Archive for 2025


Galette No. 35 (ガレットNo.35)

October 30th, 2025

Two pale women in pale clothing blush as they look at one another, superimposed upon them are orcas swimming, with the words, " n my dream, you and I look at summer scenery."As of today, the Kickstarter for Galette Special English Edition Vol. 4 has ended, with a successful 713 backers…but don’t worry, there is a little bit more time to pledge! If you missed the kickstarter campaign, the folks at GaletteWORKS are keeping the Kickstarter open for a few more days so there is still a chance that they will make that 5th and final stretch goal. ^_^ Which makes today a great choice to talk about some Galette Magazine. ^_^

In Galette, No. 35 (ガレット)  we say goodbye to one of the long-running serials, Houkenshitsu Ano Onna, which you are now reading as “That Woman In The Infirmary” by Yorita Miyuki. I can’t pin point when I really started to look forward to this series, but I did, and I’m torn between being sad to see it over and looking forward Yorita-sensei’s new work!

We have two continuing stories by Morinaga Milk. “Himitsu no Recipe” has just finished up at the final chapter of the printed volumes, (which were never licensed in English, so it might be nice to see that published by Galette EN.) The final chapter is marked “To Be Continued” so we can expect more of that and of course, “Watashi no Kawiii Neko-chan” is ongoing. Yuna is facing down the baggage from her feelings about her family’s expectations of her…about which she may have been mistaken. Rena is still focused on opening her home salon, but they both find that they really just want to be together. 

“Yuruku SM Yattemiru” by Syanimuni follows two students who find a bunch of questionable props in a school closet. The volume came with a mini clear file of this series.

Inui Ayu’s “cool girl as boyfriend practice” “Koi ni Shiyakiunaina” turns from cute and akward to just plain cute as Momo and Ren realize they actually like each other. ^_^

Nekohariko22’s “Torokeru Heya nanoka” as Koyuki cannot stop fantasing about her  now live-in maid, who doesn’t seem to mind the idea.

I genuinely enjoyed Hakamada Mera’s weird little post-death scenario “Shindaramina VTUBER.”

“Kanojo Kuchizuke Kansenseuru Libido” continues, which kind of amazes me.  Sa-chan is struggling with feeeling sh wants more from Ayane, who seems to be just fine with moving their relationship to the next level.

“Foglight In The Gray” is a nice little post-apocalyptic romance by Dodmori, who art I quite like.

The magazine includes a short story about a woman whose dream to become a ballet dancer desert her, the Yurikko Research column, the 140-character stories, and more. 

As the staff looks towards a 8th anniversary, there’s a wonderful maturity about the content and design of Galette that I look forward to every issue. 

Ratings: 

Overall  – 8





Adachi and Shimamura, Volume 12

October 29th, 2025

Two young women stand under a colorful sunset sky on the beach, wearing flowery and flowy bathing suits. by KatGrrrl, Guest Reviewer

Adachi and Shimamura, Volume 12 is the twelfth numbered entry and fourteenth overall in this now long running light novel series by Iruma Hitoma, available in English from Seven Seas. This volume features three ‘what if…?’ alternative universe chapters followed by a return to the main timeline as our titular couple take a trip to the beach.

Despite the way this volume is numbered, it actually continues on from themes established in 99.9, one of two short story collections that were released after Volume 11. In particular, Yashiro’s newfound role as a cosmic matchmaker, making sure every Adachi finds her Shimamura in every timeline and alternate reality. Yashiro, as decently a fun comic relief character as she is, was always a bit too omnipresent in previous volumes for my liking, so giving her constant presence a greater purpose, as well as finally playing into her status as an extraterrestrial, really boosted my overall enjoyment of her character, as well as nicely tying in the AU chapters into the main timeline.

