Archive for 2011


Light Novel: Maria-sama ga Miteru ~ Step

March 2nd, 2011

This week’s theme appears to be “some series never die.” We started off the week with a look back at Cardcaptor Sakura, Sailor Moon was just re-licensed in Germany, and I have another re-tread planned for later this week. And, today, we’re taking a look at one of the most recent volumes of a series that has lodged itself firmly in our hearts, Maria-sama ga Miteru. There is one massive spoiler ahead, be warned.

Maria-sama ga Miteru ~ Step (マリア様がみてる ステップ) tells the story of two girls, Katsuki and Ritsu. They are second-years in high school at Lillian and they are the very best of friends. They’ve been together so long that they are practically like sisters.

So, when Ritsu tells Katsuki that she’s seeing a boy, it comes as a shock – not because she’s seeing a boy so much, but because she’s *been* seeing him for a few weeks, and she never mentioned it. Katsuki is hurt, but honest about it, so they separate for a little while, then take it slow to repair the tears in their bonds carefully and neatly. But, as Katsuki points out in her interior monologue, once a person has taken that step up the stair of life, they can never really go back to being the person they were, even if they want to.

In the meantime, Katsuki has herself, through an accidental, somewhat silly, circumstance met a guy she thinks she might be interested in and, when she learns through another completely accidental circumstance that he is Ritsu’s brother, *she* keeps it secret from her best friend. Katsuki had somewhat complicated things a little by lying to “Ken-san,” the nickname she created for the guy she met, about her own name.

Then comes the day Katsuki encounters Ritsu’s boyfriend and her hurried confession the next day to Ritsu that it was another incredible coincidence and nothing else. But, Ritsu says, it doesn’t matter – she’s already broken up with Kouta. In fact, Ritsu knew that Katsuki had met her boyfriend…and the problem was not that she was jealous of Katsuki for being with Kouta, but that she was jealous of Kouta for being with Katsuki.

During the school trip, Ritsu “confesses” that her break-up with Kouta was because she likes Katsuki more. Katsuki thinks about it and asks if Ritsu would like to kiss her. Ritsu replies, “Sure, I guess,” to which Katsuki says, “Right – you guess.” She calmly points out that she really doesn’t think Ritsu’s gay and she’s fairly sure she might have noticed by now if she was and Ritsu pretty much agrees that she’s the same.But they agree that they love each other very much.

Katsuki is now sure that Ritsu does want to go out with Kouta (who she knows is a nice guy) and she kind of wants an excuse to see Isao, Ritsu’s brother, so she calls him to ask him to bring Kouta to the school festival. There is a little tension, but Kouta does come, and he and Ritsu head off to the Sakuratei cafe together. In the meantime, Katsuki meets and is instantly recognized by Isao as the girl he met in the park….despite her makeup and costume as a monster for the haunted house. Woops.

In the end, the two girls have frank talks with their prospective partners about their feelings for them and for each other. Kouta tells Ritsu that he also has a bosom buddy he feels that close too, Isao. And Katsuki comes to realize that Hasekura Isao is a genuinely nice guy.

The author’s note begins with the most obvious question ever – can you guess Kouta’s family name? I could and did. Can you?

One of the questions I’m asked most on #marimite_spoilers @rizon.net is “when” the book I’m discussing is. Yumi’s first-year or second or third? This one was impossible to peg until we were given that single hint. Once we got that, it was obvious “when” we were.

As with many of of Konno-sensei’s books, the plot here took a long time to develop. It was  a bit tiring at first, with all the “boyfriend this” and “boyfriend that” but, as the story developed it picked up some speed. And there were a number of small, but interesting features. Ritsu’s and Katsuki’s frank discussion about their affection for one another was one, Kouta’s admission of affection for Isao was another. But of all the interactions in the book, the most interesting to me was a conversation Katsuki had with another classmate, Watako.

Katsuki asks Watako if she had a lover, to which Watako replies, “not at the moment.” Katsuki and I both naturally interpreted that to mean that she had had one previously and expects to do so again. In this way, on top of the shocking idea Konno-sensei introduces in this novel that Lillian girls may have (*gasp!*) boyfriends, Konno-sensei introduces the even more shocking idea that some of them may have had lovers. Two steps out of the garden of maidens in one shot. You go Konno-sensei. ^_^

Ratings:

Overall – starts at a 5, but ends up an 8

The key thing to making this book work as well as it did was that both Kouta and Isao really are nice guys.





