Archive for the Artists Category


The Moon On A Rainy Night, Volume 4

May 10th, 2024

Two young women play-wrestle on a sofa, both laugh uproariously as they share a moment of pure joy. In Volume 3, Saki found herself seen in ways that were both complicatedly affirming and deeply confusing. Now that she knows Kanon’s history, her one comment is that barriers are meant to be blown away completely – a line that changes everything for Kanon.

Think about a moment when you believed you could do – something, anything – before someone told you, you could not take flying lessons, or whatever that thing might have been. Kanon, whose whole life was pretty much striving in musical endeavor, had a life change that made her think she could never have that back. She won’t be able to regain what she had, but now she can see that she can create something new.

In The Moon On A Rainy Night, Volume 4, Kanon decides to reclaim that feeling for herself,

To an American audience, the song that Saki ends up choosing for her class may seem simple, cheesy, banal even, but the text here explicitly asks you to consider the meaning behind the song – what it was originally mean to represent and how it can mean even more in this specific context. I ask you to consider who Stevie Wonder is, as well  – a man blind from birth who has shaped global music in innumerable ways, and Paul McCartney, a man from humble beginnings who also changed music on a global scale. So, yes, we may hear “Ebony and Ivory,” and think of it as a bland pop song – but, in this context, it means so much.

“You shouldn’t have to get over any barriers! They should be knocked down to begin with!”  Saki’s words have not stopped resonating with me since I first read this volume in Japanese in 2022. In every way I can, I am committed to removing barriers.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 0
Yuri – 4, LGBTQ – 6

Overall – 9

This year we have a bounty of charming, empowering and delightful Yuri – we have been seen – and it feels great.

 





I’m in Love with the Villainess Audiobook, Volume 5

May 3rd, 2024

Two women, one with long blonde hair, one with medium length dark brown hair, wearing lab coats, hold hands and smile gently into each other's eyes, while sparks of lightening flash behind them.In I’m in Love with the Villainess Audiobook, Volume 5, Rae, Claire, the main cast and we, the listeners, learn the “Truth of the World,” and it is not anything we could have expected.

But, first, the combined power of Rae and Claire and their children, Aleah and May, will unlock powerful magic, will complete a coup, and remake the world entirely…. and then they will take on the three Archdemons and finally the powerful Demon Queen herself.

And we will marvel as this fantasy isekai turns into something else, entirely.

And, then, they will all go home to live, one presumes, happily every after.

This final volume of inori’s epic fantasy series pulls in a lot of the random loose ends that had been strewn about the narrative. Why, for instance, does Rae keep running into people with her exact face? Why does magic work the way it does? Why does the Demon Queen want to destroy humanity? All these questions will be answered. If you have not yet read the ending, I expect it will surprise you. It certainly made me rethink everything I knew about this story and the characters.

Once again, the whole has been narrated by Courtney Shaw and she has done a fine job. She committed to the choices made in earlier volumes, so anything that rubbed me the wrong way remained, and, once again, a choice was made for pronunciation that was at odds with my choice, but I’ll get over that. ^_^ I hope inori-sensei was happy with the choices made and that really is all that matters.^_^

Ratings (for the adaptation only):

Overall – 10

If you haven’t been moved to read the books (and I am not the person to insist you do) or you have, and really love them,  I highly recommend listening to the audiobooks for a new way to appreciate them, to engage with the story or just to sit back and hear the characters come to life.

And the story is not quite done with! Next moth will see the debut of I’m in Love with the Villainess: She’s so Cheeky for a Commoner Audiobook, Volume 1, the first of three volume telling the story from Claire and others’ points of view. As I said with the LN editions, these contain a lot of original content, so don’t skip them. There is a lot happening from other people’s perspectives. Only the Google Play link is available so far, but I’ll add the rest as they become available.

 





Assorted Entanglements, Volume 3

April 10th, 2024

A woman in pink hair and headphones sits in front of a keyboard, in a gaming chair, while a woman with blue hair leans on the desk next to her.by Matt Marcus, Staff Writer

Previously in Assorted Entanglements Volume 2, sparks and virtual bullets flew as we met mangaka Heke-sensei and her editor Shinohara, who not-so-anonymously play an online First Person Shooter game together while harboring mutual crushes. Meanwhile, Shizuku and Shiori slowly float closer to each other, somehow.

For Assorted Entanglements Volume 3, Mikanuji-sensei must’ve thought “hmmm the last new couple was a little too wholesome. It’s time to spin the Wheel! Of! Problematic! ‘Ships!” A giant prize wheel rolls in and is vigorously spun. Plasticky ratcheting sounds burst out then slowly decelerate as the selection arrow slowly passes over OL x JK, then Sister x Sister (Adopted), and finally Sister x Sister (Not Adopted) before landing on: Teacher x Student. A sizzle reel plays for the winning couple. For some reason they are riding jet skis at a Sandals Resort.