Unfortunately, the first AU story of this volume somewhat sullies this idea. “What If Adachi Was a Teacher?” is the title of this chapter, an innocent enough idea… except that one of her students is a six year old Shimamura. And if the alarm bells aren’t already ringing for you, this story sees child Shimamura propose to teacher Adachi, who promises on the condition that Shimamura wait until she’s eighteen. Twelve years later, Shimamura keeps the promise, proposing once more, a happy ending all round and another job well done for Yashiro… Look, I don’t really have to explain how completely irresponsible and predatory Adachi comes off as here, or how the thoroughly positive, ‘destined lovers’ framing is inappropriate for such a story. If this was a one-shot, I wouldn’t have much more to add, but as an AU, I still found some value in it when reading things a little less literally. Younger Shimamura here really stood out to me with how open and upfront she was to Adachi about how she felt, compared to the emotionally withdrawn teenage Shimamura of the main timeline who needed Adachi to help and push her to open up to her feelings. The way she keeps her proposal promise to Adachi throughout her withdrawn teenage years really shows the strength of her love for Adachi, particularly in comparison to her doomed childhood friendship with Tarumi. The Japanese blurb of this volume (if I’m reading it correctly,) seems to imply these AUs are daydreams of Shimamura’s, and for this chapter I feel the framing of a dream or daydream would be such a simple yet effective improvement that would greatly reduce the grossness and further highlight the insight into Shimamura’s character, and I’m annoyed this framing isn’t text.

Thankfully the next chapter, “What If Adachi Was an Author?,” is not only the standout of this volume, but the best AU chapter in the series so far. In the main timeline, Adachi’s thoughts are so pre-occupied by Shimamura, more Shimamura, and oh, did I mention Shimamura? that we rarely get any insight into other interests and hobbies, if they exist at all. I wouldn’t go as far as to call it a flaw of the series, in fact I’d say Adachi’s single-track mind for Shimamura is one of its strengths. But after thirteen books, I felt some areas of characterisation were still a bit too lacking for the fully-realised characters that the series needs if it’s going to continue throwing them into random slices of life with no overarching plotlines to rely on. So to see author Adachi here giving an interview about her thought process behind becoming an author, what she thinks about the writings of others and her own, and her lack of interest in the film adaptation of her novel, was exactly the kind of fresh look into those lacking aspects that her character needed and I want to see more of it. Not just a continuation of this AU—novelist x actor Yuri is an excellent concept—but more of seeing Adachi and Shimamura interacting with the real world as people with rich, inner lives.

The third AU chapter, “What If Shimamura Fixed the Timeline?,” is fine. It’s mainly a retelling of the events of volume one chapter one where Yashiro shows up too early and breaks the timeline. From the title, I expected Shimamura to take a bit more of an initiative in fixing things, but in the end she’s handheld by Yashiro for most of it. It was fun to see her befriend Adachi for the first time in a different setting, but overall I felt this chapter stuck to the original events to a point where it felt like it was playing it too safe. I still enjoyed reading it, but it left little to no lasting impression. “What If Everything Was Back to Normal?” is the fourth and final chapter and brings us back to the present part of the main timeline, although it actually seems to take place before Summer18 from Volume 11—any sense of linear storytelling in this series is well and truly gone. I’m impressed it managed to take this long to get a proper beach chapter. We’ve had swimming pools, bikinis and even Nagafuji and Hino at the beach already, so it was about time. With this being their last summer of high school, there’s a definite ‘end of an era, start of a new’ atmosphere here, with Shimamura in particular starting to think towards adulthood and a newfound desire for independence fueled by her desire to be with Adachi, whilst also looking back on her past beach trips with family and whether they would ever happen again, which contrasts with Adachi, who has never been to the beach before. I really like this contrast and subsequent balance between the two, Adachi has independence but no childhood, Shimamura has a childhood but no independence, and this beach trip represents the merging and sharing of both experiences, creating new memories and a new life together. I get the impression Shimamura’s mother has also noticed Adachi and her daughter are now an item, she makes some interesting choice of words for sure. I can’t wait to find out the climax of this plot thread in volume twenty-two in ten years time! Overall this was a solid chapter and my analysis above aside, their beach date was exactly the kind of wholesome cute I can’t help but smile at when reading.

There’s a couple of short shorts here, one involving Nagafuji and Hino, the other with Yoshika and Akka (yes, that’s the correct reading of her name.) There’s not much to say about these other than Nagafuji has large breasts (just in case you forgot, you know? Can’t have the reader forgetting something important like that, can we now? No way…) Molly Lee gives us another excellent translation as always and raemz is really making a habit of giving us beautiful cover illustrations.

Ratings:

Art – 9
Story – 7
Characters – 9
Service – 1 (bikinis, Nagafuji)
Yuri – 7

Overall – 7

KatGrrrl finds herself getting more addicted to Yuri by the day. Socials at linktr.ee/katgrrrl.