Yuri Manga: Kyoumei Suru Echo

March 1st, 2011

Kyoumei Suru Echo (共鳴するエコー), by Kigi Tatsumi, is a collection of shorts from Tsubomi magazine,  that are intertwined by mutual acquaintance but otherwise don’t intersect. In this case, the connections have very little impact on the story and serve only as a thread that links them.

In “Runner’s High,” a horrible trauma turns out to be less of an issue than we might have expected, and once Yuki faces the truth, she’s able to move on.

Yuki’s coach Ayami deals with life and love when she was in high school in the second story. Nothing new, but cute nonetheless.

The third story covers a day in the life of the Yuki and her twin sister Hibiki, their older sister and the drama that makes a family a family.

It is the final, multi-part story that sets this collect a little apart from others of its kind. In “Lonesome Echo” Yuki and Hibiki’s older sister, Ritsuko joins the staff of a school as a new teacher. Ritsuko encounters a strange slacker student Yohko, who lounges around the music room and asks embarrassing questions of the new teacher.

As time passes, Yohko learns that some thing is not at all right with Ritsuko. She is being abused by her lover. A lover who, Yohko finds out, is female, older and Ritsuko’s former music teacher. Yohko stands up for Ritsuko, only to be brushed off by the arrogant, abusive lover. But Yohko is not a shrinking violet – she is the granddaughter of the school chancellor and has strings she can pull and the clout to protect Ritsuko. The end of the story is a handwave, but a perfectly acceptable one.

I thought this last story was interesting – if pat – because it illustrates a trend I notice in any maturing genre. Once every possible iteration of “Story A” is told, writers start to branch out. Depending on the genre, they may reach into more and more extreme perspectives, which why “suspense” novels are now filled with serial kidnappers/torturers/killers. In the case of Yuri, it means that along with some silly fantasy scenarios, we’re getting some looks at “lesbian life” outside the romance part. In the case of “Lonesome Echo” we got a glimpse of a real issue, abusive relationships. Yes, it’s true that the ending was not realistic, but the expression on Ritsuko’s face and the words she spoke about how her lover is really a good person, it’s her fault…those were real.

Ratings:

Art – 7 (I wish, in collections like these, that authors would include a cast of characters page, so I don’t have to guess at names and relationships)
Story – 7 overall, but 8 for Lonesome Echo
Characters – 7
Yuri – quite low, until Lonesome Echo, in which we see an actual couple in crisis – 6
Service  – 1

Overall – 7, Lonesome Echo – 8

If we want Yuri to mature as a genre, we must be willing to take a look at the bad along with the good.  This was a reasonably gentle entrée’ to a topic that would be distasteful to some and inexplicable to other readers of Yuri. The audience of Tsubomi magazine are used to their Yuri being dished up in palatably sweet flavors of schoolgirl crushes. A story like this would have a sour taste for many. And for that, I applaud it.





Cardcaptor Sakura Manga Omnibus, Volume 1 (English)

February 28th, 2011

513FFeTeOrLIt was no real surprise to me that I have never before reviewed Cardcaptor Sakura here. By the time I was writing regular reviews, the English edition of the anime was out of print and so was Tokyopop’s manga edition. I’m sort of sorry for that, since this was a Gateway Yuri story for a lot of people in that post-Sailor Moon phase of Yuri audience development. Because I am revisiting this series, but some of you may not be, let me tell the story from the beginning.

Cardcaptor Sakura was one of the earliest CLAMP mega-hits. (Not *the* earliest, but right in the zone.) As a manga it ran from 1996 – 2000 in Nakayoshi magazine, which meant it was riding on the magical girl coattails of the massive popularity of Sailor Moon. It had…one of everything. There was Yuri, BL, it was chockful of intergenerational relationships (my first thought was that there was *some,* but then I started to think about it and the list got longer and longer….) It had cute girls and beautiful women and cute boys and beautiful boys and even some handsome men. It had arguably some of the best magical creatures ever to grace a magical girl series. (Admit it, ladies, how many of you swooned over Yue?) And, not coincidentally, the voice cast of the anime was stellar – also major crossover from Sailor Moon. I have not loved everything CLAMP has produced, but no one can tell me that they are not geniuses at their business. Cardcaptor Sakura was a milestone.

