For various reasons I have spent the last few weeks playing catch-up with everything I have meant to watch and read and listen to but never got around to. At the behest of folks on the Okazu Discord, I *finally* watched Sound Euphonium all the way through and Sean Gaffney suggested that, but for one episode, I might find Management of a Novice Alchemist worth a try. Why is Ep. 9 always the absolute worst? I’m looking at you, Magical Girl Lyrical Nanoha.

And, finally, spurred on by my recent read of Oshi ga Budokan Ittekuretara Shinu, Volume 9, I finally managed to sit down and watch all ten episodes of the Oshi ga Budokan Ittekuretara Shinu Live-Action series (推しが武道館いってくれたら死ぬ).  And wow do I have some opinions about it. ^_^

First of all, the acting was really quite excellent. Matsumura Sayuri as Eripyo was outstanding. In all her pathetic  and inappropriate enthusiasm, she was absolutely perfect.  Jitsukata Takao as Kumasa and Toyota Yudai as Motoi were likewise absolutely spot-on for their roles. If you’ve been following this series, you’ll know that Kumasa is very much our otaku godfather and mentor. He’s balanced and wise and deeply moved. Motoi is a fuckup that I am never going to like, but that’s pretty much the point. LOL Motoi’s sister Reina is so normal and nice in comparison.

The members of ChamJam are, likewise, absolutely fantastic in their roles. Like the manga, the best scenes are those with the members and their relationships. While the story centers Eripyo’s obsession with back-row member Maina, the slow building relationship between Yumeri and Maki is really quite sweet.

It’s hard for me to not see the idol ecosystem as an non-sexual form of human trafficking and the bits where the otaku bankrupt themselves to “support” their favorites will always make me angry – especially when the story positions that behavior as honorable. But slowly, almost as slowly as the manga, the members of ChamJam and their otaku have their worlds widened.  One of the strongest bits of the live-action was to give me a reminder of everyone’s personality and finally, I may be able to remember Yuka’s name now. ^_^;  I don’t know why…but I just keep forgetting her. Maybe that’s why Aya is so annoying, so people remember her. The support Sorane shows leader Reo when she’s feeling pressure was quite nice. And we get a glimpse of Maple Doll, which features the lead in Reo’s former group. As I have repeatedly said in reviews of the manga, the moments spent with the group members, getting to understand them has been the best part of the story.

Ratings for the adaptation, not the story:

Acting – 10
Story – the beginning volumes can be harsh, let’s say 6 at the start and 8 at the end
Characters – 10 Everyone was perfect.
Service – 0
Yuri – Eri x Maina  – an uncomfortable 7  Maki x Yumeri  – a comfortable 5

The live-action picks a solid place to end, thankfully, so my guess is that they did not let Hirao-sensei pick the stopping point. ^_^ We’re left with some hope that Eri and Maina might one day communicate appropriately and that ChamJam will one day be in an even bigger venue….

…which reminds me of the day my wife and I saw a bunch of boy idol groups at a Japanese mall, and all their fans came to shout and wave things at the right times. It was really interesting to watch these not-that-popular groups performing. We did not buy any CDs, although we considered getting one song that wasn’t bad.

This series is streaming on Hulu Japan, if you have access. I wish Crunchyroll would pick it up, since they have the anime (via their Funimation merger.) I think I’ll write them and ask.