Archive for the Canno Category


Koudou Ryou no Seizana Hibi, Volume 2 (黄道寮の星座な日々)

August 1st, 2024

A girl with short blond hair holds the cheeks of girl with brown braids, as they laugh and smile at one another.In Volume 1,  a young woman is sent to the Zodiac Dormitory by her sister with the admonition to “Take care of Alice.” And so, in Koudou Ryou no Seizana Hibi, Volume 2 (黄道寮の星座な日々), by Canno, the new Virgo, in a dorm where everyone goes by a Zodiac sign name, has two mysteries to track down….why is Gemini so opposed to her joining and who, exactly, is Alice?

In case you cannot instantly guess the answer to the above two mysteries, let me assure you that I am about to spoiler the heck out of this story…

…they are the same mystery.

In this volume, with the help of the other girls at the dormitory, Virgo tracks down a lost diary written by the former Virgo about how she fell in love with a teacher and, after graduation, married him.

In the meantime it’s all fun and games, except Gemini will not give in and the rule is that there needs to be a complete consensus on new arrivals. But, of course, this is a rom-com, so eventually we get the whole story which is, yes, that the previous Virgo, new Virgo’s sister was the girl who left to marry the teacher, only there was another student at the dormitory who was in love with her – Alice, also known as Gemini.

This Virgo and Gemini decide they are in love with one another, as well, but Gemini assures her that she does not see Virgo as a shadow of her sister and we all live happily ever after.

Except.

One.

Thing.

If that girl were truly a Virgo, this story would have been over almost immediately. “Ohhhh, you must be Alice, ” she would have said to Gemini about 2 minutes after meeting her.  ^_^;

Ratings:

Art – 7
Story – 7
Characters – Exactly as you’d expect
Service – 0 Unless you have an astrology kink
Yuri – 9

Overall – 7

This is a very cute series for which I needed to take my brain away, in order to enjoy. I forgot to do that, so it was cute and might be forgettable except she chose to make the protagonist a Virgo. Had the signs been reversed, I would have accepted the story as written. ^_^





Koudou Ryou no Seizana Hibi, Volume 1 (黄道寮の星座な日々)

June 9th, 2024

A blonde with short hair in a white school uniform and beige cardigan, embraces a brunette with pigtails, who reaches out towards us. Both smile as they look at us, surrounded by small cute girls representing the Zodiac signs at the Zodiac Dorm.One again, this review comes with a story. I was standing in Animate in Shibuya and saw a book I had been meaning to read for a while, so I nabbed it because it was one of the featured titles. Well, I got home and found that I had purchased Volume 2 of this series, so it was going to require me to get and read Volume 1 first.  As it turns out, I was incorrect – I absolutely could have started with Volume 2 and just jumped right in, but I didn’t know that yet. ^_^

So Bookwalker to the rescue, which is where I purchased Koudou Ryou no Seizana Hibi, Volume 1 (黄道寮の星座な日々) by Canno, creator of Kiss and White Lily For My Dearest Girl.

A young woman comes to the “Zodiac Dorm” where every resident is referred to solely by the Zodiac sign they represent. Our protagonist arrives to explain the she intends to be the next Virgo. She seems passionate, and competent and all she needs to do is get the approval of all the other 11 (no Ophiuchus here) residents, which necessitated Virgo meeting all the other signs, being dragged into their drama and solving several conflicts before breakfast.  The rooms in the dorm accommodate two people, so there are some love affairs and personality conflicts. As far as I can remember Scorpio and Taurus are dating and, I think, Aries and Sagittarius.

And then, there’s Gemini. Gemini is…well Gemini. I’m not hugely into astrology, but if you know a Gemini, you know this Gemini.  She’s a human boundary violation. ^_^ And at the end of the tour, she rejects Virgo. Why? It’s a Mystery!

