Archive for the Bee Train Category


Yuri Anime: Madlax, Volume 5

March 16th, 2006

Madlax 5 is absolutely, positively worth the wait.

I know that most anime fans have the attention spans of a gnat, so I wanted to say that quickly, before you stopped reading – or if you, perchance, have stopped watching Madlax because you saw Noir and think that it’s the same thing. It is the same thing – but better. Think of Noir as practice.

This volume is entitled “Convergence” and for once, the title actually fits. In this volume all the playing pieces gather together on one board.

Madlax and Vanessa have been framed so that the entire country believes that they have murdered a member of the royal family – which they have not. Rimelda (the official translation is Limelda, but I prefer the R to the L, so I’m sticking with my version, even though it is wrong) has been assigned Madlax as a target, but when she confronts Madlax and Vanessa, they give her the data they stole from Enfant.

This entire volume is the death and rebirth of Rimelda and it utterly, totally, completely rocks.

Rimelda dies as an elite sniper of the Royalist army and is reborn as an insane, obsessed killer. Think about that sentence for a while…eventually you’ll realize that there is, of course, no difference at all. Rimelda hasn’t *quite* gotten there by the end of the volume, but she’s on her way.

Vanessa learns to shoot so she can take care of herself, which ups her cool factor a few notches. When Margaret and Eleanor (another name for which I refuse to use the official version) show up, she’s not unhappy at all to have them join her.

They all *converge* upon Quanzitta’s village, where Naharu (a third name I use my own version of) wonders why she can’t get Madlax out of her head. Carlossea Doon shows up too, but he’s such a non-entity in this series, even if he is one of the main three characters. (I’m being generous here… his name is pronounced Carlossur Dawn. But because I don’t care about him, I’ll use his official spelling. Which the dub actors pronounce “Dune.” argh)

So we’re all together and the three mystical books are gathered. Finally Quanzitta has something to do other than take baths.The plot is pulling together and they are all getting closer, as Laetitia points out. The tension runs high, and the end, while not far away, is not really at all in sight. Something else, I like – when it’s carried off decently. Plotwise, this is the beginning of the end.

But the strength of this volume is in Hisakawa Aya’s portrayal of Rimelda, as she loses her life, her dreams, her status and her mind and replaces them all with an obsession. She falls in love with her idea of Madlax – and that supremely unhealthy love is only strengthened by every encounter with her prey. Rimelda nails their relationship after an aborted hand to hand fight with Madlax – if only Vanessa hadn’t interfered, they could have continued the dance.

I love Rimelda and Madlax together, so I was a little peeved at Vanessa too. And in myYyuri goggles, now that Eleanor is there, she and Vanessa can play family with Margaret, leaving the fightin’ chicks to each other. ^_^

My first thought – and one that resounded over and over as I watched this volume – Rimelda is Chloe, but done *right.* Not just because she has the same voice actress – but because they are the same lost little girl characters who are living a lie. Only where Chloe always seemed like a refugee from a different story in Noir, Rimelda is a crucial part of Gazth-Sonika. In many ways, she is more part of the world than Madlax herself – both as a character and as part of the larger mystical plot.

The song “I’m here,” which plays before every scene in which Madlax gets all bad-ass, becomes, in this volume an actual, active part of the plot. The final use of it in the volume – it is as much part of the story as the action going on around it. If you haven’t read the lyrics, do. It’s absolutely the story talking to the audience. I was left quite breathless by it. Good song, too.

The liner notes are, as always, worth the read. There’s a wacky little note about Rimelda written by Hisakawa Aya, which is very funny as it censures Rimmy about sleeping with Doon, but never even mentions falling in love with Madlax.  And I don’t know why I missed these, but the extras on the DVD include “Conversations with SSS,” which are completely insane dubbed scenes that are totally stupid, go on too long and are really funny. I’ll have to go back and watch the back volumes now. ^_^

Ratings:
Art – 7 (good, until it gets wonky)
Story – 9
Characters – 8
Music – 9
Yuri – 7
Service – 2

Overall – 9

This was *such* a good watch. I was really into it. I’ve heard from alot of people that they couldn’t get into Madlax, or they felt it was just a Noir clone. I love Noir, but of the two, I really have to say that Madlax is the far superior story. As I said in the beginning, this volume is absolutely worth the wait.





