Archive for the English Manga Category


Mr. Right Turned Out To Be A Younger Woman!? Guest Review by Em Evergreeen

March 20th, 2024

Two office women stand close, one leans in to whisper something into the other woman's ear as they both grip a folder between them.Content warning: there is one scene with sexual aggression and non-consensual touching, and the narrative doesn’t meaningfully explore any relationship consequences this might have.

I’ve enjoyed Kozumi Miura’s contributions to Yuri anthologies (White Lilies in Love BRIDE’s, Yuriquer Alcohol Yuri Anthology,

and to creator-owned magazine Galette, as well as her collection of one-shots, Totsuzen Nantonaku Tonari no Seki no Douryou to Kiss Shitaku Narimashita, so I was quite excited to see her office worker romance Mr. Right Turned Out To Be A Younger Woman!? made available on digital manga site Renta. It’s not only the first of her works to be translated into English, but also the longest Yuri story she’s created so far. Originally published by iProduction’s women-focused web manga label Comic Donna, the story was expanded from a one-shot to about the length of a single print volume.

Our heroine, Haruki Shiina, is a 33-year-old marketing professional who’s stalled out in romance and at work. She feels like her time is running out to find a boyfriend, get married, and have children, and she’s built up quite the reputation around the office as a energy-drink-guzzling, hard-partying, almost salaryman-like figure. So when she awakens after a night of drunken revelry with her co-workers to the clear aftermath of a one night stand, with vague but positive memories, she’s hopeful that it’s going to be the start of a magical office romance that’ll lead straight to marriage. There’s only one problem – she’s not quite sure who the previous night’s paramour was!

We know from the first page, however, that her opposite number is none other than her workplace rival, the serious and high-achieving 23-year-old Risa Takagai. Risa treats her coldly, makes competing marketing proposals, and interrupts her when she chats up her male co-workers. Though the two frequently butt heads, they also inspire each other to do their best work. We see a magnetic attraction quickly develop between them, culminating in the early reveal of Haruki’s anonymous lover.

The characters and their chemistry are compelling enough that I’m glad the story was expanded beyond the original one-shot, and that we get to see their relationship develop beyond this point. There’s a lot packed into these 6 chapters, but as a result, many interesting threads feel under-explored, and the dramatic tension comes and goes a bit erratically. There is a sustained focus on Haruki coming to terms with dating a woman for the first time, and on the pressures that the difference in their ages puts on the relationship, topics that are depicted realistically and with care. There’s even some attention paid to lesbian culture and the issues faced by queer women in Japan, though it ends up feeling a little “Lesbians 101” at times.

The anonymous translation, credited only with “Localization by Renta,” occasionally stumbles a bit, and the quality of lettering similarly isn’t up to par with releases by the major US publishers. More than the sometimes-stilted language, though, my primary issue with the translation is that it introduces a somewhat misogynistic tone to certain scenes that’s not present in the original work. This is a shame for a manga that otherwise draws on the best traditions of female-focused manga in its heart-pounding moments, emotional introspection, and appropriately-adult sexuality without unnecessary fan service.

Mr. Right Turned Out To Be A Younger Woman!? is absolutely worth figuring out Renta’s points system for (bad news: it’ll cost you $15 to buy, and you’ll end up with 300 points afterwards. sigh). The art really shines. The important moments are lovingly rendered, as are the outfits, and the jokes are paired with deeply funny reaction faces. I quickly got invested in Haruki, Risa, and their happiness, and was glad to see the story reach a satisfying ending. Our pair and the rest of their co-workers are realistically flawed, but there are no villains here, and our cast comes together to support one another when it matters.

Ratings:

Art – 8
Story – 6
Characters – 7
Service – 3
Yuri – 8

Overall – 7

Em Evergreen is a lonely lesbian with a manga addiction. Find her at linktr.ee/em.evergreen.





