Archive for the Yuri Manga Category


Tsukuritai Onna to Tabetai Onna, Volume 6 (作りたい女と食べたい女)

September 18th, 2026

Four women stand around a tall, round table laughing and smiling. Three hold up chicken wings while the fourth takes a photo of them with her phone.In Tsukuritai Onna to Tabetai Onna, Volume 6 (作りたい女と食べたい女), by Yuzaki Sakaome, the story shifts just a little bit. Up until now, it has been primarily about food (and, in Sena’s case, eating) with side quests into identity, consent, boundaries at work, in private and in public. Much as all of us in real life do, Nomoto and Kasuga have had to rethink and renegotiate with themselves who they say what to, and what the terms they might use are. 

Here in Volume 6, Nomoto comes out semi-publicly, online. I say “semi” because, while I 100% believe that parasocial relationship can be (or become) “real” relationships, and online friends are as real as school or work friends, there is still a gap between online life and in person life, for most people. If you come out online, people know that that nickname and avatar is out…but depending on how much you share online, there may not be a connection to the person who goes in to an office every day. I remember very clearly the day I began the Yuricon community, I discussed with my wife that I planned on being out from the beginning and, by association, she would be too.  We were out to our families and workplaces, so it was not much of a risk, but there is always a potential risk when people suddenly realize they were wrong about anything.

Nomoto comes out online and is met with both support and the incredible, yet predictable wave of “I only followed you for the food, wtf is this?” Dear friends, who the fuck care if you only followed for one reason or another? Fine, go away. Bye. /eyeroll/ Nomoto and Kasuga discuss the feelings this engenders, and Nomoto is convinced she did the right thing.

We then turn toward Nagumo, who has found a real friend and supporter in Yako. As Sena looks outside herself for the first time, she see that she is surrounded by women who are coming to know themselves better and she starts, maybe for the first time, to ask who, and what, she may be. Kaname patiently walks her through various ways of thinking about her gender and sexuality, until Sena discovers idea and words that work for her.

Finally, we turn towards Kasuga, who feel that she failed her own test on Valentine’s Day, when she was unable to admit that the chocolates were for her girlfriend. Of course Nomoto sympathized, but this is for her. Kasuga boldly goes into a florist, orders a simple flower and when asked if this is for a friend, takes the huge, terrifying step of saying “It’ for my girlfriend” out loud to someone. Of course we grin hugely and applaud!

Each one of our found family here is changing before our eyes. They are all growing out of the small selves they thought they needed to be, to embrace their truest selves. And, of course, they are eating delicious food while doing that!

Ratings:

Art – 7 There are moments that still feel rushed
Story – 10
Characters – 10
Service – YMMV, but in my opinion 0
LGBTQ+ – 10

Overall – 10

In a world that can feel dark if we let other people’s negativity drag us down, Tsukuritai Onna to Tabetai Onna, Volume 6 is a reminder that we *can* and *should* make our own light.

Volume 6 is only recently out in Japan, there is no English edition release date yet, but I’ll put it on the Yuricon Store as soon as I see one. ^_^





How Do I Turn My Best Friend Into My Girlfriend? Volumes 4+5 and Series Overview by Luce

August 30th, 2026

I’m Luce, procrastinator extraordinaire and- how did I end up with more books than I started??? – book hoarder. You can call me a bookwyrm. Mostly hoarding, but getting back into reading novels. 

In the first three volumes of what I call Best Friend Girlfriend or ‘BFGF’ by Syu Yasaka, we met Minami, who realised she has a crush on her childhood friend and next door neighbour, Yuzu, and decided to try and get Yuzu to see her in a more romantic light – and generally failing in her attempts. We found out that Yuzu, however, also likes Minami, so we were landed firmly in the ‘mutual pining’ section.

Volume 4 cover, it does Minami and Yuzu sitting against each other in ski gear In volume four, Yuzu gets a cold and Minami looks after her, Kamiya tries her best to talk Yuzu into telling Minami she likes her, and Christmas arrives with all the romantic implications it carries in Japan. In volume five, things get romantic on the school skiing trip, but misunderstandings abound. Can Minami and Yuzu finally just tell each other?

