Back a the beginning of the year, I reviewed the second volume of a sequel to this series, Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜). Given that I knew almost nothing about the Bakumatsu period and the appalling people in the Shinsengumi and the Hitokiri, beyond what a few nights with Wikipedia offered, I did pretty good reviewing it, I think.
Today I have backed up and started with the beginning of the series, Bakumatsu Joshikousei – Oni to Yoake, Volume 1 (幕末女子高生 鬼と夜明け 一). The students and teachers here at Koharu Girl’s School are reborn members of the Bakumatsu, the end of the Edo period of Japanese history. As I noted in the previous review, this book follows
And…that’s basically the whole story. There is a lot of running around as Hijikata keepsragging at Sakomoto for her lax uniform or showing up late but, as mostly every one else, Sakomoto only does this when Hijikata is on duty.
Everyone – including our principles – knows they are in love, but the rules of the school are clear. Love between students MUST be forbidden as any kind of bad feelings could spill out into another civil war. Since everyone is aware of who they are, who everyone else is, and all the various lives they’ve lived, everyone takes this rule very seriously. Nonetheless, they have allies, even if they aren’t aware of them. Okita Sou, who hold the soul of Okita Souji, is dedicated to protecting them both.
And this, in a nutshell, is what I genuinely like best about the series. Everyone knows who they were and are, they understand the larger issues amongst themselves but, reincarnated in the 21st century as high school girls, all the politics they were involved with are meaningless. Both sides of the Bakumatsu period were using the Shogun and the Emperor for their own power, to reclaim the kind of past they imagined would be best for them, a peace that allowed them to be on top really. No one was fighting for a future that was more kind, more healthy, more equitable. And here they are, reborn into a world as girls in a decidedly not violent state where their primacy is determined in on a kendo floor, not in the street. As a result, all they have left of themselves is their relationships – which they care about deeply.
Ratings:
Art – 8
Story – There isn’t much of one, so 5, maybe?
Characters – 8 Much nicer than their historical precedents
Service – Not really
Yuri – 5
Overall – 8