 





A Curtain Call For You, Volume 1

October 28th, 2025

On a scarlet background, a girl with long black hair tied into a thin ponytail, makes a dramatic gesture and holds out her hand for us, as she smiles directly at us while a spotlight shines on her.Over the years here at Okazu, I have written about many nuances of relationships between women. Love, sexual desire, akogare and crushing, deep emotional connections and more. All of them fall under my personal interests and often well under the umbrella of “Yuri.” Today I’m going to talk about a kind of relationship which might be, or might become a “Yuri” relationship or might not, but that is wholly irrelevant to the magic of the story.

In A Curtain Call For You, Volume 1, Sakura Akutsu is a character we’ve come to recognize. She has difficulty speaking, and is overwhelmed by the fast-paced conversations of her peers. Prone to overthinking and missing her moment, Sakura’s anxiety keeps her from just being part of the flow of school life. Instead she confines herself to writing. When Tsubame comes in to the classroom, speaking in oddly formal, over-dramatic words, Sakura becomes swept up in the wake of Tsubame’s energy. And that is the relationship I want to talk about. There is a very specific kind of person who just *is.* They exist in full 3-D wherever they are and by doing so, they provide both a role model and a figure of authority for people around them who are merely going through the motions. I have been fortunate in having a few of these people in my life at key moments and I endeavor to be that kind of person for other people. Tsubame is exactly this kind of person and it gives Sakura the spark she was unable to give herself to become herself.

Tsubame is cringe. Boring people always see passion as cringe. Tsubame give Sakura permission to express herself. Society rewards conformity, not expressivity. Tsubame catalyzes action.  Fears keep people from acting. Tsubame is a wave of change and action in a world that rewards stagnation and inaction. Despite everyone labeling Tsubame as cringe, they come to see the play she and Sakura have created and, friends, it was magnificent

Is this “Yuri”? I don’t know. I don’t care.  Shiho Satou and Kiki Emoda have created a story that is exactly as captivating to me as Tsubame is to Sakura. 

A Curtain Call For You, Volume 1 is  available for pre-order now from Vertical Comics/Kodansha, with a November release date. I think you should read it and tell me what you think. I thought it was amazing. 

Ratings: 

Art – 8
Story – 10
Characters – 9
Service – 0
Yuri – ?

Overall – 9

Thank you to Kodansha for the review copy, and thank you to ANN for giving me a chance to read it early. I already look forward to Volume 2.





The Moon On A Rainy Night, Volume 7

October 26th, 2025

Two young women in brown maid costumes with pink aprons and wearing cat ears walk arm in arm down a school hallway during a culture festival, smiling and laughing as they talk. Please allow me a moment of self-indulgence as I note that when I reviewed this volume in Japanese I re-read this volume 3 times, (and cried every time.) I  called this volume “absolute perfection” in my review. Now that I have read this volume once so far in English, I stand by my words.  The Moon On A Rainy Night, Volume 7 is absolute perfection. 

Every theme that this story has been building upon, every plot, every conversation, every moment leads us to a climactic school festival in which Kanon is about to face all of her fears all at once and find that with the help of the people around her, failure and success all have meaning. 

But first, we spend some time withKanon’s younger sister Rinne, whose new friend asks her what she wants to do. It takes a while before Rinne will admit she has some genuine desires, she’s so used to putting Kanon first. One of the repeated themes in this manga is how friendship works. Chiyama and Rinne are going to be good for one another, as each is there to help the other break out of their self-imposed boxes.

Then it’s time for Kanon to face her own limitations and fears. First, she fails and in failure learns a bit about her own pride. She’s reunited with Ayano, and now unexpectedly has yet another ally (and let’s spend a moment thinking how completely amazing that the old, broken relationship that festers for ages tropes is just…not. Good riddens to that!) Fortified by the support of the people around them, Kanon and Saki lead their class in the chorus competition. I want to address the choice of song here for a moment. It is true that Ebony and Ivory is a saccharine piece of music, but it was McCartney’s first-ever duet and the intention was, quite obviously to be a piece about racial equality. While this may seem simplistic, the South African apartheid government banned it, so even that simplistic a message terrified them.

When we consider that a high school class is meant to be singing this, we can understand that while we might not respect the music ourselves, it is an excellent choice for the story as a metaphor for diversity. And for this story, the song does it’s job. Kanon and Saki lead their class in a successful performance.

Kanon,  having achieved something so significant for herself with Saki’s help, for the first time realizes how little she knows about her friend. Not to beat up on a closet metaphor (because I don’t doubt we’ll be doing that with Saki soon,) but even Kanon understands that she’s able to step out of her little world into a bigger one now.

