In my fevered anticipation for The Moon on a Rainy Night, Volume 1 coming from Kodansha next week, I was thrilled to have the newest volume of the series in Japanese, Amayo no Tsuki, Volume 5 (雨夜の月) to read this week. This volume is full of wondrous scenes, amazing transformations and an uncomfortable lesson.

At the end of Volume 4, we left Kanon determined – for the first time in many years – to be an active participant in her class’s culture festival activities. Why she’s closed herself off has become more and more apparent as we get to know her and understand her circumstances.  But Saki, unwilling to accept those circumstances as the end to the story, has been instrumental in assisting Kanon to break down the walls she’s built. This is a key point because while Saki is convinced that the walls should come down, she is not doing any of that herself. She’s allowing Kanon to find ways to do it herself; Saki is there when Kanon needs support, holding the doors open, but never does Saki force Kanon to do anything. This is not an inspiration porn story, about “achievement despite the odds” – this is a story about finding ways to support one’s friends with an open heart and mind.

And, so… Kanon and Saki accompany their enthusiastic otaku classmate ‘Nabe to pick out maid costumes for the class cafe. ^_^ Kanon’s mother  takes on a new student – their teacher’s daughter, which gives Kanon’s mother and the teacher a chance to have an adult heart-to-heart about hardships of being a parent.

Artistically, I really enjoy Kuzushiro’s way of expressing people’s energy through expression and body language. ‘Nabe-chan and Haruka-chan are high-energy people and we can tell from the art, the text, the way they move and speak. It’s pretty great.

And then…we learn what happened to Tomita, the girl who apparently could not stand Kanon or Saki and who, with her friends, have been whispering about them in class. (I called them bullies in earlier reviews and I stand by that. Bullying can be passive as well as active. Anyone undermining someone else’s peaceful existence is, IMHO,  a bully. Whispering and staring is a form of othering meant to make the other person feel unwelcome.) Tomita had volunteered to conduct the choir then appeared to bail on Saki, leaving her to handle the whole thing herself. It turns out that there are a number of factors in her dislike of Kanon….and some complicating factors to her life now. As with Kanon’s middle-school issues, sometimes there are things you just cannot fix yourself, even if you were aware of them.  Life, Saki and Kanon are finding out, is more complicated that we’re aware of.

As the story winds down, Kanon gets a glimpse into the secret Saki has been hiding from her….and it throws them both for a loop.

Kanon, having been alone for so long, now finds herself surrounded by people with whom she would like to interact. But now, having broken down those walls…Kanon and Saki will have to address what they are to one another. Whatever the outcome – I can’t wait!

Ratings:

Art – 9
Story – 9
Characters – 9
Service – 2 Maid costumes and animal ears
Yuri – 4

Overall – 9

This was a great volume of a great series, running full stop with high energy. I am so, so happy that you’ll get to read it!

Well, wow. A whole lot of story happened in this volume. First, Saki finds Kanon’s former best friend – the one Kanon feel betrayed her – and learns the whole story.  It was pretty heart-rending, with a strong element of children being forced to take on adult responsibilities without money, time or ability. Saki’s reaction may change a lot of things, because she sees both sides and really understands what happened in a way that Kanon could not. She then assures the other girl that she was really trying to be a good person – something she had never considered and with no one to tell her, she believed she was the bad guy.

Saki and Kanon’s days change rapidly as the school festival becomes the talk of the class. Kanon is encouraged to write a story for the upcoming short story contest and Saki is tasked with creating an arrangement of music for the chorus. The song she picks is surprisingly profound. But in doing so, the classmate she was paired with – who seems to carry some kind of grudge again Kanon  – stops coming to school completely. I feel another systemic failure by adults coming on.

But last and not at all least, Kanon decides that she’d actually like to sing with her class, rather than just lip sync and enlists her mother to at least give a fair review. She’ll need work.

The story here is that both Saki and Kanon are allowing new things into their lives and they have each other to thank. Kanon, especially, is taking Saki’s advice and pulling down the walls around her, learning to take risks, and in doing so…has come to realize how important Saki is to her.

At this point, whether Saki and Kanon become a couple is entirely irrelevant to me. What I keep coming back for is a story of two girls forming a friendship that makes space for other people and new challenges and support for each other.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 0
Yuri – 4

Overall – 9

The first volume of The Moon On A Rainy Night will release in English on my and Guest Reviewer Matt’s  birthday, so I am declaring it an official Okazu event! Grab your copy, read it and come by here on or around Sept. 5, when I do a review and drop your review of that fantastic first volume in the comments! Depending on how I feel, there may be prizes. I’m super excited than Kuzushiro-sensei is getting a print series here in English at last and I hope you’ll enjoy it as much as I do.

