Volume 5 left us on a bit of a cliffhanger, as Saki accidentally allows her truest thoughts to be seen by Kanon.

The Moon On A Rainy Night, Volume 6, by Kuzushiro, picks up with Saki mortified beyond her ability to express and Kanon struggling to find words to address it. Luckily for both of them, life as a Japanese teenager is filled with enough activity to allow them both some space to roll around on their beds, screaming into the pillow.

Nonetheless, things are changing, Kanon has become aware that since she lost her hearing, she has not been a good friend to the people she leaned on. And she takes a small step to caring about someone and something other than herself. Suddenly aware of all the people around her who have given her opportunities, Kanon is changing. Saki reaches out to the one adult she is pretty sure gets what she is going through, and Tomita returns to class with surprising results. Although they have spent most of the summer together, Saki suggests one special event for them to share watching fireworks together from her apartment balcony, where they take one more towards opening up to one another and to themselves.

Rinne finds herself changing as well. As a little sister, she was unable to help Kanon much, could only watch over her in a general sense. But she sees that Saki has changed her sister for the better and it’s made Rinne more willing to take a risk, a little despite herself. She encounters Chiyma, a girl with a condition that is not harmful but has and will make her life difficult and unpleasant and decided to get involved and be a friend.

I have repeatedly said here and elsewhere (and to anyone I could pin up against a wall and tell) that I love this series. From my perspective – which is not that of an HHD person, but of a person who is chronically ill and had many of the same kinds of issues as both Saki and Kanon as a teen – this story does everything right.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 2 Saki and Kanon in yukata is definitely meant to serve.
Yuri – 4 It’s only just begun.

Overall – 9

The Moon On A Rainy Night is a masterwork of manga and an outstanding example of how good storytelling can help us to be better.

I cannot *wait for you to read the next couple of volumes! Volume 6 is out now from Kodansha.

In Volume 4, a number of loose ends are suddenly untangled. Kanon decides to participate in her school festival fully, and Saki helps Ayano see that her behavior was not as awful as she had told herself it was. Now, in The Moon On A Rainy Night, Volume 5, the stage is set…mostly…for Kanon to release herself from the chrysalis she had built around herself as a protective measure.

Kanon hasn’t had a fun summer since she became hard of hearing, finding herself equally isolated in crowds and by herself. Having decided to participate in both the class’s school festival events, Kanon finds herself shocked that she hasn’t had time to feel isolated this summer – and of course…there’s Saki. Saki always holds a hand out so they can do things together. As a result, Kanon is feeling more confident and less afraid to try new things. It’s a whole new world. Literally, as Tanabe-san introduces them to cosplay for their class maid cafe.

This volume also takes time to give us Kanon’s mother’s perspective, and a foil in their teacher, who brings his daughter over to ask about piano lessons. These pages are an emotional reminder that the family of a person with a disability, or that has suffered the loss of a family member, also have their own stories and burdens. I’ll spoil a little here – this does come back again in later volumes, because every character is given some time to grow. Including Tomita, the girl I referred to as a bully in early volumes. It turns out that Tomita has a story of her own, as well. And her situation offers Kanon another chance to grow.

And then there is Saki,who has complicated feelings that have been seen and recognized by an adult,  and has been an incredible friend but doesn’t ask much for herself, except to be able to spend time with Kanon. What is Kanon to her? That will definitely need to be addressed.

Twice now this story has provided an antagonist with…not redemption, so much as humanity. That is just one of the many wonderful things about this series. Characters learning to rely on each other, working within their limitations but learning to expand those limits, friends supporting each other, and reaching past misunderstandings. What an extraordinary series. I feel like I’m learning when I read it not just about accommodations for the people around me – and myself – but also how to just provide useful support, rather than prioritizing what I think they need.

This is absolutely a masterwork by Kuzushiro-sensei, and a must-read manga for everyone.

Ratings:

Art – 8
Story – 9 (But wait…there’s more!)
Characters – 9
Service – 0
Yuri – 4

Overall – 9

 I’ve started to need a wheelchair at times and I’m so thankful for them when I do, but it is always apparent to me, even when I am fully mobile, how many barriers there are in public places. So – especially when I am fully mobile – I will comment to event runners about the inequities they allow in their set-up. It’s important for able and healthy people to advocate for people who need accommodation, because, in the best of scenarios, we will all become old and need accommodations ourselves.

In Volume 3, Saki found herself seen in ways that were both complicatedly affirming and deeply confusing. Now that she knows Kanon’s history, her one comment is that barriers are meant to be blown away completely – a line that changes everything for Kanon.

Think about a moment when you believed you could do – something, anything – before someone told you, you could not take flying lessons, or whatever that thing might have been. Kanon, whose whole life was pretty much striving in musical endeavor, had a life change that made her think she could never have that back. She won’t be able to regain what she had, but now she can see that she can create something new.

In The Moon On A Rainy Night, Volume 4, Kanon decides to reclaim that feeling for herself,

To an American audience, the song that Saki ends up choosing for her class may seem simple, cheesy, banal even, but the text here explicitly asks you to consider the meaning behind the song – what it was originally mean to represent and how it can mean even more in this specific context. I ask you to consider who Stevie Wonder is, as well  – a man blind from birth who has shaped global music in innumerable ways, and Paul McCartney, a man from humble beginnings who also changed music on a global scale. So, yes, we may hear “Ebony and Ivory,” and think of it as a bland pop song – but, in this context, it means so much.

“You shouldn’t have to get over any barriers! They should be knocked down to begin with!”  Saki’s words have not stopped resonating with me since I first read this volume in Japanese in 2022. In every way I can, I am committed to removing barriers.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 0
Yuri – 4, LGBTQ – 6

Overall – 9

This year we have a bounty of charming, empowering and delightful Yuri – we have been seen – and it feels great.