Archive for the Artists Category


Yuri Manga: Aoi Hana, Sweet Blue Flowers Volume 1 (青い花)

March 31st, 2006

Aoi Hana, or Sweet Blue Flowers as it is translated on the cover, by Shimura Takako, is both cute and sweet – and I liked it quite a bit. Which is pretty surprising, as it is both genuinely cute and sweet.

In essence, this manga is the story of four schoolgirls: Fumi, Akira, Yasuko and Kyouko and their various loves and friendships. It is not loli uber-cute or gaggingly sweet, nor is it highly melodramatic. It’s actually more vaguely realistic, with an emphasis on the usual conventions and tropes of schoolgirl yuri – crushes on best friends, sempai, etc. The tone is quiet, the relationships realistic-ish.

Fumi comes back to the town she grew up in, for the first time since grammar school. She meets, without realizing it, her childhood friend Akira – a pleasantly energetic and cheerful girl. When they were much younger, Akira had been Fumi’s protector, keeping her out of harm of bullies and saving her from the unpleasant emotional consequences of common pre-school blunders like bathroom accidents. Fumi is now a tall, attractive young woman, but still shy and retired. Without realizing who each other is, they meet on a train when Akira saves Fumi from a pervert. (Although why Japanese women don’t simply break train pervert’s fingers at the bottom joint, I’ll never really understand…it’d be easy to ID the guy with the broken finger. But I once again digress.) Fumi and Akira are reunited as friends when their mothers get together and the light dawns upon them. This time around, they are going to separate girls’ schools.

Fumi learns that her cousin is getting married, but seems appalled rather than pleased…. We learn later that they were having a physical relationship and Fumi had no idea she was engaged.

Kyouko is Akira’s classmate at school. It’s club time and the two decide to join acting club together. Kyouko has a secret – she is in love with an upperclassman at Fumi’s school. Fumi, unbeknownst to anyone is also developing a massive crush on this upperclassman, Yasuko. Fumi joins the club Yasuko is in – not really caring that it’s theater, just to be near the older girl. When Fumi’s school theater club decides to visit Akira’s school – to take in the wonderful rarified air of this oh-so-glamorous place – Fumi happens to wander down a hall where Kyouko confesses her feelings to Yasuko….and is rejected.

Koyuko runs off, but as Yasuko leaves she sees Fumi crouching down trying to be invisible. Yasuko asks Fumi to go with her outside – and hits on her with subtlelty and charm. Fumi’s a goner. Yasuko asks her out and she agrees.

In the meantime Kyouko’s brother asks for help trying to set up an “aicon” – an arranged group date-thing. Akira wants to go, but her brother screws it up, causing mild emotional damage. Luckily Akira has pretty high hit points, so she survives.

In the meantime, Yasuko takes Fumi out on a date. Their relationship might actually have to win for one of the most real and normal I’ve seen in anime and manga. They do everything in the right order. Hold hands, kiss, etc. Not all at once and not after a gap of a gazillion years. Fumi is completely totally gaga over Yasuko and so far, at least, Yasuko hasn’t been a scuzzball. In fact, she’s been very sweet and romantic, which is good, ’cause Fumi’s fairly fragile. They share their first kiss in the library stacks – I approve. :-)

The *drama* of the latter part of the book is hardly even that. Yasuko asks Fumi if she can walk to school with her, but Fumi has already given that promise to Akira. An awkward meeting between the three makes Fumi feel that she has to tell Yasuko, quite overly-seriously, that she can’t walk with her. Yasuko laughs and wonders when she got involved in a grammar school conversation, but she’s fine with the whole thing. Fumi isn’t *quite* done, yet, and tells Akira about her relationship with Yasuko. Yasuko’s mightly impressed that Fumi came out to Akira, but still thinks the drama was a bit silly.

Akira isn’t upset, but she’s not really sure *what* to think. She asks Kyouko what she’d say, hypothetically speaking, if Akira told her that she was in love with a girl. Kyouko is still smarting from Yasuko’s rejection, but she smiles and responds with the same question. Akira thinks about it and decides she couldn’t care less who her friends are in love with, as long as they are happy.

Kyouko runs into Fumi and asks her if she’s in love with Yasuko. Fumi, blushing and stuttering admits she is. Kyouko tells her that Yasuko’s wonderful – and Akira’s a really nice girl, then wanders off mysteriously.

