Archive for the Artists Category


20th anniversary Revolutionary Girl Utena Manga: Beautiful Thorns (少女革命ウテナ20年記念日新作)

March 18th, 2018

Image Restored/Edited by abbysayswords for The Empty Movement, 2018.

In my review of the first chapter of the 20th anniversary Revolutionary Girl Utena manga, we discussed Touga and Saionji and how they regained some memory of Anthy and Utena after 20 years had passed.

Today, before I begin discussing the 2nd chapter of the 20th anniversary Revolutionary Girl Utena manga by Saitou Chiho and Be-Papas,  which ran in the March 2018 issue of Flowers magazine, I ask you to take a moment to think back on high school. For most of my readers, that will be long enough ago for memories to have begun to fade. Think back 20 years ago. Who were you then? What did you want? I remember little of high school and even less of myself in my early 30s. It’s a long time ago.

Arisugawa Jyuri (we have an official transliteration of her name at last) also remembers little of the past. On the eve of a photo shoot, she dreams of drowning.

Jyuri is an accomplished famous fencer. In her mid-30s, there’s no reason to assume her skill is any less now than it had been. In the final match for the World Title, her opponent appears….it’s a man, who wears a rose ring! They fight, but the electrical system shorts out due to a lightning strike and the match will have to be postponed. She wonders who that man was and Miki, who had attended the match to cheer Jyuri on, comments, confused, “What are you talking about? Your opponents were all women.”

As we might have expected, beautiful, long-limbed and graceful, Jyuri is also a professional model. And, as we watch, our eyebrows crawling ever higher, she does a photoshoot…is that fucking Ohtori?! Yes, it is Ohtori, and she stands in the greenhouse, or sprawls across the chairs with signs that literally point to the waiting room, while our skin crawls. 

Jyuri is also with Shiori. I have a lot of conflicted feelings about this. I hate series that act like the only possible pairing is among the characters in the story. But bear with me here, because it’ll get even more conflicted. Shiori is Jyuri’s agent and manager. She rejects a costume that shows too much cleavage. “We have to protect Jyuri’s image as a dashing fencer.” Which leads Jyuri to talk about something on her mind – she’s thinking of leaving fencing. Shiori says, well I have to tell you something, too. And standing there is the man who Jyuri fought in the fencing match! Wearing a Rose Seal ring. And, as the Jyuri watches, he poaches her manager. Shiori leaves Jyuri, on the arms of Ruka. Jyuri breaks down crying that she needs Shiori.

We see Jyuri in those days before she took up the uniform of the Student Council. Just another female Ohtori student, as she sees a little Shiori, looking like a princess. A princess, she reasons, needs a prince. So, when Shiori arrives at Ohtori and comments she finds the fencers admirable, Jyuri took up fencing and managed to obtain Shiori’s admiration. She would be this princess’s prince. One day, Ruka find Jyuri on her hands and knees, desperately searching for her locket in a field where she thought she dropped it.  Ruka and Jyuri fight. She is unable to defeat him in this informal bout, but he gives her the locket she has been missing….he knows. He knows what she is.

Ruka and Jyuri face off again. This time he brings them to the dueling ground where Shiori is the Rose Bride. Pushed to her limits, Jyuri has a vision of a young woman, (we recognize Utena,) who floats down from the castle and gives her the “Power to Revolutionize the World.” 

Jyuri sees Shiori sitting by the river, slipping in, and jumps in to save her. She is drowning….she is being left to drown…she is being drowned. We know this scene. We recognize that bench. We can hear the music. We know it and we know that it never happened to Jyuri. 

Young Jyuri wakes in a hospital, where Shiori tells her Ruka died saving her. Jyuri wanders down a hallway and finds herself in a chapel, where child Utena sleeps in a coffin full of roses. The child calls her a goddess of battle and Jyuri remembers that Ruka had called her his “Goddess of Battle, Lily.” The child begins to walk away, Jyuri asks, “where are you going?” The girls replies, “I want to see that girl again.”

Back in the present, Juri finishes the fencing match and fingers the locket, still around her neck. Her opponent removes their mask and it is indeed not Ruka whom she fought, but a woman, (who looks rather put out.)

