Archive for September, 2015


Summer Reading: The Grave Soul by Ellen Hart

September 30th, 2015

GSELHJLOne of the most delightful things about the novel Maria-sama ga Miteru ~Ibara no Mori was the description of Sei, the compulsive reader, looking for stories that reflected what she was going through, this unspoken, confusing and many ways, distressing love of another girl. She found things about homosexuality, of course, that treated it as a pathology and, based on the descriptions of the stuff she read, she found herself staring down the Well of Loneliness and other dire lesbian classics.

I loved this section of the novel, because I too was young, and combing through the library, trying to find books that didn’t make me want to stab myself. I wasn’t, thank the gods, looking for confirmation…I just wanted to read a good book with lesbians.

I was lucky. I found Desert of the Heart, by Jane Rule and Beebo Brinker,  by Ann Bannon and I found lesbian mysteries. Murder at the Nightwood Bar by Katherine V. Forrest launched me into a 1990s full of volumes of lesbian-protagonist mysteries. Naiad Press was publishing them in droves and I was haunting Barnes and Noble, (this was so long ago Borders did not yet exist and B&N’s “Gay and Lesbian Fiction” shelves were a second home) buying them and borrowing them at the library, Dozens, maybe hundreds of lesbians with long-dead lovers, with drinking problems who weren’t out, who were out and suffering from institutional homophobia, being stalked and tortured and beaten and eventually catching the bad guy. So, so many mysteries. So many, in fact, I became absolutely sick to death of mysteries.

At then end of the decade, there were two authors left I could stand. Forrest kept writing, left Naiad for a major publisher and her character, Kate Delafield, out and comfortable at last, became more comfortable for me to read. And Ellen Hart, whose Jane Lawless mysteries scratched an itch for lesbian characters who were not suffering from homophobia, alcoholism, or trauma. Although Jane had the prerequisite long-dead lover, she ran a restaurant, had a female Oscar Wilde as a side-kick and was quite likable. I always liked Jane.

But, as I mention, I left mysteries behind me. And I had not realized that Ellen Hart was still writing them. Until last year, when I discovered Ellen Hart on Facebook,I also discovered Jane once more. And just after I had caught up to Hart’s last book, (the Fates must have found this hilarious, I swear I can hear them giggling,) it tuns out that her new publisher is an imprint of a large publisher and her editor is a friend of mine.  And so, with thanks to the publisher, I had a chance to make the last of my summer reads, Ellen Hart’s newest Jane Lawless mystery, The Grave Soul.

It was an excellent book.

The construction was turned inside out a bit, so we begin with the aftermath of the crisis, then work our way back in to it. We, the reader, always know that aftermath and so the tension is turned way up throughout the book without us actually having to go through the crisis itself. When all too many novels these days are merely prologues to violence, stalking and torture scenes in the name of “suspense,” this approach worked to create a lot more suspense without having to subject us to violence porn.

It was good to revisit Jane Lawless, the restaurateur who sleuths on the side, good that she broke up with her horrible girlfriend in the last novel, good that they did not get back together in this one. Cordelia, her side-kick, is always too much to be believable, but that is what we like about her. She’s the comedic relief in the Shakespearean sense of the word.

The story was tightly written. The mystery was a classic small-town murder, but one in which Miss Marple had to come from out of town in order to make sense of it. And the ending was appropriately Agatha-Christie-like as well.

All in all, an excellent revisit to an obsession of my youth, long before Yuri manga, and long before Jane (or I) was so comfortable with saying the word “gay.” In this case, I was able to come home again and find that what has changed, has changed for the better.

It was a good read, and I’m glad that Ellen Hart is still out there plugging away at it. ^_^

Ratings:

Overall – 8

Facebook is your friend. Ellen Hart, Katherine V. Forrest, Ann Bannon and many other lesbian writers of the past and present are there and you should totally take a look at their books. This is your literature.





Sailor Moon Crystal to Get 3rd Season, Fans to Get Outer Senshi

September 28th, 2015

SMC3The news has come down from above….Sailor Moon Crystal is going to a third season!

ANN reports that the Death Busters arc was announced today, and will include the Outer Senshi. There is no announcement yet on the Sailor Moon Official page that voice actors or release dates have been chosen, but I’ll let you know as soon as we have word.

