Archive for the Artists Category


Assorted Entanglements Volume 2, Guest Review by Matt Marcus

September 20th, 2023

A school girl wearing a sweat jacket with uniquely braided hair, straddles another girl in a blazer uniform, with pony tails, looking mischievously up at her.Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing the manga series How Do We Relationship.

In Assorted Entanglements volume 1, OL dirtbag Iori drunkenly hooks up with a delinquent with a heart of gold, Minami, and the two begin dating thereafter. Also in the mix is Iori’s yandere siscon younger sister Shiori and Minami’s old juvvie friend Shizuku, both of whom are problematic in their own ways which means they make prime secondary ’ship material, I guess.

Before I dive into Assorted Entanglements, volume 2, I do want to go on a Brief Rant about the series generally. I feel that the series has a very conflicting, and dare I say irresponsible, approach to the topic of violence. This is a series where two of the main characters have suffered through traumatic childhood abuse, who both end up in pairings with partners who physically abuse them–but this time, it’s for comedy! I can understand what Mikanuji is going for, which is the role reversal of these two Bad Girls™ who end up dominated by two “normie” ones, but the tonal whiplash leaves an awful taste in my mouth. When Minami’s coworkers see her bruised face and say “you should leave your partner”, I go yeah, actually. What’s worse is that the most common cause of Iori’s violence are times when Minami is expressing how little she values herself, which is a result of the abuse she suffered from her parents. The whole conceit becomes very difficult to stomach the second you put any thought into it.

What’s probably best about this volume is that a good chunk of it is not dedicated to Minami and Iori. A new couple is introduced: the mangaka Heke-sensei and her editor, Shinohara. Professionally, they’re in constant friction, but they get along swimmingly when they play online games together while hiding behind their gaming handles. It’s a tad contrived, sure, but it’s a nice panacea to the grimey undertones that haunt our previously established couplings (also props for making this scenario not a coincidence). The way Mikanuji ties their story into the broader picture is one of the most hilariously paper-thin excuses, which is that Iori and Shinohara are old college friends. Of course, neither admit to each other that their love lives involve other women. So it goes.

What we do see of Minami and Iori is still the mixed bag of good sexual chemistry, some warm tenderness, and the occasional smack across the jaw. We get a glimpse into what led to Minami landing in the detention center and hoo boy, is it a doozy (thankfully it is only described, not shown). Meanwhile, Shiori and Shizuku’s relationship continues to develop. They are both so terrible, they deserve each other.

Mikanuji’s art is attractive to look at but it does suffer from the worst case of Same Face Syndrome that I have ever seen. The delinquent characters have an aesthetic that I dig–lots of piercings and tattoos, funky hairstyles–but I find it really difficult to tell apart any of Minami’s or Shinohara’s coworkers. Another odd habit of the art is how Mikanuji often completely skips bouts of action between panels which often leads to a disjointed flow when reading. The most egregious example is when Shiori breaks into Shizuku’s apartment by smashing a window: in one panel, we see Shizuku’s face with a small crash sound effect hiding in the corner, and in the next panel Shiori is standing in the room holding a rock with glass on the floor. Mikanuji is not incapable of drawing action–see Shizuku’s punch in volume 1–but they have a habit of not drawing it when the action is meant to drive a joke, such as the countless times Iori has punched Minami in the face between panels (no I will not let this go, it happens a lot).

The thing that keeps bringing me back to this series is that when a joke lands, it lands well. The way Minami texts with Shizuku? The weird phone charm that Shiori is interested in? The argument between Iori and Minami on who should top? All good gags. I would credit translator Eleanor Ruth Summers with keeping the dialogue snappy. When the characters are bouncing off of each other with things other than their fists, it’s a pretty good time.