Pining, pining, pining. As a fanfiction reader, and writer, I’ve read it, I’ve written it. The delicious tension of words unsaid, hands not quite reaching the other person. The roadblocks characters will put up to avoid saying anything, only to trip over them and have to catch themselves. The moment it all comes crashing down as they throw over the cliff of no return, yet find themselves flying as the other person returns their affections (at least, in the ones with happy endings). But there’s an art to it. There has to be a compelling reason why one or both wouldn’t just say something. Something has to be in jeopardy if they were wrong about it, no matter how big, and the creator has to sell you on that.

Which is to say, how much you like this will depend hugely on how much you like, or can tolerate, mutual pinning, and people just not spitting it out. I enjoy it… sometimes. It’s a well worn trope for a reason, and can result in breathtaking scenes of self-restraint, where you just want to hug the characters… but it can also leave the reader with frustrations where you’re thinking ‘just kiss already! They obviously like you!’. This tips into the latter, unfortunately. I get that it’s hard to admit you like a friend romantically, and daunting to tell them that. But there comes a point where it goes a little past denial into ‘how thick are you?’. There are various moments in these last two volumes where, in my opinion, there’s no compelling reason for them not to tell each other. Look. If someone is also going in for the kiss, that’s a pretty good sign they’re into you romantically. Don’t then say it was nothing! If someone says ‘I want you’ and tries to kiss you, that’s not ‘getting your hopes up’. Reacting that way is absurd denial, or ‘authorial delaying’. Making pining work as a trope is all about making the reader believe that the character genuinely believed that their feelings were unrequited in that moment. They’re normally not correct, but only the audience should know that.

Volume 5 cover. Minami and Yuzu look happy, hugging each other. I guess my problem with this manga is that the pining was quite cute for the first two or three volumes, after which it got too stretched out. The older I get, the more interest I have in stories that cover making a relationship work – getting over hurdles, managing intimacy and boundaries, and especially when the characters are in school, trying to work out where the relationship fits, if it can, in their futures. Series like Kase-san and… and You and I Are Polar Opposites have both been exploring this to various degrees, and it’s been really refreshing. It makes manga like this, where they dance around each other, and not even particularly convincingly, less interesting.

It also ends up so focused on the dance/mess between Minami and Yuzu that everyone else falls by the wayside. Their friends feel like puppets to react to the dramas rather than people. There was some hints in the early volumes that two of them might be interested in each other, but does it get mentioned here? No.

In total, a cute series that overstretches its premise to its own detriment. There’s a fine line in pining between ‘come on, you guys can get there!’ and ‘get on with it!’. Unfortunately, this series falls closer to the latter.

Story: 6
Characters: 5
Art: 7
Service: 1
Yuri: 8
Overall: 6

Man, I really want to go read some good fics about mutual pining, now. As for manga that give me some of that vibe, Hirano and Kagiura (BL) and If I Could Reach You (Yuri) comes to mind. A Sapphic book, Six Times We Almost Kissed by Tess Sharpe also did pining very well (amongst other things). Any favourites for pining Yuri manga?





Comic Yuri Hime, August 2026 (コミック百合姫2026年8月号)

August 6th, 2026

Cover of August 2006 Comic Yuri Hime, depicting a a young woman with pink hair, has just had her hair trimmed by a woman with dark hair. Both wear matching dresses of the same blue color. Art by Chiriko.Our Comic Yuri Hime, August 2026 (コミック百合姫2026年8月号) issue begins with a study in blue by Chitriko, as a young woman with pink hair, has just had her hair trimmed by a woman with dark hair. Both wear matching dresses of the same blue color.

As Lorelei teeters on the edge of greatness, Momoka and Hajime plumb the depths of how and why they started a band in Takeshima Eku’s “Sasayakuyouni Koi wo Utau.”

In “Tayutau Koi no Chirigiwa ni” by Yuama, Suzu and Emma go out on a date. Suzuran, till not believing that Emma’s actions are sincere is awkward throughout. I haven’t mentioned this series too often, because it it not grabbing me, personally.

