Archive for 2011


Hayate x Blade Ultra Drama CD Niban Hoshi! Tokkuntsumeawase!

April 8th, 2011

We’ve arrived at the 2nd of the new Hayate x Blade Drama CDs, Hayate x Blade Ultra Drama CD Niban Hoshi! Tokkuntsumeawase! (はやて×ブレード ウルトラドラマCD にばん星! 特訓つめあわせ!)

Like the first of the series, this second Drama CD contains 4 short, funny, occasionally touching vignettes, following one of three shinyuu pairs at Tenchi.

Tokkun is “special training” and, as the title implies, each scenario is centered around some idiotic thing for which a character needs “special training.”

In the first scenario, Momoka comes across Isuzu practicing jumping over the tobibako, the vaulting horse commonly used in Japanese schools as a part of their physical education curriculum. Isuzu tries to get by on Momoka’s “guts” training, but does way better when Michi comes along and teachers her the right technique.

Michi then wanders over to her own shinyuu, Otoha, who is having a crisis. She is, apparently, an ojou-chan who, despite her promise to learn to cook, has never really bothered. With her parents arrival imminent, Michi tries to coach her into being able to make the world’s best meat and potato dish. Now that Michi has suddenly become awesome, she’s really pulled out the stops. Otoha does managed to cobble something edible together, but her parents change their plans and never get to experience it.

The third scenario will make absolutely no sense if you’re not completely caught up on the manga. After her defeat En-Suu has shifted her focus away from kicking ass to…eating. She obsesses about fish, specifically. In this vignette, En-Suu importunes Meiko to help her get better at Japanese. Mei, annoyed at being interrupted while reading tells En-Suu to go figure it out for herself. Which she does. A teacher asks where her cousin has gone, but Meiko doesn’t, honestly know. After weeks, En-Suu returns suddenly. Apparently while she was out looking for practice, she got a job at a sushi shop and now speaks fluent fish with a thick “old guy shopkeeper” accent. This all has to be heard to be believed. ^_^

The final scenario is a revisit of all of the players in various little dribs and drabs.

Once again, not something you’re gonna grab if you’re not already besotted, but if you are – hurry up and grab it while it’s hot.

Ratings:

Overall – 8

The third of the Ultra Drama CDs is already available and features Sid and Nancy, Hitsugi and Shizuku and Akira and Sae. If you are a Hayate x Blade fan and do not get the third Drama CD, I’m revoking your fan club membership. ^_^





Yuri Manga: Himawari-san Manga

April 6th, 2011

I am very, very happy today for two reasons. One, this manga was a delight to read. Secondly, I didn’t have to review it, because George R. valiantly offered a guest post in which he says everything I might have, if I had written it. But I didn’t have to. ^_^ Take it away, George!

My copy of Himawari-san by Manami Sugano, arrived a couple days ago and a quick flip through sent it straight to the top of my to-read pile. Not only is the artwork well done, but the setting strongly reminds me of the old neighborhood book shop near where I usually stay in Tokyo. Sadly that shop did not have an owner as lovely and lovable as Himawari-san and is no longer in business. I spent many a happy time perusing those shelves.

Himawari-san runs an old, small book shop directly across the street from school. Everyone calls her this because the name of the shop is Himawari-shobou [Sunflower bookstore]. She’s a kind, long-haired woman, definitely an adult out of school but still young from my point of view. She typically carries a hataki for dusting the shelves, a book she reads and offers quote from, or both. She enjoys life at her own pace, and though she is occasionally gruff, “if you’re not a customer, go home,” she really does care for and encourage the girls who frequent her bookstore.

This manga is a collection of short, sweet stories about Himawari and her customers. The principle customer is a lively, though not intellectual, freshman from the high school across the street. Kazamatsuri Matsuri (and no, I didn’t stutter there), enters the tale with a bang, bursting in and declaring, “Himawari-san! I love you!!” She fell for Himawari when she came in to purchase a study guide for her entrance exams, and spends a lot of her free time at the store, but it is not books or the store that she loves but Himawari herself. Himawari was the first person to encourage and believe in her, even counting her parents and teachers.

