Please allow me a moment of self-indulgence as I note that when I reviewed this volume in Japanese I re-read this volume 3 times, (and cried every time.) I  called this volume “absolute perfection” in my review. Now that I have read this volume once so far in English, I stand by my words.  The Moon On A Rainy Night, Volume 7 is absolute perfection. 

Every theme that this story has been building upon, every plot, every conversation, every moment leads us to a climactic school festival in which Kanon is about to face all of her fears all at once and find that with the help of the people around her, failure and success all have meaning. 

But first, we spend some time withKanon’s younger sister Rinne, whose new friend asks her what she wants to do. It takes a while before Rinne will admit she has some genuine desires, she’s so used to putting Kanon first. One of the repeated themes in this manga is how friendship works. Chiyama and Rinne are going to be good for one another, as each is there to help the other break out of their self-imposed boxes.

Then it’s time for Kanon to face her own limitations and fears. First, she fails and in failure learns a bit about her own pride. She’s reunited with Ayano, and now unexpectedly has yet another ally (and let’s spend a moment thinking how completely amazing that the old, broken relationship that festers for ages tropes is just…not. Good riddens to that!) Fortified by the support of the people around them, Kanon and Saki lead their class in the chorus competition. I want to address the choice of song here for a moment. It is true that Ebony and Ivory is a saccharine piece of music, but it was McCartney’s first-ever duet and the intention was, quite obviously to be a piece about racial equality. While this may seem simplistic, the South African apartheid government banned it, so even that simplistic a message terrified them.

When we consider that a high school class is meant to be singing this, we can understand that while we might not respect the music ourselves, it is an excellent choice for the story as a metaphor for diversity. And for this story, the song does it’s job. Kanon and Saki lead their class in a successful performance.

Kanon,  having achieved something so significant for herself with Saki’s help, for the first time realizes how little she knows about her friend. Not to beat up on a closet metaphor (because I don’t doubt we’ll be doing that with Saki soon,) but even Kanon understands that she’s able to step out of her little world into a bigger one now.

Ratings: 

Art – 8
Story – 10
Characters – 10
Service – Maid costumes with cat ears? Someone’s gonna be happy about that. 
Yuri – Holding at a muted 4, but it’s not not there.

Overall – 10

This series just keeps getting better and better. Every volume is fantastic. Volumes 1-10 of Amayo no Tsuki are out in Japan and I am just waiting with baited breath for Volume 11.