Art – 7 I like it, but the craft of it could use some improvement
Story – 7 Better than volume 1 but the violence issue still persists
Characters – 7 Every character has their moments of likability. Yes, even Shizuku
Service – 4 Iori and Minami still go at it from time to time
Yuri – 8 / LGBTQ – 6 This is the first time I’ve seen “pillow princess” used in a manga, so that’s neat

Overall – 7 I’m still willing to play a round or two

Don’t involve your children in your crimes, but if you must, at least make it a fun crime





Otona ni Nattemo, Volume 8 (おとなになっても)

September 11th, 2023

On a pale green background, a lone woman with reddish hair cut to her chin, is leaning forward as if on laying her head a desk, looking directly at us.Akari and Ayano have moved in together. This fact fills this book with all sorts of tensions, both positive and negative. Sure, they have been through ” a lot,” but so little of it is about them, together, as a couple. Will thins relationship, which has been mere embers since it was lit, get a chance to burst into life?

We…don’t know. Yet.

Ayano is planning on moving school, as rumors of infidelity plague her. The kids in her class are apologetic about it, not really understanding what the parents have against it, as, frankly, neither do I. Busybosdies gonna busybody, I guess. As difficult a situation as it is, it appears that Ayano’s students nd peers seem to be on her side. Nonetheless, she is leaving at graduation to start at a new school. In a fitful climax for the classroom drama, Nitta returns to school just in time to graduate. She finally has it out with her former friend, but whether they will be able to patch things up, we may not actually learn.

Akari encounters the salon manager’s wife who really seems less concerned that he’s having an affair (with Eri, Akari reminds herself) than with him being a dolt. And Wataru is navigating having the woman he is interested in, openly ask him out, now that she too is divorced.

This continues to be such a low-key adult life Yuri that one can hardly think of it as barrelling down on the conclusion of the series…and yet, that is where we are. Volume 9 was released in June and Volume 10 will conclude the series. It’s been an interesting read and I definitely wonder where everyone will end up.

The final chapters were about having bathroom accidents in second-grade and you know what? I didn’t need that. Thanks Shimura-sensei for having a weird insistance on add that to your Yuri stories. Sigh.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
LGBTQ+ – Let’s give this a 7, as Akarai and Ayano start negotiating boundaries and intimacy.

Overall – 8

 





The Moon on a Rainy Night, Volume 1

September 4th, 2023

Two girls sharing an umbrella look back over their shoulders at us, as rain pours down around them. They both wear a dark school uniform skirt with white stripes at the hem. One, with collar length red-brown hair, wears a beige sweater, over which you can see her "sailor" style collar. The other, with long black hair, wear a red sweat jacket with thick white stripe down the arms. Both carry book bags.I cannot begin to tell you how happy I am that you get to read The Moon on a Rainy Night, Volume 1! This masterwork by Kuzushiro hits English language shelves tomorrow and I implore you to get it if you haven’t already.

Amayo no Tsuki (雨夜の月) has been one of my favorite series since it launched last year – Volume 5 was reviewed here just last week, in fact. I’ve been a fan of Kuzushiro-sensei’s work for ages and was able to bring Kimi no Tame Nara Shineru (姫のためなら死ねる) out in English in partnership with JManga.  So this is technically not the first time Kuzushiro-sensei’s work had been published in English, but it is the first time in print and so well-positioned for success.

The Moon on a Rainy Night follows the lives of Saki, a typical student in high school, and her classmate Kanon, who is hard-of-hearing. Kanon has isolated herself from her classmates after a painful misunderstanding in middle school so, when Saki is asked to be her friend, Kanon asks her to just not.

Saki and Kanon are thrown together by random circumstances, but their friendship radically changes both their lives in ways that they could not have possibly predicted.

Disability manga is not entirely uncommon. For instance, we’ve been talking about Kabi Nagata‘s mental and physical health since 2016. But there is a reasonable pushback from disability advocates on “inspirational” portrayals of disabled and chronically ill folks gaining unreasonable success “despite” their limitations. No one needs that shit. What we get in Moon on a Rainy Night is the coming together of two people who help one another to become their best selves. Saki reaches out to understand Kanon – she begins to learns sign language to make it easier to communicate and brings Kanon into situations in which she can thrive, instead of hiding from stress. Kanon learns to become part of the larger community – without compromising her own needs. It is a fantastic tale of what “accommodation” ought to look like in a perfect world. Saki and one of the teachers  makes space for Kanon to participate in student life in ways that allow her to feel included on her own terms.

