Archive for the Shimura Takako Category


Otona ni Nattemo, Volume 4 (おとなになっても)

June 23rd, 2021

In previous volumes of Otona ni Nattemo, we met Akari and Ayano, who met in a bar and spent the night together, Ayano’s husband Wataru, who has wondered what that means for him, and assorted family, friends, coworkers and students who have become involved in the lives of our principles. No one know what they are doing. Sure, they are adults, but…

In Otona ni Nattemo, Volume 4 (おとなになっても), the whirlpool sucks them in further. Wataru suggest a separation and Ayano agrees. Wataru’s going home to live with his parents. Akari, not knowing this, has also decided to move to give her distance between her and Ayano. At school, Ayano is playing at being a grown-up with answers for the children who have their own love triangle issues and is torturing herself on faking competent adulthood for elementary schoolers, while her own life is in turmoil.

Ayano and Akari coincidentally meet at the train station and coincidentally look back at one one another and, as the final pages of the volume are turned, Ayano suggest they go to the cafe at the station and talk….

I’m calling it – this series is Shimura Takako’s best work to date.

For years, I have said that her work reminds me of Melissa Scott’s novels – solid concepts with slightly too much emphasis on sex and gender considering the lack of conviction with which it was executed. For the first time ever, I feel that this book isn’t trying to say something – it’s a fully conceived story about people who might be real, and neither sex nor gender is the story, just part of human existence as a whole.

One does not dislike Akari, Ayano or Wataru, they are all sympathetic in their own ways. I don’t pretend to know what the future holds for any of them, frankly. I don’t even have an opinion on whether any of them ought to be together. I’m content to see where the story – which is well-drawn and well-told – goes.

Ratings:

Art – 8
Story – 9
Characters – 8
Service – 0
Yuri / Queer – Impossible to tell at this point. Ayano may be bi, Akari is lesbian, Eri might be ace, but we can’t be sure about anyone of them but Akari.

Overall – 8
I hope you’re all reading this story as it comes out in English as Even Though We’re Adults from Seven Seas. It’s Shimura at an absolute peak of her work and a story wholly for as well as about, grownups. Volume 1 is out, Volume 2 just came out last week, and Volume 3 will arrive in October (you can pre-order it on RightStuf or Amazon already.)





Otona ni Nattemo, Volume 3 (おとなになっても)

February 25th, 2021

Akari is ready to move on. She’s ready to reclaim her old career in the salon and stop running away from her life. She’s putting Ayano and her old ex behind her. She’s moving into a new place and ready to face a new day. Volume  1 and Volume 2 are old news.

So, in Otona ni Nattemo, Volume 3 (おとなになっても) when she walks outside for her first new morning and finds Ayano walking out of her own home at the same time, one can easily imagine some of the words that flit through Akari’s head. And when she gets off the train and finds she’s walking home with Ayano’s husband, she’s sure that a brand new level of hell has opened up just for her. Only, Ayano’s husband is, actually, kinda nice? And not in a creepy way, he just seems to be a decent sort. Even knowing this is the woman his wife is interested in, Wataru invites Akari to dinner. The story gets more complicated as Wataru’s NEET sister Eri now thinks something is up with Akari, but it appears she thinks it’s her brother having an affair.

Akari ends up being roped into a mini-marathon for the local town art festival. In doing so, she rediscovers her love of running. In fact, everything might be looking just great, if it weren’t for the fact that she just can’t seem to get away from Ayano, who she loves and Wataru who she’s come to like.

This was the first volume of this series that really focused our attention on Akari, as opposed to Ayano and like magic, I found myself way more engaged with the narrative. ^_^ I’m torn though, because I don’t want to care too much, either, because I don’t see this series having an ending I can live with. I just hope when the wreckage clears, Akari’s still standing.

Shimura-sensei’s artwork is confident and clean in this volume and to be very honest, this might be the best story I’ve read by her, narratively speaking. I don’t know what will happen and I am content to let it happen, which is exactly what I want from a drama about adults.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
Yuri – Hrm….Ayano and Akari are still interested in each other.