Yuri Anime: Madlax DVD Volume 4

December 1st, 2005

Every time I watch the fourth DVD of Madlax, I think, “This is probably the best work Bee Train will ever do.”

The story doesn’t yet make sense (and doesn’t ever make *complete* sense, but that’s okay) and the characters aren’t resolved (nor do they ever fully resolve) or even developed, but the sense of hanging tension and anticipation is what I think they are trying to do – the later development and resolution of characters and plot is almost anticlimactic. The questions are the point, not the answers. But, where in Noir the questions never get anything like real answers, in Madlax they do – even if they are a bit fantastic. Which is why I say that this volume is pretty much the pinnacle of Bee Train’s work, as I understand it.

What *does* happen in this volume? Well, the link between Margaret and Madlax is drummed into our head in three refrains: hot drinks; red shoes; pasta.

Madlax stares into the eye of Enfant and find her brain leaking out her ears from the mystical words of the book Firstari. Twice. And twice Vanessa saves her sorry possessed ass.

Vanessa and Madlax get all touchy-feely.

Carlossur Dawn realizes that he’s going to have to choose soon, between the truth and his job.

Vanessa gets to play the prince to Madlax’s lost princess, but is way glad when Madlax takes the role back.

Margaret doesn’t have enough brains left to be affected by her own book, Secondary.

Eleanor is still a really strange maid. ^_^

Rimelda is on the cusp of realizing that her life is meaningless without Madlax in it.

Vanessa and Madlax visit the place where it all began, and Margaret knows it, somehow.

Naharu walks around looking mysterious and cool, but adds nothing appreciably to plot or character.

Did I mention Vanessa and Madlax snuggling?

The music in this particular set of episodes is pretty much the same three songs you keep hearing over and over, but at this point they become symbolic, as well as decorative. In fact, Madlax’s own theme becomes so crucial to the plot, Japanese fans apparently joked that the word “Yamaani” which is the repeated opening word of her song, gave Madlax superhuman powers. ^_^

Sometimes a story takes too long to get to the point. To be honest, I don’t really care if there ever is a point in this anime – it’s a fun ride, full of gunfire and other people’s misery and deeply mystical, occult symbolism that means nothing to me. ^_^

My only complaints? Friday Monday is STILL the worst name EVER for a bad guy…and…Firstari? Oh, come *on*! Primary. The word is P-r-i-m-a-ry.

When they use Thirdari, I just start to cry.

There’s no overt Yuri. Vanessa and Madlax snuggle in a comfy, friendly way, but I’m not opposed to the idea that it went further somewhere along the line. Nonetheless, I hold in my heart Madlax x Rimelda and Vanessa x Eleanor.

Ratings:

Art – 7
Story – 8
Characters – 7
Music – 8
Yuri – 6

Overall – 7.5

A strong action story, with a little light magic thrown in.





Yuri Anime: Noir, Volume 4

October 19th, 2005

Get Noir, Volume 4 on the Yuricon Shop!I rewatched Volume 4 of Noir in the post-Onna! “marathon of watching and reading things non-stop so I don’t have to talk to people” fest. It’s quite good. And remarkably bad.

Let’s get the plot complication stuff over quickly…the first two episodes are designed to make Mirielle and Kirika seem more human. I think. In the first episode of the volume Kirika befriends an ex-mercenary turned painter and takes up painting herself. Mirielle warns her away from befriending anyone, but Kirika persists, with tragic results. In the second episode, we learn yet another little piece about Mirielle’s past and, if we are not entirely clueless, will come to realize that this is not just “making Mirielle seem more human” but really a hint that her past is quite relevant to the story. Think about it – Kirika has no past and we never, not really, try and figure out who she is. But little by little Mirielle’s family, and their fate, keep popping up, over and over and over….

In any case, this attempt by Mirielle to recreate an old relationship fails in a slightly more tragic way than Kirika’s attempt to make friends. In Kirika’s case, the guy is killed more by circumstance than anything else; in Mirielle’s case, she actually pulls the trigger and kills her beloved uncle.

The second two episodes are ridiculous. I love them, but if they were disappeared the story as a whole would not suffer one iota. A Chinese Tong sends a irresistably goofy assassin to take out Noir, (she kills with poison nails…and wears a fashionable leather jacket, all at the same time!) with predictable results. This is the mini-arc in which we see Kirika’s magic bullet shield on full – she kills about 40 people and not one of them manages to so much as graze her with a scathing look.

