Comic Yuri Hime magazine in 2018 but has subsequently switched to an online serialisation via the Yuri Hime Pixiv site. 8 volumes are currently available in Japan, Kodansha are aiming to release the first 5 volumes in English by October this year.

Content warnings: gore, child soldiers including deaths of.

Set in a mysterious orphanage where children born with magical talent are trained as weapons to be used by the military in a war against an unknown enemy, thoroughly average student Sheena wakes up to find her roommate has been killed in battle the previous day. Any short lived excitement about having a room to herself is almost immediately snuffed out when a strange new student arrives. “Mimi” is rumoured to be a secret weapon, immortal and under the supervision of the mysterious school nurse. Now however, she has been assigned to Sheena’s class and is her new roommate. Gone are the days of blending into the background as this curious new student has latched on to Sheena and captured the attention of most of the school as well.

This is very much a volume of exposition. Lots of threads are dangled, but I am interested enough to stick around and see where this is going. Unfortunately, Mimi does precisely nothing for me. I’m not a fan of the naive loli murder machine schoolgirl trope, and she is mentioned to be 10 years old at one point which is just a little on the ick side for me. Sheena is much more interesting to me, and at this point I’m more invested in her since she seems like she might actually die at some point. She clearly struggles with using magic and fighting, and to me that just makes her more real and human than the overpowered 10 year old who can just kill everything in her path with little resistance and a smile on her face. I’m also very interested to learn more about Ari and Seiran, 2 side characters who are implied to be a couple.

Overall, there’s more to like than dislike here. The magic adds a bit of a fantasy twist to the scifi story and hopefully all the threads in this volume will gradually come together as the series progresses. I will be reading the next volume to find out.

Ratings:

Art – 6.5 Perfectly adequate Yuri Hime house style.
Story – 6.5. At the moment, I’m more interested in the scifi than the yuri.
Characters – 5. Mimi is currently the least likeable character for me. I hope her backstory will make her more interesting when it’s revealed later on. And I wish she was older.
Yuri – 2. Some clandestine hand holding between side characters and kisses disguised as CPR/magical revival.
Service – 3. The mystery nurse with gravity defying breasts is as much as we get. Thankfully no Made in Abyss vibes here.

Overall – 6 but with potential.



Yuriten 2025 Osaka Event Report by Bea Baker

February 24th, 2025

Last week, I had the opportunity to go to Yuriten 2025 in Osaka, my first Yuri-themed event in Japan.

I’ve lived here for many years, but most of that time was spent in the Aomori countryside, pining from the sidelines as so many otaku events came and went in the big city. Finally, though, after moving to the Kansai area, I got my chance to see the Yuri fandom up-close and in-person.

Recently, I started my own lesbian game development studio, Yuri Kissaten! We’ve released two games so far and several more to come. So of course I am now honor-bound to go to all LGBTQ+ otaku events in the Kansai area!

Yuriten 2025 was held from February 8-16 in the Shinsaibashi area of Osaka, north of Dotonbori and close to a lot of Namba’s lesbian bars (a very nice touch). This year’s Yuriten was held in Osaka Space, which seems to be a different, and smaller venue than previous years where it was held at Namba Parks.

Osaka street scene. Osaka Yuriten 2025, by B. Baker

Curry and rice platter, with salad and a cup of water, napkin and flatware. Yuriten Osaka 20253, B. Baker.

I went with a friend on February 11th, a national holiday. Osaka was absolutely buzzing with activity, but the area around the event was surprisingly quiet. After curry lunch at a nice little cafe, we went to Osaka Space and descended down the stairs to the basement floor event.

Wire stand with chalkboard sign reading Yuriten in Japanese , decorated with lilies. Yuriten Osaka 20253, B. Baker.

 

Signboard for the Yuriten event, with the same scene rendered as a live photo and an illustration. Two girls in dark school uniforms sit in a window holding hands intimately. Osaka Yuriten 2025, by B. Baker

 

Yuriten definitely felt like a low-key affair. With free entry and a very quiet atmosphere, it was almost like a pop-up museum. High-resolution manga prints for a couple dozen series, a guided path through the space, and a place to write a memo for future guests to look on. Everyone was quiet, almost in reverence to the beauty of fictional lesbianism. I had to whisper to my friend anytime I had a comment.

With how museum-like it felt, I’d honestly have loved an actual exhibit with Yuri genre history and some really old magazines on display. But this is more like a showcase of creators and series past and present–it’s run by Village Vanguard (basically the Hot Topic of Japan), and so the goal is definitely to help boost manga sales in a niche but growing genre.

