In Volume 1, we met Saki, a high school student who meets and befriends Kanon, a student who is hard of hearing. Kept at a distance by Kanon, who appears aloof, in part because trying to read lips can be exhausting, and the background noise of people is difficult for her to parse…and because something happened in middle school to make her withdraw from people, Saki does her best to gently cross barriers between her and the other girl.

In The Moon On A Rainy Night, Volume 2 Saki and Kanon both take steps to become closer, and to assist Kanon in participating in society on her own terms. Kanon finds an ally in her teacher Miura-sensei, who turns out to have a fairly balanced perspective on life with disability. He finds a physical space where Kanon can relax, and introduces her to a club that suits her. The Literature Club welcomes her to their group.

All is not smooth sailing, though, as Kanon’s over-protective little sister, Rinne, makes Saki feel unwelcome. That she’s not wrong about Saki, makes it harder for her to fight. But a crisis ends up convincing Rinne that Saki is, perhaps, not a bad person. A trip to the movies opens up more cans of worms and Saki struggles with her feelings for Kanon. Kanon tells Saki her side of the issue that came up in middle school. The conversation that follows takes away one more barrier between Kanon and Saki – something that will become very important in future volumes, trust me.

Once again, I beg you all to read this manga. Yes, Saki is a young queer person, but that is only one piece of an incredible multi-layered story about friends, family, disability, and society. It’s some of Kuzuhiro’s best work to date, and really opens up pathways for abled folks to address the needs of disabled folks without being weird about it. What really makes this book work is that every main character so far is dealing with more than one issue. No one is an “XYZ character,” even someone like Miura-sensei comes across a fully-featured person who is dealing with issues in his life and work and searching for balance, as we all are. 

Ratings:

Art – 8
Story – 9
Characters – 8
Service – On principle only
Yuri – 3 Creeping up slowly

Overall – 9

I’m so thankful Kodansha licensed this. Terrific translation by Kevin Steinbach, lettering by Jamil Stewart in the caption style is eay to read, ( but you know I’m gonna say give the letterer time and money to do retouch!) Phil Basman’s iteration of the cover is very moody and solid. A fine job by the team from Kodansha.

This is an outstanding manga that almost assuredly will be overlooked by the Eisners because it’s not a Shonen Jump title, but for my money, it’s among the best series of the year. Read it for yourself and let me know what you think in the comments!