Right off the bat, I need to point out this excellent cover design by Aracelli Ejarque Villegas for Ayaka in in Love with Hiroko, Volume 1.  I honestly think it improves upon the original, which had the word “love” spattered about. This echo effect is outstanding.  We’re off to a good start with this edition from the LoveLove imprint of Tokyopop.

This is this first of three volumes that follows the comedic inability to communicate between life-long lesbian and hyper-competent workplace sempai, Hiroko and her junior in the department Ayaka, who is crushing on Hiroko so hard – and dressing provocatively to that end – that she’s throwing the entire department into chaos.

At the heart of the mix-up is Hiroko’s assumption that Ayaka is straight. Ayaka is full on in gay-for-you mode, with little understanding of her (or any) sexuality. it’s going to take a lot to get this cluelessly infatuated woman and her desperately attracted but unwilling to deal with a straight girl love interest together. As I said in my review of this volume in Japanese here on Okazu, “Hiroko is put out greatly by Ayaka’s flirting. The problem isn’t that Hiroko isn’t interested…the problem is that she is. Very interested. And this apparently straight girl is driving her out of her mind. Poor Hiroko drinks away her pain every night at a lesbian bar, screaming at how vexing this all is!”

Volume 1 comes to a climax when Hiroko goes to her secret and safe lesbian bar…only to find Ayaka and another department junior already there. Quelle shock!

So, the one question that underpins this whole volume is why is Hiroko *so* deeply closeted at work? Japan currently has workplace protections for LGBTQ employees , but if you’re paying attention, you’ll understand that that is not really meaningful if an employer, manager, or coworkers are hostile. As the series goes on we’ll also delve a bit more into the specific personal reasons Hiroko has for remaining closeted.  I hope that this is a comedy which will one day simply make no sense to a young audience because this bullshittery around sexuality and gender will be a non-issue. I look forward to that day. ^_^

Sal Jiang does great faces reacting to situations in which they have lost control. Hiroko will constantly be losing control of both Ayaka and her own feelings, while Ayaka is a force of nature, indiscriminately affecting everything. 

As a workplace comedy, the story needs a lot of misreading the situation and missed opportunities for communication. It is still rather amusing.  It’s also very nice to have a Yuri manga about a lesbian to start off our new year. ^_^

Ratings: 

Art – 8
Story – 8
Characters – 10
Service – 5 
Yuri – 7
Lesbian – 9

It’s always good to see another Sal Jiang in English, but even more interesting is the way her work is being published by different publishers here. Seven Seas put out Tough Love at the Office: The Complete Yuri Collection last year, Tokyopop is has this series and Kodansha will be publishing Wicked Spot, Volume 1 in spring! 

Thanks to LoveLove for the review copy, provided to me through ANN, for which I reviewed this book as part of the winter Preview Guide. Volume 1 is hitting EN shelves in February, pre-orders are open now. 

CW: Extreme personal violence, rape, emotional and psychological abuse in a workplace setting.

Sal Jiang’s Black & White, the  3-volume series of violent and psychopathic competition at highly competitive Japanese financial firm is now available in English as Tough Love at the Office: The Complete Yuri Collection and it asks us to ask ourselves what is really important to us….but not until we grin through 400+ pages of two women who are trying to eat each other for lunch, in all the meanings of that phrase. 

Kuroda Kayo comes in to her new job brimming with confidence and acclaim and immediately runs into Shirakwa Junko, who has her eyes set on power. The two of them instantly dislike one another, but also cannot stop having violent, angry sex that is clearly meant as rape to destroy the others’ will. Both are equally matched in smarts, skills, popularity and desire to destroy the other. 

I loved the first volume of this in Japanese and I still think it is the strongest part of the story. To quote myself from my review of the JP Volume 1, “Jiang’s art is terrific – clean and stylish, cute and approachable, and nasty af, in turns as the narrative requires. The characters are terrible people, but they sometimes do good or kind things, which gives them nuance. Neither of them is a sadist to the pleasant office drones around them. They are, however, two dominant humans fighting for dominance in every way possible. Yeah, baby. I’ll take as much of this as I can get.”

When Kuroda and Shirakawa are teamed up by a scheming senior executive, he gets exactly what he hopes for – an unethical power-hungry machine to take down his enemies. But then they are turned on one another again. When Kuroda makes a misstep on an overseas trip, she causes a chain reaction that will ultimately lead to the end of the series…

…where we are asked to consider what is truly important to us. The answer to that question for both Kuroda and Shirakawa may surprise you. 

This is not a Baihe-style “in love with my cold, tough boss” story. This is a potentially/eventually disturbing exploration of deepest, darkest expressions of five of the seven deadly sins. But what this story also is is pitting two evenly matched competitors against each other in a evenly balanced match. And for that reason, I can enjoy the heck out of it (although I admit, I would have ended it differently. ^_^) 

Ratings:

Art – 8
Story – 10
Characters – 10
Service – 7 Not a lot of nudity, but a lot of sex and violence
Yuri – 7 See above

Overall – 10

Alexa Frank’s translation and Asha Bardon’s adaptation does everything it can with the blurry “business” stuff . The Seven Seas team does a great job here as usual.