Time for round two of everyone’s favorite (and likely the only) Yuri nunsploitation manga! In honor of the official English release of volume 1, I’m here to whet your appetite for the further adventures of Dorothy and Maria, our dynamic duo of Church-adjacent violence and sex in Gunbured x Sisters, Volume 2 (ガンバレッドｘシスターズ).

 

As the story continues, we think we know the lay of the land. Our heroines will investigate and confront the escalating vampire threats to keep the populace safe, while attempting to unravel the deeper mysteries surrounding both the undead and Maria herself. When the volume opens, we meet what is surely to be the next major threat for the Red Sisters – a dapper, regal-looking vampire who perches on an overstuffed armchair sipping premium blood from a goblet. And just as he’s gearing up for his big villain speech… exit, stage left, courtesy of Maria’s pistol and Shannon’s daggers. These women are not intending to play “business as usual,” and they’re not about to let a preening villain get in the way of the conversation (read: “fist fight”) they need to have about Dorothy.

 

However, convolutions are writhing beneath the surface of the story. We get the first hints that the Church is not a pristine force for good courtesy of wunderkind inventor Chloe and her massive robot sidekick Sanders, whose grandfather invented the Optare (the cross-like weapon Maria wields when she really means business.) Meanwhile, Dorothy tortures a vampire she captured – not for information, but “just because (she) wanted to.” She ends up with info on the new vampires anyway, but again we see the damage that hides beneath her “perfect leader of the Church” facade. A facade which, by the way, she doesn’t even attempt to keep up around her friends, and barely maintains around the Church elders.

 

And then, suddenly, things get real. The force behind the sudden uprising of new, more powerful vampires reveals herself – “Doctor J,” the pure-blood vampire mad scientist. She has been testing the Church with her hybrid genetic monstrosities, and is utterly and completely unafraid of anything our heroines can throw at her. She looks at every encounter as a chance to gather data, whether it’s Dorothy and Maria fighting one of her creations, or shooting herself in the head with Maria’s gun. And the data she gathers is foreboding – she is able to counteract and reverse Maria’s dhampir mode, regenerate any injury completely and instantaneously, and only decides to retreat from Shannon’s entire Knights of the Cross brigade because it might be “annoying” to kidnap Maria under those circumstances.

 

Despite the complete and total loss, though, Maria finally gets the bit of critical information she has been seeking all these years: Noelle is alive, and Doctor J knows something about her. As the book closes, we glimpse even more foreshadowing that things are not as they seem with the Church or the vampires. And we are left with so many concerns for both Dorothy and Maria, who are hiding so much pain from themselves and each other. Dorothy, in particular, has a scary way of being tender and kind with Maria directly, but dead-eyed and mercenary when discussing her with others. Does she have any genuine feelings for Maria, or is the dhampir nothing more than a monstrous tool to effect her revenge with?

 

If you’re back for another helping, you don’t really need the warning, but the buffet of service of all kinds continues unabated. There’s lingerie and blood. Shower scenes and severed body parts. Nighttime liaisons, flashers, and bloodlust-as-intimacy. There was even “Maria beats up some guys who were creeping on Dorothy and one of them ends up with a daikon in a very uncomfortable place,” which is not a type of service I knew I needed but nevertheless enjoyed. Caveat emptor. As far as Yuri, we’re mostly on the same wavelength as the first volume, just a little more intense: Shannon is desperate to be Dorothy’s princely protector, to win her favor and reserve “Dolores-sama’s” affections for herself. Dorothy and Maria continue to have a very physical relationship as the result of Maria’s vampire needs. Some of it Dorothy clearly plays up for her own amusement, but there are definitely signs during, for example, the night Maria spends in Dorothy’s bed, that there’s more developing. Maria catches herself a few times getting emotionally invested in Dorothy’s past and well-being, and though she tries to correct herself… she’s catching feelings. Dorothy is a thornier issue, though. While publicly she is flirty and forward, even at times kind and affectionate, when her mask slips it becomes very unclear if she is capable of love for anyone, or if all that will ever matter to her is her mission.