Ratings: 

Art – 8
Story – 10
Characters – 10
Service – Maid costumes with cat ears? Someone’s gonna be happy about that. 
Yuri – Holding at a muted 4, but it’s not not there.

Overall – 10

This series just keeps getting better and better. Every volume is fantastic. Volumes 1-10 of Amayo no Tsuki are out in Japan and I am just waiting with baited breath for Volume 11.





Yuri Network News – (百合ネットワークニュース) – October 25, 2025

October 25th, 2025

A blue silhouette of a girl with a white flower in her hair, embracing the earth. Blue block letters read YNN Yuri Network News. Art by Lissa P. For Okazu.Yuri Manga

Kinokuniya USA is offering a exclusive for the upcoming Love Bullet, Volume 1 release. Get a signboard and sticker with your copy if you pre-order with Kino. This book release is in December from Yen. Interestingly, Yen said at NYCC that they believe this will be their biggest seller of the year. Let’s prove them right! Sr. YNN Correspondent Patricia B notes that Global Bookwalker is running a “Red Yuri” event to celebrate the release.

The Moon on a Rainy Night, Volume 7 is out now from Kodansha. This is an incredible volume. It brings together so many of the themes of this story in a really emotional, relatable way.

The Volume 4 Kickstarter for Galette magazine, has passed the fourth stretch goal! There are 4 days left to get on board and grab this (and back issues) of this creator-owned and crowdfunded Yuri manga magazine.

Via Sr. Correspondent Matt Marcus, Nao Imai’s official X account announced that Yuri Espoir is back, with Volume 5 coming out in November in Japan.

ANN has posted their Fall Manga Guide. I’ve written a ton of reviews for that and the Fall Light Novel Guide. It was a lot of fun and also exhausting. ^_^ Some good Yuri and Yuri-ish stories included, some really forgettable stories, as well. ^_^

 

Baihe Novels

While we’re talking exclusives, Crunchyroll has an exclusive cover for  The Beauty’s Blade: Mei Ren Jian, Seven Seas’ first Baihe book. This is headed our way shortly, but I had a hard time deciding which cover I liked better. ^_^

Via Sr. YNN Correspondent Frank Hecker, Danmei News has the scoop that all Baihe and Danmei coming from Monogatari  Novels have been delayed, and some have had their pre-orders stopped.

 

Queer Comics

Super exciting news reported by Christopher Chiu-Tabet at The Comics Beat, that Tilly Walden’s graphic novel of Charity & Silvia, based on the book by Rachel Hope Cleves which I reviewed in 2015, will be available in Spring 2026.

Via Sr. YNN Correspondent Patricia Baxter, Datura Magazine No. 4 is on sale now. If tariffs make the print price too steep, she says that the digital version is available on itch.io.

 

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Yuri Visual Novels

1000-REKA announced the English language track for Black Lily’s Tale on their X account. Grab it now on Steam for 50% off.

 

Live-Action

Kickstarter backers for Yorita Miyuki’s Yuri movie Her kiss,my libido twinkles (彼女のくちづけ感染するリビドー) have gotten some updates. The movie will be screening in Japanese theaters on November 7! Check out the official X account for where to get tickets. Some folks report that backer rewards have arrived. Because the US shipping situation is so whack, Yorita-sensei is offering online screening for backers in the US, details to be shared. You can watch the trailer now on Youtube. I was just reading the newest chapter in Galette and marveling at how this series has grown.

 

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Yuri Anime

ANN’s Bolts has a review of Episodes 1-3 of a Mangaka’s Weirdly Wonderful Workplace based on Kuzushiro’s manga. 

Steve Jones is reviewing This Monster Wants To Eat Me for us this season.

Not Yuri, but of interest, the upcoming Zombieland Saga movie trailer is on Youtube and wow.

 

Other News

Digital service Number Nine sponsored a Yuri Creations Festival, and Yuri Navi has a 2-part report for you.  Read Part 1  and Part 2 on Yuri Navi to get a look at some of the comics featured!

Via YNN Correspondent KaTsu, here is a really nice essay about Aya Kana’s novel Koneko o Hirou, Koneko no Kuse ni (子猫を拾う、子猫の癖に) by 李佾學 in Bearing Pain/Misdelivery- Pick up a stray cat, even though I’m a “stray cat” myself- explanation.

I’ve mentioned this movie before, but I have a date today with the movie The Witches of The Orient about a women’s volleyball team of factory workers who set the world on fire in the 60s. Factory teams were quite common and highly  competitive. If your library has Kanopy for movies, why not check it out?

 

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