Ikuta Hana’s “Hone ni negai o,Hoshi ni noroi o” everything is confusing. as Aoi clearly has feelings for Akane, but Akane and Mashiro are deeply bound. 

Ren also decided to try out a dating app in “Kimi no Sei Dakara, Sekinin Totte yo ne” by Touma. 

In “Watashi no Oshi ha Akuyaku Reijou.,” by inori and Aonishimo, Claire confronts Dole, and learns she did not know what what going on at all, really. Rei staggers around, flailing for a solution, an old friend arrives in Bauer and maybe, at last, the tide is turning.

No kidding, the entire chapter of Shibori Kasuko’s “Genjitsu sekai demo shiawase ni shite kudasai ne?” reverse isekai polyamory story is an…amusement park date. I feel like this series could try a little harder, honestly. What’s the point of the game world and magic if they are just going to do everyday typical things? ^_^;

Kashikaze’s “Kimi ga hoeru tame no uta o” hit an inflexion point, as Yuu *finally* unbends and joins her voice to Haru, finishing up with an obvious confession. Phew. Now they can head in to the second round of the contest together.

Shimura Takako a sweet little comic about a girl who loves to draw and a classmate who encourages her, meeting again as adults when the one is a creatively blocked manga artists and the other…. in “Fuyu no Owari no, Haru wo Matsu.”

Tensions are running high in “Chou Fuka Uchuu Yori Ai o Komete” as a girl from Ten’s past step ups her campaign of harassment/revenge.

Kodama Naoko returns with a story about rivals who need each other in the publishing world in “Watashi-tachi no Mikan Kou”.

And the usual columns and ads for upcoming anime and the like, for a very solid volume of the only monthly Yuri manga magazine!

Ratings: 

Overall – 8

The September Issue is out now and already on my to-read pile. ^_^





Galette Special English Edition 05

July 15th, 2026

Among a forest of pastel colors and white and green words, a woman with pale pink hair embraces a woman with purple hair, who looks out at us.I write to you today from my local library, as my Internet has been non-functional since I returned home. So please be patient with me, as I will shortly have to be on the road again. My fantastic Okazu Staff will be stepping in for the next few days

Galette Special English Edition 05 is pleasant mix of the magazine’s past hits.

It begins, as it always does, with pen’s art on the paper sleeve and on the inner cover, which is framed by color illustrations by the creators on the beginning and end of the magazine.

Most of the serialized stories are multi-chapter, which is great. This gives us more body to the characters and plots than a single quarterly entry. This is especially true for Yorita Miyuki’s “That Woman In The Infirmary” and Kitta Izumi and Moto Momomo’s “Liberty.”

Also much richer an experience for the multi chapter format is “Sky Blue Melancholic” by  Ringo Hamano. I like this series a lot. There’s a lot of layers in this apparently simple school life story. And some amusingly intentional bad art this time around. ^_^

Milk Morinaga’s story is a reprieve of an older one-shot work, “Vanilla,” while Mera Hakamada’s “Fluffy, fuzzy, dreamy” has hit a climactic moment, as has NekoHariko’s 22’s “I Want You To Show It Only To Me.” While Haru Yatosaki’s “Girl’s Arcadia” gets a side story.

For Kickstarter rewards I got the special issue, fabulous art postcards and an acrylic standee. I very much liked the real-life fee of “Practical Miyabe-san” by Miho, about two women who work in a bookstore.

The quality of the work in this English edition is great, and ZorritoIV’s translations are solid. It’s once again such a pleasure to get a copy of this special book. ^_^

Galette Official on X announced that their English language books are being carried by Crow’s Nest Comics in Seattle, so if you have an a local indie store, give them a call and see if you can get them to carry Galette WORKS’ works!

Ratings:

Overall – 8

If you missed this or the previous Kickstarters, Issue 06 Kickstarter should start up this summer and will very probably have back issues as add-ons. So keep your eyes on our socials and we’ll let you know when it goes live!