That’s probably not how it happened (I’m sure there was an editor involved somewhere). However, it is less dire than you may be thinking. For now.

Our new pair of star-crossed acquaintances is the stoic gym teacher Kujou and one of her students, 3rd year Sugimoto. Every day after school, Kujou stands outside the door of a lesbian bar, too afraid to enter. Inevitably, she chickens out and instead frequents the maid café next door where Sugimoto works. Sugimoto, who is a bit of a misanthropic loner despite her good looks, decides seemingly on a whim that she is going to help Kujou on her quest to enter the bar and finally find herself a girlfriend.

It becomes clear pretty quickly that Sugimoto is on her way to catching feelings for Kujou; blessedly, her gym teacher doesn’t even register her as an option, despite noticing that her student is pushing the boundaries of a proper teacher/student relationship. (I hate that I find this refreshing.) Regardless, the comedic dynamic between these two works. Sugimoto’s acerbic tongue is a fun foil to Kujou’s sad puppy vibes. I’m just mildly concerned about where the story is going to take them.

Aside from these two, there are still three other “couples” to check in on. Not too much has changed between Minami and Iori, however the same can’t be said for their “jilted” hangers-on. In fact, Shizuku’s hard-assery has softened considerably towards Shiori, much to the latter’s chagrin. You can see the little dance they are doing, inching towards each other then repelling apart mostly because Shiori likes to throw Shizuku’s feelings back in her face to goad her into anger for a laugh. Despite that, progress is being made. For some reason, I’m rooting for them.

Meanwhile, Heke-sensei and Shinohara begin spending more and more time with each other, often pretending to be lovers for “material” to inspire Heke-sensei’s storyboarding. Each time Heke-sensei tries to close the gap, Shinohara’s bluntness and desire to hide her crush ends up unintentionally sending the wrong signals to her coworker/secret gaming buddy. They are the goofiest and most wholesome pairing in this series, so it’s always a nice reprieve when they show up.

I mentioned the art’s Same Face Syndrome in my review of Volume 2, but somehow the issue has now spread to entire characters. You can’t have your characters say a line like “you should be able to recognize your students” and then give multiple characters 99% the same face and haircut.

These are three different characters. Two of them are 12 years apart in age. No, I can’t tell them apart either.

Also, every now and then there’s some weird body proportions. There’s one panel in particular where Shinohara’s right arm appears to have grown 30% too big for her body.

The thing that continues to hold my interest is the humor (again, shoutout to Eleanor Ruth Summers for the excellent localization). Unfortunately, there are still moments of “yikes” that keep me from truly singing its praises. It’s like eating that PB&J sandwich you packed with you to the beach: no matter how careful you are, you will get a bite or two of sand that feels like it’ll crack your teeth. In one notable case, Minami is acting passive-aggressively and Iori has no idea why, and it turns out that she is grumpy because the night before, Iori, who was blackout drunk, did something out of pocket in bed. It’s supposed to be a reversal joke, but there’s enough “ick” to it that it is hard to handwave, let alone laugh at it. The series continues to be one that has enough rough spots to make it difficult to recommend.

But despite my complaints…I am still reading it. This is perhaps the funniest volume so far, and there’s plenty of joy to be had in cropping out panels as reaction images or meme fodder. You just have to be OK taking your Yuri with a grain of sand.

Art – 6 Seems like the art has regressed a touch, and the sameness of the character designs is not helping
Story – 7 A handful of questionable choices hurt it, but the humor stays sharp
Characters – 7 This really is a manga for people who like Women/Girls Who Suck
Service – 4 Iori and Minami’s sex life is still present, and it is a little uncomfy in a couple places
Yuri – 9 / LGBTQ – 9 You did hear me say lesbian bar, ya?

Overall – 7 I’d tell it to run a few extra laps

Volume 4 is currently available in English from Yen Press, with Volume 5 arriving in June. A twisted Yuri comedy with some punch.

Matt Marcus is a serial enthusiast whose range of appreciations include guitars, watches, and a particular genre of Japanese popular media named after a flower. Outside of writing for Okazu, he cohosts various projects on the Pitch Drop Podcast Network, where he frequently bloviates about video games, anime, and manga. He also hosts a blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





HabuCore F

April 4th, 2024

On the right, a stern-faced woman with short dark hair and glasses, wearing a suit. On the left a red-haired woman in a scarf and red jacket over yellow tee shirt, smiling. Today’s post is less of a review than a story of how a chance encounter changed my life. ^_^

In the early 2000s, a reader of Okazu, touko_no_doriru_san was kind enough to gift me the very first issue of a series that would take up a lot of space in my brain for the next almost 20 years. Hayate x Blade (はやて×ブレード) was a gonzo battle/school manga series by someone whose art I  already loved as the doujinshi circle JESUS DRUG, Hayashiya Shizuru.