Overall – 8

I’m putting my money down on this being a candidate for a live-action series.

Volume 4 is already out in Japanese and Volume 1 is available in English as Even Thought We’re Adults, (I reviewed that here on Okazu earlier this month) so share your thoughts in the comments if you’ve read it!





Even Though We’re Adults, Volume 1

February 4th, 2021

Takako Shimura’s Even Though We’re Adults, Volume 1 is a very strong opening to a series I still have no idea in what direction it is going. Ayano, a teacher, meets Akari when she stops by a place for a drink. They end up sleeping together. Both Ayano and Akari want to see each other again, but when Ayano does come to the restaurant Akari works at, she’s accompanied by her husband.

Ayano tells her husband that she’s interested in Akari and he basically has no idea what to do with that information. He’s in love with his wife, and he’d like a child with her, but thinks (fears?) that she’s slipping away. Ayano isn’t sure what she wants, except that she is sure she wants to see more of Akari. Akari is in a worse spot; with a history of failed relationships, the last thing she needs is to be falling for a married woman…but that is definitely what is happening.

Quite a lot of manga people I know who are also queer, including myself, have very ambivalent relationships with Shimura’s work. She does seem to focus quite a lot on gender and sexual minorities, with varying degrees of verisimilitude. In my personal opinion, this story feels equal parts solid and kind of icky. It may also be that I’m not particularly thrilled to have either another “messy relationship with a married woman story” or a story that makes the lesbian performatively self-loathy. At the same time, there are elements here that keep bringing me back to this story, which is at Volume 4 now in Japanese.

One of the best things about the series so far is the art. There are moments, especially when Shimura-sensei is using the watercolor style she often relies on for covers and color art, when she really shines. I talked about this a little in my review of Volume 2 in the Japanese, as well.

As always, the team at Seven Seas has done a great job. Shimura-sensei is great with *moments,* but has a harder time sustaining conversations over a scene. Translator Jocelyne Allen and adapter Casey Lucas allow the conversations to flow naturally. Everything about this book – the lettering and design, as well as the writing and art – is given room to get out of the way of the characters and let them tell their story. I’m  not at all sure where that story is heading, but I guess I’m here for the ride!

Ratings:

Art – 8
Character – A not-sure-yet 7
Story – Same 7
Yuri – 8
Service – 1 Hardly any, in fact. The 1 is mostly on principle

Overall – 7

Thanks very much to Seven Seas for the review copy! Volume 2 is slated for a summer release. I’m definitely going to have to bump up Volume 3 in Japanese on the to-read pile and see what happens.





Happy Go Lucky Days

November 15th, 2020

“My first kiss was with a girl.

Her name was Yuri-chan. It sounds like a joke, but it’s not.”

These are the opening lines of Happy Go Lucky Days, the anime movie based on Shimura Takako’s manga Dounika Naru Hibi (どうにかなる日々). The movie was originally supposed to have had a spring 2020 release, but due to COVID-19 delays, it was pushed back to autumn. The Asian Pop-up Festival streamed it with English subtitles. The opening 8 minutes of the movie are still on Youtube on the Cinema Today channel for you to enjoy.

The story is a loose conglomeration of scenarios that revolve around love and sex and romance. The first scenario follows Ecchan, who dated the above-mentioned girl named Yuri in high school. Years later, she’s attending Yuri’s wedding and finding herself crying in the bathroom, where she encounters Aya, who also has dated Yuri, in college. Motivated by their common ground of annoyance with Yuri, they end up sleeping together, then just being together, in a way that feels comfortable and not forced at all. Yuri’s marriage has done something good for them, at least. ^_^

The second scenario follows Sawa-sensei, a man who feels very closeted to me, as he navigates a confession from a student and need for affection.