Only, it isn’t really and about then I realized I could have just read Volume 2 and have known exactly what was happening. No worries though, there’s nothing wrong with a little predictability. I’m watching Blue Eye Samurai on Netflix, I feel like it’s the equivalent of watching a Shaw Brothers movie (including the masterwork 36th Chamber of Shaolin, which is a must-watch for fans of the genre) – every line is pretty much predictable, every “reveal,” every scene. It’s okay to relax into that kind of thing and just let it wash over you.

What is Gemini’s deal? Who is the “Alice” that Virgo was told to protect by her older sister? Yeah…it’s the same story.

Ratings:

Art – 7 Not Canno’s best
Story – 7 Same as above, but that’s okay
Characters – Exactly as you’d expect
Service – 0 Unless you have an astrology kink
Yuri – 9

Overall – 7

So Volume 2 is awaiting me, but I’ll be shocked if I am shocked. ^_^ In the meantime, as the worst Virgo ever, I absolutely approve this Virgo as the new resident of the Zodiac dorm.





Yuri Manga: Kiss & White Lily For My Dearest Girl, Volume 9 (English) Guest Review by Christian LeBlanc

May 29th, 2019

Hello and welcome to Guest Review….Thursday. Yeah, I dropped the ball yesterday and simply forgot to post this. But I didn’t want you to miss this terrific review by Senior Kiss & White Lily Correspondent, Christian LeBlanc of 3DComics! So please welcome Chris back and give him your kind attention as he breaks it all down once again for us.

Let’s cut right to the chase: this penultimate Volume 9 of Canno’s high school “Yuritopia” Kiss & White Lily For My Dearest Girl (translation by Leighann Harvey, lettering by Alexis Eckerman) is a better end to the series than Volume 10, and if you enjoy these books well enough but happen to only own a few volumes, you owe it to yourself to add this one to your collection, because s*** gets real.

How real? Well, one girl forgets her toothbrush after sleeping over at her girlfriend’s house, someone else gets so angry at the world that they turn to cosplay to cope with it all, and in the climax of the series, another girl tells off their mom and then makes out with the girl she likes! (Suggested listening for this scene: your favourite pump-up music, be it something from Sailor Moon, Kill La Kill, or, if you want to get real campy, the opening 27 seconds of “Everything Louder Than Everything Else” by Meat Loaf.)<

With that out of the way, let’s back up a little and talk about our final new pair of characters. Asuka Sakurada finds herself repeating her final year of high school due to a basketball injury that made her miss too many days (it must have been a concussion or something, because she’s only shown with a broken leg in flashbacks, and I assume the poor girl would have had access to crutches). As a senpai forced to join her kōhai, she gets a *huge* chip on her shoulder about it, attending only the bare minimum of classes, refusing to integrate or socialize with anyone, etc. Her self-destructive attitude becomes extreme enough that she turns to that most delinquent form of rebellion, cosplay, which is how she meets Mikaze Hagimoto. Asuka cosplays a character who has a lot in common with Mikaze and vice-versa, the two hit it off, and we quickly see them making out on school benches, fashion wigs and all.

All of this is framed as a tragic romance, by the way – the first two words in the book are “It’s over.” If you’re like me and have a predilection for the melancholy, it means good times all around: put on your favourite gloomy Cure record and enjoy the tearful scenes that are to come. (I joke slightly, but it does get dark for poor Mikaze, who takes the break-up very hard indeed: the color has gone out of her world, she can’t concentrate in school, she starts skipping classes…we see later on in flashbacks that she spent at least one night alone with Asuka, which perhaps sheds light on why she’s having such a tough time, if things had gotten that intense between them.)

I think a much stronger ending would have seen these two making peace with each other as friends, but, you’ve already seen the cover, and you’ve probably read at least a few volumes of this series before, so you’ll just have to put on a different Cure record, I guess (one of their happy ones, that make you want to live). This is why Volume 2 will always be my favorite, by the way – Chiharu is rejected, but we get to see her *move on*, and she gets the entire volume in which to do so. Here, it feels like Canno wanted to explore a good break-up story, but had to wrap things up in order to get her characters posed happily for the cover shot; Asuka’s sudden change of heart even feels more like a plot requirement than anything sincere.

