Archive for the Matt Marcus Category


Tsukiatte Agetemo Ii Kana TV Drama, Episodes 1-3

October 2nd, 2026

Saeko, a girl with long dyed light brown hair that has exposed black roots, holds her arm in a playfully familiar fashion around the shoulders Miwa, who is sporting a black bob. Both girls are smilingby Matt Marcus, Staff Writer

Over a year after the end of the serialization of How Do We Relationship in Japan, I happened to stumble across a tweet for a casting call for a live action drama with a very familiar premise. A Girls Love story adapted from a popular manga series, set in a college, including members of a light music club. It was a no-brainer to me what series it was.

The Tsukiatte Agetemo ii Kana drama was announced in July, with J-Pop idol Riho Sayashi (originally a member of Morning Musume, more recently a solo artist) playing Saeko Sowatori and Sakurako Konishi (best known for her role in the crime thriller First Love) as Miwa Inazuki. I was equal parts delighted and trepidatious. How much of the story could they cover in one season? Would they be able to capture the essence of the characters? How would they depict The Content?

If you are unfamiliar with the story, the opening episode is a fairly accurate adaptation of the first three chapters of the manga. Miwa and Saeko, both first year college students, meet and join the light music club together. After a night out with their new club mates, Saeko admits to Miwa her interest in women and Miwa responds in kind. Saeko says they should take advantage of this rare opportunity of two lesbians organically finding each other and proposes that they date. Miwa reluctantly agrees, and the two awkwardly spend time together until they are caught kissing in the club room by their bandmate, Mikkun, and have to decide how to navigate being out (at least within the band).

I’ll admit that I have not watched too many live-action adaptations of manga or J-dramas in general, but the handful I’ve seen ranged from passably entertaining (the Death Note duology) to abysmally awkward (GAP the Series, sorry Frank). Sometimes the issue is that the source material reads very unnaturally when acted out with real people; often the issue is that the performances are rather middling. I find that in most cases these adaptations fail to match the impact of the source material, let alone elevate it.

I felt more optimistic when I read that the production was being handled by people who worked on Ayaka is in Love with Hiroko!, as that was one of the better of these adaptations that I’ve seen. So far, there are awkward moments and stiff performances, but I felt that it was at least intended to be so. Saeko and Miwa do not gel, and the one thing I would strongly credit the first episode for is making that awkwardness extremely palpable. 

That said, there are myriad concerns I have, the first and obvious one being the pacing. There are only 8 episodes of 23 minutes each. Of course episode 1 has a lot to establish, so there isn’t much you could reasonably cut, but knowing that the previews show scenes up through volume 6, there is a LOT of ground to cover. Tamifull-sensei mentioned on her Twitter that there are changes to the story, which leaves the door open for a very different (read: heavily truncated) path towards the ending.

The trimming down of the story has already become impactful in episode 3, which covers the summer club retreat arc. The arc is split between Saeko wrestling with jealousy and Miwa struggling to stand up for herself against pushy men who are either hitting on her or threatening to out her. The instigator of the latter scenario, Kan, has been completely cut, which robs Miwa of the opportunity to try, however feebly, to defend herself. This ends up doing a disservice to her, reducing her role in the arc as merely the object for Saeko’s jealousy. It’s focusing the story down to the most core part of the plot, which is understandable given the runtime, but I fear more key character development moments will be shaved down to focus narrowly on the will they/won’t they of the love story.

The other issue is that of, frankly, the sex. Sex and physical intimacy in general play major roles in plot, characterization, themes, you name it. I think if a lot of that content is cut or glossed over, it will rob the drama of one of the elements that made the manga so potent. At least as of this writing, the sex is…there, but it is just off screen. There have been a couple hints towards Saeko’s discomfort with being touched, but aside from that there has not been much “action” depicted, which unfortunately means one of the funniest page-turn surprises from volume 2 is completely absent. You know the one.

If you approach the drama with an open mind and try not to get hung up too much on adaptation changes (I’m trying, I swear), you will find that the show has done a solid job of bringing the manga to the small screen. And there are some fun production details, like how Miwa and Saeko’s guitars were the ones Tamifull bought as reference.

Having a pop idol as one of your lead actresses also has some benefits, like including live performances that feel actually performed live.

So, that leaves me with two questions: will the drama stay in tune, and will you tune in?