Other customers we meet include Nana, the class president who dislikes rainy days enough to cause an incident at the school library; Sakura, a grade-school girl to whom Himawari teaches lessons about friendship, apology and how to repair manga with tape; and Fuuko, Matsuri’s younger sister, who isn’t as angry and “too cool to care” as she first appears, merely a bit jealous of all the time her dear sister is spending at Himawari-shobou. She helps each of them with words of wisdom and encouragement.

Himawari has quite the reputation for finding just the right book for any customer, and she is well known and loved by everyone in the bookstore district. It was to show Matsuri a shop specializing in photo books that Himawari brought her to this district. And, yes, these books are perfect for Matsuri.

There’s not much explicit Yuri here beyond Matsuri’s obvious crush. Himawari puts Matsuri on cloud nine asking her to go out with her. Is this just shopping? Is it a date? I know what Matsuri would like it to be. Himawari’s feelings in return are ore open to interpretation.

She finds the store overly quiet the week Matsuri was preparing for the school festival and didn’t come to the store. Her feelings on meeting Matsuri at the end of that week are drawn in her expressions and actions rather than stated in words, but her smile when suggesting they watch the fireworks together is genuine. She seems to enjoy their time together.

In the last two chapters we meet Himawari’s older brother who’s a light-novelist. The two don’t get along, having some past history between them. She even tells him to never come to the bookstore. Sugano-sensei gives us some hints at Himawari’s past, but I want to know more than just these hints: how did she take over Himawari-shobou? What was her relationship with the previous owner? How did she change from her non-bookish self back in school? On the other hand, her brother can’t be all bad, as Matsuri stays up all night, enthralled, reading his book. Matsuri, being the good kid she is, even manages to begin Himawari’s reconciliation with her brother.

Sugano-sensei’s artwork holds up to the promise of the cover. Her depiction of the bookstore and streets echo reality to me, but she only uses detailed drawings when needed to set the scene or the mood, and they do that well. Her character art style also works for me. I’m a sucker for bijin with books, and keep looking back at her drawings of Himawari. I like her outfits, good looking yet practical. They’re a welcome change from school uniforms.

I would also recommend this manga to any who are working on learning Japanese. It has full furigana, so you can take the easy way out on looking up kanji, and avoid lugging a second dictionary around while you read.

Ratings:

Art – 9
Story – 7
Characters – 8
Yuri – 2
Service – 1

Overall – 9

I quite enjoyed reading this volume. It combines artwork I like, nostalgia for that very type of bookstore, with characters and atmosphere I enjoy. I can easily understand why the rest of the cast falls in love with Himawari-san; I did too. But, I was left wanting more. With that “more” I could see my story and character ratings climbing a point or two.

While this is not labeled “volume 1”, I hope Sugano-san gives us another volume. That would be the ideal spot to delve deeper into the “more” I was left wanting. I would say this volume functioned very well as hors d’oeuvres, and now I’m ready for a full meal with these characters in their neighborhood. She hasn’t published much else, so perhaps she has more of Himawari-san ready to flow out her pen. I hope so.

Erica here: I wasn’t kidding, George really did say everything I would have said…except for one thing. Not only is Kazematsuri Matsuri’s name redundant, her sister is named Fuuko…the “Fuu” of which is the same word as Kaze. So her name is redundant too.

Thank you George, I agree wholeheartedly that a few more hours browsing the shelves of Himwari Shobou would be extremely enjoyable.





Yuri-ish Manga: Onna no Ko no Naisho no Hanashi

April 5th, 2011

There’s two things you need to know about Onna no Ko no Naisho Hanashi (女の子のないしょの話):

1)  Hakamada Mera’s name has been attached to this book in the way that Stan Lee’s name is attached to ULTIMO, or Courtney Love’s name was attached to Princess Ai. Yes, she does have a single page in the book. Stan Lee appears in ULTIMO too, but you gotta take the name with a grain of salt.

2) Of the three words on the obi, “Love? Lily? Lesbian?”  only two are actually related to the contents and then, only tangentially.

Knowing these facts will not make this book better, but it will temper your expectations.

The translation of the title is presented as Girl’s Private Talk and, just as it sounds, you are going to get ingenuous wide-eyed-ness over not-quite-really-Yuri situations that are presented as memories of youth by the various mangaka. It feels exactly like those cheap little sex magazines sold from under the counters of convenience stores across the nation that were written as if they were personal memoirs and letters but were clearly written by one sad college student with a paucity of imagination…without the sex.