As for flagship characters Ayaka and Yurine, both characters get the plot resolution that the entire series has been building towards. Both of their chapters start with the same event (viewing exam results, the only thing that makes Ayaka feel alive…I worry about how she’s going to cope after high school, actually), and then follows either Ayaka or Yurine for the rest of their respective chapters as they resolve their plots in a neat bit of parallel story-telling. Yurine even gets a call-back to the very first chapter of the series, which makes it feel like a better ending than Vol.10, even without things “officially” wrapping up.

For analysis, let’s back things up again a bit. Ok, a lot: having lived and died centuries before Yuri began 100 years ago, René Descartes likely did not anticipate getting the opening quotation, “Conquer yourself rather than the world!” In this book, this means bringing about change through internal, rather than external, factors. Ayaka can’t change how her mom feels, but she can change how she accepts and internalizes the support she gets from others. Yurine doesn’t stop feeling alienated because of how she performed on any external exams, but by realizing she’s been gradually becoming a “normal girl” with her own community of friends all along. Mikaze tries to become someone “special” enough to win back her ex-girlfriend, but realizes it’s much healthier to try and accept the break-up, who she is, and that neither partner should have to change to suit the other. And Asuka stops cutting herself off from everything, after realizing she’s gone too far in cutting Mikaze out of her life. To drive the point home, Asuka’s pocket mirror keeps getting passed back and forth between her and Mikaze, further reflecting (sorry) this focus on the self and internal change.

In all, it’s a wonderful volume of Kiss & White Lily – we get closure for plots that have been in motion since the very first chapter (along with some related tender scenes), Ai Uehara and Kaoru Machida each get some good scenes to help lighten the mood (Ai could be one of Yuri’s best supporting characters ever, if we only got to see her more often), Asuka and Mikaze bring some enjoyably melancholy drama, characters in Kiss Theater flit in and out of cameos as always, and anyone who’s ever been on a cover of K&WL appears in at least one panel.

Canno’s Continuity Corner: there’s an incidental panel of Ayaka and Yurine starting Year 2 from Volume 3 (this time drawn as background characters); Lyrical Seira, which Asuka and Mikaze are cosplaying as, is the anime from their childhood that Sawa and Itsuki went on a movie date to see in Volume 5; there’s some bonus Valentine’s Day vignettes at the end featuring our cover-stars from Volumes 5, 6 and 7; we briefly see Yurine’s little sister again (poor Sumire – this marks her last appearance in the series, and she only gets the one panel, just like in Vol.7). In one of my favourite tiny details, the exam results show Nagisa and Hikari from last volume placing in the top 10, consistent with their characterization as high achievers – not only that, but Nagisa is even 4 places higher, which fits with how she had complained “Why does everyone always put Hikari and me on the same level? I have better grades!” while a visual of their test results shows her getting 98 vs Hikari’s 97.

Ratings:

Art – 9 The thicker blacks compared to the Japanese edition aren’t as destructive this time around; I looked, but couldn’t find any tell-tale moiré patterns. A point is still taken away for how much art gets trimmed off the edges, though. Canno’s art is gorgeous, expressions are delightful, and backgrounds really contribute to the atmosphere in a few key scenes.
Story – 9 Plot resolution, dramatic tension, sweetness, cosplay…this one has a lot going for it.
Characters – 10 Ayaka and Yurine have grown a lot as characters, and their relationship has evolved over time to reflect that. Asuka and Mikaze with their cosplay were a fun change of pace as well.
Yuri – 8
Service – 3 As Erica said in her review of the Japanese edition: “I’m not gonna lie, that kiss was pretty hot”

Overall – 10

I still remember back in April 2018, how excited I was when the 2-page colour illustration from the opening was teased on Twitter, showing Ayaka and Yurine holding hands while they emerge from a cold, snowy winter and walk off into the warm spring-like foreground together; I immediately retweeted it stating “THEY ARE HOLDINGS HANDS THIS IS HUGE THIS IS NOT A TEST” in all caps. It’s still one of my favorite illustrations from the series.

