Kurumi and Ruriko are friends. They have decided to be married even though neither of them feel romantically inclined toward one another. They come up with rules to follow to preserve their relationship and immediately those rules feel strained in I Married My Female Friend, Volume 1.

“Or so they think…” weighs heavily in every scene in which they monologue about their feelings of friendship for one another. Kurumi is a free spirit, but on a solo trip she keeps thinking about Ruriko. Ruriko is glad to let her wife roam, but her mind is always on what would make her happy.

They negotiate boundaries. When Kurumi messes up the garbage Ruriko redistributes the labor more sensibly. When Ruriko doesn’t tell Kurumi about how sick she is feeling, until she has to be rushed to the hospital, they find themselves discussing what will make “them” work. For that…and for the moment, Kurumi comes running into the hospital asking to see her wife, left me feeling happy, with a coda of “been there.” Very happy, because it’s still new and exciting to see women identifying themselves as wives, and I don’t see it becoming less wonderful as time goes on.

The one thing that feels different from Usui-sensei’s other “couple figures it out” series, Doughnuts Under A Crescent Moon, is that from the beginning, there’s a very distinct sense that, while Ruriko says she’s only gto feelings of friendship for Kurumi and Kurumi does not seem to have any romantic feelings for Ruriko, there’s an overwhelming sense that that is where we’re heading.

I have been thinking a lot about platonic intimacy between women…and I have always been an advocate for a legal partnership that is not meant as an indication of a romantic pairing. Why shouldn’t friends just be able to designate one another as “family?” Of course, with same-sex marriage in some countries, we’re a little closer to that, but I cannot designate my dear friends who are married to each other, as members of my family, in case of emergency or need. That has never made sense to me. Why shouldn’t people who live together and share household requirements just be able to be seen as a “family” legally? This first volume skirts this issue, as Kurumi and Ruriko balance what their friendship means to them and what their marriage means. 

This series is less of a personal journey into sexuality and identity than Doughnuts, but is, perhaps, more of a journey into social identity. It’s also quite goofy at times, which is fun.

The folks at Seven Seas brought us a wonderfully clean adaptation, with retouched sound effects (yay! whoo! It looks great! Thank you Aly Villanueva and Seven Seas for allowing Aly to do that.) Avery Hurtley’s translation does a great job of giving Kurumi and Ruriko their own voices. I care deeply about that kind of thing, especially for a manga in which these two voices are most of what carries the story. The cover, which is a straight-up gloss looks great, thanks cover designer M.A. Lewife.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – 0
Yuri – 6

Overall – 8, with loads of potential

This is not the deepest book about queer identity (the issue of same-sex marriage is handwaved away as “it’s legal now”) we’ve seen in 2023, but it doesn’t need to be. Sometimes, all we need is a gag about a roaside radish.

Thanks very much to Seven Seas for the review copy…I had bought myself the print volume first, but I appreciate the thought!

Hinako is an adult woman who has spent her life trying to fit into boxes for the convenience of other people. Asahi is an adult woman who has spent her life living for her sister Subaru. In Volume 3 of Doughnuts Under a Crescent Moon, their relationship has caused them both to question those lives.

I’m not going to synopsize a single thing that happens here. You really must read this book on your own, without my prompts as to what is important. I will say that every page is important. Because this is a quiet, ever-so-gentle and tentative, slice-of-life story about emotional bonds and love, it’s easy to be fooled into thinking that nothing of consequence happens. But you’d be wrong. ^_^ What I see here is some of the most profound manga about re-evaluating one’s entire life that I have ever read. Now that I think about, that’s probably why I like Kimi to Shiranai Natsu ni Naru (君としらない夏になる), as well. The old ways of doing things are not working….well, they never worked, but previous generations didn’t have the wherewithal to get off the treadmill. Now that we’ve seen with our own eyes that nothing we were told was true about pretty much all of society is true, I hope everyone younger than I creates a completely different idea for themselves.

The art here is great, there’s a real sense that Usui-sensei is still developing as an artist. Body language and expression are on point for the characters. But it’s the dialogue where this volume shines. These are real conversations. The internal monologues are slow, repetitive, realistic. Terrific translation by Jenny McKeon and adaptation by C.A. Hawksmoor give each character their own voice. Fantastic work from everyone at Seven Seas.

The outcome is growth for two people who had never previously granted themselves the right to grow.

An outstanding volume of one of my favorite Yuri manga series of the past few years. If you want slight spoilers, take a look at my review of Volume 3 in Japanese…and rest assured that the end held up. ^_^

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 6
Service – 0

Overall – 9

Volume 4 will be released in Japan this month, there is no releasd date as yet for the English volume. I will spoil this – it’s absolutely worth the wait. ^_^