Archive for the Artists Category


Magic Knight Rayearth Anime Season 1 (English)

May 18th, 2010

Magic Knight Rayearth Season 1 - Remastered Volumes 1- 4, Eps. 1-20Today is not a Yuri review. I’m obsessed but not insane. Magic Knight Rayearth, Season 1, had no Yuri. However, I had never watched it all the way through and I thought it was worth a mention here.

Surprisingly, I do not love CLAMP. Like Madonna, I admire their grasp of their business more than I do their actual creative work. They are undoubtedly talented, their art is lush, and they are as close to genius and masters of their craft as any creative group out there. I am an unashamed Card Captor Sakura fangirl, but with that exception, I can take them or leave them. So, back in the day, when MKR was all the rage, I gave it a try and let it drop. It just didn’t hook me.

When the fine fellows at Media Blasters offered me a copy of Season 1, I took it precisely because I thought that, with all those years of watching anime behind me, perhaps now I could come to this classic series with an appropriately “objective” mentality. Basically, I wanted to know if the series could make me care about Hikaru, Umi and Fuu.

Well…it did. About two-thirds through I found myself totally kvelling at them when they cleared some level or other. And boy, did I appreciate the meta-comment about their story being an RPG. It is obviously so, but it was fun to see them say it.

Aside from my dislike of Mokona who, as an acquaintance put it so well on Twitter, is like a kitten, “cute, but a real asshole” I found the series to be engaging. (I think I mentioned that if I find myself humming the theme song for days and days, it’s usually a good sign….) It’s also a product of its time and place. The animation was not as good as we might hope, and certainly not CLAMPs best work, but their standard character designs were solid. It’s fun to imagine what it might look like if it were done now.

The story was…refreshing. It’s innocent of service, it’s got solid storytelling, power-ups and great teamwork and bonding between the players. The “twist” at the end was as obvious as the hand on your arm, but it’s good to remind ourselves that this was a show for kids. You can tell by the “Who Is it?” “game” at the end of each episode, as well as the innocent look at life, love, adventure and maturity. It’s an added bonus for me that it is voiced by some of my favorite voice actresses, women who were the top of their industry at the time.

My *only* complaint about this collected Season Box set is that the interviews with the various Voice Actresses  have unbelievably bad sound quality and are impossible to hear even at top volume. In every other way, it’s a lovely set.

Did I like it? Yes. This time I did.

Ratings:

Art – CLAMP, but not at their best. – The art was 8, but the animation wasn’t up to it – 4
Story – 7
Characters – 7
Yuri – 0
Service – .5 (I’m sure, if you REALLY wanted to, you could find something salacious to obsess over, but that’s a lot of work for little return.)

Overall – 7

My thanks go to Media Blasters  for their kindness in allowing me to once more step back to my anime roots and regain a taste of those early days.





Interview with Yuri Manga Artist Fujieda Miyabi

May 16th, 2010

There’s not too much to say as an introduction. I have been enjoying Fujieda-sensei’s work since 2004 when I encountered it in Yuri Shimai. That story would eventually be published as Kotonoha no Miko to Kotodama no Majyo to. I liked how cute his stories were and was charmed by the goofy humor of Iono-sama Fantics and the gentle calm of Ame-iro Kouchakan Kandan.

I also believe that Fujieda-sensei has the best costume design sense in the entire manga industry. So, when he agreed to answer a few questions, you can imagine how thrilled I was. ^_^

Continuing my series of interviews with Yuri Artists, it is my unbelievable pleasure to present a short interview with Fujieda Miyabi-sensei.

***

Q1: Please tell us about yourself.

A: My name is Fujieda Miyabi.

Even though I draw mostly to make myself happy, I am glad that there are overseas fans who can enjoy my clumsy work.

Q2: How did you become a mangaka? Did you want to be one when you were a child?

A: When I was publishing original doujinshi (self-published works) I was scouted by an editor and became a pro. That original work was Twinkle Saber Nova. It’s not a Yuri work.

