In Volume 1 of Shimura Takako’s adult life drama, we met Ayano, a grade school teacher, and sever Akari, who meet and sleep together. It’s only later Akari finds out that Ayano is married to a man. Despite this, neither of them can stop thinking about the other.
It is on this precarious footing that Otona ni Nattemo, Volume 2 (おとなになっても) begins I spent the entire volume angry for Akari, as everyone in Ayano’s life seems to make a point of going to her restaurant in order to size her up. While Akari is trying to figure out what she wants from her own life, Ayano and her husband are unable to process their own problems in private, as family issues pop up and take their time and attention. At the beginning, Ayano’s husband announces suddenly that they’ll be divorcing, but by the end of this volume it’s harder to know what they will actually be doing.
The fact that I felt so vexed is probably a good sign, as it meant that I was engaging with the drama, something that Shimura’s work rarely does for me. I had to laugh, because my reaction to this volume is exactly the same as my reaction to the ending of Sweet Blue Flowers; that is to say, I want desperately to pluck the lesbian out of this story and find her a decent girlfriend! Yes, yes, maybe Ayano will become a decent girlfriend. I remain skeptical. ^_^
We get a long look at an episode from Ayano’s youth, in which she was a tall, boyish girl whose friend clearly wanted more than friendship from her.
As I wrote this review, I considered the art. It took me awhile to figure out what I wanted to say. Shimura-sensei has been at this a long time and I was thinking her art has changed a lot. Her fine art, the water color-style paintings that usually grace her covers and fill her art books are really quite excellent. Even rendered in black and white, her “watercolor” work has improved. I don’t think her drafting has gotten worse, but it hasn’t really made the same strides as her “fine” art. I’m too lazy to scan in the images I’m looking at here, but two chapter pages; one in ink and one painted, really make my point. (Fine, I’ll scan them in. Pardon my shitty, quickly done scans. The pages are the same size, but the first one has a white border, fyi.)
There’s nothing wrong with the first image. Nothing at all. It just lacks some quality that the second picture has, a depth of emotion, even in black and white. All of this is of course, in my opinion.
Ratings:
Art – When it’s good, it is so very good, I just wish that were more often.
Story – ARGH
Characters – In a holding pattern
Service – Nope
Yuri – Yes
Overall – 7
So once again, I find myself in a holding pattern with a Shimura series, waiting to see what is in store for our characters, and hoping, despite myself, that she will write them a good story and not just handwave the end, as she has in the past.
If I understand correctly, this manga has a noticeable NTR element. How big does it play in the plot? Of course, Shimura-sensei is clearly not one of those yuri authors who love fantasies about how a wife is cheating on her husband with another girl, but such tropes have always been a difficult place for me.
In my opinion, there is nothing about this series that an adult reader would consider relations to the sexual fetishization of cuckolding. I’m deeply disturbed that anyone would read this and think that *that* is the point, but of course there are always people willing to scrape the grotesque bottom of every possible barrel.
I still hyped her new anime adaptation, so it was nice to know that all my concerns are unfounded, thanks! Hope it gets licensed soon, so I can read it too.