Author Archive


Comic Yuri Hime, July 2013 (コミック百合姫)

July 10th, 2013

I’m not dead yet, really, just moving slowly through the stuff on my pile. Soooooooooo slowly.  The next few days I am also in and out doing the summer trifecta of beach, theater and amusement park, so don’t expect anything new for a few days – I’ll be busy having fun outside. ^_^

Summer has landed and with it, the July issue of Comic Yuri Hime (コミック百合姫). The cover tells a single-page story of young love.

This is followed by what I’m thinking might well be a fun new series. “BGMRSP” (“Bousou Girlsteki Mousou Renaiteki Suteki Project”) follows two childhood friends who are totally unalike. Aoi is boyish, athletic, tall and Beniko is girlish, sophisticated and cool. Now they are both in a girls school and each have a harem of devoted fans. So they decide to have a harem competition. School is now a harem-gang warzone. I have no idea if I’ll like this story or not, but I have to give it points for originality!

The entirety of the first half of the issue was uninspiring for me (and the reason I was slogging through it so slowly. Lots of…stuff I’m not interested in. Halfway through the issue I almost flew over to Japan and slapped the editors. In a “Happy Wedding!” Special, they ignore everything important about marriages between female couples to provide utterly fatuous advice like “make sure you buy Yuri manga.” Yeah, in a country that does not recognize the relationship between a chunk of your audience, I’m sure all the lesbian readers found that hilarious. Ugh.

Finally, at about 2/3 of the way through the quality picked up, with Takemiya Jin’s “Atchi/Kotchi/Dotchi” which is still mining the levels of misunderstanding between Satomi and Nana. Best line of the chapter. “What are you hiding from me?” “Ah, which one?”

Morishima Akiko returns with an older chapter from Rakuen no Jouken and new chapter following Serina and Sumi.

Tanaka Minoru’s “Rock It Girl!”  dives into Seira and Kaname’s childhood in a deeply unconvincing kind of therapy session.

“Watashi no Sekai o Kousei Suru Chiri no You na Nanika (私の世界を構成する塵のような何か)” by Amano Syuninta gets Ruki and Sachi about a quarter step closer. And we get left with the image of Maasa as a child, doing ballet. I feel for her.

Ohzawa Yayoi’s “Strange Babies come to a climax as the penny *finally* drops for Yagi. Phew.

There is Yuri in this chapter of “Yuri Danshi,” but it still manages to be all about the guys. Gah.

The first half of the magazine kept putting me to sleep, but the second half had what I’m looking for.

Ratings:

Overall – 6

I can’t speak for anyone else but, all these years of reading about girls in school has given me an allergy to school uniforms. So very, very off-putting. Dear mangaka – try getting out more.





Stories, Stories Everywhere…

July 7th, 2013

Welcome to Special Announcements Sunday here on Okazu. A happy Tanabata to you.

When I stepped away from events and publishing in March, the most popular question I received at the time was, “What will you do with your free time?” I have an answer for that now. I am spending my time and money on getting things done that have been left languishing for years. So. Today we have two announcements:

Yuriko and Midori by KunThe final chapters of Saiyuu no Ryouko: The Continuing Adventure of Yuriko are (at last!) available on Yuricon.

Shoujoai ni Bouken and Saiyuu no Ryouko, the stories about our beloved Yuricon mascot, out lesbian pop idol Yuriko and her lover, novelist Midori, are completed and up for your reading pleasure.

The first book took a mere 7 months to write, but I had no other obligations and I spent a lot of my days and nights writing.  The sequel took several years to write, but it’s been complete, probably, since 2008 or so. Time just got away from me, with other, more critical tasks.  Looking back over the chapters, I’m still very happy with the stories.  Yuriko and Midori are characters I like to think about, even now.  Maybe one day I’ll even write more about them. In any case, I hope you enjoy reading their stories as much as I enjoyed writing it. ^_^ Please feel free to write fanfic for them. We put SnB/SnR fanfic up on Yuricon. Fanart is also welcome – it will go up on our Yuriko and Friends Gallery. If you are motivated to write or draw about Yuriko and her friends, I thank you from the bottom of my heart. ^_^

***

Worldshaking 2.0And, even further down the list of “stuff to get to eventually” was my poor little fan/fiction site, “Worldshaking” Fanfic. I originally built an archive in 1997 when I first started to write Xena fanfic. Like so many other people at the time, I had a free site (not Angelfire ^_^;)  and in 1998, I added my first Sailor Moon stories. It was about then I moved to my own site, “Worldshaking” Fanfic, although the Wayback Machine only has an image from 2001. I remember the first site I built. I was so proud of myself. ^_^  The image here is from my first site renewal. I spent *hours* on that tiled clouds background. /grin/

