Archive for the English Manga Category


How Do I Turn My Best Friend Into My Girlfriend? Volumes 4+5 and Series Overview by Luce

August 30th, 2026

I’m Luce, procrastinator extraordinaire and- how did I end up with more books than I started??? – book hoarder. You can call me a bookwyrm. Mostly hoarding, but getting back into reading novels. 

In the first three volumes of what I call Best Friend Girlfriend or ‘BFGF’ by Syu Yasaka, we met Minami, who realised she has a crush on her childhood friend and next door neighbour, Yuzu, and decided to try and get Yuzu to see her in a more romantic light – and generally failing in her attempts. We found out that Yuzu, however, also likes Minami, so we were landed firmly in the ‘mutual pining’ section.

Volume 4 cover, it does Minami and Yuzu sitting against each other in ski gear In volume four, Yuzu gets a cold and Minami looks after her, Kamiya tries her best to talk Yuzu into telling Minami she likes her, and Christmas arrives with all the romantic implications it carries in Japan. In volume five, things get romantic on the school skiing trip, but misunderstandings abound. Can Minami and Yuzu finally just tell each other?

Pining, pining, pining. As a fanfiction reader, and writer, I’ve read it, I’ve written it. The delicious tension of words unsaid, hands not quite reaching the other person. The roadblocks characters will put up to avoid saying anything, only to trip over them and have to catch themselves. The moment it all comes crashing down as they throw over the cliff of no return, yet find themselves flying as the other person returns their affections (at least, in the ones with happy endings). But there’s an art to it. There has to be a compelling reason why one or both wouldn’t just say something. Something has to be in jeopardy if they were wrong about it, no matter how big, and the creator has to sell you on that.

Which is to say, how much you like this will depend hugely on how much you like, or can tolerate, mutual pinning, and people just not spitting it out. I enjoy it… sometimes. It’s a well worn trope for a reason, and can result in breathtaking scenes of self-restraint, where you just want to hug the characters… but it can also leave the reader with frustrations where you’re thinking ‘just kiss already! They obviously like you!’. This tips into the latter, unfortunately. I get that it’s hard to admit you like a friend romantically, and daunting to tell them that. But there comes a point where it goes a little past denial into ‘how thick are you?’. There are various moments in these last two volumes where, in my opinion, there’s no compelling reason for them not to tell each other. Look. If someone is also going in for the kiss, that’s a pretty good sign they’re into you romantically. Don’t then say it was nothing! If someone says ‘I want you’ and tries to kiss you, that’s not ‘getting your hopes up’. Reacting that way is absurd denial, or ‘authorial delaying’. Making pining work as a trope is all about making the reader believe that the character genuinely believed that their feelings were unrequited in that moment. They’re normally not correct, but only the audience should know that.

Volume 5 cover. Minami and Yuzu look happy, hugging each other. I guess my problem with this manga is that the pining was quite cute for the first two or three volumes, after which it got too stretched out. The older I get, the more interest I have in stories that cover making a relationship work – getting over hurdles, managing intimacy and boundaries, and especially when the characters are in school, trying to work out where the relationship fits, if it can, in their futures. Series like Kase-san and… and You and I Are Polar Opposites have both been exploring this to various degrees, and it’s been really refreshing. It makes manga like this, where they dance around each other, and not even particularly convincingly, less interesting.

It also ends up so focused on the dance/mess between Minami and Yuzu that everyone else falls by the wayside. Their friends feel like puppets to react to the dramas rather than people. There was some hints in the early volumes that two of them might be interested in each other, but does it get mentioned here? No.

In total, a cute series that overstretches its premise to its own detriment. There’s a fine line in pining between ‘come on, you guys can get there!’ and ‘get on with it!’. Unfortunately, this series falls closer to the latter.

Story: 6
Characters: 5
Art: 7
Service: 1
Yuri: 8
Overall: 6

Man, I really want to go read some good fics about mutual pining, now. As for manga that give me some of that vibe, Hirano and Kagiura (BL) and If I Could Reach You (Yuri) comes to mind. A Sapphic book, Six Times We Almost Kissed by Tess Sharpe also did pining very well (amongst other things). Any favourites for pining Yuri manga?





