As promised, today I’m discussing the rather promising new Bee Train anime, Madlax. Now, bear in mind that a) Bee Train doesn’t have really overt screaming Yuri scenes; b)Bee Train also doesn’t bother tying up all the loose ends in their plots, so alot of what’s going on will never be resolved and; c) that this is a seriously biased overview from a person who has watched way too much anime recently… ;-)

“Madlax” is the name of a young woman, bodyguard and assassin by profession, tragic heroine by role. She lives and works in Gazth-Sonika, a war-torn banana republic in an undisclosed part of the world. It is established early on that, while she is very competent at her job, you probably wouldn’t want to invite her to dinner, since, like Jessica Fletcher, someone is likely to die when she’s around.

Meanwhile, in beautiful, vaguely European, Nafreces, where everyone is affluent and happy, rich girl Margaret Burton is introduced and established to be eternally spacey – perhaps as a result of a trauma she experienced as a small child…perhaps as a result of hallucinogenics in the drinking water, perhaps as a silly plot complication – the one thing we can be sure of is that we will probably never find out.

Protecting Margaret is Eleanor, a hyper-competent and unremittingly weird maid/bodyguard, who is by far and away, the most fascinating character to date. She is involved with…

Vanessa Renee, Margaret’s next-door neighbor who was like an older sister to a young Margaret, but is now no more than a vague memory to the spacey one.

When Vanessa invites herself, quite literally, into Margaret’s life, Eleanor finds her amusing and after a while, it becomes clear to those of us who watch anime with “Yuri goggles” that Vanessa and Eleanor are more than just having dinner with each other. The repartee’ becomes, at times, almost risque’ between them, while Margaret is totally oblivious.

We do learn that there is *alot* more to both Eleanor and Vanessa as they save Margaret from being ravished by a tiresome boy-type character. Most maids aren’t *that* good at hand-to-hand combat. And few of them are likely to be that vicious, either.

Meanwhile, back in the plot, Margaret locates a weird book which has mystic writing, which will in some way involve the token man (who works as an agent for *every* organization in the story), a tribal hot chick whose knowledge will probably not further the plot much, but will create more bath scenes and allow for yet *another* character to be looking for Margaret. (Now that I think about it, the youngish girl who is part of the tribal deal is probably going to involved with Margaret one way or another…)

This all may or may not have something to do with the illegal activities of the company Vanessa works for (and I’m betting Margaret owns, or something…) and a mafia-like organization, Enfan, that has a leader with the silliest and least fear-inspiring name ever…Friday Monday. I kid you not. He sounds like a bad guy from Pokemon, for pity’s sake.

Vanessa has gotten herself transferred to Gazth-Sonika, where Madlax has the nigh on impossible job of protecting her from herself and random assassination attempts. Vanessa’s yuri rating kicks up a notch or two when she invites Madlax to share a bed with her and in screencaps for the episode from last week, she embraces Madlax in a decidedly huggy way. Now all the Eleanor/Vanessa fans are crying, “Poor Eleanor!” Not that I think that Eleanor would mind, much. Madlax has also decided that Vanessa is a Princess and she, Madlax, is her Prince, and we, the audience, all looked for the spinning roses.

Lastly, there is Rimelda, another hyper-competent female sharpshooter, who works for the military and has a total obsession with Madlax, as well as Hisakawa Aya’s sexy “grown-up” voice. Yay!

So, the story is only at halfway and there are many, many plot elements to be sorted out – what the mystic book and Enfan have in common, what it all has to do with Margaret’s disappearance as a child, whether Vanessa goes home to Eleanor, and many, many other things that will never be resolved.

In the yuri goggles, Madlax/Rimelda, Vanessa/Madlax, Vanessa/Eleanor all look pretty yummy and will doubtless provide much fodder for horrible fanfiction and fan art. I can’t wait and I’m sure you feel the same way. :-)

Is Madlax worth watching? Depends – if you like tight stories, then avoid it like the plague. But as always with Bee Train work, the music is compelling, the action is fun (once we moved past the battle dress in the first episode,) and the yuri is pretty strong. Lots of chicks with guns. Lots of chicks in general.

Ratings:

Plot – hahahaha
Characters – 8, for Eleanor alone
Art – 7. It waffles from being excellent to being “eh”
Yuri – 8, maybe 9
Music – 9

Overall – 8

It’s a fun watch so far. Not “Read or Dream” quality, but darn fun.

Bee Train, best known for their work on Noir and the .hack universe, have once again brought us thinly veiled yuri subtext with many hints of a cool storyline, uber-competent female characters in a mysterious setting, none of which will be explained or resolved to anyone’s satisfaction in their newest series, Madlax. ^_^

Let’s just recap today, for those readers who do not remember, or have not yet discovered the Bee Train tendency towards Yuri.

In Noir we follow the violent experiences of amnesiac assassin Kirika and cool assassin Mirielle, as they track down their respective pasts and the occult/medieval/conspiracy/quasi-religious organization that binds them together. In the process thereof, we see Kirika and Mirielle open up to one another so far as to use whole sentences from time to time, never actually kill each other, with tantalizing bits of nudity, bed-sharing and affection shown in ways that only a fan could love. :-) A letter, written by Kirika to Mirielle towards the end of the series, beginning, “My beloved Mirielle” is marginally more overt. In a panel at Anime Expo 2002 (which I moderated, so I KNOW they said this, it’s not third-hand info) the Bee Train team discussed the potential relationship between Kirika and Mirielle stating simply that it was there if you wanted it to be, and if you didn’t, it wasn’t. So there you go. Whatever you want to see is the truth.

.hack/sign showed us the burgeoning affection of two young people in the virtual “The World” (the mainstay vitural universe/game that ties all the .hack stories together. Tsukasa, played by a female, but male in “The World,” has been trapped and is becoming, (or has always been) schizoid. Subaru, played by a wheelchair-bound woman, is powerful in “The World” by nature of her experience and skill, more than having any actual *power.* Subaru and Tsukasa bond, and perhaps, start to fall in love. In the final moments of the show, in fact, during the final credits, the two women who play the characters meet in the real, non-virtual world, in what is actually a touching scene. It’s certainly hopeful, at any rate.

Less satisfying was the ending of Avenger, Bee Train’s last series where nothing is resolved…nothing explained, either and the entire story really didn’t make any sense, since everyone was gonna die, anyway. The “yuri” in Avenger reads way more like a mother-daughter relationship, IMHO, but hey, remember, whatever you want to see, *is* the truth with the ole’ Bee Train crew.

Which brings me to the newest series, Madlax. Tomorrow I will review this series in irritating detail for your enjoyment. ^_^ In the meantime, run out and watch all of Noir and the last ten minutes of .hack/sign, so you get the feel for Bee Train Yuri. ^_^