The story contained in this CCS Omnibus Volume 1 is a simple one – cute, athletic, cheerful Sakura finds a book which, when she opens the cover, proves to be a book full of cards. The cards immediately scatter to the four corners and the creature depicted on the cover of the book comes to life. His name is Cereberus (nicknamed Kero-chan); he is the Guardian of the Cards. Because she could open the book at all, he tells Sakura, she must have magical ability. It is her task to gather the cards once more because blah, blah, blah.

Sakura is not the only one in the family with magical ability. Her deeply odd older brother, the bishounen Touya (Toya in the English edition) also can “see” things. Toya’s best friend is the real reason we all watched/read the series – Yukito, who has a secret within him that makes him even *more* the reason we all read/watched this thing. Unashamedly, I hung on Yuki’s every word, as he was voiced by Ogata Megumi, whose voice still sends chills up my spine. Sakura’s father is perfect, her mother is deceased, and their story becomes increasingly relevant to the overall plot of this omnibus volume as it progresses.

Sakura’s exploits as the “Card Captor” are filmed and enabled by her filthy rich and extremely besotted best friend Tomoyo. For those of you who came to Yuri in later years, Tamao from Strawberry Panic! was specifically meant to be a Tomoyo clone.  Tomoyo is practically the *definition* of the best-friend in one-sided love – in the manga this is made quite plain…and given historical precedent.

Ultimately, Sakura develops a rival in the form of Li Syaoran, which added shota and, eventually, heterosexual romance into what is a really entertainingly bent series. (^_^);  And let’s not forget Kaho-sensei. No…we must not forget her. She is, in any case, unforgettable.

So many of the things that made Cardcaptor Sakura work were an effect of timing, CLAMP’s unerring ability to squeeze a genre until it bleeds money and their raw talent for telling character-driven, beautifully drawn series. Cardcaptor Sakura is beautifully drawn, the characters are likable and the story, which has become a cliche of itself, still works. How can I say this? Because I have read the original in Japanese several times and in English several times, I have watched the anime several times and, when I hit the last page of this Omnibus, I thought, “I want to see what happens next!” Seriously, I did. I KNOW what happens next, but I can’t wait to read it again.

Technically speaking, Dark Horse did a fine job. I don’t recall being irked by the translation, the S/Fx are translated inline most of the time, except in a few spots where they were easily replaceable. The addition of color pages was a delightful bonus, I’m very glad that they thought to add those. If I were *forced* to come up with an objection to this omnibus I would say that this nearly 600-page volume is not, perhaps, little kid friendly. But in this world where Harry Potter novels were devoured by tweens, perhaps even that is not an obstacle. If you know a tween who likes fantasy, or just needs the smallest push to becoming an otaku, consider buying this series for them.

For me, though, the true pleasure of this Omnibus was spending time with old friends. Seeing Yamazaki lie so cheerfully, Tomoyo kvelling over Sakura, Kero-chan obsessing about sweets and Yuki eating gigantic lunches…was just, so…nice.

If you have never before read this series, I really hope you will. It’s got significant Yuri cred; it was, in its time, a gateway series for a lot of GL and BL fans. It’s CLAMP doing a series that is unshockingly an excellent example of the genre and, if you like XXXHolic or, especially, Tsubasa Chronicles, *this* is where major players came from. It’s good to know your roots.

Ratings:

Art – 8
Characters –  9
Story – 8
Yuri – 4
Service – 4

Overall – 9

As I have said repeatedly, I am not a nostalgic person. Reading this volume, I came as close as I’ll ever get to it. Many, many thanks to Okazu Hero Eric P. for letting me wallow, just a bit, in pleasant nostalgia. ^_^

Dear Nozomi/Right Stuf, if you’re looking for another anime series to resuscitate, Cardcaptor Sakura would not be a bad choice. Hint hint





The Advantages and Disadvantages of Self-Publishing Your Manga

February 27th, 2011

I get an amazing number of emails asking how to become a published writer or mangaka. I’ve talked about some of the most important things a young writer or artist needs to know and about getting involved in the manga industry, here on Okazu.