2022 has been an absolute celebration of amazing Yuri manga licenses and releases. Almost everything I wanted to have been licensed has been. Of the two remaining that haven’t, I am very hopeful that we’ll be getting good news in that regard before the end of the year, because this series is one of my favorite so far this year.

I’ve talked at length about some of the reasons why this series by Kuzushiro is so good, in my reviews of Volume 1 and Volume 2. In Amayo no Tsuki, Volume 3 ( 雨夜の月) we get the last piece that would make this series perfect, IMHO. Whatever happens now, I am in the front row, rooting for everyone.

The story begins with Saki and Kanon out doing, y’know, stuff. They run into a woman handing out fliers for a salon, who asks Saki to be a practice model. As it happens, she needs her hair cut, so Saki ends up there and has one of the most extraordinary conversations of her young life. Because…the woman cutting her hair – and doing a great job of it – has accurate gaydar and sees Saki for who she is. She talks to Saki like she’s been there  – for the first time in her life, Saki has a person with whom she can, should she want, confide in about the one secret she keeps closes to her chest.

Saki meets Kanon’s father who is in town to conduct his orchestra in a performance, and another extraordinary thing occurs. Rinne, Kanon’s younger sister, calls Saki and asks her to spend the evening with Kanon, so she’s not alone on the night of the concert, as Kanon does not wish to attend. Why is this extraordinary? Because it’s a perfectly nice thing a sister might do for a sister she loves…something we really don’t get much of in manga.

Saki invites Kanon over for a sleepover, but gets no sleep at all. She’s more and more aware of Kanon and her feelings for her. On the other side, spending time with Saki is definitely changing Kanon. She’s more open to new experiences. She’s having fun. And she’s looking forward to the next chapter in her life. She wants to be independent when she goes to college, but it also frightens her a bit. Saki suggests they live together and, embarrassed, admits that she cares about Kanon more than anyone else.

Mortified, Saki is ready to be treated differently the next day at school, but Kanon is the same as always, Saki runs away, just a little, still embarrassed…and runs into the girl who hurt Kanon in her previous school. Ayano tells Saki the story from her perspective…it’s honestly sobering. Saki will have a lot to think about in the next volume.

So this series is solid on HHD representation and perspective, shows families that like each other, but still have problems to deal with, pressures faced by people who are caretakers (even if they are self-imposed and/or misguided) and now, has added the last piece. Will Saki open up about being gay? How will Kanon respond? This series is #1 on my most-anticipated license of 2022 and I’m just impatiently waiting now. ^_^ Among other things, it’ll be the second time Kuzushiro has had a series licensed in English. Previously JManga licensed Kimi no Tamenara Shineru, which I edited and of which I have reviewed the first 6 volumes, it continued for many more volumes after that. It was so good, but super obscure. ^_^ I expect this one will have a much broader impact.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – Really not
Yuri – 4, LGBTQ – 6

Overall – 9

I love this series and I hope you all will be able to read it soon, too.

In Volume 1, we met Saki, a high school student who plays piano, and her classmate (and piano teacher’s daughter), Kanon, who is hard of hearing. Kanon is initially uninterested in becoming close to Saki, but as Saki conforms her behavior more to Kanon’s needs, she starts to warm up.

In Amayo no Tsuki, Volume 2 ( 雨夜の月), Kanon’s world grows wider. And I really want to make the point here – that *how* Kanon’s world changes is not because she grows used to the hearing world, but that the people around make sensible accommodation for her, which allows Kanon to interact on her own terms. It’s an important distinction and really makes this story not just another disability/inspiration tale, but a lesson for those of us who are hearing on how we can adapt to help HHD folks without burdening them with our needs. I recently saw an exchange on Twitter that went like this: Q: “What is ASL for helpful asshole?” A: “Hearing.” — this becomes a key point of Volume 2.

Kanon’s teacher, Miura-sensei, sees Kanon sleeping in class and invites her to a club room for her to eat lunch. He seems to really understand that her being in a room with a lot of people talking is stressful. While they chat, he pitches joining the literature club where, he assures her, they just really, honestly, read books. Kanon takes the plunge and finds one of Saki’s friends there, who welcomes her and does her best to make Kanon feel comfortable. When Kanon reports that she’s actually considering joining the club she’s clearly surprised at herself.