How Do We Relationship, Volume 10

March 13th, 2024

Two women smile at us, as they walk arm in arm in a city at night.by Matt Marcus, Staff Writer

The other day I attended an “empty the bar” party for a friend of mine who is moving to Hawaii. Naturally, most of the drinks served were tiki drinks, strong but easy-drinking concoctions of tropical fruit juices mixed with multiple types of overproof rum, often complimented with an earthy hit of allspice dram. The first drink I reached for, however, was not like the others: it was a Bardstown, a potent mix of apple brandy and rye, the kind of drink you nurse slowly as the ice in the glass melts, softening the bite of the booze. I took one large sip and nearly coughed it up onto the floor. I decided to set it aside and make the rounds through the other offerings—a mai tai, a zombie, a painkiller—but I would come back and take a sip of Bardstown here and there. I liked it, but I was not looking for something so intense in such a large dosage.

I was thinking on how to approach this review of How Do We Relationship Volume 10, and as I mulled it over, I was thinking about the discussions I’ve had within the Okazu Discord and elsewhere, especially after Erica’s review of Volume 11 in Japanese. I remembered that Bardstown, and the thought rose in my mind that you can think of manga series like cocktails. Citrus is flashy and trashy like a tequila sunrise—a poor decision in a glass. Whispering You A Love Song is a virgin Shirley Temple: bubbly, sweet, and at worst will give you a tickle up your nose. How Do We Relationship—when the mix is right—is a negroni. It’s complex, with top notes of herbaceous bitterness but lying beneath is a sweetness that carries you forward to the next sip. And if you have a low tolerance it will knock you on your ass. It’s not to everyone’s taste, and it may not be the right drink for every occasion, but those that love it will reach for it over and over again. The rub is, after all the heartbreak we’ve seen these girls endure, I’m sure that a lot of readers are thirsting for some sweet relief. But Tamifull is the bartender, and their hand is getting heavier on the pours.

In Volume 9, Saeko went through a rough stretch leading up to her coming-of-age ceremony only to be saved serendipitously by Miwa. Saeko opens up to Miwa about her past, and the two connect more deeply as friends than they ever had as lovers. Meanwhile, both are having mild struggles with their respective girlfriends, but with each other’s support they should be able to weather these small bumps in the road. The volume ended with a potentially awkward run-in with Tamaki that may blow their “we’ve only ever been friends” story.

Of course, if you’ve read the series this far you know that Tamifull loves to set up a cliffhanger to end a volume only to lead to an anticlimax at the start of the next. Despite a little bit of sulking, Tamaki ends up making use of the knowledge that Saeko used to date Miwa, because she’s in need of some advice. Miwa wants to have sex frequently and she just can’t understand why. But even knowing the “why” does not answer the “how” she will handle it.

What it boils down to is that Miwa and Tamaki have completely different feelings on sex. Miwa’s sex drive is high but has yet to be satisfied; Tamaki mostly feels like sex a chore, albeit one she can sometimes enjoy in her own way. They do have a conversation about it, but you can tell that they are not really understanding each other. Tamaki isn’t really being honest with herself about her needs and wants, and she is definitely unaware of the mixed signals she gives to Miwa. Miwa for her part is letting her anxiety overpower her ability to listen. The tension continues to simmer throughout these chapters.

Meanwhile, it turns out that Yuria struggles with depression (surprise!) and does not want Saeko around when she is in that mood. Adding to her feelings of personal failure at work, she feels miserable about Saeko’s decision to aim for a high-paying office job to help support her dream of starting her own salon. Saeko feels like she’s acting with the best of intentions, but she can’t convince Yuria to accept her choices. The injection of this point of conflict feels like a hard left turn for Yuria’s character in a way that seems calculated. On a metatextual level, I can feel the hand of the mangaka planting the seed of destruction for the relationship, which is a bummer especially after all the work and growth that those two have accomplished together. Nevertheless, it is darkly funny to me for this turn to happen right after I sang Yuria’s praises in my last review.