The third scenario is my least favorite. Sayoko was thrown out of her house for doing a porn video and is staying with neighbors. Her overtly sexualized behavior and speech fucks around with Shin-chan who is only in 5th grade. He and his best friend and ultimately girlfriend Mika, are made aware of sex because of Sayoko. We watch as they navigate puberty…something I’m not really all that interested in doing.

The team at Pony Canyon for this movie was the same as brought us Asagao to Kase-san, so the animation was very pretty, although the scenery and content was less well-served by the animation. Hotel bathrooms can only be lovingly animated to a very limited extent. ^_^; 

The content is in exactly the space that Takako-sensei really sits most comfortably, as characters become uncomfortably aware of their sexuality (or, in other of her works, gender.) It’s never a wholly pleasant journey, but it’s not unpleasant, either. It always feels a little like she’s trying to figure something out, or standing outside, looking in on people’s inner thoughts, trying to work out something in herself.

In this case, I found myself relieved that the initial scenario was not unpleasantly complicated and we’re left thinking that it could be a happily-at least for a normal course of time- after. ^_^

Ratings:

Art – 8
Story – 8,8,6
Characters – 8
Queer – 8 in the first vignette, and yes…but, for Sawa-sensei. He’s questioning more than queer. Let’s give him a 5.
Service – Yes. Sex and sex adjacent stuff. I’d give it a 6.

Overall – 8

Happy Go Lucky Days was pretty and the lesbians are okay. ^_^





Otona ni Nattemo, Volume 2 (おとなになっても)

September 23rd, 2020

In Volume 1 of Shimura Takako’s adult life drama, we met Ayano, a grade school teacher, and sever Akari, who meet and sleep together. It’s only later Akari finds out that Ayano is married to a man. Despite this, neither of them can stop thinking about the other.

It is on this precarious footing that Otona ni Nattemo, Volume 2 (おとなになっても) begins I spent the entire volume angry for Akari, as everyone in Ayano’s life seems to make a point of going to her restaurant in order to size her up. While Akari is trying to figure out what she wants from her own life, Ayano and her husband are unable to process their own problems in private, as family issues pop up and take their time and attention. At the beginning, Ayano’s husband announces suddenly that they’ll be divorcing, but by the end of this volume it’s harder to know what they will actually be doing.

The fact that I felt so vexed is probably a good sign, as it meant that I was engaging with the drama, something that Shimura’s work rarely does for me. I had to laugh, because my reaction to this volume is exactly the same as my reaction to the ending of Sweet Blue Flowers; that is to say, I want desperately to pluck the lesbian out of this story and find her a decent girlfriend! Yes, yes, maybe Ayano will become a decent girlfriend. I remain skeptical. ^_^

We get a long look at an episode from Ayano’s youth, in which she was a tall, boyish girl whose friend clearly wanted more than friendship from her.

As I wrote this review, I considered the art. It took me awhile to figure out what I wanted to say. Shimura-sensei has been at this a long time and I was thinking her art has changed a lot. Her fine art, the water color-style paintings that usually grace her covers and fill her art books are really quite excellent. Even rendered in black and white, her “watercolor” work has improved. I don’t think her drafting has gotten worse, but it hasn’t really made the same strides as her “fine” art. I’m too lazy to scan in the images I’m looking at here, but two chapter pages; one in ink and one painted, really make my point. (Fine, I’ll scan them in. Pardon my shitty, quickly done scans. The pages are the same size, but the first one has a white border, fyi.)

There’s nothing wrong with the first image. Nothing at all. It just lacks some quality that the second picture has, a depth of emotion, even in black and white. All of this is of course, in my opinion.

 

 

 

 

 

 

 

 

 

 

 

 
 

 

Ratings:

Art – When it’s good, it is so very good, I just wish that were more often.
Story – ARGH
Characters – In a holding pattern
Service – Nope
Yuri – Yes

Overall – 7

So once again, I find myself in a holding pattern with a Shimura series, waiting to see what is in store for our characters, and hoping, despite myself, that she will write them a good story and not just handwave the end, as she has in the past.