Today I’m going to address the advantages and disadvantages of self-publishing your work. This primarily relates to print models, but has a lot of application to online models (e-publishing, print-on-demand, apps, webcomics) as well. 

The Advantages of Self-Publishing Are:

1) Creative Control – No one will retitle your book, or pick a cover image you hate. From start to finish, this will be your vision.

2) Cutting Out Middlemen – Because you do not have to impress an agent who then has to impress a publishing company, you can bypass other people putting their fingers into your pie. Any profit you make is yours.

3) Takes Less Time – Again, because you are not spending hours of your time looking for or communicating with an agent, your book can go from manuscript to printed matter much more quickly.

The Disadvantages of Self-Publishing Are:

1) Creative Control – it is *up to you* to make every last decision down to the color of the border around the ISBN…heck, it’s up to you to get an ISBN at all.

2) Cutting Out Middlemen – Because you do not have an agent, you may not have guidance from an experienced person in the publishing company who can help you shape the book into something that has more sellability.

3) Takes Less Time – Again, because you don’t have agent or publisher, you may also be lacking steps like editing and proofreading which are *absolutely critical* for any publication, from poetry to non-fiction.

Also to consider: Publishers rarely provide serious promotional backing to a new author. They may give you leads to radio hosts or bookstores that might potentially welcome you for an interview or signing, but it will still be up to you to make it happen and to get to those locations. As a self-published author, you have no promotional assistance at all, so there’s no difference really. I believe strongly that you, as the author, ought to be out there pounding the boards whether you self-publish or go through a company.

What publishers offer are: editorial guidance, copy editing/proofreading and possibly, a modest advance. Publishers also provide distribution through bookstores and websites. You will still be responsible for selling that first book mostly on your own.

What self publishing offers is: A chance to learn the process from beginning to end, so you know exactly what it takes to get a book done. You will be responsible for lining up distribution and sales and promotion, but you’ll reap all the rewards, not just a portion of them.

The choice to look for an agent/publisher or strike out on your own is yours. Either way, there will be a lot of work ahead of you – some tears, possibly heartache. But whichever way you go, you’re sure to learn a lot about yourself and what you want from your creative life in the process. 





Yuri Network News – February 26, 2011

February 26th, 2011

Yuri Manga

It’s a festival of blossoms, today. The Endless Room saga from the Tsubomi anthology has been released as a collected volume. (Room in a hotel, all the people who stay in it, their lives and loves…)

Also from Tsubomi, comes Tandem Lover, a story I thought started off crudely, but then softened up quite a bit. And Kuroyome, another Tsubomi series that I can remember nothingwhatsoever about, has got a collected volume, too.

And, while I’m at it, the 10th volume of Tsubomi itself is available now, and Volume 11 will be available in April.

The fourth volume of Pure Visual Yuri Anthology Hirari, will be hitting shelves in April, as well. (Wow, a non-Hobunsha title.)

From the creator of MAKA-MAKA and Mars no Kiss, Torajirou Kish,i comes a new story hailed by all the Japanese Yuri lists, Otome no Teikoku. It’s a Young Jump title, but there’s a synposis on the Business Jump website that boils down to “schoolgirls gone wild.” Ho-hum.

Hobunsha, the publisher of Tsubomi is re-releasing Hakamada Mera’a Saigo no Seifuku in two volumes. Volume 1 and Volume 2. (Tecnically, they are the Upper and Lower volumes, so don’t be surprised if the entries on Amazon JP does not say Volume 1 or Volume 2.)

Back to the bizarro world for a moment, in which Oka’s  Hen is being reissued. I know Gantz is a huge hit, but do they really expect the audience for that to be interested in this? Lucky for Yuri fans, though, who can get a copy of this long out of print Yuri story.

And to end this section, something for me – Rakuen Le Paradis, Volume 5 will be available at the very end of February.

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Snatches of Yuri

Of possible interest to Yuri fans is Onee-sama ha Budokai de Odoru. Could be good, could be typical, JP Yuri lists rated it with a high Yuri temperature.

Onna no ko no Naisho Hanashi Collection has a horrible title, but a line-up of names that write Yuri or almost-Yuri, an,d so, if you are the kind of person who still insists on believing that there’s a secret world behind the gauze curtain and you’re getting a peep or two…this will likely be a perfect book for you.

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That’s a wrap for this week.

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