That’s not to say that this volume is all doom and gloom. When Tamaki reaches out to Saeko to talk about Miwa, it is a nice moment of vulnerability for her and an opportunity for Saeko to help her friend. Miwa also runs interference with Yuria and helps smooth over the current rough patch with Saeko, demonstrating how much she cares about Saeko’s happiness. Yuria and Saeko have a fun onsen trip together, and at the end of the volume they visit Yuria’s hometown to meet her twin sister and her fiancé. All of this great character growth building off of the last volume. That said, there isn’t much relief to be had because of the festering undercurrents that are flowing beneath both relationships. Think of it like replacing the Gosling’s in your dark & stormy with the Reed’s Extra.

I’ve noted in past reviews that the way this series tracks time is quite loose, and in this stretch I felt it most acutely so far. It was surprising for me to realize that by the  end of this installment over a year has passed since the end of Volume 8. (Someday I will map out each volume on a timeline for the blog, which I will update eventually I swear.) That leaves an awful lot of time that we don’t get to see. In particular, we don’t really spend any time with Miwa and Tamaki enjoying an outing without some kind of tension undercutting or tempering the proceedings. What Tamifull choses to show has always leaned towards scenes that drive the plot forward, which naturally means conflict. It can be exhausting, unless you are someone who has a high craving for drama. After all we’ve seen Miwa go through, I think we deserved to have her be happy and satisfied on the page for more than a few fleeting moments.

There is one other pattern in Tamifull’s writing that I am starting to notice, which is that relationship developments for side characters function almost entirely to comment on or signal something about the main pairings; in this volume, it is Mikkun and Rika who serve that purpose. It can feel a touch on the nose, like when Tamaki voices her empathy for Mikkun’s old ex-/current/soon-to-be-ex-again girlfriend, who is described as  sex-repulsed. Tamifull does mention in the author commentary that there are lots of dangling threads for the secondary characters that had to be cut to keep the story moving, and this is one of the consequences.

Personally, I’m still enjoying the story even if moments started to wear on me. There are plenty of elements of Tamifull’s writing that I continue to appreciate, such as the continuity of character. I briefly turned into Leo DiCaprio pointing at the TV when Tamaki observes that Miwa has a preference for romantic clichés, something that goes all the way back to the beginning of the series. Also, Saeko’s tendency play caretaker makes another appearance as she tries to keep Yuria from falling deeper into a self-care spiral. The dishwashing scene is a very well observed moment of caring for a partner who struggles with depression that really hit home for me. It’s the depth and nuances of small moments like these that constitutes the sweetness that lingers after the bitterness fades.

Apropos of nothing, I am always amused when a series sums itself up in a single panel

If nothing else, How Do We Relationship continues to serve up the most potent dose of painfully relatable love in the Yuri/GL space. If you’ve missed that stinging sensation on your palette from earlier in the series, you’re going to be savoring this volume.

Art – 9 You know you’re in too deep when you start to notice how the way the character’s noses are drawn has been subtly changing over the past few volumes
Story – 8 You can start to feel the needle move back towards the negative, which may be fatiguing for some
Characters – 8 There is some unevenness with Miwa and Yuria in the service of drama that feels a touch heavy-handed
Service – 6 Yes there is sex but I’m also counting Saeko in her job hunting suit in this score
LGBTQ – 10 Is there really any doubt at this point?

Overall – 8 The bitter top notes are starting to overpower the other flavors, but it is still plenty potable

Volume 12 is currently available in Japan and you can catch up completely with the simulpub chapters on the VIZ Manga site or app. A college LGBTQ drama so real, you’d swear you owe tuition. 

Matt Marcus is a serial enthusiast whose range of appreciations include guitars, watches, and a particular genre of Japanese popular media named after a flower. Outside of writing for Okazu, he cohosts various projects on the Pitch Drop Podcast Network, where he frequently bloviates about video games, anime, and manga. He also hosts a blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





Yokohama Shopping Log, Volume 3

March 11th, 2024

A woman with green hair, wearing a light blue tank top, beige slack and white sip-on shoes, leans back as she sits on shallow stone stairs by the sea, Seagulls fly above her in broad blue sky.In Yokohama Kaidashi Kikou, Volume 3, Alpha, an android, can see that time passes – and so can we. The adult humans she knows have gotten older, the children she played with are now young adults. There are fewer and fewer people. At her cafe, which never managed more than a few visitors on most days, now goes many days without anyone coming by. 