This doesn’t mean life is perfect for Saki or Kanon, which means that there is room for them both to grow – together and separately. As I said in my review of this volume in Japanese, “I’m glad it neither fetishizes nor romanticizes deafness. Instead, it is a bit of an explainer manga, which gives Kanon a chance to speak for herself and to correct Saki’s mistakes and misunderstandings.”

Kuzushiro’s art has really matured over the last few years. There’s amazing reaction shots and this will continue to develop as the story goes on. The storytelling is a little rough in the very beginning, but soon finds it’s own pacing. It’ll pick up speed as the story progresses.

Kodansha has done a fine job of bringing this volume over to us. Kevin Steinbach’s translation feels as natural as it can be, given that in this volume, the characters are still being developed by the creator. Above everything, it feels like young people talking, which I very much appreciate. Jamil Stewart’s lettering is solid, with the Kodansha house style of doing matching captions to the Japanese. The English reads smoothly, great job on editor Andres Oliver.  And the cover design by Phil Balsman captures the feel and colors of the Japanese edition.

Ratings:

Art – 8
Story – 7 This will go up as the narrative matures
Characters – 9
Service – Let’s say 1 on principle but not really
Yuri – Also mostly on principle right now, but that, too, will change

Overall – 8

I am so, so glad this manga is here! It is at the top of my list for possible best of the year.  The Moon on a Rainy Night is a Yuri series that can and should be read by everyone.





Amayo no Tsuki, Volume 5 (雨夜の月)

August 31st, 2023

In my fevered anticipation for The Moon on a Rainy Night, Volume 1 coming from Kodansha next week, I was thrilled to have the newest volume of the series in Japanese, Amayo no Tsuki, Volume 5 (雨夜の月) to read this week. This volume is full of wondrous scenes, amazing transformations and an uncomfortable lesson.

At the end of Volume 4, we left Kanon determined – for the first time in many years – to be an active participant in her class’s culture festival activities. Why she’s closed herself off has become more and more apparent as we get to know her and understand her circumstances.  But Saki, unwilling to accept those circumstances as the end to the story, has been instrumental in assisting Kanon to break down the walls she’s built. This is a key point because while Saki is convinced that the walls should come down, she is not doing any of that herself. She’s allowing Kanon to find ways to do it herself; Saki is there when Kanon needs support, holding the doors open, but never does Saki force Kanon to do anything. This is not an inspiration porn story, about “achievement despite the odds” – this is a story about finding ways to support one’s friends with an open heart and mind.

And, so… Kanon and Saki accompany their enthusiastic otaku classmate ‘Nabe to pick out maid costumes for the class cafe. ^_^ Kanon’s mother  takes on a new student – their teacher’s daughter, which gives Kanon’s mother and the teacher a chance to have an adult heart-to-heart about hardships of being a parent.

Artistically, I really enjoy Kuzushiro’s way of expressing people’s energy through expression and body language. ‘Nabe-chan and Haruka-chan are high-energy people and we can tell from the art, the text, the way they move and speak. It’s pretty great.

And then…we learn what happened to Tomita, the girl who apparently could not stand Kanon or Saki and who, with her friends, have been whispering about them in class. (I called them bullies in earlier reviews and I stand by that. Bullying can be passive as well as active. Anyone undermining someone else’s peaceful existence is, IMHO,  a bully. Whispering and staring is a form of othering meant to make the other person feel unwelcome.) Tomita had volunteered to conduct the choir then appeared to bail on Saki, leaving her to handle the whole thing herself. It turns out that there are a number of factors in her dislike of Kanon….and some complicating factors to her life now. As with Kanon’s middle-school issues, sometimes there are things you just cannot fix yourself, even if you were aware of them.  Life, Saki and Kanon are finding out, is more complicated that we’re aware of.

As the story winds down, Kanon gets a glimpse into the secret Saki has been hiding from her….and it throws them both for a loop.

