Galette, No. 13 (ガレット) begins with a shift to a different cover material. Gone is the overlay and reflectivity from previous issues. The new cover stock is textured and matte that nonetheless has a reflective topic. Pen’s art is consistently excellent. I always look forward to their work for Galette.

The ongoing series continue to be very strong, among them Morinaga Milk’s “Watashi Kawai Neko-chan” and “Liberty” by Kitta Izumi and Momono Moto, which goes exactly where we feared it might when Liz’s previous manager appeaedr. “Motto Hanjuku Joshi” by Morishima Akiko gets…well…kind of weird, I guess, when Chitose’s first love turns out to be her current fencing rival.

I’m really enjoying Hakamada Mera’s “Sekai ga Owaru Sono Mae ni” with it’s honest exploration of an adult woman’s life that has gone through many changes. Sachiko’s admission to Shino that she had once been married becomes far more pressing when her ex-husband shows up at the door and she tells him that’s she’s there with her lover.

Nakano Mayaka’s one-shot “Sweet Spicy Lip Tint” is a cute apparent-opposites- attract story that includes a visit to Iakarazuka Theater. ^_^

The final pages include some data from the recent Galette questionnaire, about what readers are looking to read. I had filled this out along with others and, to my surprise I actually received the Hamano Ringo clear file it promised!

Ratings:

Overall – 9

A solid issue during uncertain times.

In fact, I had originally purchased and read this magazine digitally, unsure if I would be able to get it in print. Then it arrived and I was delighted. In the mean time, Volume 14 was printed in limited quantity and although GW made some issues available for overseas readers, the timing was off for me, and I was not able to get one. Nonetheless, Galette 14 is still available as a digital manga on JP Kindle or outside Japan on Global Bookwalker. I keep forgetting that I get a digital copy of the current issue at my level of patronage and end up buying it again, anyway. ^_^;