That night Yasuko calls Fumi. They share the usual sweet nothings, telling each other that they love one another (it was very “aww” inspiring). Before she gets off the phone Yasuko asks about Fumi’s first love. Fumi thinks briefly of the cousin she was playing around with at the beginning of the book, but realizes that her first true love was back in grammar school, when she fell in love with Akira.

To Be Continued, the end of Volume 1 says.

Really, this was just a very pleasant yuri manga. No fanservice, no fetish (except for the schoolgirl thing, but the uniforms are really dull and uninterestng and not at all unreasonably fetishy.) It’s just a nice, semi-realistic tale of first loves and friendship among girls. I imagine it will remain almost completely unknown as a result.

Ratings:

Art – 7
Characters – 8
Story – 7
Yuri – 8
Service – 1

Overall – 8

If you are looking for something that isn’t lowest common denominator Yuri – you’ve found it with Aoi Hana. I’m definitely looking forward to the next volume.





Yuri Anime: Madlax, Volume 5

March 16th, 2006

Madlax 5 is absolutely, positively worth the wait.

I know that most anime fans have the attention spans of a gnat, so I wanted to say that quickly, before you stopped reading – or if you, perchance, have stopped watching Madlax because you saw Noir and think that it’s the same thing. It is the same thing – but better. Think of Noir as practice.

This volume is entitled “Convergence” and for once, the title actually fits. In this volume all the playing pieces gather together on one board.

Madlax and Vanessa have been framed so that the entire country believes that they have murdered a member of the royal family – which they have not. Rimelda (the official translation is Limelda, but I prefer the R to the L, so I’m sticking with my version, even though it is wrong) has been assigned Madlax as a target, but when she confronts Madlax and Vanessa, they give her the data they stole from Enfant.

This entire volume is the death and rebirth of Rimelda and it utterly, totally, completely rocks.

Rimelda dies as an elite sniper of the Royalist army and is reborn as an insane, obsessed killer. Think about that sentence for a while…eventually you’ll realize that there is, of course, no difference at all. Rimelda hasn’t *quite* gotten there by the end of the volume, but she’s on her way.

Vanessa learns to shoot so she can take care of herself, which ups her cool factor a few notches. When Margaret and Eleanor (another name for which I refuse to use the official version) show up, she’s not unhappy at all to have them join her.

They all *converge* upon Quanzitta’s village, where Naharu (a third name I use my own version of) wonders why she can’t get Madlax out of her head. Carlossea Doon shows up too, but he’s such a non-entity in this series, even if he is one of the main three characters. (I’m being generous here… his name is pronounced Carlossur Dawn. But because I don’t care about him, I’ll use his official spelling. Which the dub actors pronounce “Dune.” argh)

So we’re all together and the three mystical books are gathered. Finally Quanzitta has something to do other than take baths.The plot is pulling together and they are all getting closer, as Laetitia points out. The tension runs high, and the end, while not far away, is not really at all in sight. Something else, I like – when it’s carried off decently. Plotwise, this is the beginning of the end.

But the strength of this volume is in Hisakawa Aya’s portrayal of Rimelda, as she loses her life, her dreams, her status and her mind and replaces them all with an obsession. She falls in love with her idea of Madlax – and that supremely unhealthy love is only strengthened by every encounter with her prey. Rimelda nails their relationship after an aborted hand to hand fight with Madlax – if only Vanessa hadn’t interfered, they could have continued the dance.

I love Rimelda and Madlax together, so I was a little peeved at Vanessa too. And in myYyuri goggles, now that Eleanor is there, she and Vanessa can play family with Margaret, leaving the fightin’ chicks to each other. ^_^

My first thought – and one that resounded over and over as I watched this volume – Rimelda is Chloe, but done *right.* Not just because she has the same voice actress – but because they are the same lost little girl characters who are living a lie. Only where Chloe always seemed like a refugee from a different story in Noir, Rimelda is a crucial part of Gazth-Sonika. In many ways, she is more part of the world than Madlax herself – both as a character and as part of the larger mystical plot.

The song “I’m here,” which plays before every scene in which Madlax gets all bad-ass, becomes, in this volume an actual, active part of the plot. The final use of it in the volume – it is as much part of the story as the action going on around it. If you haven’t read the lyrics, do. It’s absolutely the story talking to the audience. I was left quite breathless by it. Good song, too.