Q3: Which artists inspire you?

Although I am ignorant about Fine Art, the manga art that most inspires me is Nagano Mamoru’s Five Star Stories. After that, the CLAMP-sensei, Kouga Yun-sensei and others whose work I admired in my youth.

Q4: If you weren’t a mangaka, what would you be doing?

A: Before I set my sight on being a mangaka, I thought I might become a chef.
Even now, I like to keep my hand in and do design work.

Q5: What was your motivation to start creating Yuri Manga?

A: When two women are happy together as a couple, I can say that that is the time I am at my happiest. In my middle school years, I became acquainted with the idea of drawing same-sex couples through CLAMP-sensei’s and Kouga Yun-sensei’s work, and I began to think about doing stories with female couples. Once I passed through technical school for drawing manga, I began to draw Yuri manga.

Q6: Can you tell us a little bit about your process?

On average I draw about 16 pages every two weeks, but my production schedule is pretty unsteady. Faster if I’m running out of time.

Q7: How were Iono-sama Fanatics and Ame-iro Kouchkan Kandan received by the Japanese audience?

A: Iono-sama Fanatics was not a romantic love story between two women, but was drawn to be a story about a loving Queen with a harem. Those people who prefer mainly comical series seemed to like it. Ame-iro is about only two women, the ones who like it are those who take time and read it slowly and gently.

As an author, these both make me happy. I think Ame-iro is more popular and has gained more readers, though.

Q8: It is not unusual for a man to draw Yuri however, your work has a gentle, feminine atmosphere. What are your thoughts on drawing women’s emotions and thoughts?

Of course, because I am a man, women’s feelings are difficult.

But, I think it’s the same as when it’s a woman and a man, that sense of wanting to be kind to one another. That’s my first thought. How much of that emotion, of feelings of kindness or happiness is just in my imagination depending on the scene that I’m drawing.

Q9:　Is there something you’d like to ask your overseas fans?

A: To the fans who anticipate my next work, what kind of story would you like to see?
I’d like to hear from you.

(This is Erica: You can visit his website, Moonphase or follow him on Twitter and contact him directly!)

Q10:　Do you have a message for your overseas fans?

A: I am still inexperienced, but from here on, I will to the best of my abilities, continue to work as a Yuri manga artist. From far away, I will work hard to confer upon you happy hours.
Should you encounter my next work, I will be happy.

See you again.

***

Thank you Fujieda-sensei for taking time from your busy schedule and answering our questions – and thank you everyone for reading this interview.





Yuri Manga: Aoi Hana, Volume 5

April 22nd, 2010

You know the 5 Stages of Death? Well, Coming Out also has certain stages. 1) First, you have to admit to yourself you are /fillintheblank/. 2) Then you admit it to someone close to you. Just one person, because your sure it’s going to turn them against you. 3) Then you admit it to someone else – sometimes a perfect stranger, because that’s safer than family or friends. 4) The biggest hurdle is vocalizing it to your family. If that stage is not horrible (and for many people it is,) you start becoming more comfortable with the whole thing, until the final stage 5) Acceptance. For that to happen you have to accept yourself. It’s a bonus if the people around you accept you too, but it’s most important that you accept yourself.

In Aoi Hana Volume 5, Fumi has made it past the third stage. And really, she’s not sure how she got there. But it’s okay, because she’s well on her way to accepting herself. And she’s also already incredibly strong, although she doesn’t yet realize it.

It’s once again time for the Drama Club to put on their play and emotions are running very high. Despite themselves, last year’s first-years are turning into rather mature second-years that are admired by the new students. Kyouko stuns people with her performance in Mishima Yukio’s Rokumeikan. (The link is to the collection of plays in which Rokumeikan is included.) Even Akira, who comes down with sudden nerves, finds herself caught up in the moment and shines on stage.

Haruka learns that Fumi, too, is a lover of women, and we follow a flashback when she learned of her sister and Hinako’s relationship. When Fumi meets Haruka’s sister, she is keenly aware – and a little jealous – of their comfort level with each other.