Overall – 7

The series is airing in Japan on several TV stations (MBS, TV Kanagawa, Chiba TV, TeleTama, Tochigi TV, Gunma Television) and online via TVer and FOD; it is also available overseas on GagaOoLaLa.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. You can find him mostly reskeeting Yuri posts and sports takes on Bluesky @hyperartmarcussan.bsky.social





Botan Kamiina Fully Blossoms When Drunk Anime, Full Season Review

August 19th, 2026

Botan stands thigh-deep in a river holding a bottle of sake. She's wearing a plain while dress which is taken on some water from the river. She's mostly facing the opposite shore but is looking over her right shoulder. Her reddish-pink hair is fashioned in her usual dual-ribboned do.

by Matt Marcus, Staff Writer

The Botan Kamiina

1 oz Yume no Kanbai 19 year sake 
0.75 oz strawberry-infused scotch whiskey (Glenlevit base)
0.5 oz Rokudaime Lily shochu
0.5 oz simple syrup
2 dashes of angst–I mean, angostura bitters

Shake with ice, then pour into an absinthe-rinsed coupe. Garnish with a lily flower.

When I first sat down to watch the Botan Kamiina anime, it was like ordering a drink from a cocktail bar’s menu. I knew I liked the ingredients (Yuri? Check. Set in college? Check! With a focus on appreciating alcohol? Check!!) but a menu description doesn’t tell you how balanced a drink will be. Much like a boozy cocktail, Botan hits you up front with some harshness (cough cough episode 3) but as you sip and let the drink dilute, the sweeter flavors come forward and leave your palette more satisfied.

That is to say, it is not exactly a perfectly crafted concoction, but there are plenty of things to like.

As I mentioned in my early review of the series, a new dorm member arrived. Chin-lan Chang, a new student hailing from Taiwan, arrives in the house and immediately throws a sapphic molotov cocktail on the yuri yearning status quo. (You see, her older sister married a Japanese woman, and after accepting her new sister-in-law, she goes “I gotta get me one of those”.) Immediately she puts some moves on Botan, but quickly recognizes that her target already had a situationship brewing. She then pivots to gunning for Gujou-senpai, who is still futilely pining for Ibuki. Nevertheless, her forthrightness pushes the narrative forward by both snagging her senpai for herself as well as getting Botan to confront her feelings and face Ibuki head-on.

Like many others, I’ve found it refreshing how straightforward the series is about the girl’s interest in each other. Chin-lan just asks Botan, “are you and Ibuki dating?” and the question is considered seriously. Botan’s struggle to understand how she and Ibuki feel about each other is centered on whether it’s the alcohol that Ibuki really loves, not handwringing about whether it’s possible for girls to love other girls. And I also appreciated that Botan wants more than pure 100% agave tequila love out of her connection with Ibuki once she emotionally commits to her own feelings.

Akane, Botan, and Yaeka are hanging out in a Yamaha showroom. Akane is playing a red Revstar guitar with cream soapbar pickups, wearing a white denim jacket and navy skirt. Botan is taking a video of her with her phone, while Yaeka looks intently at her with her hands behind her back.

The thing that is so ultimately frustrating about this series is that its best moments belong in a more focused story. Chin-lan’s confession, folding out of Gujou’s metaphor on her uncertainty, may be one of the most beautifully-phrased scenes of its kind in Yuridom. And yet, this sits within a series that dedicates half an episode to an anime-original infomercial for a Yamaha showroom which you can visit in Shibuya (the collab ran through August 17; you would have gotten a clear card if you happen to buy a guitar there). If HEY had this much juice in their writing, I would’ve liked to have seen it occupy more of the run time.

Visually, the show kept the bar high through the end. There really isn’t a point I can say that the production skimped out. It’s visually compelling all the way through, which is fantastic.

The one thing that became more and more apparent is that these girls are bougie. Aside from their interest in pricey bottles of various forms of alcohol, they attend a prestigious college, have ample travel budgets, and namedrop seriously expensive fashion brands like Sakai and Margiela. Hell, when Ibuki borrows a friend’s car it’s not a decade-plus old hatchback, it’s a modern Mazda Miata. It puts the series in a realm of affluence tourism. I personally did not find that aspect distracting but I’m sure some have.

It’s hard to wrap discussions of the series without feeling like an important detail is getting filtered out. The story highlights are strong but the story is so lightly sketched that it feels more like an aperitif–not to mention that the storyline for tertiary couple Akane and Yaeka gets left hanging. It’s hard for me not to appreciate the craft that studio Soigne put into the series, and I beg that more Yuri works get this level of treatment; at the same time, only talking about its production and potent yearning glosses over the unevenness around its primary subject matter: drinking. But given the fanart and discussions I’ve seen about the series, alcohol is the least-discussed part of the series. I mean, I certainly had questions about it when the girls drank straight absinthe on more than one occasion.