The liner notes are, as always, worth the read. There’s a wacky little note about Rimelda written by Hisakawa Aya, which is very funny as it censures Rimmy about sleeping with Doon, but never even mentions falling in love with Madlax.  And I don’t know why I missed these, but the extras on the DVD include “Conversations with SSS,” which are completely insane dubbed scenes that are totally stupid, go on too long and are really funny. I’ll have to go back and watch the back volumes now. ^_^

Ratings:
Art – 7 (good, until it gets wonky)
Story – 9
Characters – 8
Music – 9
Yuri – 7
Service – 2

Overall – 9

This was *such* a good watch. I was really into it. I’ve heard from alot of people that they couldn’t get into Madlax, or they felt it was just a Noir clone. I love Noir, but of the two, I really have to say that Madlax is the far superior story. As I said in the beginning, this volume is absolutely worth the wait.





Yuri Manga: Kuchibiru Tameiki Sakurairo

March 14th, 2006

Kuchibiru Tameiki Sakurairo comes with the English translation Kiss, Sigh and Cherry Blossoms Pink. Just so you don’t have to work at it. ^_^

This is the second (only because I got it second) volume of Yuri manga from collected from Yuri Shimai and Yuri Hime magazines. This is the first collection of the stories by Morinaga Milk which, while not really a series, are related by virtue of them all taking place at a single girl’s school. From now on, to make things easy, I am going to call the series, such as it is, “Cherry Blossoms”. If a second volume comes out with a different title, I’ll work out something later. ^_^

So, my first thought upon cracking open Cherry Blossoms was that the stories had been reordered from the way they first appeared in the magazines. I have a sneaking suspicion that that had more to do with the printing process and placement of the color pages than with any textual redefinition. But as the stories are, at least in the beginning, stand-alones, it didn’t affect the series’ continuity one bit. The color pages that originally ran in the magazines are here reproduced – and very lovely all over again. There’s an additional color page in the beginning, depicting Nana and Hitomi, as they walk through a wood filled with cherry blossoms – Hitomi gesturing back to Abe and Tachibana who are also enjoying the petals. Appallingly cute,as you can imagine. :-)

As I did with the first volume of Strawberry Shake Sweet, let’s begin from the beginning as if we have never read these stories.

Cherry Blossoms is a series of connected stories about girls in love at what is a private girl’s school. In and of itself, this is not an original idea. But these are well executed, with a variety of personalities, character types and situations, so unless one objects strongly to the idea of high school girls in love, then it’s a pleasant enough example of same.

We begin with Nana and Hitomi, two girls who have been in school together since time immemorial but, for mysterious (to Nana, at least) reasons, Hitomi did not go to the same high school as she. The story starts off with her dreaming of the time she learned Hitomi would be going to another school. She wakes in tears. Nana is a pleasant girl, and has made some friends in the new school, but she’s lonely without Hitomi. One Sunday she runs into Hitomi who, having joined the basketball team at her new school has shorn her locks, and seems to be very friendly with her teammate. Nana tries not to be jealous and stricken. Hitomi jumps unmbrellas to return home with Nana, ostensibly to see her new school uniform. Once home, Nana breaks down in tears, telling Hitomi how unhappy she is. Hitomi reminds Nana that her feelings and Nana’s are not the same. In middle school she had kissed Nana, only to have Nana ignore it completely. Because she could not be just friends anymore, Hitomi thought it would be better to not be near the object of her desire. Nana throws herself into Hitomi’s arms, declaring that her feelings *are* the same, she was just scared and…and…she kisses Hitomi. It’s okay, Nana says, if we’re not friends. Rabu rabu.