And yet, Alpha is mostly content to enjoy her time, sipping coffee, exploring the local area, until a crisis pushes her to leave the cafe behind and go on an extended tour of as much of the country as she can visit on foot in about a year.  While she is gone, we learn more about Alpha from Kokone’s discussions with the professor who was part of the design team than we even learned from Alpha herself.  However, like the end of humanity, there are still many holes in that story…we are unlikely to get them all filled in.

In this volume we learn, too, that Kokone truly has no room for anyone other than Alpha in her heart. And, while Alpha treasures Kokone as a friend, she’s not thinking about anyone that much…not even the owner she used to be waiting for.  She’s pleased with the small joys of existence; eating a giant chestnut, meeting a new android, finding a new place to stay and work. We also learn that Meruko is interested in Kokone, but is rejected for Alpha.

As nature takes over the landscape, and humans pass out of existence…how much longer will the androids exist without humans to need them? Nai’s plane will need fuel and Alpha needs beans for her coffee. Who would Kokone deliver to? I assume Meruko would probably make art regardless of whether she had an audience, as artists often do.

It’s hard to feel anything other than the melancholy of the passing age, in between the small joys here. What will life look like when the humans are gone? And how can we get to a point where this gentle twilight is humanity’s end instead of what we appear to be headed towards?

Ratings:

Art – 9
Story – 9
Characters – 9
Service – 1 pinups of Alpha are drawn with love, not service
Yuri – 6

Overall – 9

Yokohama Shopping Log, Volume 4 is out now from Seven Seas. Come for the coffee and company. Relax and enjoy the end of the humanity.





I Don’t Know Which Is Love, Volume 2

February 21st, 2024

A pretty girl with long black hair and gray eyes, reaches toward us with lightly lavender-tinted fingernails, blushing and smiling at us.by Luce, Staff Writer

Welcome back to the rollercoaster Yuri harem series, I Don’t Know Which Is Love, Volume 2.  In Volume 1, our protagonist is Mei Soraike, a girl who fell in love with a female friend at high school, and upon getting her heart broken, swears that she will reinvent herself and get a girlfriend in college! Within a few days of starting, she ends up with five candidates, all of whom are vying for her attention. At the end of volume one, Karin said they should just go out, and then Riri arrived…?

Within ten pages of starting, Mei finds herself between Karin and Riri while they’re asking who she wants to sleep with. Indecisive… and experiencing ‘too gay to function’ (Mei often experiences this), she elects to sleep on the floor instead. She ends up in a charged lecture with Prof Maria, and later, she finds herself in a three person play with Karin and Minato (somewhat for their own ulterior motives), joins Riri on a photoshoot to try and improve her acting, goes out to see a play with Minato to try and get her voice right, and ends up practicing with Kaori… and when the script says french kiss, she does! 

DareKoi remains an enjoyable rollercoaster, never lingering long on any one moment, although it doesn’t quite feel like it is rushing either. It knows what the reader wants – girls flirting and kissing, and by jove, you get that. Sprinkled on the top are some of the love interests wondering if they love Mei, too. What I like is that the harem have positive interactions with each other – while they are kind of fighting over Mei, they are also their own people. Minato and Karin knew each other before they knew Mei, and they remain friends, and Riri and Karin also seem to know each other. 

