A young woman on the cusp of adulthood latches onto an older woman and pursues her, but a sheltered adolescence causes her to come off more child-like than her age might suggest. The older woman, burned by past relationships and not looking for another, thinks of the younger woman more as a daughter than a potential lover, but eventually finds herself reconsidering what they mean to each other.

Wait, didn’t I review this story several weeks ago? But, no, this is not Monthly in the Garden with My Landlord, Volume 2 , it’s season 1 of the Thai live-action yuri production Blank: The Series.

Blank: The Series is an adaptation of a novel by Chao Planoy, the author of GAP: Pink Theory, and is set in the same universe. It’s squarely targeted at fans of GAP: The Series, although its age-gap premise has occasioned online controversy among some in that fandom. 36-year-old Neung (the older sister of Sam from GAP) is a mature woman burned out on relationships, four years on from ditching rising politician Chet at the altar in the series’s opening scene. As previously seen in GAP: The Series, Neung is estranged from her grandmother, has rejected her place in the Thai aristocracy, and is pursuing a life on her own as an artist (partially subsidized by Sam).

Into her life comes 20-year-old Neung (the identical names are not a coincidence). Young Neung (or Aneung, as older Neung refers to her) is a young woman denied a normal adolescence; she’s still in high school, held back by ill health. She has no friends her own age, and her only family is her demanding and censorious grandmother. Aneung’s only escape is reading yuri novels, and when she meets older Neung (whom she calls Ar-Neung or “Aunt Neung”) she immediately sets out to win her over, alternately flirting with her and pouting at the older woman’s rejection of her advances. As for Neung herself, she goes from finding Aneung annoying to struggling with her ambiguous and growing feelings toward her.

“Faye” Peraya Malisorn is excellent as Neung in a role that calls for subtle acting to show Neung’s slowly evolving emotions. “Yoko” Apasra Lertprasert generally acquits herself well as Aneung, although her performance at times threatens to become repetitive. “Ice” Papichaya Pattaralikitsakul and Marissa Lloyd have the thankless jobs of following in Freen’s and Becky’s footsteps as Sam and Mon respectively, but they are very much the side couple here.

Like GAP, Blank has its share of melodrama, especially involving Chet (“Kun” Kittikun Tansuhas) and Phiangfa (“Ploy” Preeyaphat Silahom), Aneung’s long-absent mother. The producers toned things down somewhat from Blank the novel — for example, they aged up Aneung — and hopefully will continue doing so with the second season, which apparently has even more melodrama. They could have toned things down even further, for example getting Aneung out of a high school uniform and dialing back her childish aspects a notch or two. In terms of production values, the major problem with the series is the mediocre to poor English subtitles, which sometimes left me struggling to figure out the meaning of certain lines.

Despite that issue, Blank season 1 is a welcome addition to the GAP extended universe. The core relationship is handled well (except for Aneung going overboard at times), and there’s minimal “service”. I liked it enough that I’ll watch the second season, which begins airing in May. It will presumably deal with the fallout from the final episode of season 1, which ends on a cliffhanger.

Rating:

Story – 7 (unless you hate age gaps)
Characters – 7
Production – 5 (the subtitles drag it down)
Service – 2
Yuri – 6
Overall – 7