And, you don’t have to be a genius like Yurine to know how things will end up, but you’ll still want to see how it all happens in the final Volume 10, which is set to come out on October 29, 2019 from Yen Press.

Erica here: “anyone who’s ever been on a a cover of K&WL appears in at least one panel.” Foreshadowing the entirety of Volume 10, frankly.
Christian, you deserve an award for this review. It was absolutely brilliant and got both laughs and thumbs up from both members of the household here at Okazu Central. Well done.





Yuri Manga: Anoko ni Kiss to Shirayuri wo, Volume 10 (あの娘にキスと白百合を)

May 15th, 2019

Whenever a popular and long-running manga series ends, I’m always tempted to start the review with the lyrics of My Way. I may even have given in to that temptation once or twice. In any case, here we are at the end of the 5 year run of Anoko ni Kiss to Shirayuri wo by Canno. For 5 years we’ve enjoyed tales of love and rivalry and admiration and desire at a girl’s school in which a larger than usual number of girls would like to be, or are, lovers. Among these stories is that of the two top students of the class, the genius slacker Kurosawa Yurine and Shiramine Ayaka.

In Anoko ni Kiss to Shirayuri wo, Volume 10 (あの娘にキスと白百合を), Ayaka is having trouble facing, indeed, even understanding, her feelings for her rival. To provide herself some context, she walks around the school meeting and speaking with all of the characters we’ve met in previous volumes. And, because this is the final volume of the series, shes uses these conversations to sum up their stories and to explore all the ways her own has developed, by asking people to describe their relationships with their lovers/rivals/friend/etc to her. I found this to be a bit “Are you my mommy?”-ish, but it worked well enough, and gave us closure and assurance to some of the more-tenuous relationships.

In my opinion, Ayaka’s cousin and sempai, Mizuki, dropped the ball on this. Having been closest to Ayaka, I kind of feel her softballing her relationship to Moe was a failed opportunity to be a good role model. But YMMV. ^_^ Nonetheless, revisiting each of the storylines from the series gives Ayaka a chance to work through all her feelings for Yurine and admit what we’ve all known for a while – that she likes her.

The epilogue wraps their storyline up sweetly and, finally, ties up the story in a neat bow made of the series title.

As a tale that was always set in Yuri wonderland of a school, in the middle of which there there was a bit of realistic story-telling and some reasonable emotional growth, the outcome was never in doubt, really, but it’s still nice to see it unfold and end the way it did. The cover says it all – the same protagonists as the first volume, but their body language and expressions have changed significantly.

Ratings

Art – 8
Story – 8
Characters – 8 
Yuri – 8
Service – 2 Still nice kisses

Canno-sensei’s art has improved so much since her first volume, and she still can turn out an emotionally intense scene or three. After her breakout series was a pretty big hit, I hope she is able to do something she’s really happy with for her next series and not just have to pump out something to please her editors. Sophomore slump is a real thing, but I’m confident she’s got room to grow.





Yuri Manga: Kiss & White Lily for My Dearest Girl Volume 8 (English) Guest Review by Christian Le Blanc

April 17th, 2019

Welcome back to Guest Review Wednesday here on Okazu! Today we have a special Guest Review by Christian Le Blanc of 3DComics! His love for Kiss & White Lily is infectious. Let’s all be whisked away by his enthusiasm!

“Love is not gazing at each other, but looking in the same direction together.”