The site remained substantially the same from 1998-2006, when I ran a contest here on Okazu to get a new design. Kyanite developed a spiffy new site design for me – one that was not terribly different from what most people would be doing shortly thereafter on WordPress. I was writing more Maria-sama ga Miteru stories by then and a lot of Miscellaneous Fanfic from random, obscure series like Amakusa 1637, Transistor ni Venus, Hana no Asuka-gumi, and the like. ^_^

WSF2Also around then I started putting together more original fiction, aside from Yuriko and Midori. Fanfic is a great way to learn the basics of writing, with training wheels. With a fanfic, you don’t have to create the world, the situations or the relationships.  (Although I often do anyway. I tend to create original characters and situations, even while using the ones already established by the series. ) The new site allowed me to focus on whatever I was doing at the time, without losing access to the rest.

I haven’t written a lot of fanfic in the past few years. In 2008, I lost a job, got another one, lost that, got a *terrible* job, left that, had a series of awful jobs until 2010 when I got the job I have now, which I love. Those years were not easy on me – my health and creativity crashed and burned. Duh. And here we are, years later and I am *finally* back to a place where my creativity has returned to close to previous levels. I’m ready to write again. And now I have the time, too.

So, here is my second announcement.  “Worldshaking” Fanfic is back, with a new look  – and a new, original story! And I find myself mentally gearing up to finish a bunch of unfinished stories, (including a cyberpunk novella I have had in my head for probably close to a decade now, which is about 2/3rds done.)

WSF3

Before I wrap up here, I want to mention two things. One – you may have noticed that all the iterations of the site have that dorky little animated gif of Sailor Uranus doing “World Shaking!” I love it, do not grief me over it.  As long as there is a WSF, that gif will be there.  ^_^ (Does anyone else remember those?  They were from some game or other, I think I probably have them all on an unreadable backup disk somewhere.)

Secondly and most importantly, the recent Yuricon, Okazu and WSF site renewals have been worked on by the incomparable Lissa Pattillo. Lissa’s design skills, patience and WordPress wizardry cannot be praised enough. I recommend her with all my recommends for your website needs.

Thank you for reading Okazu and for reading my stories over the years. I hope to bring you many more. ^_^





Convention Harassment and What We Can All Do To Help

July 5th, 2013

If you have read any comics industry news in the last year or so, you’ve probably run into reports of a person having been harassed at a convention. For many of you reading this, you may have been the victim of harassment for one reason or another.

As we’re in full convention season swing (and I am moving at the rate of molasses through my piles of books to review,) I thought it might be nice to note that the issue is getting some very excellent commentary these days – that is to say, it’s not just the loud obnoxious few who are being heard.

In particular, I want to draw your attention to John Scalzi, who is the Hero of Nerds everywhere. A few weeks ago, he wrote a post about a female friend who had been harassed at a convention, and he gave his well-read blog over to her article Reporting Harassment at a Convention: A First-Person How To. If you, for any reason, have been harassed, please read this post.

Some folks thought the article was putting the responsibility on the victim to make something happen. On Twitter, Matthesen pointed out that that was not her meaning, but that if a report is going to be made, there was a more effective way to do it, and a less effective way.

A lot of people were talking about the post, and a conclusion of sorts was reached that there are three responsible parties in any harassment situation – the lion’s share of the responsibility is with the harasser. But the convention must also take some responsibility. Events should have publicly posted anti-harassment policies that are consistent, with staff that knows how to implement them. And, should someone flout the policy, it’s good idea to keep Matthesen’s rules for “How To Report” an issue in mind.

This week Scalzi put into place the first thing WE can do. When he gets an invitation from an event to be a guest, he is now going to check and confirm the event has a publicly posted anti-harassment policy.

And it dawned on me that we can all do something like that. We’re not all famous, but as con-runners, staff, volunteers, vendors, guests, industry and yes, attendees, each one of us can do *something* to make events safer and more welcoming for everyone.

Con-runners/Organizers – Sit down with Senior Staff and discuss your con’s anti-harassment policy. You and I know that attendees may be literal-minded and if your policy is not specific they will argue with you that it “wasn’t against the policy.” Be specific. Otakon, for instance has a very non-specific policy in 2013: We also have a general policy that we do not tolerate disruptive behavior of any sort, and we can and will take action when we see something we feel is dangerous or disruptive. That is, IMHO, a terrible policy, because flawed human nature makes it really easy to see the crying victim as the “disruptive” party.