The second story tells us of a ghost of a girl who attended the school in the past, and who now hangs around the school doctor. By accident, the ghost is absorbed into the body of a student who, all of a sudden wants to hang out with the doctor all the time. The ghost tells us of the time that she attended the school. She was very ill, and the girl who is now the doctor spent time with her every day. Ultimately the ghost grew to love her. Her friend went on to become the doctor to spend her days in the same office they had been in together. As they talk, the doctor realizes what has happened, and she addresses her friend by name. They kiss briefly, the ghost leaves the student’s body and all returns to normal…except that the student now has an inexplicable crush on the doctor. ^_^

The next chapter is probably my second favorite, and the couple I most hope we get to see more of – if only because they are perfectly unsuited for one another. Abe and Tachibana are practicing for the school play. Abe says that she can’t quite get into the head of the bound princess, so Tachibana removes the ribbon from her own hair, ties Abe’s hands behind her back, undoes her braids and says there! – now you’re a bound princess. As Abe recites her lines, Tachibana is moved to kiss her. When the rest of the theater club gets there, Tahibana has to explain that Abe burst into tears and ran off after she untied her. The club members are appalled. It turns out that Abe is in Nana’s class. Innocently, she asks Nana if she’s ever been kissed. Nana explodes, but Abe changes the subject before Nana is forced to prevaricate. In her mind, Abe says that she’d always imagined that her first kiss would be a prince – or at least a nice guy…but the image of the prince in her mind changes to Tachibana. The senior members of the club catch up to Abe to try and convince her to come back to the club. Tachibana overhears them – so when Abe bursts into tears, she grabs the younger girl and takes her away. Tachibana tries to apologize, but it seems to make Abe cry even harder, when she realizes and says out loud that she likes Abe. Tachibana asks what she can do to be forgiven. Abe tells her to say that she likes her once again. At the school play we see Nana and Hitomi in the audience and there’s just enough time for hijinks and goofiness before we cut.

The next story is probably the least comfortable or cute of the collection. Chisato had, when they first met, tried to help an outsider, Mizuki, but had been rudely rebuffed. Now in their third-year, Chisato still remembers that day, and can never quite take her eyes off of her classmate. Chisato falls ill with a cold; upon going to the doctor’s office, she thinks Mizuki is the doctor – apparently their voices are very similar. Chisato lays there, thinking about how her dream had been to be close friends with Mizuki….but that had never worked out. Chisato stays out of school for a few days, and is very surprised to have Mizuki drop by to see how she is. Mizuki apologizes for her behavior so long ago. She had just tested into the school and was being treated nastily by the insiders. She had kiss marks on her neck – when Chisato had offered a bandaid, she was just in bad mood and took it as more teasing. Chisato returns to school, but she’s still sick and ends up once again in the doctor’s office. There she talks to the doctor through the curtain about how she could never get Mizuki out of her mind. The doctor, who we can see is really Mizuki, tells her that some day she’ll have a wonderful love. Chisato thinks about that and wonders if, then, she’ll remember this – her first love.

Chiharu has always loved her friend Misato from a close distance. She loved the way Misato played the flute when they were younger, and now, after an injury has kept Misato from playing, Chiharu loves Misato’s home-made sweets. But really, more than anything – she just loves Misato. During a conversation at school, she’s lead to believe that the feelings are one way – and over the following days Chiharu can’t help but feel a little down. She is over Misato’s house to make sweets when Misato breaks out her flute and plays for the very first time in a long time. Chiharu is all starry eyed all over again. Misato says that she’s noticed that Chiharu was a bit blue and her music always seemed to cheer her up – but she’s gotten rusty since she stopped playing. Chiharu disagrees. Misato continues – she wanted to thank Chiharu for always keeping her spirits up when she was injured. Chiharu finds strength in this, “accidentally” downs a glass of wine (kids don’t try this at home!) and decides to bare her soul. As we cut out, Chiharu tells Misato that she has something important to talk about…

Nana and Hitomi kiss in full color! And, in the following pages, do more than that. But it’s all a naughty dream and Nana is appalled at herself – right in the middle of midterms, too. Sure enough, distracted as she is, she does badly and has to take a retest. This is all complicated by the fact that Hitomi has bluntly asked for them to do more than kiss. It’s not that Nana doesn’t want to…it’s that every time she gets a look at herself, she frankly cannot believe Hitomi wants a clod like her. She imposes a Hitomi ban upon herself, studies and takes the retest. It’s been a week – Nana hasn’t even answered her email. She calls Hitomi, only to hear the other girl’s phone ring under her window. Hahaha. Hitomi was in the bushes. Once safely in Nana’s room, Hitomi admits to being impatient – she couldn’t stand not being able to talk to Nana. Nana admits to feeling inadequate, which Hitomi forcefully denies. She thinks Nana is cute, and kind and beautiful, etc, etc. So, eventually, they do more than just kiss.