So opens Volume 8 of Canno’s Kiss & White Lily for My Dearest Girl from Yen Press (translation by Leighann Harvey, lettering by Alexis Eckerman), and it’s as romantic a spin as can possibly be put on this volume’s tsundere vs. tsundere cover stars. Hikari Torayama (reddish-brown hair, Tiger type, Ayaka analogue with her long hair and headband) and Nagisa Tatsumi (silver hair, Dragon type, Yurine analogue with her cool personality) are rivals for the position of Student Council President. Who can’t stand each other. And who also, as luck would have it, live together – a twist of fate has landed Hikari as a guest in Nagisa’s house. We need this plot device to force them to spend time together, because otherwise they’d avoid each other like the plague and we’d have a different pair of girls on the cover. Which would be a shame, because once I got over the fact that these two are not going to be acting lovey-dovey and give me anything to swoon over, I started to enjoy their relationship, which exists as a mirror for Ayaka and Yurine. Ayaka and Yurine are rivals who want to be more than just that, while Hikari and Nagisa can’t think of anything they’d rather be than rivals with each other. “Even if we stop being rivals someday…we might eventually see eye-to-eye,” Ayaka tells Hikari…”But just as classmates, of course!” she adds, still in denial.

The Tao of Canno

It’s easy to suppose how Canno came up with Hikari and Nagisa – start with the idea of tsundere vs tsundere, and then inform their personalities and rivalry with Tiger vs. Dragon, the eternally-opposed yin and yang of Taoist mythology (the kanji in Hikari’s last name means “tiger” and “mountain,” while Nagisa’s means “dragon” and “sea”). Both are symbols of strength, of course, and both girls dominate over the rest of Seiran High School: they excel in academics, they’re in competition for Student Council President, and they feel ‘larger than life’ compared to everyone else; they’re the boss characters, if Kiss & White Lily were a video game brawler (now there’s a thought!). Of Tiger traits, Hikari demonstrates protection: “She’s good at taking care of people.” She’s concerned about the smaller, more vulnerable clubs, and picks up after Nagisa at home. Of the Dragon traits, Nagisa demonstrates prosperity: she favors the larger clubs, and acknowledges that “My family is relatively well off.” They hang out on the forbidden school roof a lot (the heavens); naturally, the little white cat they’re looking after together adores Hikari and hates Nagisa. Maybe they complement each other, maybe they even need each other, but it’s no accident that we don’t see them exchanging chocolates in next volume’s Valentine’s Day back-up story. All the same, through their three chapters together, it’s fun not only watching them bicker, but also seeing how they react whenever something threatens to send them in different directions.

Our Returning Champions, Ayaka and Yurine

The book opens with Ayaka considering her own run at the presidency, which organically introduces our cover stars who go on to enjoy the spotlight in the next three chapters. Yurine has started to act goofy and awkward around Ayaka, a result of her growing and changing feelings towards her, especially after Ayaka helped her out of her depressive episode last volume. She’s torn between wanting to support her friend, knowing she could help the school as much as she helped her, but also knowing she won’t get to see as much of her if she wins. When Ayaka tells her her decision concerning the elections, it helps Yurine realize her true feelings for her, and grow out of her selfish and simplistic ‘deredere’ (constantly, clingingly affectionate) archetype. She can finally be honest with herself, something Ayaka is still struggling with when we see them again in the fifth and final chapter.

Speaking of this last chapter, Ayaka’s cousin and roommate Mizuki has had just about enough of Ayaka’s blitheness. She’s graduating soon, and, having been her emotional support for the past several years, wants to make sure Ayaka will have someone she can talk to after she’s gone. When she realizes that Ayaka still doesn’t even have so much as Yurine’s phone number, she demands that she asks her for it first thing in the morning, later hinting that she needs to be way more honest with herself.

It isn’t until the walk home from school that day that Ayaka finally does clumsily take the next step, managing to ask Yurine for her number. She tells her “Sorry. I kept you waiting too long” when she makes her miss her crosswalk light, but I think it’s meant to apply to more than just that.

