Archive for the Artists Category


The Two of Them Are Pretty Much Like This, Volume 4 Guest Review by Patricia Baxter

December 13th, 2023
Two women lean on a fence, looking at each other, entwining fingers. One woman has medium-length brown hair, wearing a red blouse and cargo khaki capris. The other has long blonde hair pulled into a severe ponytail, wearing a lavender long shirt and a white skirt.My name is Patricia Baxter (she/her). I am a bisexual autistic writer who has previously written articles concerning how media represents different marginalized communities. You can find more of my work through my personal website “Autistic Observations”.
 
The fourth, and final, volume of The Two of Them Are Pretty Much Like This is, in a word, delightful.  Not that this manga series hasn’t been an absolute delight for me to read these past two years, because it has been, but this volume in particular emphasizes just how special the series was to read.  In essence, this series’ greatest success is the same reason why I also love She Loves to Cook, and She Loves to Eat and If We Leave on the Dot so much; they are manga series centred on the lives of sapphic women who are living happily and without shame for who they are, who they love, and what they do with their lives.  It sounds like a simple thing to take joy from, but in a media landscape so entrenched in heteronormativity it is still challenging to find narratives that even cover a fraction of what members of the LGBTQ+ community experience, or wish to experience, for themselves.  Therefore, instances where we can read a series where the characters who, even if they are not exactly like you, foster a sense of familiarity and empathy to you, are all the more special.
 

Ellie and “Wanko” continue to be a delight to read, as their day-to-day routines and shenanigans do not fail to amuse and warm the heart and they feel like actual people who exist in our reality.  The emphasis on the couple moving forward to the next stage of their relationship, discussing their future in terms of marriage and their respective career paths, adds a new layer to their established dynamics.  This may sound mundane on paper, but it’s enriching for those of us who need to see these ordinary life events occur to imagine our futures for ourselves.There is one element of the book that, while overall handled very well, deserves some criticism.  This volume introduces a new character to the series, a high school student named Kita, who is revealed to be a transfeminine youth.*  They initially assumed that Ellie was a trans woman, and asked her for advice on how to become a woman.  While Ellie cannot be the guide Kita needs to traverse through a gender transition, she is still more than willing to lend an ear and offer positive reinforcement to think about their future.  The main sticking point in this volume is the pronouns used to address Kita are exclusively masculine ones, which is a choice I felt frustrated by.  I’m uncertain if this is meant to reflect how they were addressed in the original Japanese edition, or if it was an intentional request by Takashi Ikeda for the English translation, but having a transgender character only addressed by the pronouns associated with the gender they’ve been assigned with at birth is something many people will find discomforting, as it did for me.  This slight hiccup is unfortunate, as this volume has several instances of queer positivity, but overall I am happy for Kita’s inclusion in the narrative and that their story was treated with empathy and kindness by the author.

In the end, the final volume of The Two of Them Are Pretty Much Like This emphasized just how much I love these characters and taking the time to experience their lives.  I didn’t want the book to end, but I am glad that we were able to catch a glimpse of these characters’ journeys for a little while.

* I chose to use they/them pronouns for Kita in my review because Kita is a transfeminine character, and it is important to address the possibility that they may be non-binary as they are still considering their gender identity for themselves

Art: 8
Story: 9
Characters: 10
Service: 2 (some nudity, references to Ellie and Wanko still having very enthusiastic sex together, but nothing egregious)
Yuri: 10
LGBTQ+: YMMV, 5 – 7 depending on how you view Kita’s treatment in the book
Overall: 9.5





The Two Of Them Are Pretty Much Like This, Volume 3

November 27th, 2023

Two woman in bikinis frolic down a beach happily together.To paraphrase myself from my review of this volume in Japanese, “One of the defining characteristics of an adult life is facing setbacks. You can work really hard, gambare with all you have and still not achieve the goal. Sometimes it’s hard and sometimes it’s just life. In The Two Of Them Are Pretty Much Like This, Volume 3, its both.”

“Wanko” is giving it her all, doing audition after audition. The one job she had gotten is canceled for reasons that are beyond her control. (And which resonate kind of hard this season, after the recent scandals of a major production group in Japan.) She’s working that treadmill hard, but she’s not getting anywhere.

Ellie is struggling with a wholly different problem. She’s been given an opportunity. One of the best in the business is mentoring her, with a tough love attitude and hard, cold facts. Now that she has an opening, she’s not at all confident that she’ll be able to move forward. 

