Archive for September, 2005


Yuri Manga: Kannazuki no Miko, Volume 2

September 20th, 2005

Well, I know you were all waiting with bated breath to read my opinion on this final installment of the Kannzuki no Miko series.

As you may remember, I found the anime to be superficial, devoid of meaning and tedious, but marginally distracting. I reviewed it several times with increasing incredulousness – primarily because, while the series made absolutely NO sense at all, many people, mostly male, seem to feel that Kannzuki represents the height of yuri. This story was indubitably colorful, had lots of action and noise and sound and light, but it simply made no sense. That a senseless 13 episode miniseries that had no plausibility, not internal consistancy and utterly pointless rape should be seen by any minority of viewers as the *epitome* of the genre I have labored to promote is simply…exhausting.

Folks – there is good Yuri out there. With plots, and character development, etc. Drawn by women for women. This is real Yuri, not the parody of several genres tossed with a light dressing of Yuri so it sells.

Yamaji Ebine
Takashima Rica
Tadeno Eriko
Morishima Akiko
Hayahiya Shizuru

These women draw and write Yuri – with plots, characters, genuine expression of lesbian love and desire. Look for them – read them – learn what good Yuri is.

Okay, that rant having been concluded, let’s turn our eyes towards the work in question.

We left Himeko having just been raped by Chikane. This was used in the anime as well, where the explanation for the act was to make Himeko hate Chikane, as she’s becoming an orochi.

In the manga the act is complicated by the fact that it seeems to be tied into Chikane and Himeko’s existence as Miko of Moon and Sun, respectively.

In reality, it is fairly obvious that the people who comprise Kaishaku, like most people, have absolutely no understanding at all of the emotional damage rape does. In this expert text, Himeko wonders if it really happend, gets a twinge of pain in her abdomen, is horrified, but when Chikane seems like her usual self, is fine. Fine? Oooookkkkkkkaaaaaay…..

Then follows pretty much exactly the same nonsense that occurred in the anime. Lots of mecha fights, which *still* make no sense, since we are never really given any motivation for the Orochi respresentatives. In my mind, there should at least have been one flashback to explain the how/why of becomming a homicidal kubi, but that’s just me, always looking for, you know, plausibility, in a story.

BTW, kubi mean “neck” and the scanlators translate it that way, but in our language we’d probably call them a “hand” rather than a neck, as in hired hand, or ranch hand. After watching the anime and reading the manga, I am still entirely puzzled as to the kubi’s exstence at all. Why were they there? What were they hoping to do? Shoot things, okay…but why? I like the idea of shooting things too, but I can, at least, tell you *why* I’d like to pop you. Sister Miyako is hot, but the rest, *especially* Tsubasa, are a complete yawn. Tsubasa’s only reason to exist seems to be to pander to fans of long-silver-haired boys. Hmmm – I guess if we see the kubi as pandering to random fetishes, they make more sense. Okay. That works for me.

The climax of the manga and anime are similar, but not *quite* the same. Chikane explains that her behavior (violent rape, emotional torture and criminal passive-agressiveness) was meant to save Himeko from a fate worse than fate. In the anime, Chikane accepts an eternity that consists of a rather shorter period of time than eternities are wont to be, alone on the moon.

In the manga, Himeko comes with Chikane, rendering all of Chikane’s violence and abuse pointless, because apparently it would take MORE than that to make Himeko hate Chikane. One can only boggle.

In an epilogue which does not exist in the anime, Chikane and Himeko are born as incestuous twins who apparently live happily ever after.

Ratings:
Art – 8
Story – 2
Characters – 6
Yuri – 9 (I cut off a point for the complete and utter lack of understanding of the dynamics of women in love/lust.)

Overall – 6

Honestly – this could, really, have been an excellent story. Given time, back story, character development and a modicum of internal consistency, it could have been decent. But it wasn’t. Not really.





Yuri Anime: Stellvia. Volume 5

September 16th, 2005

The reason this review took so long to get to was simply that I had a really hard time finding this volume! Amazon had it on backorder and at Otakon, not a single vendor had a copy by the time I got to go shopping. It was really irksome. (Amusingly, at the Geneon booth, the sales guy tried to sell me Vol.6, but I kept saying I wouldn’t get it until after I had Volume 5. He was like, “But you’ll need it eventually.” ^_^)

Let’s get right to it, shall we? This volume has a lot of good things, but I’m about to start with the bad.