This entire chapter, Yurine has been the model example of supportive. She knows Ayaka’s been trying to tell her something, and gently gives her the opportunity. Instead of making a huge embarassing deal out of getting her number, she just lets her know that she can call her anytime. Which is good, because Ayaka’s mom phones her that very night, triggering one of those depressive episodes that Mizuki was so worried about. Yurine handles it like a frigging champ, though. She didn’t really know what she was doing when she helped her out of a similar episode in vol.5 (we see an allusion to this episode on this chapter’s title page), but between that experience, and the help she got from Ayaka last volume, she’s become the epitome of everything you’d want in a friend helping you out when you’re at your lowest.

Lastly, we’re treated to two bonus stories at the end of the book. I didn’t really need an origin story for how Nagisa was recruited into the student council, but it did at least give Canno an excuse to bring back the eternally beleagured treasurer from vol.3 (who Yukina kept butting heads with…she even gets a name in this volume!). The other story brings back Amane, Ryou and Nina, the cover stars from vol.6, to show where the little white cat came from.

In fact, there’s a ton of returning characters this volume, obscure and otherwise: Rika “not good with her hands” Kouno is in one panel, who was only ever in two pages in vol.4. Tsubasa and Karin appear in one panel at the dorm, who likewise were only ever on two pages from vol.2 (Tsubasa was the one who accidentally locked Chiharu and Maya in the dorm’s storeroom together). We see members of the public relations committee again from vol.5, and, charmingly, their club sign that’s still only taped up over the more permanent “science” placard underneath. Characters who had leading roles in previous volumes play supporting roles here as well (we only get the back of Izumi’s head in one panel, but she’s there!). Not only does this provide more of an ensemble feel for the book, but it’s a good bit of world-building that makes Seiran High School feel more ‘real’ and lived-in. Further realism is established via small details like how Nagisa has a ‘lazy’ version of her hairstyle when she’s lounging at home, and how she and Hikari are on a first-name basis, sans honorifics, when noone else is around. This all makes re-reads a lot more interesting for me, because it always feels like I’m catching some small detail or other that I hadn’t noticed before. We’ll be seeing more adherence to continuity, as well as progress on Ayaka and Yurine’s relationship, in the penultimate Volume 9, due out very soon on May 21st, 2019 from Yen Press.

Ratings

Art – 7 I feel so petty bringing this up, but the English edition again uses significantly thicker blacks than the Japanese version, which causes tones and shading to suffer on occasion. Worse, however, are the jpeg compression artifacts visible on the front and back covers. As for the art itself, it is as detailed and charming as ever. Hair in particular has a great deal of definition and shading, rendering it with a great deal of volume and depth, and the snow and moon in the last chapter are rendered beautifully. (I’ll admit that maybe…in the right light…Canno isn’t all that great at drawing cats, but that just adds to the charm for me)

Story – 9 I average an 8 for Hikari and Nagisa, and a 10 for Ayaka and Yurine. We’re nearing their endgame, and watching Yurine be there for Ayaka was one of my favorite chapters in the series. Leighann Harvey has done a wonderful job translating every word, barring a weird side note concerning the quotation at the start of the book: my wife recognized the quotation, which is from Antoine de Saint-Exupéry’s Le Petit Prince (uncredited here). The quotation at the start of the Japanese edition is already in English, and is closer to the more proper quotation “Love does not consist in gazing at each other but in looking outward together in the same direction.” I think Leighann Harvey must have translated the Japanese version of the quote into English, ignoring the English version that was already there, all of which says nothing of the original French version of the quotation (!). Not a big deal, just a neat peek behind the curtains of translation.

Characters – 9 There’s a ton of character development going on in this volume.

Yuri – 7 That might seem like a high number considering three out of four main characters are tsundere, but you have to keep in mind that nearly everyone at Seiran is in some form of Yuri relationship.

Service – 1, by default. (I thought it was a cute touch when Nagisa’s mom told her to stop laying around in her underwear, but Canno withheld such salaciousness from the visuals)

Overall – 9