Wanko really wants to be a full partner in their lives together, so despite her loss of her job, she contributes to the month’s rent. Ellie would be happy to let Wanko keep it, but she’s 100% supportive of her partner’s choice. Again, as I said, in my review of the JP edition, ” get yourself someone who looks at you the way Sakuma looks at Wako.”  Ikeda-sensei’s art is great in this volume, with expressions and body language really dragging you in to the emotional backdrop of every scene. But – and I will say this every time – his art hits new levels when he just does a panel of Ellie. He loves drawing her and it shows.

Solid work by the team at Seven Seas. Anh Kiet Ngo had a few challenging passages here and came through with a solid translation. (I was thinking about this just a moment ago, when I made an excruciating pun to my wife that was both in-joke and tortured English and I had a thought about how impossible that is to translate. This series is full of that kind of thing. Rina Mappa’s lettering is solid, but she is not given time to retouch which would have looked better. Give letterers time and money to retouch!

Overall a funny, poignant volume of this lovable series.

Ratings:

Art – 9
Characters – 9
Story – 8
Service – 5 Light nudity
Lesbian – 10

For a slightly goofy, slightly realistic story of two women (and their colleagues and friends) adulting together and being in love, this is a quietly outstanding story.  I hope you’ll pick it up and give it a read.





If My Favorite Pop Idol Made It to the Budokan I Would Die, Volume 4

November 26th, 2023

Seven female pop idoss, dressed in slight different iterations of yellow chinese-dress style costumes face us. No one thinks that the life of a pop idol is a free and easy life, not any more. We all know that – even aside from abusive management companies – it’s a hard life. It’s a lot of work that is rewarded by the whims of fans. If the fans don’t show up for the idols, no matter how much they do, it’ll never be enough.

But what does that make the life of a fan? You show up to the shows, you buy the merch, you get a handshake and, maybe, a kind word. Does the idol remember you among the many fans they have? In If My Favorite Pop Idol Made It to the Budokan I Would Die, Volume 4 we see this overtly transactional relationship from many different angles.

Cham Jam’s participation in the Okayama Idol festival is finally announced, but the fans already knew…which takes away a bit of the energy. While the idols toil to be their best selves, we get a glimpse of their motivations. Yuka’s only real desire is to be liked, while Maki really wants Yumeri to surpass her. Maina is happy where she is, Aya is not happy where she is. Sorane looks to Reo who is having a small crisis. Cham Jam will be on the same stage as Maple Doll, a popular group from Hiroshima, which features another member of Reo’s former group. It’s hard for Reo to see Mei’s group and not feel as if she’s lost something.

From the other side, the fans are struggling with just how best to support Cham Jam. Kumasa and Eripyo visit a Maple Doll concert to see the competition where they are spotted by Yuka and Aya. This causes all kinds of miscommunication that they are “two-timing” Maina and Reo. I’m gonna admit that that this section made me rage. People can like more than one thing at once, folks. It is really not at all okay for companies or other fans to make that taboo. Like, really, fandoms, get a grip.

Eripyo invites a coworker over to watch a promotional clip for the Idol Festival, only to accidentally create a rabid fan in another fandom. Woops.  She also becomes incoherent whenever she’s near Maina and it annoys her as much as it does me.

Ratings:

Art – 8
Story – Painful, but poignant at times
Character – 8
Service – 1
Yuri – Argh

Overall – Argh

I know I struggle with the “comedy” aspect of this series. Maybe if you read it, you’ll think it’s hilarious. I hope you do and let me know in the comments!

Thank you very much to the folks at Tokyopop for their excellent work making this convoluted tale of business and love make sense and for the review copy!





I’m in Love with the Villainess Audiobook, Volume 1

November 24th, 2023

Two girls in red jacket and blue skirt uniforms embrace as if to dance. The girl with medium-length brown hair smiles slightly, the girl with blonde hair looks put out.

If you’ve been reading Okazu for a while, you may know that I love(d) Drama CDs. The Drama C D category here on Okazu has nearly 100 Yuri Drama CD reviews. But the age of the Drama CD passed when the 2020s began. Instead, the genre shifted to digital…which makes a lot of sense, honestly. And, possibly more importantly, a lot of the Yuri manga that might previously have gone to Drama CD is now being made into anime, so skipping that voice-only medium altogether. I’m not complaining. But I do miss those days of popping a CD in on my way to drive to work or a con. ^_^

As a third driving factor in the shift from Dramas CDs, audiobooks – full readings of novel by a narrator – has become way more popular than it was some years ago. In the 1990s I did a LOT of driving and my wife and I constantly listened to Recorded Books on Tape, a company that kept me sane on many a long drive. But then I stopped driving and didn’t have nearly as much time to listen to things and audiobooks went from something hardly anyone did, to something Amazon could make money on. And now we’re sort of full circle as audiobooks have hit Light Novels. We may not have Drama CDs, but instead we have I’m in Love with the Villainess Audiobook, Volume 1 from Seven Seas Siren.