Kanon, having been alone for so long, now finds herself surrounded by people with whom she would like to interact. But now, having broken down those walls…Kanon and Saki will have to address what they are to one another. Whatever the outcome – I can’t wait!

Ratings:

Art – 9
Story – 9
Characters – 9
Service – 2 Maid costumes and animal ears
Yuri – 4

Overall – 9

This was a great volume of a great series, running full stop with high energy. I am so, so happy that you’ll get to read it!





Watashi no Yuri ha Oshigoto Desu!, Volume 12 (私の百合はお仕事です!)

August 8th, 2023

Two girls in green, old-fashioned Japanese school uniforms embrace. A girl with blond hair and glasses tenderly holds a girl with blue hair, who holds on tentatively.Quite recently, we had a wonderful review on Okazu by Christian LeBlanc on Yuri is My Job!, Volume 11. That review motivated me to reach right into the middle of my to-read pile and pull out the Japanese edition of the next volume, Watashi no Yuri ha Oshigoto Desu!, Volume 12 (私の百合はお仕事です!). Volume 11 leaves us in a tense spot, and I knew from reading chapters in Comic Yuri Hime, that Volume 12 was gonna be explosive. Re-reading it all together was…phew. I want to say Content Warning, but explaining why is a spoiler, so please check at the bottom of this post.*

At the end of Volume 11, we are left with Kanoko in a very tight spot – “in a pinch” as they say in the manga/anime world rather more often than we do in English. She has, for better or for worse, been invited to Youko’s hotel room. Of course that leaves us, the readership over 30 or so, screaming our lungs out at the page. \(‘O’)/

What follows is two delusions colliding, like a truck into a overpass pile. Kanoko, obsessed with Hime, unwilling to see past her, is a unmovable object wholly unprepared for Youko’s delusion. Youko, used to using her body and using other women, doesn’t take Kanoko’s personality into account at all…in fact she barely sees her as she slams her use of sex into Kanoko at 100kpm. The whole situation is messy and appalling, and hurtful, even if no one gets hurt. Kanoko takes a couple of emotional hits. That they were deserved does not take away from the fact that it didn’t have to be – should not have been – like this. Youko is wholly loathsome throughout.

So, the finale, when it comes, is a less of a balm to raw emotions (that will come later) than another vehicle slamming into that same accident under the overpass.**

Finally, Sumika and Kanoko actually talk.

And here, at last, is where I disagree with my esteemed colleague Christian. I completely see his interpretation of Miman’s story calling out “S” culture, but I believe that this whole story has been validating it. Yes, what ‘S’ has become – a pastiche, a trope – can be harmful when people who don’t understand their own feelings find solace in a fantasy that has been handed to them that they don’t really understand. (This is exactly what happened to Sumika and Nene.) But at it’s core, being sisters, being bosom friends, having someone to just talk to, is a powerful thing for girls in a world that invalidates and mocks girls’ feelings and interests.

Although I am looking into an uncertain future, it is my belief that Kanoko and Sumika will actually become a very strong Schwester pairing. And in making that prediction, I think I see the end game of this whole series. Hime, Mitsuki, Sumika and Kanoko will have all been thrown into this ridiculous set-up, with personalities that do not mix or match…but out of all of this, they will become fine sisterly pairs that perfectly match the setting and feel of Liebe Academy and confirm the timelessness of the iconic pair of “sisters” in Yuri manga. Where Mayu, Matou‘s message was “We can leave all this behind now,” this manga might well be saying ‘There will always be a place for you in our book.”

Or, I’m wrong and we’ll see what happens! ^_^

Ratings:

Art – 7 As a study in horrified faces, this is a great reference
Story – 9 Explosive and powerful, also horrifying
Characters – 8 Phew
Service – Yes. Youko’s large breasts. Yes
Yuri – 0 Whether there any Yuri in this volume is very much open to debate. I say no.

Overall – 9

* Spoilery Content Warning for sexual assault…although that doesn’t happen, it is very much a thing and must be dealt with by those of us who must deal with it. The story does address it.

** It’s a closed fist.