Even Mogi’s clandestine relationship with Akira’s brother is noted.

Everyone is growing up.

I only wish I had “met” Fumi when I was young. I could have used a media representation like her.

With vacation planned and old flames coming back into the story, Volume 6 promises to be full of fireworks – can’t wait!

Ratings:

Art – 8
Characters – 9
Story – 9
Yuri – 5
Service – 1

Overall – 9

Does *anyone* like Chizu? The more we see of her, the less I like her.





Yuri Manga: GUNJO, Volume 1

April 9th, 2010

(Note to people looking for scanlations of this book. The author does not work herself to the bone and pay money out of her pocket so you can steal her work. Scans are not cool – they are theft. You want the book, click the picture and go buy it. Otherwise, you’re devaluing her time and effort and there is no justification for it, other than you are selfish.) 

“Is it settled?”

“It’s settled.”

With these few words begins one of the most profound, most emotionally engaging manga I’ve ever read.

Gunjo, Volume 1 (羣青 上)by Nakamura Ching is a journey from madness to madness, from profound misery to profound misery and from derision and fear into depths of despair where there is respect and even love.

It begins in the moments after a horrible crime has been committed. A woman has asked someone to kill her husband for her. She has asked someone she knows she can use – another woman, a lesbian, who has been in love with her since high school. The woman who requested the death is abusive, derisive. The woman who committed the crime is passive, almost apathetic. She flinches in the face of the other’s harsh words, but doesn’t fight back.

In between incredible, sudden violence, at moments when their existence is most tenuous, there is tenderness. No, it’s more like that there is only tenderness in the moments when they are most fragile.

We only learn later that the one woman has been serially abused by her husband, after a life with an abusive father. And we only learn later that the other woman walked away from a relationship and a life to commit this act of violence for her.

There is no real moral ambiguity here – these two women are violent and broken. They are insanely bad for one another and have together done something unspeakable. And yet, in the darkest moments, they realize they want to live and try to create something like a life out of the chaos they’ve created.

Nakamura-sensei’s art is detailed and realistic – and in those moments of terrifying violence it reaches the level of sublime. Her writing is subtle – and painful and hurtful – and breathtakingly beautiful especially when the situation is uncertain. There is a mastery of tension of just about every kind in every word and line of this story.

Moving, brutal, sublimely gorgeous and profoundly disturbing.

I’ve said it before and I’ll continue to say this – Gunjo is the best manga I have read to date.

Ratings:

Art – 10
Story – 10
Characters – 10
Yuri – 7
Service – 1

Overall – 10

I would love to hear from those of you who bought Volume 1 of Gunjo – what did you think of it, now that you’ve had a chance to see it for yourself?





Yuri Manga: Sasamekikoto, Volume 6 (ささめきこと)

March 29th, 2010

When you’ve got a logjam, there’s only two ways to break it up. Either something has to crack under pressure, or some external stimulus has to be applied to clear the congestion. In either case, I expected a “terrible crisis” to happen in this volume.

In Sasamekikoto, Volume 6 (ささめきこと) *both* things happen. And I was wrong – there is no “terrible crisis.” Well, there is, but it’s not that terrible, really.

I don’t want to spoil too much, because this was a very good volume, but let me say this: The one consistently weak thing about this story has been Ushio’s cluelessness. Well, that’s been taken care of now.

And now, I am even more interested to see where the series goes from here.

I loved that the crazy birthday party meme from the Drama CD was reused for this volume in a way that left one not feeling wrung out and irritated.

I foresee a ridiculously grin-making climax, but not at least for another volume, maybe two. Kind of weird for a series that became so thickly wrapped in angst, but also kind of a relief.

Ratings:

Art – 7
Characters – 8
Story – 9
Yuri – 7
Service – 1

Overall – 8

Damn this series, now I’m singing Jinsei ha Party all over again. Gah.