When Michiru, an underclassman, approaches and asks out Nosaka, an upperclassman, it throws Nosaka’s world into a tizzy. She wants to be friends, but Michiru insists that they are dating. After an attempted kiss is rebutted with a slap, Nosaka feels awful. She meets Michiru with new short haircut and thinks it’s her fault. But Michiru says it’s not. In the end, Michiru decides to be by Nosaka’s side, and plan her college encounters for her. Of all the stories, this one was the weakest, IMHO.

The postscript has a nice romantically sexy picture of Nana and Hitomi. ^_^

As with Strawberry Shake Sweet, the quality of reproduction is very good – no complaints there.

Ratings:

Art – 8
Characters – Various, say 7 on average
Yuri – 9
Service – by virtue of being Morinaga Milk works, full of rosy-cheeked schoolgirls, 7

Overall – 8

Well worth your money, as long as you don’t mind schoolgirl Yuri.





Drama CD: Hayate x Blade Mini CD

February 24th, 2006

Would you like to hear a story about how utterly LFG I am? LOL

In the February issue of Dengeki Daioh, the Hayate x Blade chapter was a gag about the upcoming Drama CD.

In that issue, Amachi Hitsugi, the chairman of the school, president of the student council and all-around perfect rich girl, decided to write the script for a Drama CD. Hitusgi forces her shinyuu/partner to comandeer various characters to record the CD. Mayhem breaks out, as is typical for a HxB chapter. :-)

The March issue of Dengeki Daioh includes a mini Drama CD for HCB, which is meant to be the “mayhem breaks out” part of the previous comic that’s taking place inside the recording studio.

I picked up this month’s issue with what I am sure was an otaku creepy “ohmigodohmigod!” face on, even if the woman at Sanseido smiled at me and pretended not to notice.  ^_^’

As *soon* as we got in the car I slammed that baby into the CD player! The mini CD is 13 minutes or so long and it’s brilliant! Of course.

I won’t go on and on about how perfect the seiyuu are, or how funny the script was – except for this moment. When Hayate forces Ayana to read the title of the drama. “Hayate and Ayana’s sexy weekend” in English, I almost died laughing.

Oh, and this moment – when Momoka calls to Isuzu to say that they should leave (Momoka calls Isuzu “Wanko”) – “Come on Wanko.” Isuzu responds, “Wherever, forever.”

And I won’t go on about the BGM, which was hysterical in the extreme – and gets all romantic violins when Hitsugi is telling Shizuku that she wants to take her to a nice, romantic restaurant, just the two of them…

No. I won’t talk about any of those things. Or about the scene when Jun and Hayate are crawling on top of each other to try and find out which one of them Ayana wants more as a lover.

And I absolutely won’t rant about how the music changes and before she even spoke I KNEW Yukari had come “on screen”. Or how Ayana became a blushy, stuttering freak. LOL

All I’m gonna say is – there’s no doubt at ALL, that any real or implied Yuri in Hayate Cross Blade is amplified here to its fullest.

Ratings:

Story – 8
Characters – 9
Music – 8
Yuri – 7
Loser FanGirl – 9

Overall – 8

I cannot WAIT for the Drama CD next month! Ohmigod ohmigod! ^_^





Yuri Manga: Strawberry Shake Sweet Volume 1 (ストロベリーシェイクSweet)

January 30th, 2006

I cannot tell you how happy I am to be able to review the first volume of Strawberry Shake Sweet. Here are some of the reasons why I think that this manga is particularly important:

1) It’s the first time that Hayashiya Shizuru has professionally published a volume 100% Yuri story, for an audience of Yuri fans. It’s not like she hasn’t written tons of Yuri into her works, both professional and doujinshi, but this is the first time that a professional story by her has Yuri as the target genre.

2) This volume is explicitly *marketed* as a “Girls Love” comedy, with a cover obi that reads that “Girl falls in love with girl at first sight!!” Yuri has, of course, been marketed as Yuri in the past…but that was and is usually explicit Yuri for a primarily male audience – this is fun Yuri for a primarily female audience. (I got that info firsthand from the editor of Yuri Hime, so you’ll have to trust me on that.)

