Well wow. Comic Yuri Hime November 2021 (コミック百合姫2021年11月号) was a great read, for a couple of reasons.

The cover story has found a way to resolve itself, so humans don’t die off. I wasn’t worried, but…kinda wondered if the story would take any time to work at it. Nope! Just, “humans are fine, thanks.” That said, look at this gorgeous cover by Kesshin. Really nice. Next volume will go back to a white background and provide a happy ending.

The last few years have given us interesting and aesthetically pleasing stories. I’m pretty much sold on the cover novel model.

inori, hanagata and Aonoshimo’s “Watashi no Oshi ha Akuyaku Reijou” arrives on the doorstep of the crossdressing cafe. You my have seen spoilers for this online. The next volume is waiting for me to get it. I am a-quiver with anticipation. ^_^ This story is genuinely made even better with the manga art. What a pleasure it is!

“Watashi no Yuri ha Oshigoto desu!” went somewhere I did not expect and I found myself on the edge of my seat. What will happen with the reappearance of a former employee who threw the cafe into turmoil once before?

“Kimi to Tsuzuru Utakata” comes to a surprising climax in which Kaori creates an opportunity for Shizuku to say what she needs to say in order to forgive herself. A new crisis has arrived – one that has been foreshadowed for chapters, so I wasn’t nearly as surprised as Shizuku.

Kiiyan’s “Kimi to Shiranai Natsu ni Naru” started very gonzo last chapter, but this time took a turn in a bizarre direction. Two women running away from life find themselves on an even more unexpected journey.

Usui Shio’s “Kaketa Tsuki to Donuts” is coming up quickly towards its end, and this chapter was worth the price of admission. Fuuka and Hinako have a talk, again, about Asahi. Hinako is still convinced that a physical relationship is not something she can understand. Asahi likewise does not really know what she’s feeling. I hope, honest, that Hinako is allowed to remain asexual, as she is potentially presented here. She and Asahi have a lot to work through, and I’m here for all of it.

In Shio-sensei’s “Onna Tomodachi to Kekkonshitmita,” for once Kurumi spoils Ruriko a little. I’m glad, too, because Ruriko deserves to feel appreciated.

“Makoto to Momoka” by Agu felt like an old-school doujinshi. A bartender is using the bar’s name, Makoto and all her customers think it’s a cool name for her. But her name is not Makoto. The bar owner has appropriated her name, which has caused a bit of identity crisis.

“Mukeikaku Yuukuu Saihate Tour” was a nice scenic one-shot. I kind of like the travel spots in this magazine, as I’m not going anywhere these days, but is this Yuri? Is “Futari Escape”? I don’t really know.

Inui Ayu’s “Kyou mo Hitotsu Yane no Shita” is once again a paean to how much Kon-san understands Inui-sensei. This series is getting it’s first collected volume next month, yay!

Which brings me to the final excellent thing in this volume. Inui-sensei is the featured artist in the Hime Cafe section and for the first time since I’ve been reading this magazine, a contributing artist discusses issues like coming out,  being a lesbian and living with a girlfriend. I don’t think we’ve had an out artist in the magazine proper before and I am absolutely thrilled that Inui-sensei is the one to break that barrier.  I was so happy, in fact, I made *sure* I filled out the survey in the back to let them know how happy I was.

Note: Reader CW comments that Takemiya Jin has previously discussed coming out in an early issue of Hime Cafe and I thought I recalled that, as well, but I was unable to confirm it from my archives.

A great penultimate issue for the year. One more to go and then everything is in the wind again.

Ratings:

Overall  8

The December issue is already out in Japan, and I hope will be in my hands this week. ^_^