It’s Guest Review Wednesday here on Okazu and today I a very pleased to once again welcome back Mariko S with another terrific review. I hope you’ll all setting for a treat and let Mariko wisk us away to a world of unhealthy obsession. Take it away Mariko!
You may recall that I previously gave a qualified enthusiastic review of this little “high stakes high school gambling addict” sports anime’s first season. Well, it seems its bombastic debut was popular enough to bankroll a second season, so what do Yumeko and the gang have in store for us this year?
To recap, in an elite private school where the children of Japan’s upper crust seemingly don’t study at all, but do spend all day gambling the GDP of small countries on increasingly elaborate contests, wildcard transfer student Jabami Yumeko arrived to shake up the status quo. She took down (and subsequently befriended) an escalating series of insurmountable opponents from the all-powerful Student Council in search of the pure essence of gambling and the chance to compete against the Yin to her Yang, President Momobami Kirari. Having miraculously won the right to stay in her gambling paradise, the season closed with a tease showing a hospitalized woman who looked like Yumeko folding paper cranes…
Kakegurui, Season 2 opens in media res on Yumeko gambling for some painful stakes with old frenemy Midari and a new goth loli girl. The next episode rewinds to tell us why: for some reason, Kirari has decided to step down from her position at the head of the school and offer it up to a school-wide election to be determined by – what else? Gambling. Since the position of Hyakkaou Gakuen student council president is apparently something akin to both Don of a mafia family and maybe head of a shadow government, the election has drawn the interest of a motley crew of teens from the other branches of the Momobami group, determined to take power for themselves. Every student in school is granted 1 chip, and whoever has the most chips at the end of the election period is the new president. May the games begin.
Let’s just get this out of the way – this season was a massive disappointment to me. We can start with its fatal case of “sequelitis.” Basically, the creators decided to repeat everything from the first season, but MORE. The absurd gambling games are even more far-fetched and less-related to anything resembling actual gambling. The grotesque faces that accented the escalating stakes last season, that were so unique and added such strong emotional visualization, are now omnipresent and ratcheted up to 10. Instead of the contests being a battle of wits and wills between Yumeko and a clearly defined opponent, the games this time are gimmicky and involve bloated groups of 3 or more gamblers. In fact, Yumeko regresses completely as a character this time out – you can barely call her the protagonist, as she functions almost entirely as a pure gambling id to catalyze the people around her. We learn nothing new about her, she does nothing to deepen her personality, and in fact in some of the episodes she is literally sidelined as the other characters work out their issues. She does and says things that directly counteract her previously demonstrated core values, and even the things she directly said moments ago. The first season supported Yumeko as both a force of nature and a complex person, and one who would show her gradually escalating excitement at the art and science of each gambling moment in lunatic ways. This time, she’s basically a service delivery device where the slightest hint of any opportunity to gamble making her come is her entire character.
Speaking of the visuals, they take a step back across the board. Gone is the surreal artistic masterpiece opening that Yamamoto Sayo put together for the first season, replaced by a workmanlike sequence that just displays the characters as cards, with lots of shots of Yumeko’s bouncing chest. The ending is basically the animators deciding to “yes, and” Yumeko’s rain walk from last season, as this time she turns into some kind of naked busty blue fairy surrounded by rainbows doing the same walk, just more cheaply animated. I lost count of the number of times someone’s chest was groped or faceplanted into. I already mentioned the overuse of the funhouse faces, but, at the same time, overall things felt more static and less inventive. The Momobami clan gives us a ton of unnecessary new characters, each with a distinctive visual design but little run-time to allow them anything but the shortest backstory and motivation. In fact, you could basically say this season was about healing the defeated opponents from last season more than anything else, as one-by-one the contest they take part in allows Yumeko to play Manic Pixie Dream Gambler and show them the heart, the courage, or the brain they always had inside them. And finally, the season ends on a complete “Huh?” Setting aside the resolution to the final gamble, I don’t think it’s a spoiler to tell you that the election isn’t even decided. Things just… end.
Can I say anything positive about this season? I guess one of the things that was interesting was how clear the show tried to make it that Kirari and Yumeko are two sides of the same coin. Kirari is a crazy sadist who sees the school as her personal aquarium and the students as the fish to be used, observed, experimented on, or discarded at whim. Yumeko also kind of sees people as a commodity, in her case, gambling fodder. She is kinder, yes, and almost accidentally more helpful, but is more of a masochist who likes the helpless feeling of chance. Her philosophy seems to boil down to, “if we have a good gamble, whatever happens was meant to be, so everyone should enjoy the outcome,” even if it’s utter devastation. Similarly, Kirari, though powerful, isn’t power-hungry – she just wants to be entertained as well. In her case that doesn’t always mean gambling, as long as she gets to watch someone squirm under her microscope.
On the Yuri front, this season is a step up, at least in quantity. Student Council secretary Sayaka, who is infatuated with Kirari, is given her own episode replete with lily imagery and, I suppose, as happy an ending as could be possible for someone in love with a misanthropic sadist. Midari is around for several episodes, displaying her usual over-the-top lust for stimulation by an alpha dog like Yumeko or Kirari. And one of the new characters, Batsubami Rei, though a kind of butler to the rest of the -bami tribe, is given a tall, handsome, princely aesthetic that charms the many girls around the school that she interacts with. However, the resolution to her story is, in my opinion, problematic. (Can’t say more without spoilers.)