I know what you’re thinking…zOMG, Haruka and Michiru! And I want you to be very happy, of course. But let’s think a little about what this will mean to us. We know that Crystal is a literal animation of the manga, and the manga is a known quantity. So let’s think about it for a bit.

stylishAs I mentioned in my review of Strawberry Shake, what was once ground-breaking can wear a little unevenly over time. Haruka and Michiru are presented as a Takarazuka-esque couple. Haruka is passing as a man, but only as it suits her, she herself is not constrained by gender role. This is a little different from the original anime, in which she was consistently an otokoyaku, to the point where many consider her a cross-dresser. As I personally wear mostly men’s clothes, and do not think of myself that way, I of course do not think of her that way. ^_^ But it’s a valid perspective, as almost all perspectives are…except one. For years some American fans insisted that she was either a hermaphrodite or was originally a man, but reborn as a woman, because of the lines about her having the “heart of a man and a woman.” We here at Okazu know that this line was meant to recall Safire of Ribon no Kishi/Princess Knight. The manga Haruka dresses in a feminine manner as often as she does masculine. That will come as a surprise to some older fans, but I hope not many. In fact, some her outfits as an adult woman are quite stylish in a 1990s Japanese women’s magazine kind of way. ^_^

Haruka is going to kiss Usagi. This is a given. But she will not kiss Michiru. Vexing, maybe, but I believe they can remedy this with a single simple act.

In Volume 5 of the new edition, Haruka and Michiru speak urgently of the Talismans. In the anime, this conversation becomes the “I love your hands” moment, which is beloved by fans. In the manga, we get this instead:

hands

To make every Haruka x Michiru fan in the world happy, they need to do one thing. Before this scene cuts out, have them edge closer together, as if they are moving in for a kiss. They don’t have to actually kiss, just appear to moving towards one.

The upshot is, we’re going to get them more couple-y, more famous and cooler than in the anime, but we’re going to get less time in their heads, and less time building their relationship. Good and bad, as with all of Crystal.

In any case, let’s celebrate the 3rd season and I’m sure we’ll spend plenty of time raging and dying and crying and laughing over the news in days to come.





Yuri Manga: Yuri Kuma Arashi, Volume 2 (ユリ熊嵐)

September 27th, 2015

YKAMA2In my review of Volume 1, I finished up with this line: By the time Volume 2 comes out, if indeed it does, the anime will likely be over and I’m sure we’ll have concocted meanings for all the things that don’t mean anything at all. ^_^.

And here I am at Yuri Kuma Arashi, Volume 2 (ユリ熊嵐) and I have a completely different perspective. An Ikuhara series is more like a set of writing prompts than a 3-d perspective. He hands you a set of cards; “Yuri”, “Bears”, “A Promise Kiss”, “Bears eat Humans”, “A Love Story,” and pushes you out of the room with a “Go, write something. Make it look pretty and feel profound.”

And y’know, I’m 100% okay with this. ^_^

Kureha and Ginko like each other. Kureha has kissed Ginko, and said she feels that she wants to be more than friends, which makes Ginko pull away. Kureha is befriended by Sumika who is rumoured to be a “kumajyo,” a witch, and this makes Ginko miserable. Something is coming between her and Kureha, but no one can tell what it is.

Lulu visits Sumika and learns that her house is indeed imbued with magic. Lulu sees a vision of her dead younger brother. In the anime, this story felt like it went on forever, but here it is more banal and therefore more touching. Lulu loved her brother Mirun, but when watching him one day, she left to go to the convenience store to get them food, and he, not wanting to be left behind, ran after her, out into the street and was killed by a car. This was much improved on the long, confusing and inexplicable story Lulu told in the anime.

It’s Lulu who uncovers the truth about Ginko’s mood, when she and Ginko share a memory of Yurika and her boyish girlfriend from high school. They go to visit Yurika and Lulu discovers her in bed with that woman, now beautiful and feminine, and is shocked to learn that the boyish girl she remembers from her youth is none other than Ginko’s mother, Kale (pronounced Kah-re, as in “kareshi”, i.e., boyfriend, but also linked to Kali, we’re told. While Yurika’s name is, more properly, Eureka.)

In the anime, Ginko’s mother was not a character. Here, we learn that Kale wrote the picture book that Kureha’s mother read to her all the time, about the lost bear princess.

The upshot of all this is that Yurika, Kale and Leila (Kureha’s mother) were all close. And in the manga, it is Ginko’s mother, Kale, who ate Leila.

Phew.  I spent all night trying to figure out how to explain that. ^_^

As the book comes to an end, Kureha runs after Ginko to tell she knows the truth now and she doesn’t care. “Ginko is not alone! I’m here!” Kureha yells, embracing Ginko. Will the bear princess forgive herself? How will Sumika die (oh, let’s be honest, she has to go.) Tune in to Volume 3 to find out!

The final few pages are the three boy bears complaining that they didn’t get much time in the manga for which I can only say…good. They were so utterly meaningless in the anime, repeated footage that was never connected to any of the rest of the story. Morishima-sensei makes a good point, though, about how they could easily be a BL spinoff.

