
Ellie and “Wanko” continue to be a delight to read, as their day-to-day routines and shenanigans do not fail to amuse and warm the heart and they feel like actual people who exist in our reality. The emphasis on the couple moving forward to the next stage of their relationship, discussing their future in terms of marriage and their respective career paths, adds a new layer to their established dynamics. This may sound mundane on paper, but it’s enriching for those of us who need to see these ordinary life events occur to imagine our futures for ourselves.There is one element of the book that, while overall handled very well, deserves some criticism. This volume introduces a new character to the series, a high school student named Kita, who is revealed to be a transfeminine youth.* They initially assumed that Ellie was a trans woman, and asked her for advice on how to become a woman. While Ellie cannot be the guide Kita needs to traverse through a gender transition, she is still more than willing to lend an ear and offer positive reinforcement to think about their future. The main sticking point in this volume is the pronouns used to address Kita are exclusively masculine ones, which is a choice I felt frustrated by. I’m uncertain if this is meant to reflect how they were addressed in the original Japanese edition, or if it was an intentional request by Takashi Ikeda for the English translation, but having a transgender character only addressed by the pronouns associated with the gender they’ve been assigned with at birth is something many people will find discomforting, as it did for me. This slight hiccup is unfortunate, as this volume has several instances of queer positivity, but overall I am happy for Kita’s inclusion in the narrative and that their story was treated with empathy and kindness by the author.
In the end, the final volume of The Two of Them Are Pretty Much Like This emphasized just how much I love these characters and taking the time to experience their lives. I didn’t want the book to end, but I am glad that we were able to catch a glimpse of these characters’ journeys for a little while.
* I chose to use they/them pronouns for Kita in my review because Kita is a transfeminine character, and it is important to address the possibility that they may be non-binary as they are still considering their gender identity for themselves
Art: 8
Story: 9
Characters: 10
Service: 2 (some nudity, references to Ellie and Wanko still having very enthusiastic sex together, but nothing egregious)
Yuri: 10
LGBTQ+: YMMV, 5 – 7 depending on how you view Kita’s treatment in the book
Overall: 9.5