The art. Where do noses go when they aren’t on faces? Is there a graveyard of lost anime noses? The art is *so* inconsistant in this volume. The older characters are fairly treated, but the main characters…ecch. It definitely looks like we had more than one group doing the art – and one of them sucked. Specifically the group handling Shima and Arisa.

There’s a scene in the second episode (which otherwise has better art than the first) on the volume where the girls are teasing Shima about Kouta. Shima and Arisa are all over the room, while the background characters are all stock still for nearly the entire scene, with fixed faces. Obviously, they didn’t bother animating anyone who wasn’t absolutely necessary. And it looks it. Awful, awful, awful.

The other major bad thing is Kouta. He’s heading into major idiot savant mode and from this point on, I really don’t like him. He’s so…removed…about people, and about Shima in particular. So while she’s growing, and trying harder and harder to reach him, he’s just being a nothing. But he’s a main character, so we have to watch him being a nothing all the freakin’ time! It’s downright distressing.

But that’s about it for really, really bad.

On the good side, all the little relationships are starting to mature – there’s a fair amount of time given over to taciturn Akira and runty Jojo. The volume starts them off on a rough foot, but they really get to spend some quality time onscreen. And along the way, they have a couple of short, but quite meaningful and interesting, scenes. With really good dialogue and everything.

There are some moments in this volume that approach excellent – particularly the political fragmenting of the humans involved in the different aspects of this “war.” People who feel its necessary vs people who feel its a plot by the military, vs people who think its a hoax, vs people who think war would be fun. With our current situation here in the US, it reads as quite realistic.

The most well-executed scene is towards the very end, when the war becomes a reality for our young characters. Seeing a battle, in which “our” forces take a thorough and fatal beating, through Shima’s eyes is quite painful, even as it is exceptionally well-executed.

For our Yuri couple, Yayoi and Ayaka, there is only one scene towards the beginning – but it’s a good one. ;-) With a short, fanservicey, flashback to when they originally met, we get a tearful and emotional reunion between them. Otherwise they are never seen together…but later when Arisa teases Yayoi about Pierre (who has a openly-acknowledged crush on her) Yayoi basically says that he has no chance. Everyone laughs and moves on. They know he has no chance – they just think it’s cause he’s a doofus and Yayoi is a lady.

Ratings:
Art – yucky to not too bad
Story – fun, interesting, emo
Characters – real
Music – doo-doo-doo

Overall – just watch it

In general, this volume is good, solid space opera fare. The aliens are bugs, humans are torn over what to do, and the kids…are kids. All in all, a good story that stays good with ocassional moments of excellent and awful.





Events: Cartoonist Alliance Meeting Notes

September 15th, 2005

All I can say is – wow. The people at the Cartoonist Alliance and MoCCA were just lovely. Thanks to Denise Ozker, Chari Peres and Angela Entzminger for setting up my talk and being so welcoming – and talented! I had so very much fun. (So much so that I was supposed to leave at 8, but we all got pried out at 10:30. lol)

I am not unaware of the irony of me, a person who cannot draw a straight line with a ruler, addressing a meeting of artists. But I did get to tell them a bit about publishing and call upon my store of knowledge of random artistic influences. It was so great – all the folks at CA have real talent and passion. I look forward to a future of cartoon artists with that sort of drive.

I hope one day to come back for another meeting. In the meantime, I feel like I’d better get back into doing some writing! LOL I feel like I ought at least work at my chosen oeuvre a little harder, after seeing how much effort they put into their work.

If you are in the NYC area and interested in comics, cartooning, manga or animation art:

Museum of Comic and Cartoon Art – MoCCA is a work in progress, but it’s got lots of great events, speakers, exhibitions, etc.

Cartoonist Alliance – This is a special interest group of the Guild of Graphic Artists. They meet monthly and are a really cool group of people. Tell them I say “hi!”





Events: Cartoonist Alliance Meeting in NYC on Wednesday

September 13th, 2005

[This is a press release for a speaking engagement I’ll be doing tomorrow at the meeting of the Cartoonist Alliance]

Erica Friedman, president of Yuricon and ALC Publishing and co-founder of Onna!, the only anime convention showcasing women’s roles in anime and manga,will be speaking at the September 14th meeting of the Cartoonist Alliance. The meeting will take place at the Museum of Comics and Cartoon Art at 594 Broadway, Suite 401 in New York City.