But, let’s let that all go and talk about the Yuri. In Volume 4, where Kirika obsesses about a guy and Mirielle about her uncle? Why, yes, now that you mention it.

This one was easy – watch Mirielle react to Kirika’s new hobby. Neutral, a little amused. Then watch Mirielle react to the cause of the new hobby…open jealousy, baby. I never noticed it the first time, but Mirielle spends the entire rest of the episode *bristling* when she thinks about Kirika spending time with that guy. Great voice acting from Mitsuishi Kotono there – she sounds deeply irked and bitchy. ^_^

Then we have the other half of the equation – Mirielle returns with the news that her uncle is in town, yay! Kirika would, assumably, be annoyed, yes? Something to take away from the well-oiled machine that is Noir? Nope. She’s pleased as punch that Mirielle has regained this link to her past. Why – because she can see how happy this has made Mirielle.

Now add those two little things up. They equal a relationship. Not, perhaps one between lovers, but certainly one between people who care, a lot, for each other.

Now, Bee Train has already said about Noir that if you see Yuri, it’s there. I choose to see a relationship that is beginning to leak past professional into personal.

And because, for some reason I cannot fathom, some people like Chloe, I’ll also mention her stalking Kirika to Hong Kong as a sign of her obsession about the other girl. But I strongly feel that the vibe is one-way. While it’s clear that Chloe sees Kirika as her perfect future partner, I don’t get the sense that Kirika even sees Chloe as a an existence, really. Her mind is on her partner *now*. And from my perspective, it stays there…except in the bits where they brainwash her. But I’m getting ahead of myself. ^_^

Ratings:
Art – 6, it’s horribly inconsistent from scene to scene
Story – 7
Characters – 7
Music – 9
Yuri – 5

Overall – 7 and a great way to pass a gloomy Sunday afternoon. On par with a decent kungfu flick. ^_^ There was something terribly important I wanted to say here, but now I’ve forgotten what it was. Oh well.





Yuri Anime: Madlax, Volume 3

September 12th, 2005

Madlax, Volume 3 Sometimes you get a craving and nothing but sociopathic women with guns can fill it.

Volume 3 of Madlax is both wonderful…and frustrating. Wonderful, because all the connections start coming together, leading you forward towards who knows what. It’s also frustrating for the exact same reasons – you keep feeling like everything is going *somewhere* but you’re just not getting quite enough info to piece it all together.

For me, the volume is very satisfying, as it focuses primarily on the character of Vanessa Rene, whose efforts to find out exactly what’s going on bring her into contact with Madlax, and with Enfan, thus knitting together the three great variables in the story: Who is Madlax, and how did she get those mad assassinatin’ skillz; what on earth is Enfan’s relationship to the civil war in Gazth-Sonika; what does Margaret have to do with any of this?

None of these questions is answered, of course – but Vanessa actually articulates the first two – and the third is implicit in the storyline. Bee Train isn’t giving anything away in this anime, we’re going to have to work for our payoff here. When I watched this part the first time around, I was skeptical that we would get *any* payoff, but now I know we will, and I’m content to let the story play itself out.

In writing the above, I just realized that watching Madlax is a bit like watching a play by Chekhov – you have to let the characters repeat their particular bete noir over and over until the threads all ravel and it begins to make sense. You can’t rush it, or guess what will happened/has happened. You just have to wait.

On the yuri side, I love this volume for what it doesn’t say. There’s still the weird vibe between Vanessa and Eleanor, which makes me think that they slept together, but don’t have a “relationship” per se. Eleanor would be hard work – her focus is so single-minded, that to make her notice her existence, Vanessa would have to do something irrevocable and awful. Vanessa ain’t no dummmy – she lets whatever is between them stay as whatever Eleanor makes it.

When she meets Madlax, its obvious that Vanessa is resonating to something within her – there’s an obvious desire to connect with this mysterious girl, and maybe protect (or perhaps treasure) her a little. There’s a very, very slight yuri feel there, but I think that’s because they are strangers and Vanessa doesn’t yet know who/what Madlax is or how to approach her. I don’t have any difficulty in believing that Vanessa would sleep with Madlax, if she thought that would be a good idea for them both. We know, with 20/20 hindsight, what the thing she feels in Madlax is, but as she doesn’t know herself – and never does learn – it leaves an interesting edginess between them.