Honestly, I’d be quite happy with a polyamorous ending – it would be fun if the answer to Mei’s question of ‘which is love?’ is ‘all of them’, as I like to think love can take many different forms. It likely won’t, but the playing field is pretty even for the time being. Karin has asked Mei out, but Mei doesn’t feel like she’s ‘near her level’ – but that she’ll try! What I like about Mei is that although she’s generally passive in so much as everything seems to happen around her, she is trying. She only has one frame of reference for love, being her old friend, so her inexperience makes sense. Speaking of that old friend, her face hasn’t been shown as yet – I’m not sure we even have a name – but I can only assume that she is going to pop back up at some point. I hope Mei does okay when that happens. She’ll probably be either on a date or in a compromising position, knowing this series, but it does it with such heart that I’m looking forward to it.

Ratings:

Story: 7
Art: 8
Characters: 7
Service: 5
Yuri: too Yuri to function

Overall: 8

I Don’t Know Which Is Love, Volume 2 is available now in print and digital from Yen Press!





Amayo no Tsuki, Volume 6 (雨夜の月)

February 20th, 2024

Two girls wearing Japanese yukata for a summer festival, look at each other with intensity as fireworks explode above them.Do you remember Morinaga Milk’s series Girl Friends? It was an incredibly popular and influential Yuri manga in the early 2010s, so more than a decade ago. The story followed an introverted girl, Mari, who becomes friendly with an extroverted girl, Akiko. Akiko is Mari’s first real girl friend. And, then, they start to fall in love with one another.  I bring this up because a number of Yuri series begin in a similar emotional space – someone has not previously had a close friend and then their feelings begin to change. Saki and Kanon have both had a close friend before. They both know how friendship feels. They both know how it feels to feel betrayed, or lost when that friendship cracks.

In Amayo no Tsuki, Volume 6 (雨夜の月) a whole lot of things happen that remind us that this story is absolutely not handwaving *anything.* This is a remarkably profound story that is not at all taking shortcuts, even when we might expect it to.

First, in the wake of telling Kanon how she feels,  Saki has decided that it’s time to speak to Akira, the hair stylist whose “friend’s” story of first love with another girl seemed awfully personal. It’s an important conversation for Saki, because she starts to accept her feelings for Kanon. She has no clue where she is going with them yet, but she she’s starting to understand that this is who she is. Secondly, Kanon is also wondering what to do with her emotions. She’s got no name for this maelstrom she’s feeling ask Saki asks her a favor under the bright lights of a fireworks display.

Whether or not they become a couple is entirely irrelevant to me. Watching them work through complicated feelings about other people and with other people to talk to, is very much the crux of the matter. But, this volume isn’t leaning back on just this one piece of the story, either. Saki meets up with Ayano and once again offers comfort and a way to move forward for the other girl and Tomita comes back to school, openly admitting her disability, and apologizing to her ignored friends in a touching scene.

Yeas ago, I was reading a comic that cleared the low bar of the Bechdel-Wallace Test but inspired me to create the Friedman Addendum to the Bechdel-Wallace Test, which includes these three criteria:

Does female character have agency?
Does she have society?
Does she have personality?

In Amayo no Tsuki, Saki has society. Her friendship has helped Kanon to build the same for herself… and that is what makes this volume so amazing. If these two fall in love, it won’t be because they are sheltered in a world of two, blocked from the rest of society. It will be because they want to face that world together.  In the meantime, Kanon is not only finding her own ways to make friends and be part of her class’ activities, she’s also finding her own individual voice as a writer.

The final story follow Kanon’s sister Rinne and how she learns to be braver about openly displaying empathy for others with help from her sister’s experience.

Ratings:

Art – 9
Story – 10
Characters – 10
Service –  Saki and Kanon in yukata is also a form of service ^_^
Yuri – 5

Overall – 10

This was a fabulous volume of a series that is already carved out a permanent place in my heart.  I recently did an interview with a media platform in which I was asked where I saw the future of Yuri. The answer is – this. This intersectionality with disability, gender, race, mental health – these crossroads where we explore with it is to be a human with a body and mind that is not always under our control or are othered by people who are not us. This is where I see Yuri going right now and I really like it.

This series is available in English, as The Moon On A Rainy Night from Kodansha,  Volumes 1-3 are out and I have, of course, reviewed them here on Okazu. ^_^