What better way is there to start off Pride Month than to begin with revolution, with a fight against the status quo and respectability? What better thing can we do in 2021 than to remember why we celebrate this month, than to tear down systemic oppression and fight for our freedoms?
Sit yourself down, make yourself some tea, maybe a crepe, and buckle in, because we’re about to get historical. The Rose of Versailles, Volume 4 will cover the last days of the French Revolution, and of Oscar François de Jarjeyes’ life in noble service to the undeserving ancien régime of France. The parallels to right now are once again uncanny and distressing.
As the book opens, Oscar and Andre’ finally confront the one thing they have never discussed in a lifetime of friendship – their feelings for one another. They consummate what little of their marriage they will ever have.
The next morning, committed to the cause of the people, Oscar leads her troops to one of the most resonant moments of the Revolution – the day the canons of the Bastille were turned, not upon the prison, but upon the town. This scene makes me tremble, to be honest. In recent years, in cities all over the US, the canons were indeed turned upon the people…and it has come very close to making a difference, but never quite close enough. Even in 18th century France, the Revolution, while it ushered in new ideals, failed to bring the kind of change the commoners were fighting for – food, justice, the right to live without harassment.
We are asked to watch as the characters we learned about face the guillotine, the mob, or are cut down in battle. It’s never an easy story, but one we need to be able to get to the end of. With Fersen’s death, which was slightly more complicated than the narration makes it seem, the story as such, is over.
We take a deep breath, because the neither the series nor the story is truly over. Instead we are plunged from the real horrors of history into a gothic horror, complete with a virgin-killing, blood-bathing protagonist, a murderous creepy doll, and Oscar’s niece Lulu. Get used to Lulu, she’ll be back. This final story gives us some predatory lesbian behavior from the Marquise de Montclair, which I find somehow refreshing, after the guillotine and the spectre of an uncaring elite staring at children dying without interest.
And so, the main narrative of The Rose of Versailles comes to an end, as the République Française begins. But wait! There’s more! More evil women, more mysterious disappearances, more predatory lesbians and more Lulu on the way in The Rose of Versailles, Volume 5! (Which is the part I worked on first, oddly, with translator Mari Morimoto.)
Ratings:
Art – 9 Honestly fantastic
Story – 9 A lot happens, good and bad
Characters – 9 We’re going to do some rethinking about people here
Service – Not visually, but there is some in Montclair’s behavior
Yuri – Same as above
Overall – 9
My hat is off to Jocelyne for the fine translation and Jeannie Lee for the great lettering. Andy Tsang’s cover design is amazing. Again, my thanks to the UDON team for making this a pleasure to work on. Gonna say…I’m still blown away that I was able to help out.
All I have to say this pride month is Vive la Révolution! There’s still so much yet to fight for. Let’s get out there and fight for every last queer kid, so in 30 years they can be clueless gobs about us on the neural network. ^_^