In the locker room after receiving the championship cup, Jyuri tells Shiori that she’s done. Shiori begins to cry – are you really not going to fence anymore? “No,” Jyuri says, I’m not going to fight for you anymore. I’ve been fighting to be your prince, to protect you.” She accepts that she really just loves fighting and will do it now for herself. 

Shiori seems to understand. She tells Jyuri that she had had a dream of Ruka walking away from her, with a smile telling her that Jyuri has found the thing she was looking for.

Jyuri opens up the locket and we see that it still contains that old picture of Shiori. Carved by hand into the metal of the inside cover it says “Fight Jyuri!” in English. 

The last page shows Ruka and Jyuri walking away from one another. The page says 「戦え樹璃」with furigana that reads “Fight Jyuri”.

Phew. 

So many feels. But what actually happened?

Jyuri experienced three things in this chapter that never actually happened to her. We know that. She did not fight Ruka in the championship bout, she did not see Shiori drown, and…Shiori did not leave her for Ruka. Not 20 years ago. Not now.

It calls into question everything we know about her. What if Shiori never did any of the things we thought she did? The Black Rose arc was clearly feeding off of participants’ dark fantasies. What if Shiori wasn’t ever a master manipulator and was – and always has been – Jyuri’s closest friend who wants what was best for her? We may never truly know. 

As I have been saying repeatedly, Saitou-sensei’s art has really grown in 20 years. The aesthetic here is even more gorgeous than we remember it. And I’d be okay with an artbook of Jyuri playing dressup. ^_^

Ratings:

Art – 9 Gorgeous
Story – 9 I’m re-reading every word trying to pull out more meaning. Sometimes doing that is ridiculous, but here, it’s always worth the effort.
Characters – 9
Yuri – 4 I don’t know if Shiori and Jyuri are a couple, but they are certainly a partnership
Service – 5 – Jyuri playing dressup as a swordswoman and a lesbian. ^_^

Overall – 9

I am 100% in favor of Jyuri finding herself at the end of this chapter. I am 100% in favor of Utena looking for Anthy. 

The next chapter will have to be Miki. 

Tune back in two months from now when the next chapter is released in the May issue of Flowers magazine!

 

 





Yuri Manga: Bloom Into You, Volume 4 (English)

February 27th, 2018

In Bloom Into You, Volume 4, as the Student Council goes into a stay-over training camp in order to work on their play for the school festival, the principal characters encounter issues they’ve brought with them from their past into their present. 

Sayaka is forced to deal with a memory being pissed all over by her first lover. The sempai, in attempting to absolve Sayaka of any blame for their gay relationship, forces her to use Touko to make a point about being gay anyway. Touko doesn’t mind, but the whole thing is awkward and uncomfortable. Sayaka’s then brought into close quarters with the girl she desires, but cannot have. She cannot not see Touko’s interactions with Yuu, she cannot not know what they mean. She has no course at all but to be stoic, which is in unfair step down from just having an unrequited fantasy. I am still primarily reading this series for Sayaka and really want to see her happy by the end of it.

Yuu learns from a friend and teammate from middle school that her current state of dissatisfaction at being overworked with Student Council stuff marks a pretty major shift from her previous lack of engagement with pretty much everything. I read too much manga, I know, but my mind went directly to another MediaWorks manga that used pathological lack of engagement as a plot complication, Kashimashi Girl Meets Girl. Is this a key development moment for Yuu, or just a thing that is told to us to explain her ambivalence? Unfortunately for readers, we cannot be sure if anything we’re presented has weight of meaning. It could easily be a handwave.

We can be sure that something came to some kind of head when we all see Touko get extraordinarily emotional as they rehearse the play. Kanou-san just got way too close to the truth (as Yuu notes privately,) with her script. Touko is competing with the ideal of a dead older sister  who turns out to have actually been a bit of a jerk. She learns her sister used the people around her and is then told, quite incorrectly, that she’s nothing like Mio. But we readers can see that she is much more like her sister than anyone knows.

