In The Lying Bride and the Same-Sex Marriage Debate, Volume 1, Naoko Kodama offers up a lesbian that is a little more than just a plot complication.
I’ve noted in the past, that some of Kodama’s work gets very close to discussions of trauma and the way people react to it. In some cases, she sets up a reaction that is so extreme, the originating event appears to be serious, only to back off into a troubling, but not damaging, situation. There are two exceptions (mostly) to this trend -notably, I Married My Best Friend to Shut My Parents Up and the topic of today’s review. I say “notably,” because these two books, of all of her work, directly address queer life in Japan.
Shigisawa is not out at her workplace, but she is very aware of and unhappy with the inequality she faces as a woman who will(can)not get married and a woman without children. She is grumpy about this. When a popular former colleague shows up needing her help, Shigisawa is not happy about that at all, either. On the one had, she had a mild crush on Goto and is grumpy about that too, as Goto left to get socially-approved married to a man. On the other hand, Shigisawa Rei is actually a softy and doesn’t turn Goto Saya away.
The main conflict for Rei is being in close proximity to a woman she finds attractive and who appears to be all but throwing herself at Rei in what she believe is a clueless straight-girl way. For Saya, the conflict is very different, as her marriage is…she doesn’t know what it is, but it’s not working. This is not a funny at all, though. By not understanding her own self, Saya spends the volume unintentionally putting Rei’s emotions at risk.
Because Kodama’s work typically comes with a guarantee of a happy ending, there isn’t that much tension in these two conflicts. We have to assume Saya will – at the last possible moment – deal with her failed marriage, and Rei will get the girl. And whether you like them as a couple or not is up to you. But at least, here in Volume 1 we get some pointed griping about Japanese society and their government’s abject failure to legitimize same-sex marriages, something that more than 70% of Japanese people think ought to exist (and despite multiple court rulings that lack of SSM is unconstitutional.)
Ratings:
Art – 8
Story – 6
Characters – 7
Service – 4
Yuri – 8
LGBTQ – 10
Overall – 7
Kodama-sensei’s work often strikes me the same way Melissa Scott’s science fiction in the 1990s did. It comes so close to making a point, dealing with an issue, managing an emotion, but shies away from follow through. That said, Kodama has been edging closer and closer and I hope that one, day, she’ll write the thing that has to be written.