The original story was as follows: Kurogane Hayate, an energetic doofus enters Tenchi Academy (under, it turns out, false pretenses) in order to compete for money to wipe out the debt at the orphanage that took care of her and her twin sister, Nagi. To win, Hayate must find a partner to combat other teams with. Hayate ends up partnering with Mudo Ayana, a girl whose breakup with her last partner has traumatized her and made her swear off fighting. 

This all sounds very heavy – and, honestly, it is! There is a ton of deep, dark stuff here, but also so much more crazy, goofy nonsense and high-powered swordfighting action and quite a lot of violence. Gouting blood is a thing, but so are banana peel gags and the chairwoman of the school fighting to a song made famous by a real-world roller-blading boy band. The action was good, but what made this series shine was the characters. There are too many amazing characters to name – by 2015, there were 40 main characters in this series. Honestly, I was going to list out just a few, but in the end, I really can’t. ^_^

The series went through a lot of changes. A publisher shift in Japan meant that we only got the first 6 volumes in English. The series initially ended in 2013, with Hayate clearing the orphanage’s debt. In 2014, it began anew as Hayate x Blade 2 (Nyan), in which the school chairwoman Amachi Hitsugi creates an even nuttier battle royale, pitching all the students at the school, including an outsider group determined to take the school down completely, against one another. Students were split into “Heaven” and “Earth” teams and given dangerous and weirdly bizarre scenarios in order to fight one another. There was never any doubt who would win.

There were also 9(!) Drama CDs which live in my head rent-free, as masterworks of writing and voice-acting.

In 2018, we said good-bye to Hayate x Blade. As I said at the time, statistically speaking, one volume should have been less good than the others, but none of them were anything other than fantastic. The story ended, I was very happy with where and how it ended, which was on a gag that made me snort my drink out my nose. A perfect ending for this series.

But, selfishly, I want more. ^_^ I love epilogues in manga. I especially adore 10-years-later epilogues, to see what became of these people. I wanted that for this series.

Well last year, I got it. As part of the Habu Core, (Hayate x Buraydo Collection), Hayashiya-sensei put together a doujinshi of commission art of the HxB characters (squee) and a series of 10 years later sketches of all 40 (plus 1) of the main characters, plus some high-school-era comics for those pairs. And once again, it ends on a gag so utterly out of the pale, but completely in character for Amachi Hitsugi, that I choked on my drink. 

Habu Core F is the perfect epilogue to the perfect manga series.

I’ll never forget this series. At least in part because when Hayashiya-sensei was dissolving her backlog of manuscript pages, I purchased some of the panels for myself and plan on having them framed and added to my art gallery in my office this year.  ^_^

Once again, we say good bye to Hayate x Blade. I’m glad that Sid and Nancy seem pretty happy with their choices. ^_^

 





I’m in Love with the Villainess Audiobook, Volume 4

March 3rd, 2024

We left Rae and Claire in the Nur empire at the end of Volume 3, and in I’m in Love with the Villainess Audiobook, Volume 4 we get into the weeds of so many plots that I’m still reeling from the tone shifts.

Rae and Claire may be “exchange students” but they have revolution on their minds and spend the beginning of the book thinking how they can train Princess Philene up to be the revolutionary leader they need.

But first, we have a cooking contest! And a formal ball. And a murder mystery, and a mysterious magical item, and a kidnapping. And helping out many different people in their various personal issues.

And, of course, that revolution.

There are so many plates being spun that the foreshadowing is barely noticeable, except when it’s a bat to the back of the head.

This is a story that, despite the light-hearted opening, becomes quite serious by the end. Nonetheless, there are many funny scenes* here, as well as a number of sincere discussions of queer existence. When all of that is set aside, the story digs in and becomes both politically and magically, dark.

Once again, narrator Courtney Shaw does a fantastic job at voices. Pronunciation is still an issue, however. Pronouncing Lene “Lean” is a matter of interpretation. But sakura? How is sakura being pronounced “sa-KOO-ra” in 2024? Please.  Oh well. I blame the director. This kind of thing is easy to check. I had some qualms about accents, but I’ll get over listening to a German cook with a Italian accent and a lisp. It was kind of funny after a while.

This 9 and half hour book is a lot of entertainment for the money and while it sets up the final volume of the series, doesn’t really prepare you for it when it arrives

Once again, I think this audiobook allows for a different appreciation of the story for those of use who have read or watched it, and offers accessibility to folks who use audiobooks as an assistive tool. I’m 100% for that and glad to see more Yuri available in this format with Yen’s The Executioner and Her Way of Life added to the roster this winter.

Ratings (for the adaptation only):

Overall – 10

*I even laughed out loud at a breast size scene, possibly for the first time ever.

Volume 5, the final volume, is available this month from Seven Seas Siren.