2018 Note: Otakon’s policy this year is even worse. It has detailed discussion of everything…except harassment, which is mentioned once: “The sorts of things that may trigger such action include but are not limited to: fighting (fake or real), heckling, impeding traffic flow, offensive behavior, harassment, failure to observe basic hygiene, public inebriation/intoxication, or any other failure to follow the rules and directions of staff members. ” 

That’s not a policy. 

A much better policy would specify that “any speech or behavior that is prejudicial, harassing, demeaning or discriminatory on the grounds of color, race, religion, dis/ability, sexuality, gender or gender presentation will be considered disruptive” would be much less open to interpretation.

2019 Update: Otakon has taken this much more seriously this year. It’s a stark improvement. Now they need to work on the procedure.

Every con should have a policy. Period. It’s the first step every event can and should make to ensure the event is safe for everyone. Which leads me to:

Con Staff – If you’re working with a con in a position of any rank, check right now to see if your con has a specific, enforceable policy against harassment. If not, make it your business to get one added to the con site and program book.  To see if the con you volunteer with has a clear policy, check out the Geek Feminism’s Conference Anti-harassment Policy page – or if you know your con does have a policy, make sure it’s public, visible, and known! Know *who* on staff is responsible for what. Who gets notified – what will happen? Make it your job to tell the folks working with you and for you, so everyone is on the same page.

Every single staff member and volunteer should know the 1-2-3 Steps for handling harassment issues presented to them.

  1. Make sure the person is OK. (If not, get help *immediately* Even if that means you’re not watching that door anymore.)
  2. Know who to contact to handle the situation. (Junior staff and volunteers should not be taking reports like this. Have a person or persons on staff whose job it it to immediately address these situations.)
  3. Do NOT try to Fix the situation. If it can’t be fixed with duct tape, it cannot be fixed by you. Find the person who is trained to handle it – as quickly as possible –  then hand the person off with encouragement and comfort.

Volunteers – When you get your training and/or assignment, make it your business to learn what the policy is, what you can and can’t do, who to contact, etc. If no one tells you, ask! Ask what the policy is, who you should contact and where they might be found.

Industry and Vendors – At the very least make sure all your representatives know the event policies (and your policies) and ensure that they do not find themselves on the wrong end of them. If one of your reps is involved, please be prepared to take responsibility. Report harassment when you see it – so, know who you need to contact. Vendors, especially, if you can be counted on to be a safe haven when a problem arises, that would be nice. I know you’re busy, but someone might really need an act of kindness just then.

Guests – I’m not asking you to follow Scalzi’s lead,but…yes, I am asking you all to follow Scalzi’s lead. You are a Guest and you have some pull. Require the events that host you to step up to the plate and have a clear, public policy.

Attendees – Look for the con’s policies online, in the program book, or on a sign. If you do not see one, ask if there is one and how can people learn about it? Read the policy. Ask yourself – if someone was vile to you or someone you love, would that policy protect you? Go to the con after-session, write the con chair and ask for a public, specific policy if there is none. Make it your business to make your con a safer place for everyone. Don’t go vigilante on the con – work with them. Ask politely *who* is responsible for taking reports. Ask them if they can make the policy clearer, or assign a senior staff member to take reports. Don’t confront, don’t harass, just offer to help. And, if something happens to you, don’t be afraid to report it. You didn’t do anything wrong.

We’re at the tipping point. Fandom is for all fans and so it makes sense for all fans to take a hand in making fandom a safe, welcoming space for everyone. ^_^





Happy Independence Day

July 4th, 2013

With Liberty and Justice for All.

torch

libertyjusticeforall2

libertyjusticeforall





Live Action: Sakura no Sono Movie 2008 (櫻の園)

July 1st, 2013

Sakura no SonoI don’t do Sunday afternoons well.  Have I ever mentioned that? “Long, Dark Tea-Time of the Soul” comes close to how hopelessly awful I feel every Sunday afternoon is by sheer dint of it being Sunday afternoon.

Sunday afternoons find me flipping aimlessly through websites, TV shows, social media, books and DVDs looking for something to draw my attention. Yesterday, for some reason, re-runs of Bulletproof Monk weren’t doing it for me (thanks for trying, Showtime) and there was no rugby to be had. When I used my magic powers to turn up some entertainment, what rose to the top of the pile was the 2008 remake of  the live-action movie based on Yoshida Akimi’s manga Sakura no Sono, (which was reviewed here on Okazu by Yuri no Boke’s Katherine H in 2011.)

I hit “play” expecting to be unmoved. Well I couldn’t have been wronger. The movie is sort of a nod to the manga and to the 1990 movie, without letting them get in the way.

Yuki Momo (played by Fukuda Saki) is a concert violinist in training and she is clearly very good. But not good enough according to her teacher – and her attitude (which appears to be that she enjoys playing) has to be crushed immediately. So the teacher tells her she’s a failure and ought to just quit. So, Momo quits.