As for Madlax, she clearly sees the relationship between her and Vanessa as a mirror image of Vanessa’s interpretaton: she’s the prince protecting Vanessa, the princess. We’ve already seen that Madlax isn’t afraid of sex and, once again, I think Madlax could well sleep with Vanessa, if she felt that it was the thing to do.

Will they, do they? I don’t think so. But that edge between them is fascinating and titilating.

And there’s Rimelda. This volume could be entitled “The birth of an obsession” and I think it’s a beautiful thing. ^_^ I’m not usually fond of obsessive relationships, but again, I know what’s coming and this one works for me.

Ratings:
Art – 5. It’s very inconsistent, with that BT tendency to have really bad people on top of really lovely backgrounds
Story – 8
Characters – 8
Music – 8
Yuri – 6, with loads of possibility

Overall – 8.

Madlax is a story that remains intriguing and fun, as long as you don’t need it to “make sense.”





Yuri Anime: Noir, Volume 3

August 15th, 2005

Just as a reminder, it’ll be a short week for Okazu, since Otakon is coming up on Thursday. I’ll have my computer, and there’s a small chance that I’ll be updating, but no promises! ^_^

Okay, so despite the fact that my life is nearly 100% Maria-sama ga Miteru right now, I thought I’d move off it for a sec, and harken back to the golden days of yesteryear, when yuri anime existed, and women who carried guns ruled the small screen. That’s right, its time for Noir. (You can use the search feature up on the top of the page to find my reviews of Volumes 1 and 2, because I’m too lazy to look them up for you. Just stick in the word “Noir” and the links’ll be the top ones.)

In this third volume several significant things happen. For one thing, the gradual character development of the second volume is left behind, and the sense that something important is looming just ahead is notched up several, erm, notches. The character Chloe is introduced in this volume and, most importantly, in Episode 10, one of the faceless henchmen actually gets *wounds* when he is shot! And here I have been saying that that never happens. Wrong again, Erica.

Before I comment on Chloe, let me first mention Altena. Altena was a completely wasted character. For someone who got so much build-up through the series, they really never *did* anything with her. She was supposed to have been the other Soldats branch, supporting the “pure,” ritualistic Noir, as opposed to the crime syndicate assassin-for-hire Noir, but they really never managed it. Bee Train has improved at stroy writing since this anime, so I won’t beat it to death, but really, Altena was a waste. Which is a shame, ’cause she might have been cool. (Not as cool as Inccontabile, who I still think would have made a better adversary.)

And then there is Chloe and her spork. (Damn you Dreiser, for destroying my brain with that image!)

Chloe is meant to be creepy and cool and scarily ubercompetent. And fandom seems to agree, overwhelmingly. But I think she’s pretty boring, myself. In the Volume 3 liner notes, we learn that of the four major characters Mirielle and Kirika were created by one woman, Chloe by another and Altena by a third. The three characters designs were integrated for the story. I don’t think it worked, sorry. Chloe would be great in say, ./hack‘s The World, but in France, she seems utterly ridiculous. I realize that I am in a minority of one when I say that Chloe and Kirika together as a couple would not only be horribly unsexy, but utterly, mind-numbingly boring. And don’t get me started on that cape. LOL And it’s a damn shame, because as everyone knows, Chloe’s voice is done by the utterly fabulous Hisakawa Aya, for whom I have nothing but the most immense respect. She does her best to bring some depth to this role, but its a doomed effort, since Chloe really just doesn’t have any. I will say for Chloe that in this volume, at least, she gets some modicum of personality – and we get the glimmer of Chloe’s genuine desire to be paired wth Kirika. So that works whether I like it or not. ^_^

Be that as it may, Volume 3 starts to pick up the action a bit from the slightly slower and more melancholic Volume 2. In general, it’s a great set of episodes, with a hint of the “40 versus 1” that will come in the future, in which Kirika can stand in a open space and not be shot by the several dozen men shooting at her, while she takes them down with a bullet each. Totally realistic. ;-)

Ratings:

Art – 7 (Chloe’s face is often uneven and the people stand out as really bad in front of lovely detailed backgrounds.)
Story – 8
Characters – 8
Music – 9
Yuri – 6

Overall – 8

Watching Noir is like the old potato chip tagline – you can’t watch only one. It simply *begs* for a 26-episode all night carbohydrate and alcohol-laden marathon. Great, goofy, henchmen-slaughtering fun.