All that said, I think the show is well worth checking out if you haven’t already taken a sip or two. What I hope it does most is broaden more viewers’ palettes for something with a bit stronger of a yuri kick.

(While I did not try to source a single drink that is featured in this show except for absinthe, it did reignite my interest in mixology which has been fun but a bit taxing to my wallet and liver.)

(Also, I cannot vouch for the quality of the cocktail described above. It’s probably terrible.)

Art – 9
Story – 8
Characters – 8 
Service – 4
Yuri – 9

Overall – 8

Botan Kamiina Blossoms Fully When Drunk is (for now) still streaming on Crunchyroll.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. You can find him mostly reskeeting Yuri posts and sports takes on Bluesky @hyperartmarcussan.bsky.social





Botan Kamiina Fully Blossoms When Drunk Anime, Episodes 1-5

May 17th, 2026

The title art for Botan Kamiina Fully Blossoms When Drunk. On the left is the title logo, while on the right is a collage of the main characters. One girl has long straight purple hair, wearing a white button front shirt and a slight smile. Below her, a strawberry blong girl with long wavy hair leans chin on hand, looking longingly to the side. Next to her is a girl with pink hair tied up in a pony tail with a black ribbon, tuning a red Yamaha Pacifica guitar. One girl has a wheat-colored bob and is holding a bottle of alcohol, leaning over a railing in the boarding house. One girl in a black knitted sweater dress and sporting medium-short black hair sees herself in a mirrored fireplace mantle, on which there is an assortment of airplane-sized bottles of alcohol. In the foreground of all of these is a girl with long pink hair tied up in dual ponytails with blue ribbons. She is wearing a light blue overcoat over a midnight blue cocktail dress. She's holding a giftwrapped bottle of booze and is sporting a slight smileIn Botan Kamiina Fully Blossoms When Drunk (currently streaming on Crunchyroll), incoming (hic) college freshman, catches her RA Tonami Ibuki enjoying a whiskey highball at a spring festival. Ibuki, who is something of an alcohol otaku, only drinks alone because…she hiccups a lot when she drinks and has a complex about it. Botan is charmed by her (hic) regardless, and the two end up as drinking buddies, and perhaps something more…?

It turns out Botan, who took a convenient gap year so that she’s of legal drinking age (burp) as a freshman, turns into a big flirt after a drink or two–no surprise, given the title of the show. Thankfully, she’s not the handsy type, but there’s an odd purity to the dynamics here. I’m not asking for sloppy drunken makeouts in a pile of empty Yebisu cans…OK I kinda am, I remember what it was like in college. (hic) Really, Botan just got the big ol’ doki-dokis for Ibuki, and her RA is just a bit too overwhelmed by her forthrightness. But also, the show does twist itself into knots around Ibuki’s hiccup hangups. It is (hic) mildly annoying to me as a viewer when you know the show is going to find a way for every other character to leave a scene just so Ibuki can be alone with Botan and feel comfortable drinking. (hic)

Three other girls round out our small cast: the quick-tempered Yaeka Kitamori, her travel-partner-cum-possible-musician-girlfriend (?) Akane Yusa, and Kanade Gujou, the cigarette-smoking (hic) grad student with a failgirl crush on Ibuki. As of this writing, there is a sixth cast member who has yet to arrive, I assume to pick Gujou up out the smoking wreckage that she made for herself trying to get Ibuki to (hic) notice her. They are all perfectly fine, though they are all fairly one note so far.

Here’s the thing with this (burp) anime: not a lot happens. The girls in various permutations find themselves traveling, drinking, or often both. Some light flirtation occurs, maybe some mild yearning or angst. End scene. A character-driven story this is not; I know more about series creator HEY’s taste in music from one scene in episode 4 than I do about any of these (hic) girls. But there sure is a lot of product placement, mostly of alcohol (note that the anime had its own sake collab), but also Yamaha music equipment.