Wandering Son: Volumes One & Two

August 23rd, 2026

Reading an older manga can be very edifying. Re-reading an older manga even moreso.

I have written at length in many places here on Okazu and elsewhere about my conflicting feelings about Shimura Takako’s work. But as I re–re-read Wandering Son, which I initially started in Japanese and of which I reviewed a number of volumes in English, before the series was discontinued. I was, and am convinced that bringing it out in hardcover was a terrific idea, but no grounded in good business sense.

Now Fantagraphics is taking a second stab at bringing out this series. With much more staid covers, these are two-volume omnibuses, something that helps the story flow a lot better. This will become important in later volumes, as the plot slows and change also slows.

But here in Wandering Son, Volume One and Two, we meet Shu, a trans kid who AMAB is very strongly contemplating the idea that they are a girl. We also meet Yoshino, AFAB, who wants to be a man. I say it that way, very carefully, because issues of gender and gender presentation in this book is complicated… and maybe not what you as a reader might be looking for.

In part, this is due to Shimura who, for many years has been writing queer stories. I don’t object to her doing so, but she has said that she is not herself queer. And to be clear I don’t mind that, either! If it’s working and people find joy in it, that’s great. I love her art, and I have enjoyed watching her story-telling grow and change. So what is my pain point? I am conflicted at Shimura mining queer trauma for content. It makes me feel… icky. In this older series, her story-telling is not so skilled and there will be pacing issues, but also some choices that will sit uncomfortably.

All this to say that, while I absolutely think Wandering Son is worth reading it, like Sweet Blue Flowers may not have aged well. The last twenty years we have seen tremendous change in the way we approach gender and sexuality. There is so much more nuance now, leading me to think that, if Yoshino and Shu had met genderfluid or nonbinary people as well as trans people, their choices might have been less along a binary and more somewhere in the middle. I know if someone had to me at 11 or 12 that non-binary was an option, I know I would have leapt for that.

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 0

Overall – 8

Thanks so much to Fantagraphics for the review copy, and I really look forward to reading this series again!





Pink Candy Kiss, Volume 5

August 10th, 2026

Two women stand close to each other in an intimate way, both facing the camera. The one on the left has long hair, the one on the right has short hair.

by Eleanor Walker, Okazu Staff Writer.

This review WILL contain spoilers.

It’s taken 5 volumes of Pink Candy Kiss, but we finally got the confession. It’s mutual, it’s as messy as everything which has come before and it’s all the better for it. The author says in the afterword “If it feels rough and ugly to you, then as the author, I’m pleased.” This is what I like so much about this series, it does feel rough and ugly sometimes, but it feels real because of that.

I worried in my review of volume 4 also here on Okazu that there was only so long the story could go without a confession, so I’m glad it’s finally happened. It happens at the end of the book and the rest of the volume leading up to it is mostly Ema and Takara talking to other people about their situation and feelings for each other. There are some other important moments though, like when Ema finally tells her mother she doesn’t want her in her life any more, which really shows how much she’s grown.

Hario comes to Takara’s office and they end up going for lunch together, when he voices his unease about Ema to her. We learn a little more about how he and Ema ended up getting together, and how he feels now. Whilst he is grateful for her new found confidence since Takara came back into her life, he also feels uneasy but can’t think why. He’s probably too naive to think his wife is in love with another (wo)man, but it’s going to have to come out eventually.

Pink Candy Kiss continues to be one of my favourite ongoing series. I will, of course, be picking up the next volume to find out what the fallout  is, but at this point, I have to wonder if anyone is going to get a happy ending.

Ratings: 

Art – 7. It’s still a shame there aren’t colour pages with the chapter art on.
Story – 7. Not a lot happened but at the same time an awful lot happened
Characters – 10 
Service – None. It still doesn’t need it. 
Yuri – 10

Overall – 8





Common-Sense Monster, Volume 2

July 29th, 2026

Surrounded by the gaping maw of a monster, two girls in dark blue Japanese  school uniforms make the heart sign together. One girl, with long dark hair smiles gently, the other girl, with messy light brown hair, stares in abject horror.In Volume 1, we met Itou, an awkward high school student and the eldritch horror of a monster that is walking around in the skin of popular, attractive fellow student Takahashi.