I’ve spent the last few days trying to piece this review together and in the end, I have to say that I’m much preferring the manga to the anime. Once you took away the repeated footage and meaningless visual statements, there was exceptionally little world-building or storytelling going on in the anime. Without long, lingering flashbacks and explanations and “Wall of Severance” scenes, this story is starting to make some sense.

Ratings:

Art – 8
Story – 7
Characters – 8
Yuri – 9
Service – 5

Overall – 8

Let me editorialize – Once upon a time, there were 2 bears and a human girl and they were all friends. But the bears wanted to eat the girl, because that’s what bears do. When one bear fell in love with the girl, the other bear decided to eat the girl, because she was jealous. Now, that bear’s daughter, and the girl’s daughter are falling in love. That’s what I’ve got so far. We’ll see if I’m right or not. ^_^





Yuri Network News – (百合ネットワークニュース) – September 26, 2015

September 26th, 2015

YNN_Lissa

Yuri Manga

Some months ago, I mentioned a webcomic called Ahiru no Ballet, (アヒルのバレエ) that followed the “adventures” of a lesbian couple in ballet class. The manga, which can be read online, has now been collected into a single volume. The manga is a reflective comedy, that next-day-ache-from-too-much-exercise-after-too-little-for-years, but sweet, with a heartwarming ending.

YNN Correspondent Chris D points us to Dengeki Daioh magazine, where a new series “Yagate! Kimi ni Naru” (やがて君になる) has begun, about a girl who asks her friend for advice on what love is, only to have her friend confess to her.

A new magazine has premiered in Japan. Comic Cune‘s  (コミックキューン) focus is on moe girls being extremely cute and cuddly. The premiere issue stars some of our favorite artists, notably Kuzushiro-sensei and Fujieda Miyabi-sensei and has just a slight lily scent. I’ve got the premiere here and will report back if there is anything of note.

Shinsokan’s Twitter account reports that Takashima Hiromi’s Shortcake to Kase-san hits shelves in Japan this week! Read a sample on the Shinsokan website.

 

Yuri Animation

You know I’m besotted with Steven Universe, Cartoon Network’s queer little love letter to Utena, but there’s so much more to love about it than just it’s queerness. The characters of Beach City are racially diverse and so is the cast. It’s like a vision of what the world might be if white people tried even a little to not be clueless. ^_^ (The article is written in an aggressive tone, for what I think are extremely understandable reasons. If it makes you feel defensive, think about why that might be.)

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Support Yuri News and Reviews –  Subscribe to Okazu withSubcribe with Patreon***

Yuri Research

We have two new articles up on Yuricon’s Essays page this week and I’m terribly excited about them:

Beautiful and Innocent: Female Same-Sex Intimacy in the Japanese Yuri Genre – PhD thesis by Verena Maser, examining the relationship between media content, its production, and its reception in Japanese popular culture in regards to Yuri. (Full text article available at linked page).

Finding the Power of the Erotic in Japanese Yuri Manga – by Sarah Wellington A look at the Yuri Hime Wildrose series of volumes and their place in establishing a canon of Yuri erotica. Abstract available at the link, full-text is available with a clickthrough.)

And while you’re doing you research, check out Kathryn Hemmann’s Queering the media mix: The female gaze in Japanese fan comics in Transformative Work and Culture, a look at explicitly female gaze in shoujo and BL.

James Welker’s article for Eureka magazine, regarding Yuri Danshi and it’s meta-look at Yuri fandom, is now available in Chinese.

 

Kickstarter Watch

Dates! An Anthology of Queer Historical Fiction sound so cool I can barely stand it! Thanks to YNN Correspondent Elizabeth F for the heads up on this one.

 

Yuri Game

Takaaki-san’s Yuri news blog reports another Yuri game, Yoru no nai Kuni.  This looks like a straight up fantasy ARPG.

 

Other News

Sequart.org has this wonderful interview with Deborah Whaley on Black Women in Sequence: Re-inking Comics, Graphic Novels, and Anime.

On Hooded Utilitarian, Chris Gavaler looks at Patricia Highsmith, best known for her contributions to lesbian fiction, as a comics pioneer.

A lost classic of 70s animation from MushiPro (credited with being one of the factors in Tezuka’s studio’s downfall,), Belladonna of Sadness has been restored and is making the rounds of film festivals. This looks absolutely stunning.

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.
Thanks to all of you – you make this a great Yuri Network!





Sailor Moon, Season 1, Part 2, Disk 3 (English)

September 25th, 2015

SMS1P2We’re approaching the climactic ending of the first season with Sailor Moon, Season 1, Part 2, Disk 3. So, of course, you’d expect the story to get right into saving Mamoru/Endymion from Beryl’s clutches. I know I expected that, at least.