The Botan Kamiina anime is a spiritual successor to the Bocchi the Rock adaptation. My evidence:

-pink-haired protag ✅
-yuri/yuri-ish elements ✅
-animation showcase ✅
-Yamaha guitar product placement ✅

— Matt Marcus (@hyperartmarcussan.bsky.social) May 2, 2026 at 9:52 AM

If you are expecting fireworks, you will find it in the animation flexing that inexplicably shows up in (nearly) every episode. Much ado (hic) has been made online about the intentional changes in art style and direction between each episode, with different staff leading the production week to week. Mostly I find this successful, but occasionally it can be VERY distracting (looking at you, Episode 3). If nothing else, it covers for the otherwise (burp) languid development of anything you’d call plot. I will say though that the OP, with a song performed by yonige and made to look like handheld Super 8 footage, is gorgeous, as are the watercolor-styled ED sequences that do a strong job fleshing out each character’s backstory. There is a lot of craft being put into this anime, but the substance of the story itself is (hic) fairly thin.

It really is hard to pin down this (hic) show. It’s not hobby enough to teach you about brewing or mixology; it’s not travelogue enough to be a guide book (although people have already made their own); it’s not quite Yuri enough to do more than whet the palate for something more. For me, personally (burp), I don’t want to just see Botan sip delicate sakes or infuse upper-shelf single malts. I want to see her wax poetic about the top notes of Mad Dog 20/20. I want to see her do Edward 40-hands with Steel Reserve. I want to see her drink like a college student, damnit! (hic) Also where do they get the money for all of this.

If it sounds like I’m damning with faint praise, fear not. I’m enjoying watching this series every Friday night, with a drink (or two) in hand, as you might have been able to tell. (hic) Bottom’s up, y’all.

Art – 7 Knocking off a point for ep 3
Story – 5
Characters – 7
Service – 3 Bartending is service, right?
Yuri – 5

Overall – 7

Botan Kamiina is currently streaming on Crunchyroll on Fridays.

One thing to note: there was a recent blow-up on social media around HEY’s bookmarked art on Pixiv, particularly at least one that included Botan in a (seemingly) non-yuri scenario. Whether or not that crosses a boundary of good taste or morality is something that everyone should decide on for yourself. Having looked into it myself, I am personally less bothered by the fanart and more troubled by some other choices, but nevertheless I will continue to follow the series.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. You can find him mostly reskeeting Yuri posts and sports takes on Bluesky @hyperartmarcussan.bsky.social





#Gal x Gal Yuri, Chapters 1-11.2 on VIZ Manga

February 4th, 2026

Five gal/gyaru-style high school girls pose together in front of a blackboard. From the left is a blonde-haired girl with red highlights wearing a pony tail, a blonde girl in a bob cut with purple highlights, a long-haired brunette with tan skin winking while showing a peace sign, a blonde long-haired girl, and a the tallest, a silly-looking girl with a very long black hime-cutby Matt Marcus, Staff Writer

Have you ever thought to yourself, “Why search for a new lover when I could be dating my bestie instead?” Well, do I have a yuri for you!

#Gal x Gal Yuri is exactly what it says on the tin. Blonde bubbly Yua and the cool tan beauty Reina are high school comrades in cosmetics who decide to spend a year dating each other, and I quote verbatim, “for the vibes.” We see them go on dates, celebrate birthdays and holidays, become the spring festival mascots of their class (and run a maid café, natch), and finish their year-long experiment very much still in love.

And that’s chapter 1.

My instinct is that the first chapter was a one-shot doujinshi that was repurposed for the serialization, but it’s funny how much gets jammed in there before things slow way down for the remaining ten chapters of the volume.

The dynamic between the leads is simple but fun. Yua is so enthusiastic to the point where she is constantly gushing or gloating about her affection for Reina, in a way that disarms anyone who might have looked sideways at an openly queer relationship (notably, they encounter no trouble with anyone on that front). Reina, on the other hand, plays the “straight man” role mostly by rolling with or occasionally reining in Yua’s flights of fancy. But really, this is a comedy series and the jokes do mostly land. Occasionally Yua’s talk about sex makes me want to take a spray bottle to her, but I can’t say it seems out of character for a teenager.

There are other supporting cast members—a pair of twins Akane and Shion, and Yua’s childhood friend Yazawa (a “rocker” chick who is somehow the most head-empty of the cast)—to help round things out. Yazawa takes up most of the air when she is present, but for the most part this is the Yua and Reina show.

Inoue’s art helps carry this series. It’s cute without being too cutesy; the fashion is, of course, well represented; and I find the reoccurring off-brand Instagram posts charming. The one thing I would say I don’t have a firm perspective on is Reina’s skin tone and what it could or could not signify; my bet is that it’s simply an aesthetic choice.

If you like gals being more than pals, this one is worth smashing that follow button for.