In Common-Sense Monster, Volume 2, Itou is confronted by her incredibly creepy, shape-changing monster of a teacher Niehara-sensei, and accused of being a monster herself. Itou refuses to help Nie-sensei, but neither she nor Takahashi has the ability to kill him. No matter how many times Takahashi bites his head off, Nie-sen just pops up again, with his toothy grin and grabby hands.

Itou is then confronted by her next greatest fear – two classmates who want to be friends.  Itou’s personality is so cutely, weirdly awkward that these two classmates find her charming…and the next thing she knows, as the class trip looms, is that she’s part of a friend group for the first very time. Even if the fifth of their group is a…very…unknown quantity.

Itou’s still looking to Takahashi for guidance, and getting really solid, simple advice that she just cannot put into play. But more importantly, Niehara-sensei is getting more and more brazen with his taunting and attacks, until the end of the book which, while we were told it was coming, is still monstrous.

The underlying horror of this story is that monsters live among us. And we know it. Predators, abusers, “normal” people who destroy the people around them. Which is more horrific, really? A teacher who is a known sex offender that no one seems to be able to get rid of, or a monster that eats people? I argue that the former is far worse and causes more damage, but when both real and fantastic monsters are one and the same….it makes for difficult reading. 

This is not an easy book. Itou’s an anxious mess, but one sympathizes. Every quiet moment, every kindness, every moment of humanity is likely to be literally swallowed up. It’s hard to relax when the ordeals keep coming, piling on to one another, leaving no room for anything else.

Is this a Yuri story? Kind of. Itou admirse Takahashi, but also cares about her – even though she understands that it is foolish, she’s always clinging to any small kindness. In the bigger picture, Itou is simply without affection in her life, but her care and affection for Takahashi definitely feel a step beyond that.

What this absolutely is, is an uncomfortable mix of fears both real and phantasmagoric, without space between them for a horror manga that will keep you on edge. 

Ratings: 

Art – 7
Story – 8
Characters – 8
Service – Pervy teacher makes everything icky
Yuri  – 1

Overall – 8 

Common-Sense Monster, Volume 2 is out now from Yen Press.





Manga Mavericks Licenses Queer Manga Classic Sword of Paros

July 3rd, 2026

Last night at Anime Expo, Manga Mavericks Book announced the license for Sword of Paros, written by Kaoru Kurimoto with art by Yumiko Igarashi! /flailing hands/

This is being sold as a complete series in a deluxe print hardcover volume, with the most gorgeous design, including sprayed edges featuring the Sword of Paros itself. Dan Luffey is translator, I am editing, Jeanthrix Andres is doing the lettering and Darren Vogt is the designer. When I tell you that this will be *amazing* I am not using hyperbole. 

Here is the official synopsis:

The legends that speak of the Sword of Paros say that it can bestow either prosperity or ruin on its kingdom…depending on the heart of its wielder.

The kingdom’s current princess, the beautiful yet resentful Elminia, laments being treated as a soulless tool simply for being born in a woman’s body.

Accompanied by Count Yulias, Elminia rides as far away from the kingdom’s politics as possible. One day, Elminia meets a beautiful young girl named Fiona, and their lives and the kingdom are changed forever.

My 2004 review of this series missed a key point: Elminia (I favored ‘r’ over ‘l’ in my initial review)  is a trans masc or nonbinary character. Despite being told they have “two hearts” like Sapphire, Elminia is clear about not belonging in a woman’s body. I interpreted this in 2004 as Elminia being a masculine lesbian (as I interpreted Elminia’s desires through a lens of my own.) This book was written in 1986, and so the issue of Elminia’s gender could be the topic of respectful discussion, as Kurimoto was drawing on the “Girl Prince” archetype and playing with the idea of expected gender role vs gender presentation/gender identity. In a world where women are tools and men are free, the options are clear.  In our world, there is more nuance. I look forward to your thoughts.

I’m delighted to introduce this amazing, emotional, action-packed and incredibly beautiful queer manga Sword of Paros to the world!  Pre-order it today on the Manga Mavericks Store!  Direct orders are only for North America and UK. If you live outside US/CA/UK, keep your eyes on your local Amazon or check with your usual bookstore when the book is released.