Narrator Courtney Shaw does a fantastic job. She captures each character well, to the point that by the end of the book, I knew who was speaking in most places, even if they weren’t immediately named. It was a pleasure to have her read the story to me, which gave me yet another perspective on words I have now experienced 4 or 5 times now.

I know you’ll care, so yes, the entire “Are you gay” conversation – including Rae talking about being impacted by Japanese media representation of gay people – is included. This is a reading of the whole novel, save for inori.-sensei’s author’s notes. Nothing was left out.

My only “complaint” (and it is not a complaint, just something that was impossible to not notice) is that a few of the pronunciations are at odds with both the written Japanese and the anime dub. The one that impacts us the most here is Lene, which is pronounced “lean.” We had a lively conversation on the Okazu discord about the various ways the Japanese レーネ could be adapted to English. My assumption was, since the Bauer kingdom is Frenchish (e.g., Claire François) was that it was meant to be Renée. The Japanese predilection for choosing ‘l’ over ‘r’ in transliteration gives us Lenée, which is pretty much how the anime dub handles it.  This and another choice makes me think that no one on the recording studio staff had thought to ask someone who could read Japanese. It was a very minor thing and didn’t really effect the overall presentation, it was just impossible to ignore – especially as we have the anime at the same time.

But do not let this very minor thing deter you from getting this audiobook. In every way, it’s an absolute delight.  While Shaw’s Rae is less over the top (or, as I like to think of it it, less “Pinky Pie”) than Hannah Alyea’s anime version, it works better for the more fully featured light novel narrative, in which we are given more of Rae’s motivation and backstory.

The first novel ends where the anime will be in a week or two, which means you can safely listen to this and not be spoiled for much.

Ratings (for the adaptation only)

Overall – 9

You should definitely get this audiobook to experience (or re-experience) the fun of the whole first novel. Then, once the anime is over (and after you have written Ichijinsha to let them know you want a second season, run out and pre-order Volume 2, so you get into the meat of the story!





Watashi No Oshi Ha Akuyaku Reijou. Maid Kitchen, Volume 1 (私の推しは悪役令嬢。 メイドキッチン)

November 23rd, 2023

Two girls in maid uniform hold out treats, while a girl with long blonde hair sips tea, surrounded by cookie designs.Lady Claire François, daughter of the Minister of Finance, has a problem. She turns to her maids, Lene Arrouseau and Rae Taylor to solve that problem…with food.

In Watashi No Oshi Ha Akuyaku Reijou. Maid Kitchen, Volume 1 (私の推しは悪役令嬢。 メイドキッチン), food is the answer, whether the problem is bored taste buds, or social status or a fever, or even the unpleasant temperature outside. There is nothing that can’t be solved by the application of just the right culinary item. Lene and Rae even conspire to cure Claire of her dislike for carrots.

The primary relationship here is between Claire and her maids – how they understand her, want her to be happy and healthy and through that, between themselves. Lene is given a little room to be seen as an individual and Rae gets to flex her knowledge of cuisine.

tsuke-sensei’s art is quite good – especially considering that readers are now used to Aonoshimo-sensei’s art. I find the use of goofy faces – including “horror face” suits the bwah-bwah-bwah tone of what is, at least in part, a gag manga with characters we already know and like.

We’re not given recipes here, but we are given enough information that, should we too wish to make a cake salé, it would not be hard to find a useful recipe. And, since it is Thanksgiving in the USA, today seems like a good day to bring something different to any shared meal you might be attending. The older I get, the more I realize how much of French cuisine is really just “what do we have in the house and how do we use it for dinner?” ^_^

Ratings:

Art – 8
Story – Claire has a problem, food solves the problem
Character – 7
Service – Rae is Rae
Yuri – Rae is Rae

Overall – 7.5

This is very much a manga for fans of the I’m In Love With The Villainess series. It won’t add anything to the story proper, but it will allow you to spend more time in the company of Claire, Lene and Rae. And food.