Bottom line, if you liked the first season mainly for the kooky gambling antics, you’ll find more of that here to enjoy. If you were hoping to learn more about Yumeko’s past and see a character drama of ratcheting intensity, or even a magnetic attraction between two the-same-yet-opposite supernovas, you’ll be disappointed. Here’s hoping that if they gamble on season 3, Kakegurui can roll a 7 next time.
Ratings:
Art – 5 A dramatic decrease in quality from last season.
Story – 4 The election framing device was decent enough, but there was not much beyond it except at a superficial individual level.
Characters – 4 The gutting of Yumeko, the glut of little-more-than-sketches new characters, and the near omnipresence of the animal-hoodied loli and her minions as the “election monitors” send this one plummeting.
Yuri – 5 As described above.
Service – 10 Still a 10, but a different sort of 10 this time around. I didn’t care for it.
Overall – 4
Technical Note: Netflix continues to struggle with translations, but one of its mistakes is pretty funny on a meta level. Irrelevant-self-insert-male-narrator Suzui Ryouta’s name is sometimes miswritten as “Suzuki,” which is perfect for his interchangeable blandness.
Erica here: “as happy an ending as could be possible for someone in love with a misanthropic sadist.” is such a great line, I wanted to cut and paste it just to enjoy it all over again. I watched all of Season 1 and wished I had liked it more than I did. I’m sorry for you this wasn’t as solid but am regardless very happy you stopped by to let us know! Since I watched that first season, Netflix suggests this to me constantly – and you know how their ads autostart.. Watching a popular baking show? Try Kakegurui.
Oh, you like My Little Pony? HAVE YOU LOOKED AT KAKEGURUI?
Hey, we see you watched these murder mystery shows…. MAYBE SOME KAKEGURUI NOW?
Look, you watched Into the Spiderverse…
It’s actually pretty funny, unless I have guests over. ^_^;
Shame to hear Season 2 isn’t up to the absurd standard of the first.
For whatever reason, and despite reading the review on Okazu beforehand, I actually ended up watching the Live Action Kakegurui before the Anime. With the Live Season 2 premiering this weekend on Netflix (here in the US at least) perhaps I’ll do the same again.
What did you think of the live version? I gave up on it after one episode – to me, it was immediately apparent that live actors could not properly convey the kind of over-the-top intensity that was needed without it collapsing into parody. Also, with the shortened run-time and heightened “standards” for live action, I was pretty sure that all of the rough edges and hints of queerness were going to be sanded off. Would be nice to hear what you thought having seen the live version first!
Glad to see you here again, Mariko S! I can not believe that I finally waited for your seson 2 review! Thanks for the review and let me ask you, how do you like the whole romantic subplot of Sayaka and Kirari? Not to say that I strongly sympathized with Sayaka, since I do not really like her as a character, but I like to see that there is someone next to Kirari who really loves her and is not afraid.
“It’s actually pretty funny, unless I have guests over. ^_^;”
Oh, you are lucky! Personally, I constantly see Spiderverse ads. Is it really such a good movie?
It was a really well-done movie. The animation was terrific. The story was nice, very “superhero origin” but the whole thing was very entertaining. I’d recommend it, yes.
Thanks for the advice! By the way, as I heard, there was some yuri or just a popular ship between aunt May and dr Ok. Do you know anything about this?
My opinions is that fans ship any old fucking thing won’t they.
I wasn’t overly impressed, though I’m not really sure that they could have done anything differently that would have been more appealing given Kirari’s character. I don’t think she’s capable of love in any kind of recognizably human way. Trying to avoid spoilers: she did what she did for Sayaka because she already knew it was safe; she was fully ok with the opposite outcome before that. So, in a purely zoo-exhibit way, I get why they are fascinated by each other’s opposite approaches to life, but we don’t get enough insight into their interactions or daily life to get any sense that they meet each other’s needs in an emotional, physical, intellectual, or romantic way.
Side note, to me Sayaka’s beef with Yumeko wasn’t set up very well. If she really is this hyperanalytical source of competence who deeply understand Kirari she should never have felt threatened by the mere existence of a talented gambler in Kirari’s orbit. That’s de rigeur at this school.
Thank you for your reply, I always enjoy reading your guest reviews and discussing them with you!
Well, to be honest, I am pleasantly surprised that the author didn’t try to bring Kirari with her twin sister. “Evil twincest” is a fairly common cliche in works with similar stylistics, so I’m glad that instead Kirari got a more or less explained couple with Sayaka.
I understand that Kakegurui is not some realistic LGBTQ show, but I would be interested to know how their relatives would react to their relationship. Especially if we take into account that both girls are daughters of very rich, and probably, prudish and conservative families.
It’s too bad the season isn’t all that great, but wow, fantastic review as always, Mariko!
I’ve only seen the first two episodes and was struck with a good deal of the negatives you already mentioned. It’s unbelievable that they spent so much of the first episode on flashbacks, because all that did was remind me of how much better the art USED to be. (I would have second-guessed myself if it hadn’t been for the unfavourable side-by-sides).
At least we got this review out of it – and frankly, I appreciated the spoiler, so I know not to get too hung up about that resolution.
Thanks for reading! It really was too bad, because last season I had to force myself not to binge watch, I was enjoying it so much, and this time if it weren’t for wanting to write this review I would barely be halfway through. Just goes to show how important execution is in arts, I guess – same concept, same characters, different execution, different results.