Rica Takashima × Akiko Morishima Talk Event Report

July 9th, 2026

Last month, folks in Japan had the chance to attend a historical discussion of Yuri in the 1990s and the birth of Yuri in America, with creators Akiko Morishima and Rica Takashima. Our Japan Correspondent Sasori is here with a report on the proceedings!

Signboard for lonliness books in Higashinakano, with a poster that read "Yuri Story" and features Rica and Miho from the cover of "Rica 'tte Kanji!> by Rica Takashima.

 

I’m headed to loneliness books in Higashi-Nakano, to meet two Yuri icons, Rica Takashima and Akiko Morishima.

Rica Takashima is best known for her series Rica ‘tte Kanji!?, one of the first English translated yuri manga. Her later sequel in 2025 being New York Love: Rica ‘tte Kanji!? I remember when I first read her works in the US anthology Yuri Monogatari!

Akiko Morishima is the creator of Hanjuku Joshi, Rakuen no Jouken (The Conditions of Paradise), Yurikuma Arashi, as well as many other yuri manga. She also did cover illustrations for Hajimete no Yuri Studies: Queer/Feminist no Shiten kara (Introduction to Yuri Studies: From Queer and Feminist Perspectives). She is now serializing Hitorimi Desu (Living Single) (KADOKAWA/CandleA), about the life of a single lesbian in her sixties.

(Sources from the description of the event)

Walking into the bookstore was like walking into a manga gallery, the entire wall was lined with Takashima-san’s works! Under her original manga pages, were magazine publications as well as By My Side and all the Yuri Monogatari anthologies. I’ve never seen all of them lined up before, it felt like a yuri time capsule. 

A wall with original art pages by Rica Takashima displayed in plastic sleeves.

Seeing close up manuscripts of the manga is always a treat because you can see all the typography glues in the speech bubbles and hand done screen tones. I also liked seeing the English translated manga surrounded by their respected JP publications.

Table with Japanese and English language Yuri art and books, and pins with art by Rica Takashima.

My only wish was that I had infinite money to buy more books! There was so much on sale.

A shelf with multiple editions of Rica 'tte Kanji!?, and Yuri Monogatari, By Your Side

Original art by Ric Takashima displyed on the wall.. Color images of Rica and Miho, as well as original pages of Rica 'tte Kanji!?

Lined next to the manuscripts were small shikishi and original prints, sifting through the prints in the binder was so satisfying.

Original pages of Rica 'tte Kanji!?

 

Close up on art and books for sale, original work by Rica Takashima and By Your Side.

A print image of Rica and Miho in the snow with a grocery bag.

 

The talk started at 20:00 ( 8:00) in the middle of the bookstore. There were a total of about 15-20 people, so a really comfortable turnout. Takashima sensei began by passing around a bowl of American candy, and she knew her stuff, there were Twizzlers and airheads in there! Both Takashima and Morishima sensei were very upbeat and could back and fourth really well about honestly any topic as well as their respected works .

Takashima sensei talked about what it was like living in New York and brought up the history of Yuri, often referencing By Your Side and even Fun Home. I also liked Morishima sensei’s response to some questions about gender equality, and she also talked about being a fan of Sailor Moon and Cutie Honey.

Other topics covered were the current lesbian fashion of the past and present (Butch military styles, overalls, and more feminine attire), the lesbian bar scene, and a shared love of mini skirts.

It was kind of like listening to two friends reminiscing about the past, which was very comforting.

A photo of a small, cute bookstore crammed with books, and a talk event space in the middle.

The talk went a little past it’s allotted time, but I was able to buy some cute stickers and a copy of Tokyo Love, that Takashima sensei signed with an adorable sketch of me, complete with heart eyes. I was hoping I could stay a bit longer to see if Morishima sensei had any books, as I am also a huge fan of hers, but sadly I had to catch the late train home.

A close-up up Toyo Love - Rica 'tte Kanji!? cover and two Rica/x Miho pins.

I’ll be sure to revisit the loneliness bookstore, not only for the awesome LGBTQ+ rep, but also because it’s rare to see so many English publications outside of Kinokuniya.

If you ever find yourself in Higashi-Nakano, be sure to take a peak, maybe you can buy some issues of Yuri Monogatari!