Ratings: 

Art – 8 Appealing, reasonably detailed, used well to emphasize gags
Story – 7 Not a lot of plot but enjoyable nonetheless
Characters – 7 Characters are shallow but very charming
Service – 4 One panel of a bath scene, plenty of sexual jokes, lots of gyaru fanservice
Yuri – 9 Plenty of yuri “for the vibes”

Overall – 8 highly decorated nails out of 10

While the first tankobon is available in Japan, the current 11 chapters (plus two bonus stories) are currently only available in English on the VIZ app and website.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. You can find him mostly reskeeting Yuri posts and sports takes on Bluesky @hyperartmarcussan.bsky.social





Otakon 2025 Field Report – Rock Is A Lady’s Modesty Panel

August 17th, 2025

Photo of Miyuri Shimabukuro, Shinya Watada, and Hidetake Nishigaya posing in front of the crowd from the second RockLady panel at Otakon 2025. Shimabukuro-san and Watada-san are holding chibi dolls of the main cast.by Matt Marcus, Staff Writer

The familiar barrage of guitar notes of “Ready to Rock”, BAND-MAID’s opening song for Rock Is a Lady’s Modesty, hyped up an expectant crowd. On stage, however, was not the band; present instead was RockLady’s Director, Shinya Watada, Otoha Kurogane’s voice actor, Miyuri Shimabukuro, and Producer Hidetake Nishigaya. The topic at hand: the staff’s favorite scenes and a peek behind the curtain on production.

The Saturday morning panel was the group’s second during this year’s Otakon, the first being held the day before in one of the larger conference rooms of the Walter E. Washington Convention Center. Having only the chance to visit the conference on Saturday, I was curious whether interest in the series was strong enough to carry a second session. I was pleasantly surprised; despite the smaller room, the attendees, roughly 120 in total, were as loud and raucous as a Fuji Rock crowd (or at least my imagination of such). I was pretty impressed by the number of fans who showed up to hear more about a niche title that aired on a small streaming platform.

The panel was MC’d by Nishigaya-san, with Watada-san and Shimabukuro-san as the guests of honor. Both shared two clips each that were their personal favorites and discussed why. Watada-san highlighted two post-jam ending scenes; Otoha’s first colorful outburst and immediate switch back to lady-like speech from the end of episode 1, and the battle of the bands scene with our full group panting, sweating, in front of a stunned crowd. Both moments were stressful to direct, and he was relieved that they managed to hit with the intended impact.

Shimabukuro-san’s choices were both spirited character moments. First was lead character/guitarist Lilisa and Otoha’s first exchange of vulgarities in episode 3. The second was Lilisa’s defense of the rock greenhorn Tina in episode 8. She would mention that her biggest challenge was keeping her speech intelligible during the not-infrequent torrents of screamed insults.

After the favorite scenes section, the panel moved on to Q&A. Shimabukuro-san mentioned taking drum lessons to get into the role, but given her novice status she did not end up drenched in sweat like her character. The staff were asked about their favorite Western rock bands (Watada: Bon Jovi; Nishigaya: Green Day).

The most interesting revelations came towards the end. Nishigaya-san touted one last surprise: a prerecorded segment with BAND-MAID, who provided both music and motion-capture for the musical performance scenes. Of their anecdotes, my favorite was from drummer Akane Hirose, who said that Otoha’s freestyle drumming in episode 1 was an unrehearsed jam that was requested at the end of a recording session. 

All in all, it was a fun panel. The only mildly disappointing part was that Akira Sekine, the seiyuu for Lilisa, was not there to trade stories with Shimabukuro-san, which could’ve brought out some more lively banter. Also, there was no season 2 tease or even a shoutout to the upcoming localization of the manga coming next month. Still, I was pleased to see that the show garnered enough love for there to be two panels dedicated to it.

After the panel I left the hall and grabbed myself a chili-smothered half-smoke at the Ben’s Chili Bowl stall located at the north end of the convention center’s skybridge that spans across L Street. Given the central location, I had a great vantage point to watch the throngs of anime fans passing by, many in cosplay. While I didn’t see anyone dressed up as Otoha or Lilisa, there was still plenty of RockLady-like rebellion put on display. Perhaps the next time I make it to a convention I will see more proper ladies saying “Gokigenyou~” with middle fingers up.

Rock Is A Lady’s Modesty is available for streaming on HIDIVE, and volume 1 of the manga will be coming out in English via Yen Press on September 23rd.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.