Cover art and message by Oku Tamaushi, featuring Arisa from Cheerful Amnesia

 

Card drawn by Sal Jiang featuring Hiroko and Ayaka on the cover of "Ayaka is in love with Hiroko" Osaka Yuriten 2025, Bea Baker

Sign card illustrated by Sal Jiang featuring Hiroko and Ayaka from "Ayaka is in Love with Hiroko". Yuriten 2025, Bea Baker

 

 
Cover image for "Even Though We're Adults, by Takako Shimura. Osaka Yuriten 2025, Bea Baker
 
Card drawn by Takako Shimura, featuring Fumi and Akira from Sweet Blue Flowers. Osaka Yuriten 2025, Bea Baker

There were many series on display, some I recognized, and some I had never seen before. That’s part of the appeal of the event, I imagine; see some really cool art from comics you’ve never heard of, or only seen a pic or two online, and finding new series to read through.

Art by Taka Shimura from Sweet Blue Flowers. Osaka Yuriten 2025, Bea Baker
 
Art from Strawberry Panic! Osaka Yuriten 2025, Bea Baker

Art from Strawberry Panic! anime showing Nagisa behind held by Tamao. Yuriten 2025, Bea Baker

Art from Strawberry Panic, showing all the characters of the anime, laying on the grass with their heads towards the center. Osaka Yuriten 2025, Bea Baker

 

It also showcased Strawberry Panic and Aoi Hana, two of the classic Yuri schoolgirl romance anime series of the 2000s. That’s some nice representation! Strawberry Panic was the first Yuri media I ever found, and it hit me in a very bad way to realize that it’s turning twenty years old next year.

Time passes very quickly…

Images of Yuri manga on the wall. Osaka Yuriten 2025, Bea Baker
 
Black and white manga drawings being exhibited at Osaka Yuriten 2025, Bea Baker

Anyway, most everything else was currently running or just-finished manga series firmly in the Yuri genre.

 

Black and white and color drawings exhibited at Osaka Yuriten 2025, Bea Baker

 

Art from Noir anime by Bee Train. Osaka Yuriten 2025, B. Baker

 

I noticed one RPG called Witch & Lily, but practically everything else was manga. It’s fitting for a Village Vanguard event, but I was disappointed to find little love for other mediums, especially games, music, movies, and novels. (Especially games… I’d love to be featured here one day…)

This year also seems sorely lacking in “heavy hitter” series. Compared to previous years like 2019, Yuriten didn’t feature many of the current bestsellers like I’m In Love with the Villainess, How Do We Relationship, or almost anything from Comic Yuri Hime magazine, let alone recent non-romance series with Yuri elements like Witch from Mercury or Dead Dead Demon’s De-De-De-De-Destruction. I understand that series like Love Bullet or The Guy She Was Interested Wasn’t a Guy At All probably became popular too recently to coordinate an appearance, but it felt distinctly like there was something lacking from Yuriten. Like we only got a slice of the fandom, not a full celebration.

Art from Yuri Espoir. Osaka Yuriten 2025, B. Baker

Still, I really appreciate what did show up. The fact that there’s so much popular Yuri out there these days that I’m lamenting what’s missing is a sign of just how many great series are running right now! I just hope Yuriten continues to expand in future years, and hopefully goes to more cities than just Tokyo and Osaka.

 

Art from Boys Who Gild The Lily Must Die? Osaka Yuriten 2025, B. Baker.

 

Art from The Magical Revolution of the Reincarnated Princess and The Genius Young Lady. Osaka Yuriten 2025, B. Baker

Of course, at the end of the mini-exhibit was the gift shop. Lots of exclusive, overpriced items from all your favorite series, and manga for series you want to dive into.

 

 

Yuri goods store Osaka Yuriten 2025, B. Baker
 

Yuri goods at Osaka Yuriten 2025, B. Baker 

Clearfiles and other Yuri goods at Osaka Yuriten 2025, B. Baker
 

Yuri goods on display at Osaka Yuriten 2025, B. Baker

 

 

 

Books and other Yuri goods on sale at Osaka Yuriten 2025, B. Baker
Comic Essay "Parlor" by Fujio on a pile of Yuri goods. Osaka Yuriten 2025, B. Baker.

 

I got me a couple cheap goods, as well as one nonfiction essay manga which stars a butch protagonist (very rare in manga!). I was very tempted to get a manga-branded t-shirt and parade that thing around for years, but I didn’t see any from my favorites.

Yuriten was certainly a fun experience, a free half an hour you can spend observing a slice of the Yuri fandom, and a place for a few exclusive items for smaller series that otherwise may never get any other merch. It made me really wish for bigger, more ambitious events in the future, though, especially something where we can actually meet and talk to other fans. A full Yuricon, perhaps…

(Also, look at this very strange and expensive dress my friend and I found while shopping after the event! Would you wear this to Yuriten?)

Artsy dress with hangining blue and yellow material under a white overpiece. Yuriten Osaka 2025, B. Baker.