If the book took a direction that made me happy, Touko would confront her own behavior in regards to Yuu and change. Yuu would be then given a chance to decide if she wanted to be with this Touko. And Sayaka would meet a nice girl. But realistically, I’m just waiting for the magic handwave that will make Yuu decide she loves Touko and they’ll get married on a rainbow-bathed chapel in the sky. Oh, sorry, switched to Kashimashi again. 

Seven Seas has given us an excellent, authentic manga reading experience with this volume, so we can relax and be perplexed by the story. ^_^

Ratings: (quote directly from the review of the JP volume)

Art – 8
Story – 5 This issue has issues
Characters – 8 
Yuri – 7
Service – 4 Bathing scenes with three girls, two of whom are lesbian.

Overall – 8….

I really want to like this series. I just still don’t know if I do. Huh, just like Yuu feels about Touko. How ironic. ^_^

Volume 5 in English hits shelves in June 2018.  Thanks very much to Seven Seas for a review copy, but I had already gotten it for myself. ^_^





LGBTQ: Hitori Koukan Nikki (一人交換日記)

February 22nd, 2018

“Dear Nagata Kabi-san, this is Nagata Kabi.”

We left Nagata-sensei at the end of Sabishi-sugi Rezu Fuzoku ni Ikimashita Report (さびしすぎてレズ風俗に行きましたレポ) (which was sold as My Lesbian Experience With Loneliness in English) looking at a building a life in the middle of crushing depression and a debilitating eating disorder. As the pages of Hitori Koukan Nikki (一人交換日記) open, she is still attempting to build that life with crushing depression and sudden, shocking fame. (How much fame? The cover of this book says that her first book has 4.8 million copies in print.) But no pressure.

Nagata-sensei’s journey is a merry-go-round. Left out of the normal development of human emotions and affection, she’s desperate to be loved, to be embraced, but incapable of functioning at the level she would need to build the relationships that provide those things. Torn between needing some kind of stability, and desiring adulthood and freedom, we see her moving in and out of her parent’s house over and over trying to find some kind of balance.

Determined to make it on her own, Nagata-sensei struggles with ever worsening depression – her darkness is very omnipresent in these pages, signified by increasing use of black in the art, as she all-but-literally drowns in her own misery. 

Nagata-sensei, though, really is determined and keeps working at her next book, this time for Shogakukan’s Big Comics Special. Although her story is fully autobiographical, it has enough general appeal to have a major publisher pick her up and run her work in their magazine. More success equals more pressure.

But, just when things seem too overwhelming, she meets someone. Someone who becomes important to her. For the first time in her life, Nagata-sensei is experiencing the kind of emotion she craves. And, miraculously, it’s returned. I won’t spoil the end of the book, because it made the rest of the book worth reading, frankly, and you too will be able to read it this June when it comes out as My Solo Exchange Diary from Seven Seas.

Let me editorialize here for a moment: I am convinced that the reason the first book sold so well was that it had “lesbian experience” in the title AND a relatable story for so many.  I bet this won’t sell nearly as well without the word “lesbian” in it. Why? Because Amazon does not have a Yuri or lesbian manga/comics category. So people put in the keyword lesbian to find stuff they might want. Then they read the description. No one  is going to find Hana & Hina Afterschool when looking for a “lesbian romance” because that phrase is never used in the description. How many people might have loved a cute, sweet lesbian romance? Who knows because the description calls it a “toy-shop romance.” This is why Amazon needs a Yuri category, but also why publishers have *got* to understand how description works and who it’s for. Because I feel so strongly about this, I’ve sent this all to Seven Seas. Update: Seven Seas tells me that they agree, and are putting this volume out as My Solo Exchange Diary: The Sequel to My Lesbian Experience With Loneliness.

Seven Seas does a reasonable job with description, compared with say, Yen, who use the surreally vague Japanese descriptions, but this one is just going to need some help to become as popular as the first volume. And it should be, Because it’s a harder read, but a better book.

It is a harder read. I squirmed during the chapters when her parents read her first book. Crushing depression is crushing, and I was feeling weighted down by Nagata-sensei’s struggle. And when she broke down after kissing someone she liked for the very first time in her life, I’m not ashamed to say I cried, too. Which is why I really liked the ending and very much look forward to Hitori Koukan Nikki, Part 2.

