What is love? How do we fall in love? What does that even mean? How do we make space in lives that are full already, for other people?
In Kaketa Tsuki to Donuts, Volume 3 (欠けた月とドーナッツ), Hinako and Asahi are wrestling with these questions and others. They aren’t the only ones, either.
The story begins with a crisis from an unusual quarter: Subaru is not planning on taking the college exams. Asahi, who has been working on the assumption that her younger sister would go to university, is confronted by an immovable will. Subaru has watched her older sister sacrifice everything for her and, frankly, doesn’t want that any more. They have a fight, Subaru says she’s leaving. Asashi insists it’s too late, so she’ll leave. And so she does, ending up with Hinako.
This precipitates a crisis with Fuuka, who is tired of waiting to be noticed. It’s too little, too late, but it does clear the growing miasma. Asahi and Hinako both have come to a realization about what they want…but they both, in their own different ways have no how idea to understand their own needs and desires. More importantly, they haven’t found a way to talk to each other about it all.
I love this series. I love how complicated every character is, how neither Asahi nor Hinako have any context for what I’ll call romantic affection in their lives, for completely different reasons. Asahi, who has prioritized her sister, is discovering her sister has other plans than the track Asahi expects. When that sister is off on her own, will Asahi even be able to prioritize herself? Hinako had been trying to fit herself into a path that does not fit and ever day is finding that path more confusingly unsuitable… . Now she’s starting to see the direction she needs to head in.
And for both these women, Fuuka and Subaru can see more clearly than they and know that they cannot squeeze too hard, or these fragile emotions will break.
I am interested in a frank conversation Fuuka and Hinako have here, about Hinako’s desire for Asahi. Hinako realizes that, while yes she does want to be with Asahi, she does not seem to have desire for her. As I am reading ahead a bit in Comic Yuri Hime magazine, I hope that this expression of asexuality is not tossed aside causally as it was in Bloom Into You. I’d like to see Hinako continue to be asexual, as opposed to her having never felt desire for her boyfriends because they were guys. For no particular reason I can verbalize, I trust Usui Shio-sensei more on this matter. I may be wrong, of course. It’s clear that Asahi and Hinako are on a course to, at the very least, be by each other’s side. What that relationship will look like is still in the future…but not that much more in the future, as this series is ending with Volume 4. (This link goes to Yuri Anime News, a great bunch of folks who translate JP Yuri news into English. Follow them on Twitter!)
Could I read about these characters forever? Yes. Should I? No. This story is going to end, and that’s okay. Usui-sensei has more to come and I will be here for it.
Ratings:
Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0
Overall – 9
Volume 2 of Doughnuts Under a Crescent Moon is out now in English, from Seven Seas and Volume 3 will arrive next March. You can pre-order it through this appropriately labeled affiliate link to Amazon, or, as soon as it’s listed on all of our multiple vendors, on the Yuricon Store. ^_^
Can’t wait for this to show up in English! Enjoying it greatly so far. Sad that it’s only 4 volumes, but hopefully that’s will be a satisfying stopping point for this part of their story…
I did want to react a bit to your characterization of Bloom Into You ‘toss[ing] aside casually’ an expression of asexuality. While a character being asexual is certainly a valid choice, I think Bloom Into You was following another valid choice; that is, demonstrating that there are many ways to fall in love, and that the media-driven depictions of ‘sweeping away’ isn’t the only way; that a teenager for whom that isn’t the appropriate choice may react by feeling like rejecting all forms — but Maki notes that Yuu is not like him in that respect, and Yuu herself eventually realizes that her path is a slow building through a series of continual choices. I don’t see ‘tossed aside’ as what happened, but rather a different road followed. My own take on it, of course! And I certainly don’t dispute that it would be nice if there were more sympathetic portrayals of genuinely asexual protagonists.