Friedman has been involved in the anime world for a long time, founding Yuricon, a celebration of yuri in anime and manga and ALC Publishing, North America’s only publisher of 100% yuri publications. In 2005, she ran Yuricon in Tokyo, and is co-chairing Onna!, a festival of women’s roles in animation in comics, which will take place October 8-10 in Newark, New Jersey.

In 2004, ALC Publishing printed the first volume of Shoujoai ni Bouken: The Adventures of Yuriko, an illustrated novel, penned by Friedman and illustrated by Kelli Nicely. At the meeting of the Cartoonist Alliance, she will speaking on her new novel, ALC Publishing’s efforts to bring yuri manga to the west and the upcoming Onna! event.

The Cartoonist Alliance is open to cartoonists, comics artists, animators, illustrators. Their meetings are round table, and organized around a special Featured Guest. Everyone is welcome, but membership in the Graphic Artists Guild provides discounts and access to the Squib, the Guild’s newsletter.

To learn more about Yuricon, please visit http://www.yuricon.org or email [email protected]

For more information on the New York Chapter of the Graphic Artists Guild, go to: http://newyork.gag.org/.

***

I hope some of you will join me there tomorrow night!





Yuri Anime: Madlax, Volume 3

September 12th, 2005

Madlax, Volume 3 Sometimes you get a craving and nothing but sociopathic women with guns can fill it.

Volume 3 of Madlax is both wonderful…and frustrating. Wonderful, because all the connections start coming together, leading you forward towards who knows what. It’s also frustrating for the exact same reasons – you keep feeling like everything is going *somewhere* but you’re just not getting quite enough info to piece it all together.

For me, the volume is very satisfying, as it focuses primarily on the character of Vanessa Rene, whose efforts to find out exactly what’s going on bring her into contact with Madlax, and with Enfan, thus knitting together the three great variables in the story: Who is Madlax, and how did she get those mad assassinatin’ skillz; what on earth is Enfan’s relationship to the civil war in Gazth-Sonika; what does Margaret have to do with any of this?

None of these questions is answered, of course – but Vanessa actually articulates the first two – and the third is implicit in the storyline. Bee Train isn’t giving anything away in this anime, we’re going to have to work for our payoff here. When I watched this part the first time around, I was skeptical that we would get *any* payoff, but now I know we will, and I’m content to let the story play itself out.

In writing the above, I just realized that watching Madlax is a bit like watching a play by Chekhov – you have to let the characters repeat their particular bete noir over and over until the threads all ravel and it begins to make sense. You can’t rush it, or guess what will happened/has happened. You just have to wait.

On the yuri side, I love this volume for what it doesn’t say. There’s still the weird vibe between Vanessa and Eleanor, which makes me think that they slept together, but don’t have a “relationship” per se. Eleanor would be hard work – her focus is so single-minded, that to make her notice her existence, Vanessa would have to do something irrevocable and awful. Vanessa ain’t no dummmy – she lets whatever is between them stay as whatever Eleanor makes it.

When she meets Madlax, its obvious that Vanessa is resonating to something within her – there’s an obvious desire to connect with this mysterious girl, and maybe protect (or perhaps treasure) her a little. There’s a very, very slight yuri feel there, but I think that’s because they are strangers and Vanessa doesn’t yet know who/what Madlax is or how to approach her. I don’t have any difficulty in believing that Vanessa would sleep with Madlax, if she thought that would be a good idea for them both. We know, with 20/20 hindsight, what the thing she feels in Madlax is, but as she doesn’t know herself – and never does learn – it leaves an interesting edginess between them.

As for Madlax, she clearly sees the relationship between her and Vanessa as a mirror image of Vanessa’s interpretaton: she’s the prince protecting Vanessa, the princess. We’ve already seen that Madlax isn’t afraid of sex and, once again, I think Madlax could well sleep with Vanessa, if she felt that it was the thing to do.

Will they, do they? I don’t think so. But that edge between them is fascinating and titilating.

And there’s Rimelda. This volume could be entitled “The birth of an obsession” and I think it’s a beautiful thing. ^_^ I’m not usually fond of obsessive relationships, but again, I know what’s coming and this one works for me.

Ratings:
Art – 5. It’s very inconsistent, with that BT tendency to have really bad people on top of really lovely backgrounds
Story – 8
Characters – 8
Music – 8
Yuri – 6, with loads of possibility

Overall – 8.

Madlax is a story that remains intriguing and fun, as long as you don’t need it to “make sense.”