Ratings:

Art – 7 She definitely has a style
Story – 6 
Service – N/A, even when there is nudity
LGBTQ – 9

Overall – 8

I’m fascinated by the (maybe disproportionately?I don’t know) important role in the comics industry held by autobiographical comic essays both in the West and in Japan. 

 





Yuri Manga: Akaneiro no Kiss ha Okujou de (茜色のキスは屋上で)

February 13th, 2018

Even as Momono Moto-sensei is working her butt off with Galette magazine, Ichijinsha has been licensing some of her work, as well. Akane-iro Kiss ha Okujou de is one of these collections. 

In the first story, Megu asks an older girl at a shop to go out with her, over the loud opposition of her friends. Luckily for her, the other girl  is not all that opposed.

Two friends realize their friendship means a lot to them, and maybe even more, just int time for one to move away. Years go by and they are reunited.

A girl is approached by the subject of her crush and she just has no idea how to react.

A lesbian and straight friend have drunken sex, which leaves two of us – the lesbian and this reader – unsatisfied. I hate this kind of self-loathing “in love with a straight friend who uses the lesbian as a life size vibrator” kind of story.

A childhood mentor and tutor becomes a lover. This story kind of squicked me primarily because we’re told their specific age difference. I’m never comfortable with that, even though I don’t always dislike the concept of an generation-difference story itself. A bit hypocritical, but, I’m human.

And finally, the title story in which to friends discover that they love one another and share twilight kisses on the school roof. A nice, arm, fuzzy ending to a collection by an artists who specializes in the bitter and uncomfortable forms a relationship might take.

I really like Momono-sensei’s art, and while her stories tend to focus on the awkward and uncomfortable bits of lesbian-relationships, when she pulls out the stops and gives characters a happy ending, it’s always quite beautifully done.

Ratings:

Art – 8
Story – Variable, say 7
Characters  – 7 much less unlikable than in some of her previous work
Yuri – 10
Service – 5 Some sex scenes, a little nudity

Overall – 7

You know I’m going to say this….I cannot wait for Momono-sensei’s “Liberty” from Galette to be collected!





Yuri Manga: Anoko ni Kiss to Shirayuri wo, Volume 7 (あの娘にキスと白百合を)

January 18th, 2018

In Anoko ni Kiss to Shirayuri wo, Volume 7 (あの娘にキスと白百合を), Yurine gets a new underclassman in gardening club. As a near-last act, her sempai show up and say, “Here, this kid wants in.” Haine is thrilled to be part of the club and to be near the famous Kurozawa Yurine, but. As it turns out in our story du volume, Haine is famous in her own right and she’s frankly unimpressed by her impressively talented sempai. She takes Yurine to task for not caring about anything she does and calls her life “empty.” 

Yurine, for the first time in this entire series, is deeply hurt. The idea that she’s living a meaningless life sends her, in tears, to Ayaka. But this crisis is good for her, when she comes to realize that she actually does enjoy acting and her rivalry with Ayaka. She’s not empty after all.

Final exams are on the line. Ayaka bets Yurine that she’ll beat her this time for sure. Yurine, confident that she is unbeatable as always, jokingly says that if Ayaka loses, she wants a kiss. The grades are posted. and….I won’t spoil the ending.  ^_^ You’ll be able to read it for yourself soon enough, as the English-language releases are coming out fast. 

This volume is not the first time we’ve taken a look at Kurozawa’s life, but it’s the first time the series has gone to any length to make her sympathetic in any meaningful way. Equally, this volume takes a moment to show us a Shiramine who has softened a little. As they move closer to one another, for the first time in all 7 volumes, I feel like I can root for them as a couple.

The final chapter takes a look at Itsuki and Sawa, and Towako and Yurina show up to tell us that they’ve both gotten into the school’s college, so they’ll be sticking around. I can see that this series, having taking such pains to create a bunch of couples, aren’t going to just let them go simply.

Ratings: 

Art – 8
Story – 7
Characters – 7 
Yuri – 5
Service – 1 on principle only

Overall – 7

For the look at Kurozawa’s weaknesses, this is a good volume. And a much-needed one.