Instead, we take a quick side trip to give both Ami a boyfriend (a good choice, at the very least and one that will be completely forgotten after this season concludes) and Minako a sort-of boyfriend, but really an onee-sama, story. This is followed by an mostly pretty good onsen episode and a very silly tabloid episode that indicates to the viewers that Mamoru is not quite as brainwashed as the Dark Kingdom might want.

Which brings us to the final three episodes. Join me as I rewatch them for the first time in almost ten years.

The animation is better in many ways. The watercolor-wash backgrounds have more depth, and the figure art is more heavily outlined and finished than we’ve seen yet in the series.

Plot wise, we finally have all the holes filled in. The Senshi now remember their past lives. Kunzite does his level best to be a genuinely bad guy, but the more I think about it, the less it makes sense to me.

And as the Senshi hand their power over to Sailor Moon and you’re ready from her to be amazing, she’s still given dialogue that made the viewers in this room cringe.

Kunzite gets a decent death, with Zoisite’s name on his lips, rather than mooning (no pun intended) over Endymion. At least in the manga, Mamoru gets a vision of the boys after death. There is no connection in the anime between the generals and the Earth Prince. Lost opportunity, particularly when you think how many crappy filler episodes there were, we could have had one about the boys.

The pentultimate episode is subtitled “Death of the Senshi”, so no suspense here. You know what you’re in for. Lots of screaming and crying and death at the end of it. But no stress, no one stays dead.

In the meantime, we’re assured that the Senshi are all deeply committed to their path. Which is good, because we have another monster of the day before we deal with any of the actual bad guys!  And, one at a time, we lose the Senshi. We know why, of course. It’s because Usagi can’t be strong until she’s lost everything, but dammit, I really hate these bits. It’s annoying to watch Usagi whining and complaining when people are dying for her. Argh.

Of note, Sailor Moon can tell that Ami is dead. I’ve always felt that they ought to be able to feel each other’s transformations. Also interesting that they don’t die in the order they appeared, which seems to be standard for series like this. Rei cheerfully heading off to her death is horrible. Far worse than the manga. But it takes her death to give Usagi any strength. For the first time, but not the last.

Oh yes, now I remember why I loathe Mamoru. He’s a tool. Beryl, dump him and renaimate Jadeite. Seriously, he is twice the man Mamoru is. This whole series is a war of obsession with a complete tool. Ugh.

Usagi’s switch from “Mamo-chan” to “Mamoru-san” is jarring and distressing. It’s one of those rare flashes her parents (ironically, to us) comment on, where she seems suddenly much more mature and competent. And, again, it’s loss that strikes a spark in Usagi, and allows her to release her true power.

I’m a sucker for the use of the OP in a final battle scene.

I like Beryl, despite the fact that she’s a terrible evil queen. I found myself wondering this morning what she did while her generals were spawning their awful ideas for gathering energy.  Evil CEOs in the real world go on TV and do cringe-making interviews with TV “journalists,” but Beryl wasn’t even collecting energy for herself. My wife suggests that she spent her time plotting.

A miracle occurs, as Usagi loves everyone right back into life. And the season comes to a somewhat banal end.

The thing that occurs to me is that those brief flashes of maturity and strength are what I watch for. I know they’ll come and they have inordinate power to soothe me. But then, I think of people I know and it works pretty much the same way – it’s those moments, when everything aligns and all the energy is focused that makes it all worthwhile. In the end, maybe we’re all Senshi, trying to carve out lives while surrounded by forces beyond our control. Or maybe not, but I might just have occasion tonight to pick up one of my henshin stick pens and mention casually to the universe, “Planet Power, make up.” Maybe.

Ratings:

Art – 8 -Noticeably better this disk
Story – 8 Death of the Senshi
Characters – 8 Death of the Senshi
Yuri – 2 Because Minako
Service – 3 Some actual service, mild by today’s standards but enough to make this a massive popular series with the college crowd in pre-Internet days, when you had to sneak Dad’s Playboy.

Overall – 8

The preview for ‘R’ starts right off with much better art, which is interesting to me. It clearly had a bigger investment.  I’m not looking forward to Chibi-Usa, but I am looking forward to the dinosaur episode and Emeraude for reasons that make sense in my own mind.

And that, in the end is how we love Sailor Moon, for reasons that make sense in our own mind. We’ve built this structure of things we love and decorated it with Senshi goods, and call it Sailor Moon. A fascinating idea for study – loving the characters in a series that is massively influential, but not actually a masterpiece. I guess that’s most of anime, huh? ^_^

Many thanks to Viz Media for the review copy and thanks to everyone who made a decent release of the series possible!