There is a little trouble brewing in this volume. Saki meets Kanon’s little sister Rinne. Rinne is carrying a lot of baggage – some of which she admits to, about being the abled sibling in the family, and over-protectiveness of her sister, but there’s also a lot of anger she’s not really honest about. Rinne tries to scare Saki off. Some of what she says was true, but there’s a lot of jealousy there, too.

Kanon tells Saki the story of her former school and the bullying and whisper campaign that went on. She refuses to let Saki return the key to the music room and even invites Saki to a movie…..where they meet their teacher and his daughter. They discuss subtitles and how it would be so much nicer if movies were subtitled. I agree with this so much. It’s one of the main selling points for streaming services for me.

As Kanon is becoming more comfortable with their skinship, Saki is becoming more aware of Rinne’s accusations, and her own feelings. I hoping that Volume 3 sees an honest talk about this.

Ratings:

Art – 8
Story – 9
Characters – 8
Service – On principle only
Yuri – 3 Creeping up slowly

Overall – 9

Honestly, this is a fantastic manga. I’m going to write Kodansha and beg them to license it. Kuzushiro-sensei’s work has never been better, great characters, and a story that teaches the right lessons.

Saki loves piano. Or does she? She loves taking lessons with her teacher, she’s sure of that. But her teacher is leaving…

In Amayo no Tsuki, Volume 1 ( 雨夜の月), on the street, heading towards lessons, Saki bumps into someone. A lovely girl about her age, drops piano music. Saki helps her pick it up. The girl gestures at her, but Saki doesn’t understand. The next day in school  the girl turns out to be a transfer student, named Kanon. Kanon is hard of hearing, but can read lips and speak. Their teacher asks Saki to help Kanon out, but Kanon tells Saki to leave here alone.

Saki heads to the new music teacher her teacher recommended and the final coincidence drops into place. Her new teacher is Kanon’s mother, a veritable ogre of a teacher. 

Saki finds that she cannot leave Kanon alone and just keeps trying to be a friend to the new girl. There is a clique that is clearly out to bully Kanon, but Saki is not having any of it and protects Kanon. Kanon appreciates that Saki always turns towards her when she speaks, which helps her to lip-read. Slowly, Kanon opens up to Saki. When her impossible piano lessons are over, Saki retreats to Kanon’s room, the sound-proof music room behind the house. There, she learns, Kanon finally feels relaxed, without the mosaic of fractured background noises of daily life around her. There, if Kanon gets close, she can hear Saki. And there, Saki starts to rethink her love of piano….

As Saki finds herself thinking more and more about Kanon, and how intimate they are, she also starts to realize that it was never piano she loved, maybe, but it might well have been her piano teacher.

In school, while the bullies scheme, Saki’s friends join her and Kanon. Kanon is finding it harder to isolate herself, even as the effort of talking with new folks exhausts her. When Kanon makes an effort to go shopping with her, Saki decides to learn sign language to hopefully make that less stressful for Kanon…one day.

Saki is awakening to a new self, Kanon is awakening to a new self and this fact is the key strength of this series. Kanon is very clear that she does not need or want a hearing person to be her savior or her guardian, but she is becomingly less resistant to Saki as a friend. Saki is starting to get a hint that her feelings for Kanon are not just friendship, but she can see that friendship is more important. I actually want to know what will become of them and I kind of hope it’s not either/or.

This is the first new series by Kuzushiro-sensei in a while and I’m pretty pleased with the way it’s turning out. Her art is solid, she’s come a long way, with a recognizable style. The pacing is good, although I could lose the creepy bullies constantly threaten to make life hard for Kanon. But over all, I’m glad it neither fetishizes nor romanticizes deafness. Instead, it is a bit of an explainer manga, which gives Kanon a chance to speak for herself and to correct Saki’s mistakes and misunderstandings.

The volume ends with a few chapters of another Kuzushiro series that had too much screaming for me to enjoy it. Adults in an office just don’t scream that much… but Egao no Taenai Shokuba Desu., Volume 1 (笑顔のたえない職場です。) might be more your cup of tea.

I didn’t know what to expect with this series, but what I have gotten is a pretty solid series from a creator I really like.

Ratings:

Art – 8
Story – 7 Rough spots here and there, but it finds its own pace before the end of the volume
Characters – Same
Service – Implied only
Yuri – Implied only, but…

Overall – 8 by the end

Amayo no Tsuki is not a manga about DHH people, it has a character who is hard of hearing in a Yuri manga. If you are a DHH reader, and you have had a chance to read this manga, I would welcome your  opinion, which will obviously be from a different point of view than mine.