3) This is one of the first manga volumes put out by Yuri Hime Comics, collected from the body of Yuri Shimai and Comic Yuri Hime magazines. It’s a very decent showing. Large-size format makes it easy to read, the color pages that appeared in Yuri Hime are reproduced (instead of that yucky dark black look that many color pages turned B&W get.)

All in all – this volume marks a significant movement forward in establishing Yuri in Japan as being both *by* women and *for* women. Something that I feel fairly strongly about. :-)

Okay, so let’s move on to the actual manga. I’ll pretend that neither you nor I am familiar with the story, just as an exercise. Strawberry Shake Sweet is the story of young pop idol Tachibana Julia who, at 16, is both popular and busy in her entertainment career. She is asked by her agent (a dorky little guy) to take a new upcoming talent under her wing, show her the ropes, etc. Julia objects flat out. She’s no dummy – and this new kid would be her rival. There’s no *way* she’s going to train up the person who might end up stealing her career!

That is, until she opens the office door and finds herself face to face with Asakawa Ran, the tall, attractive upcoming new talent. Julia does a complete 180 and demands to be the new kid’s mentor.

The next few chapters cover the utterly psychotic way in which Julia, tormented by her desire to be near Ran, but also to keep herself distant, treats her poor junior. Ran, luckily, is a little doofus-y, and starts to assume Julia’s mania is really a form of tough love.

It’s not until their overstressed manager, Saeki Ryouko points out that Julia’s in love with Ran (after carefully pointing out that a girl/girl scandal would NOT be good for anyone). Julia, who had no idea that she was in love, is both relieved and energized. Now she has a name to put to this insane feeling! Saeki immediately regrets mentioning it at all.

Saeki is the series’ constant “straight man”. She fends Julia off of Ran, beauty parlor owner/operator, lesbian and former classmate Shinjou Kaoru off herself, and generally is the butt of many a gag. I quite like her – and the fact that she’s clearly a lesbian magnet. Not only is Kaoru openly desirous of her, Saeki’s junior in talent management is also wanting her pretty badly. Surrounded by lesbians as she is Saeki starts to wear down…eventually. But we’ll get there later.

Also contributing to the high lesbian quotient is Ryou, the lead singer from “hyper visual band Zlay.” Zlay has four members, all female, split into two couples. Ryou’s partner is Goth-Loli Reki, the creepy cute doll-like synth player. Ryou pops into the story suddenly and quite literally sniffs out Julia’s desire for another woman. But later, when she meets Ran, crushes Julia’s hopes by saying that Ran does not have the scent of onnadoushi. (Don’t worry – Ran later tells Julia that she is an important person to her. And let’s face it – it’s a girls love story. They’ll get together…*eventually.* lol)

Last, and kind of least, is babydyke Haruna, who is another idol, but a year younger than Julia. She is out and out in love with Kaoru, who doesn’t dislike the attention one bit. (In fact, in the most recent chapter from Yuri Hime, it’s fairly obvious that Kaoru and Haruna have a genuine thing going on, as Kaoru shows up drunk at Saeki’s door to complain about her relationship with Haruna.)

By the end of Volume 1, Ran has made Julia happy, sad, pychotic and elated about a thousand times, and the two of them are so inevitably growing closer, that you can just *see* Saeki wilting and her ability to keep the two of them apart starting to break down. But more importantly, Ran’s big debut has arrived at last and both Julia and Ran are left alone, desperately desiring to see one another – but holding back to try to be strong. And the maddening thing is – this takes us to the last chapter but one, and I don’t know what’s going to happen!!! Arrrrgghhh!!! (The last chapter was a New Year’s gag issue, so we’re still waiting to find out how Ran handles her debut for an art magazine.)

Ratings:
Art – 8
Story – 8
Characters – 8
Yuri – 8
Service – 3

Overall – 8

If you’re familiar with, and like Hayashiya’s art style, you’ll be familiar with, and like Strawberry Shake Sweet. It’s the same kind of physical humor, gags, bops on the head, nosebleeds and the like that you’ll find in her doujinshi as Jesus Drug, and her professional art in series like Hayate Cross Blade.

Oh, and gosh – a story of a lesbian pop idol…now where have I heard THAT before? Just for the record, Shoujoai ni Bouken came *first*. ^_^

If there’s one down side to this story it’s got to be that Yuri Hime is, at this point, quarterly. Which means we can’t expect a new volume for at least two years! Sob…