Momo’s older sister Anzu (who is getting married shortly, like Atsuko’s sister in the manga) and their parents pull strings to get Momo into Ouka Girl’s Academy, a stuffy old institution with ridiculous rules and traditions. Momo is less than enthused and starts to get a reputation immediately. She’s reluctantly shown around by class rep Akaboshi (Terashima Saki), who is apparently stuffy herself, but Momo can see that she’s crushing on the school prince, tall, athletic Ogasawara Aoi (Anne Watanabe.)

When Momo sneaks into the old schoolhouse (which is scheduled to  be destroyed,) she comes across a script for a play version of Chekov’s “The Cherry Orchard” adapted by her teacher, Ms. Sakano. When she asks about it, Ms. Sakano says that it was never performed, and that the school will never let it be. Of course we find out why – a girl in the drama club became pregnant and killed herself. The play was banned, but the rest of the drama club went on strike and blocked themselves in a room in the school to get the school to let them perform the play. The head of the drama club at the time was Ms. Sakano, and Momo’s sister Anzu was in the club.

But now Momo finds herself in the role of director of the play, with a cast of schoolmates who want to try, at least. Aoi is taking the lead female role to embrace her feminine side. But when a girl in the club fears she’s become pregnant, she lies about going to the hospital to her father, instead telling him she was practicing for the play. He calls the school and the jig is up.

The Vice-Principal confronts Momo, banning the play and threatening any girl who performs with rejection from the junior college. Momo has a great line about the banning of the play having *nothing* to do with the play, and how the traditions of the school are more important than the students. The Vice-Principal counters with a good line of her own – that the school’s traditions are not created by the students and if they do not wish to follow the school rules, they are welcome to take the school uniform off and leave.

The play is forbidden by the Vice Principal, but the girls sneak together off campus to practice anyway. When Sakano-sensei discovers them, she becomes their coach and they decide they’ll perform it off campus. The scene where they all agree to do it anyway was great – each actress quoting lines from the play, partially out of context, but not entirely. The words were applicable, if not really meant that way.

Once again the school learns of the play and this time Ms. Sakano argues for the performance. The Vice-Principal agrees, but demands that it be performed on campus, at the school anniversary. We learn that she was the Drama Club advisor 11 years ago.

The movie comes to an end as the girls head off to perform The Cherry Orchard.

This movie was a massive modernization of the original story. The girls are thoroughly 21st century. The idea that Midori may be pregnant is not shocking, but worrying. Momo does not have a boyfriend, but in the first scene, she plays after a young man on violin at the trial, and later meets him playing sax on the street. He says he’s given up violin because he never could be as good as her. He keeps in touch with her and invites her to see his band. This was a great scene, as she helps him with his song and the singer, Rimi (played by Ueto Aya) gives her a thumbs up. She gets some positive reinforcement and later Shu asks her to join the band – and him – in Tokyo. Momo thanks him but says no. She’s decided to graduate from Ouka, and then decide what she’ll do with herself. I loved how this scene held no pressure for Momo, nor promise of a dream, just a possibility she was at leisure to pursue.

Yuri? Yes. When Anzu brings Momo to the school, Anzu sees Sakano-sensei and runs up to her, immediately casting herself in the position of underclassman with a huge crush. It was a nice bit of acting. Later, in a somewhat less well-acted bit, Anzu tells Momo that her feelings were love. “I would have left school for her.” But it was never to be. When Anzu comes to the school for the play, she and Kayo have a moment in the old school building, where they talk about the past. The scene really stood out as it was played by the both of them as if they were on a stage. Each step was scripted for the audience –  not natural at all. Then the girls all come in, bouncy energy and natural motion, and the moment is gone. It was touches like that that really made the movie work for me.

In the final moments before the end of the movie, Aoi discovers Akaboshi, nervous, alone, and withdrawing. Aoi reaches out and draws her into a gentle embrace. “A charm to relax you,” she says, and Akaboshi holds her and relaxes. Momo sees this, smiling gently for them and only interrupts when she is forced to by the others approaching.

There is one final gag, which was ridiculous, but it helped the movie end on a non-allegorical note, which I appreciated. ^_^

Ratings:

Story – 8
Characters – 9
Yuri – 3
Service – 1 on principle
Cinematography – 7 No lingering fetishy shots of landscape, sakura as symbol or fleeting maidenhood or any other gag-making allegory. Clear, clean shots that complimented the generally excellent acting.

Overall – 9

As I said, I had no expectations from this movie – if anything, I expected it to be kind of sucky, but I enjoyed every moment of it. It made my Sunday afternoon fly by!