Every story starts with something like this, “Oh, when I was in school there were these two girls who were really close…” and the story unfolds with them maybe being something sort of like a couple, or almost kissing, but not really.

A few of the stories get close to situations that might have become awkward if, say, the two protagonists were left alone in the room for another ten minutes, but they never are and kisses are few and far between in this collection.

This is a book of not-quite-even-Story A: There is a girl. There is another girl. They might like each other, but nothing will come of it…probably.

If what you love best about Yuri is the tense moments *before* the relationship is a thing, or you love ingenuous glimpses behind that girl’s school curtain, then this is the book for you.

Ratings:

Overall – 3 For all these stories are short, almost none of them managed to keep my attention.





A Look at "Story A" for Hooded Ultilitarian

April 4th, 2011

I refer to “Story A” here quite often. It is my shorthand for a typical story that encapsulates the standard tropes of what we now think of as a “Yuri” story.

This weekend for my column on Hooded Utilitarian, I trace the history of “Story A” and walk it from the past through to current iterations, in 40 Years of the Same Damn Story, Pt. 1.

Next month I’ll be looking into the origins and iterations of another very typical Yuri trope.

Enjoy!





Uta-Kata Anime, Disk 1 (English)

April 3rd, 2011

Utakata: Collection 1Fans of Puella Magi Madoka Magica really ought to watch Uta-Kata. (Of course, being fans of Madoka, they will likely feel obliged to feel that Madoka is superior, but that’s a different issue. ^_^) For what Madoka is attemtping now, Uta-Kata did some years ago.

Uta-Kata is, like Madoka, a dark look at the the concept of magical girls. It begins with the words “Sorry, Ichika,” and the phrase “season of trials,” so if we’re paying even a little attention, we know that we’re not in for a happy ride. And, although our “magic sidekick” is human-shaped, Manatsu says, “Don’t worry, I won’t ask you to sell me your soul or anything,” with the same wide–eyed smiling-without-smiling face Kyubei lies with.

Uta-Kata is the story of a girl, Ichika, dragged randomly into a series of tests in which she gains great power…but loses everything else she likes about herself in the process.

As I watched Disk 1, I pondered why, exactly, this anime left me feeling yucky more than anything else. I’ve come up with a few reasons:

1) The service is a major hurdle. It’s scuzzy. It’s gratuitous. It’s pointless and whole episodes are constructed to create situations to specifically highlight crotch, breast and ass shots. And the underwear. Good heavens, the unending obsession with underwear.

2) The second hurdle is the always awkward, occasionally ridiculous twists of the plots. In the second episode, a male acquaintance becomes physically violent for no real reason, the third episode is a pile of grim and creepy wrapped around “Ichika loses Dad’s watch.” The feeling of grim and creepy continues, but we are also forced to deal with…

3) “I know something you don’t know.” There are 5 main characters in this story and of them four know exactly what’s going on. Guess which one of the five is the only one who doesn’t? If you guessed Ichika, you’d be right.

4) Everyone has *issues* but nothing actually happens. The tagline used for the third episode, “And that’s how everything was resolved. But I was left with a bitter feeling,” is a good tagline for every episode.

5) There is no grand scheme. That is to say, there is a *scheme* but it is given very little context and there does not seem to be a greater plan. In Madoka, we learn why magical girls exist, and what their relationship to witches are. Here, Saya wanders around torturing young people “because.” We just have to accept that some perfectly nice young people will have to be tested…because they do.

6) I’ve saved the biggest hurdle for last. The service is a salacious glance at female characters – undressing them repeatedly for the titillation of the audience. More problematic than this (and let me express that it is quite problematic for me) is the salacious undressing of the girls’ subconscious for the audience’s titillation. This actually creeps me out more than the seriously creepy service. Why is watching Ichika suffering fun? Ick, ick and double ick.

All of this combines for a very unsatisfying first half to this anime. I know it will improve, but I can’t forget what I wrote about it the first time, “the first seven episodes just suck.” And so they do. But, if you can stick with it, as the grim/creepy ratchets up into full-blown dark and gothic, this series becomes something your can – and should – watch.

Ratings withheld until review of Disk 2